Revised proposal
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The proposal is for a 15-second ident to run on E4 featuring two lovers sitting on a park bench who notice a horrific plane crash and burst into laughter in reaction. After laughing, they notice the E4 logo sitting next to them on the bench. They look at the camera and shrug. The purpose is to make viewers laugh and share the ident with others to expand the audience. There is no deep meaning, just randomness to fit E4's style. The ident matches E4's colors, childish comedy theme, and random style.
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Proposal
The proposal is for a 15-second ident for the E4 channel. It would show two lovers sitting on a park bench who notice a horrific plane crash in the sky. They initially react with shock but then burst into laughter, a controversial reaction. They then notice the E4 logo sitting next to them on the bench. They look at the camera and shrug as if this is a normal occurrence. The purpose is to make viewers laugh and share it with others to increase E4's audience. It aims to be random to fit E4's corporate identity and confuse viewers slightly. The key details provided are the duration, scene described, filmmakers, equipment used, and target audience of 17-35 year olds interested in random
Revised proposal
The proposal is for a 15-second ident to run on E4 featuring two lovers sitting on a park bench who notice a horrific plane crash and burst into laughter. They then see the E4 logo sitting next to them on the bench and shrug at the camera. The purpose is to make viewers laugh and share it with others to increase E4's audience. It aims to be random and confusing to leave viewers wondering what happened but add humor. The ident matches E4's corporate identity of childish comedy and randomness through the controversial reaction, surreal inclusion of the logo, and casting of actors fitting E4's target 17-35 age range.
Q1 eveluation
The document discusses the design of marketing materials for a horror film. It describes how the magazine and poster were designed to incorporate typical horror conventions like red and black color schemes to clearly communicate the genre. Direct eye contact with the main character in the magazine and names of recognizable actors were used to intrigue audiences. While the poster featured atypical conventions by showing the character from behind to create mystery and suspense. Synergy between the magazine, poster and trailer was ensured to consistently market the film across different media.
Zombieland Poster Analysis
The document summarizes key elements of a film poster's design and purpose. A film poster's goal is to generate awareness and hype for an upcoming movie in a visually engaging way. Effective posters prominently display the film's title and stars to attract audience interest. They also provide clues about the film's genre and tone through images, colors, and short taglines, but avoid revealing too much of the plot. Well-designed posters balance promotional and artistic elements to successfully advertise the film.
Tinker Tailor Soldier Spy
This poster for the film Tinker Tailor Soldier Spy creates a sense of mystery and secrecy. The faded background numbers and characters who avoid eye contact heighten the ambiguity. The main character stands out in a suit, implying authority but also suspicion. Multiple other characters look intently at something unknown, raising questions about their roles. The color scheme uses red, white and blue strategically to draw attention to the title and main character amid the confusing images and blue backdrop.
Tinker Tailor Soldier Spy
This poster for the film Tinker Tailor Soldier Spy creates a sense of mystery and secrecy. The faded background numbers and characters who avoid eye contact heighten the ambiguity. The main character stands out in a smart suit, implying authority but also suspicion. Multiple other characters look intently at something unknown, raising questions about their roles. The color scheme uses red to draw attention to the title and main character, with blue tones linking the additional figures and deepening the intrigue.
Tinker Tailor Soldier Spy
This poster for the film Tinker Tailor Soldier Spy creates a sense of mystery and secrecy. The faded background numbers and characters who avoid eye contact heighten the ambiguity. The main character stands out in a smart suit, implying authority but also suspicion. Multiple other characters look intently at something unknown, raising questions about their roles. The color scheme uses red to draw attention to the title and main character, with blue tones linking the additional figures and deepening the intrigue.
Codes and Conventions of a Psychological Horror Poster
Most psychological horror movie posters feature an extreme close-up of an eye that appears unnatural and scared. Editing is often used to add silhouettes or hands in the eye to create mystery around what the protagonist sees. Houses are also commonly shown in the background of posters to unsettle viewers by depicting an unsafe location. Color schemes usually involve black, red, and white to symbolize themes like death, blood, and mystery. Text is kept bold and clear against dark backgrounds to stand out and reflect horror themes through effects like erosion. Key information like the movie title and release date are placed prominently to attract attention.
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Proposal
The proposal is for a 15-second ident for the E4 channel. It would show two lovers sitting on a park bench who notice a horrific plane crash in the sky. They initially react with shock but then burst into laughter, a controversial reaction. They then notice the E4 logo sitting next to them on the bench. They look at the camera and shrug as if this is a normal occurrence. The purpose is to make viewers laugh and share it with others to increase E4's audience. It aims to be random to fit E4's corporate identity and confuse viewers slightly. The key details provided are the duration, scene described, filmmakers, equipment used, and target audience of 17-35 year olds interested in random
Revised proposal
The proposal is for a 15-second ident to run on E4 featuring two lovers sitting on a park bench who notice a horrific plane crash and burst into laughter. They then see the E4 logo sitting next to them on the bench and shrug at the camera. The purpose is to make viewers laugh and share it with others to increase E4's audience. It aims to be random and confusing to leave viewers wondering what happened but add humor. The ident matches E4's corporate identity of childish comedy and randomness through the controversial reaction, surreal inclusion of the logo, and casting of actors fitting E4's target 17-35 age range.
Q1 eveluation
The document discusses the design of marketing materials for a horror film. It describes how the magazine and poster were designed to incorporate typical horror conventions like red and black color schemes to clearly communicate the genre. Direct eye contact with the main character in the magazine and names of recognizable actors were used to intrigue audiences. While the poster featured atypical conventions by showing the character from behind to create mystery and suspense. Synergy between the magazine, poster and trailer was ensured to consistently market the film across different media.
Zombieland Poster Analysis
The document summarizes key elements of a film poster's design and purpose. A film poster's goal is to generate awareness and hype for an upcoming movie in a visually engaging way. Effective posters prominently display the film's title and stars to attract audience interest. They also provide clues about the film's genre and tone through images, colors, and short taglines, but avoid revealing too much of the plot. Well-designed posters balance promotional and artistic elements to successfully advertise the film.
Tinker Tailor Soldier Spy
This poster for the film Tinker Tailor Soldier Spy creates a sense of mystery and secrecy. The faded background numbers and characters who avoid eye contact heighten the ambiguity. The main character stands out in a suit, implying authority but also suspicion. Multiple other characters look intently at something unknown, raising questions about their roles. The color scheme uses red, white and blue strategically to draw attention to the title and main character amid the confusing images and blue backdrop.
Tinker Tailor Soldier Spy
This poster for the film Tinker Tailor Soldier Spy creates a sense of mystery and secrecy. The faded background numbers and characters who avoid eye contact heighten the ambiguity. The main character stands out in a smart suit, implying authority but also suspicion. Multiple other characters look intently at something unknown, raising questions about their roles. The color scheme uses red to draw attention to the title and main character, with blue tones linking the additional figures and deepening the intrigue.
Tinker Tailor Soldier Spy
This poster for the film Tinker Tailor Soldier Spy creates a sense of mystery and secrecy. The faded background numbers and characters who avoid eye contact heighten the ambiguity. The main character stands out in a smart suit, implying authority but also suspicion. Multiple other characters look intently at something unknown, raising questions about their roles. The color scheme uses red to draw attention to the title and main character, with blue tones linking the additional figures and deepening the intrigue.
Codes and Conventions of a Psychological Horror Poster
Most psychological horror movie posters feature an extreme close-up of an eye that appears unnatural and scared. Editing is often used to add silhouettes or hands in the eye to create mystery around what the protagonist sees. Houses are also commonly shown in the background of posters to unsettle viewers by depicting an unsafe location. Color schemes usually involve black, red, and white to symbolize themes like death, blood, and mystery. Text is kept bold and clear against dark backgrounds to stand out and reflect horror themes through effects like erosion. Key information like the movie title and release date are placed prominently to attract attention.
Magazine Textual Analysis Part 3
Sight & Sound is a British film magazine that has been published monthly since 1932 by the British Film Institute. It features film reviews and news, and compiles lists of the greatest films of all time every decade as chosen by directors and critics. The magazine cover analyzed uses neutral colors and desaturation in the main image to make it seem more intense, and employs bright colors sparingly to draw attention to specific elements like the masthead and additional graphics. The target audience appears to be knowledgeable about film given the lack of context provided in the sell lines and images.
Presentation2
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The document provides guidance on designing movie posters for horror and thriller films. It recommends including a brief slogan to summarize the film, displaying the title with a blur effect to create mystery, and using muted colors rather than bright ones. It also suggests keeping the billing box minimal, omitting or obscuring the faces of main characters to generate questions in the audience.
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Media radials
The film poster uses dark colours like black and grey to create a mysterious thriller atmosphere. Leonardo DiCaprio is shown in black and white except for his eyes to give insight into the film. The island is highlighted in bright light suggesting there is more to it than meets the eye. The layout follows conventions by showing the title, date and credits while the image and tagline intrigue viewers.
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The film poster conventions summarized are:
1) Horror film posters typically feature disturbing or scary imagery like a screaming person to indicate the genre.
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Question 5
To attract their target younger audience, the filmmakers used conventions of the crime/comedy genre in their opening scene. They depicted characters preparing for a heist, using guns which signify danger, death, and murder associated with crime films. They also included comedic elements, hoping to interest younger viewers with both the crime and comedy aspects of the genre conventions employed.
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Magazine Textual Analysis Part 3
Sight & Sound is a British film magazine that has been published monthly since 1932 by the British Film Institute. It features film reviews and news, and compiles lists of the greatest films of all time every decade as chosen by directors and critics. The magazine cover analyzed uses neutral colors and desaturation in the main image to make it seem more intense, and employs bright colors sparingly to draw attention to specific elements like the masthead and additional graphics. The target audience appears to be knowledgeable about film given the lack of context provided in the sell lines and images.
Presentation2
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Film poster analysis 1
The poster summarizes the plot of the film Frozen. It shows the main characters Elsa, Anna, Olaf, Kristoff, and Sven against a wintry backdrop. Elsa is using her powers to conjure a blizzard that the other characters must brave. The poster lacks an explicit tagline but conveys an exciting, wintry adventure. It also promotes the film's 3D options and website to provide additional engagement for audiences, especially children.
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Production logo
The document summarizes and analyzes the conventions used in the logos of three horror film production companies:
1) Alfred Hitchcock's logo used a grayscale aesthetic and thin, creepy font to foreshadow gloomy and scary films.
2) Dark Castle Entertainment's logo featured a dark, cloudy background with a full moon, representing nighttime horror scenes, along with a bolded but not oversized illuminated font and thunder sound effects.
3) Ghost House Pictures' logo had a dark background, a skeleton symbolizing death and horror, and a plain font "to the point" like death, with a door-slamming sound conveying a sense of being trapped.
Moodboard for movie poster
The document provides guidance on designing movie posters for horror and thriller films. It recommends including a brief slogan to summarize the film, displaying the title with a blur effect to create mystery, and using muted colors rather than bright ones. It also suggests keeping the billing box minimal, omitting or obscuring the faces of main characters to generate questions in the audience.
Moodboard for movie poster
The document provides guidance on designing movie posters for horror and thriller films. It recommends including a brief slogan to summarize the film, displaying the title with a blur effect to create mystery, and using muted colors rather than bright ones. It also suggests keeping the billing box minimal, omitting or obscuring the faces of main characters to generate questions in the audience.
Media Radials
The film poster uses dark colours like black and grey to create a mysterious thriller atmosphere. It features Leonardo DiCaprio in black and white with glowing blue eyes to hint at the plot. Smaller images below showcase the genre variety to attract different audiences. Important information stands out in red to draw the eye.
Media Radials
The film poster uses dark colours like black and grey to create a mysterious thriller atmosphere. Leonardo DiCaprio is shown in black and white except for his eyes to give insight into the film. The island is highlighted in bright light suggesting there is more to it than meets the eye. The layout follows conventions by showing the title, date and credits.
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The film poster uses dark colours like black and grey to create a mysterious thriller atmosphere. Leonardo DiCaprio is shown in black and white except for his eyes to give insight into the film. The island is highlighted in bright light suggesting there is more to it than meets the eye. The layout follows conventions by showing the title, date and credits while the image and tagline intrigue viewers.
Conventions of film posters
The film poster conventions summarized are:
1) Horror film posters typically feature disturbing or scary imagery like a screaming person to indicate the genre.
2) Colors like red and black are often used to represent blood and violence through their connotations.
3) The title is usually styled in a handwritten or irregular font to make it seem creepy or as if a child wrote it.
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The document summarizes and analyzes the genre, target audience, and key elements of three film posters for movies with a romance genre:
1) A Walk to Remember has a soft color scheme and images that reflect the intense emotions of the main characters' love story. The title and actors' names are prominently featured.
2) Forgetting Sarah Marshall has a minimalist design with a rough, handwritten style that conveys the film's comedic tone. Clues in the imagery hint that it is set in Hawaii.
3) Brief Encounter uses sketches instead of screenshots in an old-fashioned design. The prominent director and actors are the clear selling points over simple imagery that doesn't strongly connect
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This poster analysis discusses the color scheme, mise-en-scene, and text used in the movie poster for "Stitches". The dark colors, knife, stitches on the face, and closeup shot of the creepy clown head evoke fear and horror. However, the yellow text and comedy-horror genre of the movie are meant to also hint at the film's lighthearted side. While the stitched lettering concept works, the colors used in the text detract from the scariness of the image and don't look very professional.
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The document provides a semiotic analysis of several DVD and film posters. It analyzes various elements of the posters including titles, images, colors, taglines and other symbols. Specifically, it analyzes how these elements engage the audience and provide clues about the genre, narrative, characters and location of the films being advertised. Elements like red colors and images of eyes suggest danger, conflict and lack of trust between characters. Locations are also revealed through symbols like Big Ben and double decker buses. Overall, the analysis examines how semiotic cues in the posters communicate essential information about the films to the audience.
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Question 5
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Similar to Revised proposal
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This document discusses the logo and branding for E4. It presents a final logo design that incorporates the corporate identity colors of purple and white and reflects the target audience of 16-35 year olds with a theme of childlike humor. It then describes an idea for a TV ident featuring two characters who witness a plane crash and react with shocked laughter, with the E4 logo appearing next to them. Finally, it provides details on filming the ident in a school playground over three days in April and editing it with Final Cut Express, using normal and cross dissolves and the song "Beating off in a Minor" by Bo Burnham.
Statement of-intent-2015-16
The document outlines the production plan for a student film project titled "Bad Trip". It will be a 5-episode psychological horror/teen drama series following characters at a Halloween party as they each experience drug-induced hallucinations. Each crew member provides details on their respective roles - the director outlines the story and scenes, the cinematographer and sound designer discuss experimental techniques to enhance tension and anxiety, and the production designer, lighting designer, and editor describe their plans to achieve a classic horror aesthetic and mood. The overall goal is to portray twisted realities through each character's psychological journey without glamorizing drug use.
Question 5
The document discusses opening scenes for an action comedy film targeted at teenagers aged 15-16. It describes using suspenseful music, silence, and building sounds to set an exciting yet sinister atmosphere. Research was conducted through surveys of different ages and genders, finding that the target group most enjoys action films involving comedy and guns. The opening scene will include hostage threats, as seen in The Dark Knight, and the film's logo will be designed professionally using Adobe After Effects.
Ident sequence lo3 + 4 planning
The document provides details for an ident package assignment. It discusses concepts for appealing to a young adult demographic through comedy, ambience and social media. It describes developing logo designs based on initial branding and narrowing choices. Sound design concepts include using royalty-free music and effects to fit themes. Motion graphic techniques discussed include animating a superhero beacon, text message popup and compositing zombie footage. Two ident concepts are presented - one featuring a superhero responding to an alert and the other a zombie invasion interrupting a talent show. Soundtracks and techniques for both are considered.
Evaluation
The document provides an analysis of an Irn Bru TV advertisement called "New Fella". It discusses the use of medium and close-up shots to show emotions. It also analyzes factors of persuasion used in the ad and common styles of Irn Bru advertising such as linear storytelling and realist narratives. The next sections summarize the student's own Irn Bru advertisement video, advergame, and comparisons between their work and official Irn Bru ads. Key points analyzed include shot composition, narrative, factors of persuasion, and difficulties encountered in the creative process.
Evaluation presentation
The document provides an evaluation of a student's products - a 2 minute sitcom clip and 3 page fan website - created for an assignment. The student summarizes that they achieved the goals of the assignment by creating the required deliverables and establishing narrative themes, characters, and location in the clip. Feedback from viewers noted they understood the clear narrative flow. The student discusses key concepts such as representing youth in a positive way and fitting the style and tone of the target channel, E4. Overall, the student believes the products communicated their intended ideas effectively to the target 16-25 year old audience.
Captain cheddar slide show
This document contains notes from Zoe Colegate on ideas for designing an app store page and marketing for a mobile game called "Captain Cheddar". It includes tips on app design such as using consistent colors and styles. It also discusses the target audience for the game, ideas for the app icon, making the game free to download, and designs for merchandise, posters and billboards to promote the game.
Irn bru pro forma
Irn-Bru is a unique Scottish soft drink known for its secret blend of 32 flavors. The company uses humorous advertisements featuring wordplay and misunderstandings to promote the drink in a memorable way. Their ads often depict Scottish men in awkward social situations that are resolved after drinking Irn-Bru.
Irn bru pro forma
Irn-Bru is a unique Scottish soft drink known for its secret blend of 32 flavors. The company uses humorous advertisements featuring wordplay and misunderstandings to promote the drink in a memorable way. Their ads often depict Scottish men in awkward social situations that are resolved after drinking Irn-Bru.
Danny bradley statement stop motion done
This document is a proposal for a 60 second stop motion animation featuring an E4 logo for a competition. The proposed animation titled "The Invasion" follows a stick figure character who battles monsters trying to reach a light at the top of a wall. Visual inspiration comes from a Post-it note animation online. The target audience is 16-35 year olds who watch comedic shows on E4. Equipment needed includes paper, tape, a camera and tripod. Stop motion techniques like stationary camera moves and zooming will be used. A song by Slow Club will provide background music, with original sound effects added. A risk assessment will be included with further pre-production materials.
Directors Treatment
This document outlines a treatment for a commercial promoting a soft drink brand. It proposes using distinctive colors in each scene to match the drink flavors. Short clips would showcase teens having fun in situations like listening to music, taking pictures, skating, and cheering. The visual style aims to use saturated colors and lighting that emphasizes the teens' enjoyment, with tight shots on their expressions and wider shots showing the situations.
Irn bru pro forma finished
The document provides information on two roles in the media industry: creature designer and cinematographer.
For creature designer, the qualifications are minimal but good drawing skills are important. Designers work closely with animators and directors to bring designs to life while considering budget. Salaries typically range from £20,000-£50,000 annually.
Cinematographers require a bachelor's degree minimum and play a key role in how a project looks and feels. They work with camera and lighting crews. Starting salaries are around £20,000-£87,000 annually but some can earn £1,500 per day for commercials and music videos. Passion, leadership skills, and patience are important traits.
Irn bru evaluation 13
This document provides an analysis of an Irn Bru Christmas jumper advertisement and advergames. The advertisement shows a family opening presents on Christmas morning, with the grandson receiving an inappropriate Christmas jumper from his grandmother, causing awkwardness. However, after taking a sip of Irn Bru, the grandson embraces the jumper. The advergames are called "BRUland games" and involve strength-based tasks like lifting weights or tossing objects, with Scottish themes and language. The games aim to remind viewers of the Irn Bru brand and increase sales through positive brand association and humor.
Irn-Bru Evaluation
The document summarizes an advertisement for Irn-Bru soft drink and the student's coursework analyzing and recreating the ad. It describes the techniques used in the original ad such as humor and close-up shots of the drink. It then summarizes the student's own ad which uses quick edits and multiple angles to create drama and tension, with a focus on humor and portraying Irn-Bru as worth fighting for. The document also analyzes an existing advergame for Chupa Chups lollipops and compares it to the student's own simple advergame set in an office with the goal of reaching Irn-Bru, reflecting the themes of the student's ad.
Evaluation presentation
Our sitcom was created to fit within the institutional context of the E4 television channel. We researched E4's target audience of 15-35 year olds and brand value of being fun, random, and not taking itself too seriously. To fit this context, our sitcom featured a teenage cast in a college setting, used bright colors, and included humor and representation of today's youth. Feedback indicated our two-minute clip and website successfully communicated our key concepts around form, audience, representation and adhering to E4's conventions through its narrative structure, characters, and dialogue.
1. research pa
This document outlines the design elements used in magazine covers and spreads for publications about media such as Empire, PC Gamer, and TV Choice. It analyzes the use of fonts, images, colors, and layouts to draw attention to key information and promote discussed films, TV shows, and games. The document also includes mind maps, plans, and reflections on experiments creating mock covers and spreads to understand effective magazine design.
Treatment Note - Ola Cars
The document proposes a treatment for two short films promoting Ola Cars. Film 1 focuses on an obsessively precise Ola engineer inspecting a car window for defects. Film 2 features an Ola brand champion reassuring a happy customer. Both films would take place in a minimalist "limbo" setting, using stylistic elements like symmetrical staging and shifting lighting to enhance the magical realism. Seamless transitions between scenes would transport characters through doors between spaces. The films aim to communicate Ola's message of quality through profound yet entertaining visual storytelling.
Presentation1
The document describes a children's film called "Eric the Viking" that was created by the author's group. It represents young boys who bully a child with an imaginary friend, suggesting children have wild imaginations. The main character Eric is portrayed as a stereotypical child. Large movie studios like Disney or DreamWorks would be suitable distributors due to similar family-friendly films. The target audience is young kids and families, though some humor may appeal to teens. It attracts its audience through action, drama, and upbeat music from the start. Through making the film, the group learned video camera skills, editing software, and improved their camerawork and editing from the preliminary task.
Pitch
This document provides details about an animated short film being created by two students for children ages 4-12. It discusses the target audience, silent 2D animation style, delegation of roles between the two creators, original characters and story, copyright protection, and risk assessments. Research indicates that similar silent 2D animated shorts and children's TV channels featuring such animations are very popular and well-received by the target age group.
Irn bru Final Evaluation
The document provides an analysis and evaluation of Andreas Mina's Irn Bru print and television advertisements. It discusses the structures, persuasive techniques, and styles used in both Mina's fictional advertisements and real Irn Bru advertisements. Key similarities and differences between Mina's ads and real Irn Bru ads are examined, including the themes, layouts, visual effects, and messages conveyed. Strengths and weaknesses of Mina's fictional television advertisement are also identified.
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X x ben davis_xx
The document proposes an animation for Save the Children that uses cardboard cutouts to depict money building infrastructure like a water tower, houses, and a school in a desert setting, showing how donations can help communities. The animation ends with people happily entering a Save the Children tent. This revised idea aims to be simpler and less strange than an earlier concept involving a wizard battling diseases attacking a child.
X x ben davis_xx
Save the Children is proposing a whiteboard animation to promote their work in emergency situations, education, health, hunger, and child protection. They focus on running programs in third world countries to save children's lives and challenge leaders to support children's futures. The animation would show money building a community in a desert, with a water tower, houses and school appearing as money falls from the sky. It would end with a Save the Children tent and happy people, fading to the title.
Animation presentation
The animation pitch proposes telling the story of a boy sitting alone and crying in the cold street. People walk by and ignore him until a man gives him a large £5 note that acts as a blanket. The boy stops crying, smiles, and falls asleep. The logo for Save the Children would then appear with the tagline to inspire donations.
Character sketches
This document provides initial sketches and details for animating the character Abeydewale. It discusses using a tanned skin tone to avoid being perceived as racist. It also describes props that will be prominent in multiple scenes, including a bucket that represents Abeydewale's task and devotion as he carries it, and a raft that transports him across the sea in one scene.
Interview research
The document summarizes several interviews from the BBC and provides opinions on them:
1) The favorite BBC interview is of Martin Luther King Jr. due to the deep insights into his life and struggles for civil rights.
2) The least favorite is of Jeanette Winterson, whose responses were dull and monotone, lacking interesting details.
3) The best question in the MLK interview asked what he was prevented from doing as a black child that white children could do, allowing him to discuss the racial issues he faced.
4) The worst question in the Winterson interview asked the name of her book, which was redundant and failed to further the discussion.
Final proposal
The documentary will follow two students - Sami from the drama academy and Harry from the rugby academy - as they swap academies for a lesson. Sami will do circuit training with the rugby team while Harry takes a dance class. The filmmakers will interview each student before and after their lessons to get their natural reactions and see what they learned. The purpose is to both inform viewers about the different academies and challenges faced by the students, and entertain them with the comedic culture clash. The 6-minute documentary will be filmed using observational style at their school, Ravens Wood, focusing on the students' experiences outside their comfort zones.
Interview research
The document summarizes several interviews that the author found particularly interesting or uninteresting. Their favorite interview was one promoting Avengers: Age of Ultron that focused in depth on Aaron Taylor-Johnson's character Quicksilver. Their least favorite was too fast-paced with loud music, making it hard to understand Andrew Lincoln talking about The Walking Dead. Their favorite question was on Ellen about celebrities' mile high club experiences. Their least favorite was a personal question on Martin Bashir's show that provoked Robert Downey Jr. to leave. The funniest response was Bryan Cranston reading a strange fan letter to Aaron Paul during their interview.
Final proposal
The documentary will follow two students - one from the Rugby Academy and one from the Performing Arts Academy - as they swap academies for a lesson. The rugby student will take a dance class while the drama student participates in circuit training. Filming will be done in an observational style to capture natural reactions. The purpose is to both inform viewers about the different demands of each academy and entertain them with the comedic fish-out-of-water scenario of students experiencing an unfamiliar discipline. The target audience is 11-18 year olds at Ravens Wood School who will be able to relate to the locations and subjects of the documentary.
Concept pitch music
Muse is an English rock band known for mixing genres like space rock, alternative rock, and progressive rock in their music. They propose making a music video for their song "Panic Station" featuring a zombie apocalypse theme that matches the fast pace and lyrics of the song. The video would start as a normal school day but reveal a zombie outbreak spreading from a tainted Costa coffee drink. It would follow two friends who are obsessed with zombies gearing up to fight the outbreak after their schoolmates start turning into zombies from the tainted drink.
Shooting script
The shooting script describes scenes from a zombie film involving two friends, Laurence and Ben. In the beginning, the friends are enjoying watching zombie movies together. Later that day at school, they get into a confrontation with bullies Brodie and Sacha. News then breaks that a virus called the Costa virus is turning people into zombies. Brodie realizes he drank a Costa coffee and turns into a zombie, killing Laurence and then Ben.
Shooting script
The document is a shooting script containing 9 scenes shot with a Legria HD 1 camera in an empty desert. Scene 1 shows a tumbleweed rolling and a lizard hiding in the sand. Scene 2 has coins falling from the sky. Scenes 3-5 have various structures like a road, houses, and a school falling apart. Scene 6 shows a hospital collapsing as people walk in. Scene 7 shows a busy town. Scene 8 fades to black and Scene 9 shows a logo with a voiceover explaining a charity.
Shooting script
The document is a shooting script containing 9 scenes shot with a Legria HD 1 camera in an empty desert. Scene 1 shows a tumbleweed rolling and a lizard hiding in the sand. Scene 2 has coins falling from the sky. Scenes 3-5 have various structures like a road, houses, and a school falling apart. Scene 6 shows a hospital collapsing as people walk in. Scene 7 shows a busy town. Scene 8 fades to black and Scene 9 shows a logo with a voiceover explaining a charity.
Soundtrack mindmap
The document analyzes the suitability of four songs for a charity advertisement for Save the Children. "Hero" by Enrique Iglesias is deemed only partially suitable as its mood is depressing but sound is uplifting, and its target audience of middle-aged women is not broad enough. "Wonderful World" by Louis Armstrong is assessed as a good fit as its happy lyrics and slow pace suit Save the Children's message and target donors. "Paradise" by Coldplay may not be suitable as its upbeat sound could contrast negatively with images of poverty. "Mad World" also may not work as its lyrics and target audience do not align well with the theme.
0 research proposal
- The document is a research proposal to study the purpose and relevance of idents (channel branding/identification segments) within the television industry, specifically for channel E4.
- The research will involve surveys of E4's target audience to understand attributes like typical age, gender watching, and opinions of current idents. It will also analyze idents from other channels.
- The purpose is to design an effective new 15-second ident for E4 that appeals to their target audience based on understanding their corporate identity and programming. The research aims to define E4's target audience and broadcast content.
0 research proposal
- The document is a research proposal to study the purpose and relevance of idents (channel branding/identification segments) within the television industry, specifically for channel E4.
- The research will involve surveys of E4's target audience to understand attributes like typical age, gender watching, and opinions of current idents. It will also analyze idents from other channels.
- The purpose is to design an effective new 15-second ident for E4 that appeals to their target audience based on understanding their corporate identity and programming. The research aims to define E4's target audience and broadcast content.
0 research proposal
- The document is a research proposal to study the purpose and relevance of idents (channel branding/identification segments) within the television industry, specifically for channel E4.
- The research will involve surveys of E4's target audience to understand attributes like typical age, gender watching, and opinions of current idents. Existing idents from other channels will also be analyzed.
- The goal is to design an effective new 15-second ident for E4 that appeals to their target audience based on findings about E4's corporate identity and programming. Research will examine E4's current branding elements, target demographics, and broadcast times.
01 ident analysis
An ident is a 10-20 second video that airs on television channels to introduce upcoming programs and provide a schedule. It advertises the channel's content and brand. Idents on different channels vary in style to reflect the type of programming and target audience. BBC 1 idents usually feature nature scenes that form into the channel's circular logo to represent unity. E4 idents are animated, feature the color purple, and have a random, comedic style matching the channel's comedy shows. ITV idents primarily use real footage related to upcoming programs with voiceovers and animate their logo, maintaining a calm tone.
Power point bibliography
This document contains 3 sources used for a PowerPoint presentation. The sources include a Wikipedia page on the history of BBC television idents, a website about the E4 television network rebrand, and an ITV news article about ITV's logo and rebrand in 2013.
Proposal
This proposal is for a documentary that would film students from a rugby academy and performing arts academy swapping activities. Footage would be captured of interviews before the swap and of the students participating in the opposite activities. The purpose is to bring the two academies together and help them appreciate each other more, while also entertaining the audience with a funny but meaningful documentary. The documentary would be 6 minutes long and filmed at Ravens Wood School, targeting a 16-18 year old male and female audience consisting mainly of Ravens Wood students.
Cv
Benjamin Davis is a 21-year-old seeking a position as a Supervising Editor at Paramount Pictures. He has a BSC Hons in Post Production and Animation from Bournemouth University. Davis has experience managing video editing, visual effects, and camera techniques through his work at Mother Hen Films. He is looking to apply his skills in the Hollywood film industry with a focus on post production editing.
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一模一样【微信：A575476】【美国亚利桑那大学毕业证（ua毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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哪里购买美国乔治城大学毕业证硕士学位证书原版一模一样
原版一模一样【微信：741003700 】【美国乔治城大学毕业证硕士学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
My storyboard for a sword fight scene with lightsabers
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一比一原版加拿大多伦多大学毕业证（uoft毕业证书）如何办理
一模一样【微信：A575476】【加拿大多伦多大学毕业证（uoft毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
A Brief Introduction About Hadj Ounis
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Ealing London Independent Photography meeting - June 2024
Photographs from trip to American Deep South
一比一原版(UniSA毕业证)南澳大学毕业证成绩单如何办理
UniSA毕业证【微信95270640】（南澳大学毕业证高仿学位证书((+《Q微信95270640》))）购买UniSA毕业证修改UniSA成绩单购买南澳大学毕业证办UniSA文凭办高仿毕业证南澳大学毕业证购买修改成绩单挂科退学如何进行学历认证留学退学办毕业证书/ 出国留学无法毕业买毕业证留学被劝退买毕业证（非正常毕业教育部认证咨询） University of South Australia
办国外南澳大学南澳大学毕业证假文凭教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
快速办理高仿国外毕业证成绩单：
1南澳大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外南澳大学南澳大学毕业证假文凭办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。让我们的父母幸福快乐地度过一生挽着清风芒耀似金的骄阳如将之绽放的花蕾一般静静的从远方的山峦间缓缓升起这一片寂静的城市默默的等待着它的第一缕光芒将之唤醒那飘散在它前方的几层薄云像是新娘的婚纱一般为它的光芒添上了几分淡淡的浮晕在悄无声息间这熙和的阳光默默的照射在大地上像是母亲的手轻轻抚摸熟睡中的孩子般柔情似水五月的盛夏从这一缕柔情中揭开了第一抹的清香清晨本是繁华喧闹的街道此时只有稀薄的人群围着冒着层聋
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storyboard: Victor and Verlin discussing about top hat
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Ealing London Independent Photography meeting - June 2024
Ealing London Independent Photography meeting - June 2024
Revised proposal
- 1. PROPOSAL
- 2. CONCEPT OR IDEA The ident begins on a park bench with two lovers sitting on it, one with their arm over their shoulder. They admire the sky, and all of a sudden they notice a horrific plane crash, their initial reaction being shocked, but soon after they burst into laughter, a controversial way to react to the situation. After a while of this the camera pans to the right, revealing the other side of the bench, where the E4 logo appears to be sitting next to the two characters, they look at the logo, and then to the camera and then they shrug whilst smiling. The screen fades to black.
- 3. PURPOSE We hope the ident will have a positive effect on the audience watching it. Mainly we would like to make them laugh and perhaps share with their friends, to increase our audience range. We also would like to audience to be slightly confused, to leave them wondering what the hell just happened, this will again add to the humor of the piece and hopefully make it more effective. There is no exact meaning behind our ident, we felt that if we perhaps made it completely random it would fit within the corporate identity theory and thus appeal to the audience more.
- 4. KEY CONTENT 15 seconds in duration. Two people on a bench, notice a plane crash and start laughing profusely. After a short while they look to the right and see our DE4 logo, they look to the camera and shrug. As if it is a normal occurrence. Kelsey Park Ben Davis, Laurence Hisee Sony Digital SLR Non Digetic sound effects – Bo Burnham, Beating off in a Minor (“The key not the felony”)
- 5. TARGET AUDIENCE APPEAL: Generally both male and female, interested in random, quirky and childish humor. Working class members of the public would be the main target within our ident. Male and Female 17 – 35
- 6. JUSTIFICATION We decided to use the idea because we feel it fits E4's corporate identity perfectly. It matches almost every aspect of it, these being things like colour scheme, which is involved in our logo. The logo is the colour purple and black, in particular they are Pantone 2602c and Pantone Black 6 which are the exact colours specified in their style guide. In terms of theme our ident matches the child like comedy that the corporate identity specifies. Instead of intellectual humor we have just decided to become more melodramatic with our facial expressions, making our faces 'stupid' which would appeal to the target audience. Also we have made our ident incredibly random, which again has been definitively outlined by the corporate identity theory of E4, the use of a random plane crash and our, some what controversial reaction to this is very abnormal. To add to this after we are finished reacting to the plane crash the E4 logo is sitting next to us on the bench, which is incredibly surreal and overall quite funny. Also we decided to cast two teenage actors (who fit the specific age range of the target audience) which made the ident relatable for the majority of the people who watch E4, and as a result, funnier.