This document provides an overview of the history of Bengali cinema from its origins to modern times. It discusses how Hiralal Sen established the first Bengali film company in the early 1900s. The golden era from the 1950s-1970s saw acclaimed directors like Satyajit Ray, Mrinal Sen, and Ritwik Ghatak make films that earned international recognition. While commercial films dominated in later decades, directors like Rituparno Ghosh helped revive Bengali cinema in the 2000s through critically acclaimed films that attracted new audiences. The industry has continued growing, with many new directors and increasing box office success of recent films.
The document provides an overview of several regional language film industries in India, including Bengali cinema, Marathi cinema, Bhojpuri cinema, Oriya cinema, Punjabi cinema, Assamese cinema, Konkani cinema, and Gujarati cinema. It discusses the origins and history of each film industry, notable directors, films, and periods of growth or decline within each regional cinema.
The document summarizes the history of Indian cinema over the past 100 years from its beginnings in 1913 to the present day. It describes how Indian cinema started with silent movies and transitioned to talkies. It highlights milestones like the first talkie in 1931 and discusses the growth of regional cinema. The document also outlines the different eras like the Golden Age in the 1950s-60s and how genres, stars, and filmmaking evolved over time with international recognition and changing social norms. It concludes by noting how Indian cinema, especially Bollywood, has gained global popularity and financial success in the new millennium.
Indian cinema began in 1913 with Dadasaheb Phalke's film Raja Harishchandra. The silent era ended in 1931 with Ardeshir Irani's first talkie film Alam Ara. Major studios like Prabhat, Bombay Talkies and New Theatres produced socially conscious films in the 1930s. The 1950s-60s were considered the golden age of Indian cinema. Satyajit Ray's Pather Panchali in 1955 brought international acclaim. The blockbuster Mughal-e-Azam was released in 1960. The angry young man persona of Amitabh Bachchan dominated the 1970s. Regional cinema also thrived with films from Karnataka
The document summarizes the evolution of Indian cinema from its beginnings in 1913 to the present. It traces the transition from silent films to talkies, the influence of social and political changes on films, and the rise of Indian cinema on the international stage. Key events covered include the release of India's first motion picture in 1913, the first talkie in 1931, the growth of the industry in the 1930s-1950s, and the new wave cinema movements of the 1970s-1980s. Indian cinema developed in parallel with India's own history and has been shaped by the country's socio-cultural changes over the decades.
Indian cinema has undergone massive changes since its beginnings in the silent film era of the 1910s. It started with the first cinema show in 1896 and early imports from Britain and America, before a domestic film industry grew in Bombay in the 1930s centered around musicals and dance reflecting Hindu culture. India's first full length and talking films were made in the 1910s-1920s, helping establish the industry. The 1940s-1960s were considered the Golden Age of Indian cinema marked by new techniques and parallel cinema that became hugely popular. Today the Indian film industry produces around 1000 films annually in over 16 regional languages, becoming the largest film producer globally with some films achieving success at the Oscars and international festivals.
Introduction & Development Of Film In IndiaLiya Joy
The history of film began in the 1890s with the invention of motion picture cameras and the establishment of film production companies and cinemas. Early films were under a minute long and silent, but technological developments like rotating cameras, continuity editing, and multi-reel films made motion pictures into a large entertainment industry by the early 1900s. Indian cinema began in the early 1900s with short silent films, and Dadasaheb Phalke's 1913 film Raja Harishchandra was the first full-length Indian feature film. Sound was introduced to Indian films in the 1930s, and the parallel cinema movement of the 1950s-60s produced acclaimed social-realist films. While new technologies have challenged the film
100 years of Indian Cinema muse is a much awaited, long anticipated film movement taking place in the history of 100 years of Indian Cinema.
It is a movement with many firsts- a first public interest initiative that analyses and gives introspection about the impact of Indian Cinema on the society, people and the world in 100 years.
Evolution of Indian Cinema- From It's Birth to PresentDebayon Saha
This document provides an overview of the evolution of Indian cinema from its beginnings in the late 19th century to modern times. It traces the key developments, including the first films screened in India in 1896, the establishment of the first film production company in 1898, the release of the first full-length Indian feature film in 1913, the introduction of talking pictures in 1931, and the growth of regional film industries. The document also discusses important periods and movements like the Parallel Cinema of the 1950s and India's Golden Age from the late 1940s to 1960s. It profiles some of the major figures and films that shaped Indian cinema and its global impact over time.
The document provides an overview of several regional language film industries in India, including Bengali cinema, Marathi cinema, Bhojpuri cinema, Oriya cinema, Punjabi cinema, Assamese cinema, Konkani cinema, and Gujarati cinema. It discusses the origins and history of each film industry, notable directors, films, and periods of growth or decline within each regional cinema.
The document summarizes the history of Indian cinema over the past 100 years from its beginnings in 1913 to the present day. It describes how Indian cinema started with silent movies and transitioned to talkies. It highlights milestones like the first talkie in 1931 and discusses the growth of regional cinema. The document also outlines the different eras like the Golden Age in the 1950s-60s and how genres, stars, and filmmaking evolved over time with international recognition and changing social norms. It concludes by noting how Indian cinema, especially Bollywood, has gained global popularity and financial success in the new millennium.
Indian cinema began in 1913 with Dadasaheb Phalke's film Raja Harishchandra. The silent era ended in 1931 with Ardeshir Irani's first talkie film Alam Ara. Major studios like Prabhat, Bombay Talkies and New Theatres produced socially conscious films in the 1930s. The 1950s-60s were considered the golden age of Indian cinema. Satyajit Ray's Pather Panchali in 1955 brought international acclaim. The blockbuster Mughal-e-Azam was released in 1960. The angry young man persona of Amitabh Bachchan dominated the 1970s. Regional cinema also thrived with films from Karnataka
The document summarizes the evolution of Indian cinema from its beginnings in 1913 to the present. It traces the transition from silent films to talkies, the influence of social and political changes on films, and the rise of Indian cinema on the international stage. Key events covered include the release of India's first motion picture in 1913, the first talkie in 1931, the growth of the industry in the 1930s-1950s, and the new wave cinema movements of the 1970s-1980s. Indian cinema developed in parallel with India's own history and has been shaped by the country's socio-cultural changes over the decades.
Indian cinema has undergone massive changes since its beginnings in the silent film era of the 1910s. It started with the first cinema show in 1896 and early imports from Britain and America, before a domestic film industry grew in Bombay in the 1930s centered around musicals and dance reflecting Hindu culture. India's first full length and talking films were made in the 1910s-1920s, helping establish the industry. The 1940s-1960s were considered the Golden Age of Indian cinema marked by new techniques and parallel cinema that became hugely popular. Today the Indian film industry produces around 1000 films annually in over 16 regional languages, becoming the largest film producer globally with some films achieving success at the Oscars and international festivals.
Introduction & Development Of Film In IndiaLiya Joy
The history of film began in the 1890s with the invention of motion picture cameras and the establishment of film production companies and cinemas. Early films were under a minute long and silent, but technological developments like rotating cameras, continuity editing, and multi-reel films made motion pictures into a large entertainment industry by the early 1900s. Indian cinema began in the early 1900s with short silent films, and Dadasaheb Phalke's 1913 film Raja Harishchandra was the first full-length Indian feature film. Sound was introduced to Indian films in the 1930s, and the parallel cinema movement of the 1950s-60s produced acclaimed social-realist films. While new technologies have challenged the film
100 years of Indian Cinema muse is a much awaited, long anticipated film movement taking place in the history of 100 years of Indian Cinema.
It is a movement with many firsts- a first public interest initiative that analyses and gives introspection about the impact of Indian Cinema on the society, people and the world in 100 years.
Evolution of Indian Cinema- From It's Birth to PresentDebayon Saha
This document provides an overview of the evolution of Indian cinema from its beginnings in the late 19th century to modern times. It traces the key developments, including the first films screened in India in 1896, the establishment of the first film production company in 1898, the release of the first full-length Indian feature film in 1913, the introduction of talking pictures in 1931, and the growth of regional film industries. The document also discusses important periods and movements like the Parallel Cinema of the 1950s and India's Golden Age from the late 1940s to 1960s. It profiles some of the major figures and films that shaped Indian cinema and its global impact over time.
The Indian film industry consists of several regional film industries across India, with the largest being Bollywood based in Mumbai. The earliest Indian films were produced in the 1930s and promoted Indian culture. Dadasaheb Phalke is considered the father of Indian cinema. Post-independence, films reflected themes of nation-building. Today, Indian cinema is a global industry but regional industries like Tamil, Telugu, Bengali and others also thrive based on language. The CBFC regulates film content and ratings in India.
The document provides an overview of the history and development of regional cinemas across India, beginning with the earliest films from the 1900s and progressing to modern regional film industries. It notes that India has the largest film industry in the world by output. Key points covered include the first films made in various states/languages like Malayalam, Bengali, Bhojpuri, and the pioneers and studios involved in establishing the regional cinema traditions.
This document provides an overview of the history of Indian cinema from its beginnings in the late 19th century through its Golden Age in the 1950s. It discusses the early silent era, the transition to sound films, popular themes like mythology and social dramas, and influential movies from different decades. The Golden Age of the 1950s is highlighted as a particularly prolific period known for its lyrical films dealing with social issues and the modern Indian experience. The document also suggests topics for further research on regional cinemas and other developments in Indian film history.
The document provides a history of Indian cinema from its earliest beginnings in the late 19th century through the 1950s. It notes that Indian cinema is divided into 11 regional language industries. It describes Dadasaheb Phalke as the father of Indian cinema for laying the foundations of the industry. The 1930s saw the rise of musicals and the development of Bombay, Calcutta, and Madras as major film centers. The 1940s-1950s saw the emergence of playback singing and the growing prominence of South Indian cinema across India. Several pioneering filmmakers and prominent production companies from different regions are also highlighted from this early period.
The first Bollywood movie was Alam-Ara, released in 1931. It was directed by Ardeshir Irani and was India's first talkie film. The 1930s-1940s saw the rise of talkies and the inclusion of music, singing, dancing and background scores in films. Many early films dealt with social issues and injustice. The 1950s-1960s are considered the Golden Age of Indian cinema, which saw impactful films from directors like Satyajit Ray, Bimal Roy, Raj Kapoor, and V. Shantharam. The 1970s saw the rise of masala films. The 1980s-1990s saw a revival of musical love stories and incorporation of new technologies. The
Cinema has always been one of the greatest source of entertainment since ages . This presentation will take you in a flashback journey of our glorious 100 year's of Indian Cinema.
Bollywood is the Hindi-language film industry based in Mumbai, India. It derives its name from a portmanteau of Bombay (the former name of Mumbai) and Hollywood. Bollywood produces the most films per year of any film industry in the world. In recent decades, Bollywood has gained increasing global recognition and popularity, with films earning over $1 billion worldwide. The success of Bollywood has demonstrated India's emergence as a major player in the global entertainment industry.
The history of Indian Cinema is a vast and interesting subject. There is much to be studied on it. I am a mass comm student, studying in Prestige college, Indore. This presentation was created as part of a semester project. I had great fun whilst making this presentation. Learning about the history of Indian cinema was very fascinating. I hope this presentation is of some use to you as well. My main reference was "Mass Communication in India" by Keval J. Kumar.
Edit;- In the final slide, instead of 'time unmemorable', its 'time immemorial'.
The document discusses the history and development of Indian cinema from the late 19th century to present day. It covers several topics:
1. The origins of Indian cinema in the 1890s with screenings of early films in Bombay.
2. Dadasaheb Phalke's 1913 silent film Raja Harishchandra, considered the first full-length Indian motion picture.
3. The growth of cinema's popularity in India during the early 20th century as an affordable form of mass entertainment.
4. The establishment of major film studios in cities like Mumbai, Kolkata, and Chennai by the 1930s and the success of films like Devdas.
The document provides a history of Indian cinema, beginning with its origins in 1913 with Dadasaheb Phalke's Raja Harishchandra, the first full-length motion picture in India. It describes the golden era from 1944-1960s which produced many critically acclaimed films and saw the emergence of Parallel Cinema centered in Bengali films by directors like Satyajit Ray. Parallel Cinema aimed to provide realistic, artful films as an alternative to mainstream commercial cinema and influenced filmmakers through the 1970s-1980s before declining in the 1990s due to commercialization, though it saw a resurgence with recent films.
Hi There!
If you need this PowerPoint Slide (.pptx) file, feel free to contact me. Thanks for your attention.
-----------------------
Satyajit Ray was an Indian filmmaker, screenwriter, graphic artist, music composer and author, widely regarded as one of the greatest filmmakers of the 20th century. Ray was born in the city of Darbhanga, Bihar in a Bengali Brahmo family which was prominent in the field of arts and literature.
Pakistan's film industry has experienced periods of growth and decline since its inception. After independence in 1947, film production struggled due to lack of equipment and talent moving to India. The industry saw its golden age from 1956-1977 when it produced its first colored films. However, from 1977-1988, a period of crisis occurred as film quality declined due to competition from Indian TV and pirated movies. By 1989-2002, annual film production decreased dramatically to only 40 films produced in a single studio. In recent years since 2003, there have been efforts to revive the Pakistani film industry through movies like BOL in 2011 and dedicated television channels.
The document discusses the French New Wave cinema movement of the late 1950s and 1960s. Key points:
- Film directors like François Truffaut, Jean-Luc Godard, and others rejected the classic style of French cinema and experimented with techniques like jump cuts, location shooting, and improvised dialogue.
- They attacked the traditional literary style and established the director as the "author" of the film.
- Films of the New Wave were low-budget and rapidly gained popularity, spreading the movement to other countries and increasingly addressing political topics through the 1960s.
- François Truffaut's film The 400 Blows was personally autobiographical and helped establish him as a
This document provides a brief history of Indian cinema in 3 sentences:
The first Indian silent feature film was Raja Harishchandra in 1913 directed by Dadasaheb Phalke. Alam Ara in 1931 was India's first talkie film and a major commercial success. Other notable early Indian films include Kisan Kanya in 1937 which was India's first color film, and Mother India from 1957 which was a Hindi blockbuster directed by Mehboob Khan and countered criticism of Indian culture.
The presentation is on the topic- Indian Film Industry, and is mainly concentrated on Bollywood.
It deals with the functioning, structure, history, business, problems, market scenario, future etc. of the Indian Film Industry.
This document provides information on several notable Indian film directors:
- Shyam Benegal is an acclaimed Indian director who has won the National Film Award for Best Feature Film seven times and received the Dadasaheb Phalke Award for lifetime achievement in film.
- Satyajit Ray was one of India's greatest filmmakers, known for his Apu Trilogy. He won many honors, including an Honorary Oscar.
- Guru Dutt was an influential director, producer and actor of the 1950s-60s known for films like Pyaasa and Kaagaz Ke Phool.
- Ismail Merchant founded the acclaimed Merchant Ivory Productions and produced many Oscar-winning
Raja Harishchandra (1913) was the first Indian silent feature film. In the 1930s, over 200 films were produced annually. The 1940s-1960s were considered the "Golden Age" of Bollywood. In the 1970s, films focused on gangsters and violence. The 1980s saw a return to family films and musicals. The 1990s witnessed the rise of new stars like Aamir Khan, Salman Khan, and Shahrukh Khan. Bollywood produces over 1000 films annually with billions of viewers worldwide, competing with Hollywood abroad. It provides employment but also faces issues like piracy, censorship, and financial risks.
Bollywood refers to the Hindi-language film industry based in Mumbai, India. It derives its name from a portmanteau of Bombay (the former name of Mumbai) and Hollywood. Bollywood is the largest film producer in India and one of the largest film industries in the world in terms of films and tickets produced and sold annually. The Indian film industry has evolved greatly from the silent films of the 1910s to become a technologically advanced, globally recognized industry producing over 1000 films annually across multiple regional languages including Hindi, Bengali, Tamil, Telugu, and others. Key events in its history include the first talkie film in 1931, the arrival of color film in the late 1930s, and the "
Cinema has the potential to both educate people and promote social change. It began in India in the late 1800s and has since become the largest film industry in the world. Early Indian films helped establish a domestic film industry and promote social issues. Over time, cinema has addressed topics like women's rights, labor issues, and social evils. While commercialization has increased, films still aim to spread knowledge and awareness on important social and political topics to influence public opinion and thought. When used for documentaries and education, cinema can significantly impact society by building understanding and working towards a better social order.
Presentation given by Dr Satyakam Phukan as an invitee to speak on the issue of non-representation of Assamese Script in International Standards, at the Fifth Meeting of LITD 20 of the Bureau of Indian Standards (BIS) the representive body of the Government of India in International Organisation of Standardisation (ISO) on 5th of February 2014, at BIS office New Delhi.
The Indian film industry consists of several regional film industries across India, with the largest being Bollywood based in Mumbai. The earliest Indian films were produced in the 1930s and promoted Indian culture. Dadasaheb Phalke is considered the father of Indian cinema. Post-independence, films reflected themes of nation-building. Today, Indian cinema is a global industry but regional industries like Tamil, Telugu, Bengali and others also thrive based on language. The CBFC regulates film content and ratings in India.
The document provides an overview of the history and development of regional cinemas across India, beginning with the earliest films from the 1900s and progressing to modern regional film industries. It notes that India has the largest film industry in the world by output. Key points covered include the first films made in various states/languages like Malayalam, Bengali, Bhojpuri, and the pioneers and studios involved in establishing the regional cinema traditions.
This document provides an overview of the history of Indian cinema from its beginnings in the late 19th century through its Golden Age in the 1950s. It discusses the early silent era, the transition to sound films, popular themes like mythology and social dramas, and influential movies from different decades. The Golden Age of the 1950s is highlighted as a particularly prolific period known for its lyrical films dealing with social issues and the modern Indian experience. The document also suggests topics for further research on regional cinemas and other developments in Indian film history.
The document provides a history of Indian cinema from its earliest beginnings in the late 19th century through the 1950s. It notes that Indian cinema is divided into 11 regional language industries. It describes Dadasaheb Phalke as the father of Indian cinema for laying the foundations of the industry. The 1930s saw the rise of musicals and the development of Bombay, Calcutta, and Madras as major film centers. The 1940s-1950s saw the emergence of playback singing and the growing prominence of South Indian cinema across India. Several pioneering filmmakers and prominent production companies from different regions are also highlighted from this early period.
The first Bollywood movie was Alam-Ara, released in 1931. It was directed by Ardeshir Irani and was India's first talkie film. The 1930s-1940s saw the rise of talkies and the inclusion of music, singing, dancing and background scores in films. Many early films dealt with social issues and injustice. The 1950s-1960s are considered the Golden Age of Indian cinema, which saw impactful films from directors like Satyajit Ray, Bimal Roy, Raj Kapoor, and V. Shantharam. The 1970s saw the rise of masala films. The 1980s-1990s saw a revival of musical love stories and incorporation of new technologies. The
Cinema has always been one of the greatest source of entertainment since ages . This presentation will take you in a flashback journey of our glorious 100 year's of Indian Cinema.
Bollywood is the Hindi-language film industry based in Mumbai, India. It derives its name from a portmanteau of Bombay (the former name of Mumbai) and Hollywood. Bollywood produces the most films per year of any film industry in the world. In recent decades, Bollywood has gained increasing global recognition and popularity, with films earning over $1 billion worldwide. The success of Bollywood has demonstrated India's emergence as a major player in the global entertainment industry.
The history of Indian Cinema is a vast and interesting subject. There is much to be studied on it. I am a mass comm student, studying in Prestige college, Indore. This presentation was created as part of a semester project. I had great fun whilst making this presentation. Learning about the history of Indian cinema was very fascinating. I hope this presentation is of some use to you as well. My main reference was "Mass Communication in India" by Keval J. Kumar.
Edit;- In the final slide, instead of 'time unmemorable', its 'time immemorial'.
The document discusses the history and development of Indian cinema from the late 19th century to present day. It covers several topics:
1. The origins of Indian cinema in the 1890s with screenings of early films in Bombay.
2. Dadasaheb Phalke's 1913 silent film Raja Harishchandra, considered the first full-length Indian motion picture.
3. The growth of cinema's popularity in India during the early 20th century as an affordable form of mass entertainment.
4. The establishment of major film studios in cities like Mumbai, Kolkata, and Chennai by the 1930s and the success of films like Devdas.
The document provides a history of Indian cinema, beginning with its origins in 1913 with Dadasaheb Phalke's Raja Harishchandra, the first full-length motion picture in India. It describes the golden era from 1944-1960s which produced many critically acclaimed films and saw the emergence of Parallel Cinema centered in Bengali films by directors like Satyajit Ray. Parallel Cinema aimed to provide realistic, artful films as an alternative to mainstream commercial cinema and influenced filmmakers through the 1970s-1980s before declining in the 1990s due to commercialization, though it saw a resurgence with recent films.
Hi There!
If you need this PowerPoint Slide (.pptx) file, feel free to contact me. Thanks for your attention.
-----------------------
Satyajit Ray was an Indian filmmaker, screenwriter, graphic artist, music composer and author, widely regarded as one of the greatest filmmakers of the 20th century. Ray was born in the city of Darbhanga, Bihar in a Bengali Brahmo family which was prominent in the field of arts and literature.
Pakistan's film industry has experienced periods of growth and decline since its inception. After independence in 1947, film production struggled due to lack of equipment and talent moving to India. The industry saw its golden age from 1956-1977 when it produced its first colored films. However, from 1977-1988, a period of crisis occurred as film quality declined due to competition from Indian TV and pirated movies. By 1989-2002, annual film production decreased dramatically to only 40 films produced in a single studio. In recent years since 2003, there have been efforts to revive the Pakistani film industry through movies like BOL in 2011 and dedicated television channels.
The document discusses the French New Wave cinema movement of the late 1950s and 1960s. Key points:
- Film directors like François Truffaut, Jean-Luc Godard, and others rejected the classic style of French cinema and experimented with techniques like jump cuts, location shooting, and improvised dialogue.
- They attacked the traditional literary style and established the director as the "author" of the film.
- Films of the New Wave were low-budget and rapidly gained popularity, spreading the movement to other countries and increasingly addressing political topics through the 1960s.
- François Truffaut's film The 400 Blows was personally autobiographical and helped establish him as a
This document provides a brief history of Indian cinema in 3 sentences:
The first Indian silent feature film was Raja Harishchandra in 1913 directed by Dadasaheb Phalke. Alam Ara in 1931 was India's first talkie film and a major commercial success. Other notable early Indian films include Kisan Kanya in 1937 which was India's first color film, and Mother India from 1957 which was a Hindi blockbuster directed by Mehboob Khan and countered criticism of Indian culture.
The presentation is on the topic- Indian Film Industry, and is mainly concentrated on Bollywood.
It deals with the functioning, structure, history, business, problems, market scenario, future etc. of the Indian Film Industry.
This document provides information on several notable Indian film directors:
- Shyam Benegal is an acclaimed Indian director who has won the National Film Award for Best Feature Film seven times and received the Dadasaheb Phalke Award for lifetime achievement in film.
- Satyajit Ray was one of India's greatest filmmakers, known for his Apu Trilogy. He won many honors, including an Honorary Oscar.
- Guru Dutt was an influential director, producer and actor of the 1950s-60s known for films like Pyaasa and Kaagaz Ke Phool.
- Ismail Merchant founded the acclaimed Merchant Ivory Productions and produced many Oscar-winning
Raja Harishchandra (1913) was the first Indian silent feature film. In the 1930s, over 200 films were produced annually. The 1940s-1960s were considered the "Golden Age" of Bollywood. In the 1970s, films focused on gangsters and violence. The 1980s saw a return to family films and musicals. The 1990s witnessed the rise of new stars like Aamir Khan, Salman Khan, and Shahrukh Khan. Bollywood produces over 1000 films annually with billions of viewers worldwide, competing with Hollywood abroad. It provides employment but also faces issues like piracy, censorship, and financial risks.
Bollywood refers to the Hindi-language film industry based in Mumbai, India. It derives its name from a portmanteau of Bombay (the former name of Mumbai) and Hollywood. Bollywood is the largest film producer in India and one of the largest film industries in the world in terms of films and tickets produced and sold annually. The Indian film industry has evolved greatly from the silent films of the 1910s to become a technologically advanced, globally recognized industry producing over 1000 films annually across multiple regional languages including Hindi, Bengali, Tamil, Telugu, and others. Key events in its history include the first talkie film in 1931, the arrival of color film in the late 1930s, and the "
Cinema has the potential to both educate people and promote social change. It began in India in the late 1800s and has since become the largest film industry in the world. Early Indian films helped establish a domestic film industry and promote social issues. Over time, cinema has addressed topics like women's rights, labor issues, and social evils. While commercialization has increased, films still aim to spread knowledge and awareness on important social and political topics to influence public opinion and thought. When used for documentaries and education, cinema can significantly impact society by building understanding and working towards a better social order.
Presentation given by Dr Satyakam Phukan as an invitee to speak on the issue of non-representation of Assamese Script in International Standards, at the Fifth Meeting of LITD 20 of the Bureau of Indian Standards (BIS) the representive body of the Government of India in International Organisation of Standardisation (ISO) on 5th of February 2014, at BIS office New Delhi.
The document discusses the history and culture of Bengal and the Bengali people. It describes how Bengal is located in northeast India and Bangladesh, and is home to the Bengali language and people. The region has a long history dating back over 1000 years and was an important kingdom. The Bengal Renaissance from the 19th-20th centuries was a period of major social and cultural awakening that questioned traditions and influenced the independence movement. The region makes important contributions to literature, science, and culture today.
The document contains questions and answers about Assamese cinema. It asks about the actors in early Assamese films like Joymoti, the first National Award winning Assamese film Kothanodi, and the first half-colored Assamese film. It also provides details about the first Assamese cinema hall established in 1937 and the actor who made his Assamese debut in Ki Naam Di Matim Tumak in 1984.
This document provides a quiz for freshers with 15 multiple choice questions about movies, actors, and other entertainment-related topics. It includes the questions, potential multiple choice answers, and sometimes hints. The questions cover topics like identifying movies from plot details or alternate titles, naming actors based on roles or films, recognizing film production details, and connecting movies to similar concepts in other films.
The document discusses measuring perceptions of Bangladesh and identifying constraints to branding Bangladesh. It provides background on nation branding and why countries engage in it. For Bangladesh specifically, there is a need to address its negative international perception associated with natural disasters, politics and corruption. The document outlines objectives to understand perceptions of Bangladesh and identify solutions to problems in tourism, exports and governance to enhance its global image. It discusses concepts of branding, brand equity and nation branding, and limitations of the study.
This document provides details about an upcoming quiz competition being organized by CIT. It announces that the quiz will have 5 rounds with simple rules. It provides details about the rounds, including the warmup round which will have 7 questions worth various points. Contestants are advised to follow the rules and avoid shouting out answers or making noises. The document wishes all participants best of luck in the competition.
This document outlines a marketing plan for a snack food brand called Dalmoth. It discusses target customers as younger adults who enjoy snacks on the go. The plan proposes a mild and savory taste positioning. Promotional activities include a travel show, Eid drama, school banners, food carts, billboards, and vending machines. The budget is estimated at 3.58 crore Taka. Sales are projected to increase by 7 crore in the first year and 10 crore in the second year. Effectiveness will be evaluated through distributor and sales rep feedback and consumer engagement on social media.
The document discusses strategies for achieving work-life balance. It begins by outlining common signs of an imbalance like working late hours, feeling stressed or tired due to work responsibilities. It then describes five "dying stages" that can result from being "married to your work", including exhaustion, suffering family and friends, and increased expectations. Several solutions are proposed, such as making lists, being flexible, learning to say no, leaving work at the office, managing time, communicating clearly, and setting aside time for recreation and self-care. The key message is that creating balance is an ongoing process that requires periodically reassessing one's priorities and routines.
Brandwitz'14 biggest branding competition of the countryAyman Sadiq
The biggest branding competition of the country is back. This time its even bigger and better. Its time for the brightest business minds of the country to compete for the ultimate championship. Are you ready to challenge yourself to be the best in Bangladesh!
Infographic version link:
http://www.slideshare.net/aymansadiq16/brandwitz14-biggest-branding-competition-of-the-country
13 Market challengers in different industries of bangladeshAyman Sadiq
The document describes various companies, industries and competitive strategies. It discusses 13 industries and the market leader in each. Companies are using flanking attacks to target underserved market segments, frontal attacks to directly compete on similar strategies and products, and bypass attacks to enter new product categories or industries.
This document provides a marketing plan for a new Bangla movie called "Trivuj" produced by a new production house. The 3 sentence summary is:
The marketing plan details strategies across various channels including print, online, outdoor, and events to promote the movie from pre-launch through post-launch periods. Financial projections estimate over 5.5 crore taka in revenue from theatrical release, television and digital distribution rights, with a net profit of over 4.3 crore taka. Segmentation and targeting analyses identify geographic, demographic and psychographic groups that align with the movie's themes of romance, family entertainment and Bangladeshi culture.
The culture of Bangladesh has evolved over centuries and includes diverse traditions from various social groups. It is manifested in music, dance, drama, art, crafts, folklore, languages, literature, philosophy, religion, festivals, celebrations, cuisine and other customs. Some defining aspects of Bangladeshi culture include festivals like Pohela Boishakh, Eid, and Durga Puja; folk music genres like Bhatiali and Baul; traditional marriage customs; and dishes like biryani and desserts like sandesh and rasgulla. The Bengal Renaissance contributed greatly to developing Bengali culture in the 19th-20th centuries.
This document provides an overview of OTOBI Limited, a furniture manufacturing company in Bangladesh. It discusses the company's factories, retail outlets, dealers, export destinations, and competitive strengths. It also analyzes OTOBI's target market and existing marketing campaigns. Three branding strategy campaigns are proposed to change negative perceptions of the brand and attract younger customers. The campaigns would use memorable video clips, live streaming, and reverse psychology messaging to emphasize that furniture is about furnishing one's life, not just home. A timeline and budget for the campaigns is planned.
Battle Of Minds 2015 is a flagship recruitment event of British American Tobacco Bangladesh. Every year thousands of students from different universities including business & engineering participate in this competition. IUT was one of the finalist of this year and here is our presentation. Find our UI videos here:
https://youtu.be/spOiRQxhsZk (Mobile App)
https://youtu.be/NQP2I35Ea5A (Desktop UI)
This document provides an introduction and overview of Indian cinema. It discusses how Indian cinema began in the late 19th/early 20th century and has since grown to become one of the largest film industries in the world. The summary highlights that Indian cinema includes multiple regional language film industries, produces over 1000 films per year, and has found markets in over 90 countries. It also notes that Indian cinema has undergone generational changes from its beginnings to the present day.
This presentation suggests how to balance your work and life. What are the impacts of imbalance and how to ensure perfect balance between your office-work and family life.
IMC Campaign for Robi presents Ad Maker Bangladesh 2015- Team DextersMd. Samid Razzak
The document outlines a marketing campaign for a Robi Cricket Anthem song aimed at uniting Bangladeshi cricket fans. The campaign's big idea is to make people celebrate cricket together with one song. It proposes using TV, print, radio, and social media ads as well as on-ground activations like hand fans, karaoke vans, and buzz agents to promote the song. The budget is approximately 59.4 million BDT. Effectiveness will be evaluated through surveys and monitoring changes in brand awareness and perception among the target audience of cricket fans aged 18-35. Contingency plans include conducting more research and modifying the campaign based on evaluation results.
This document provides biographical information on several influential Bengali filmmakers including Satyajit Ray, Alamgir Kabir, Zahir Raihan, and Ritwik Ghatak. It discusses their early lives, education, careers making films and documentaries, and some of their most notable works. It also provides details on the awards and honors received by Satyajit Ray and Zahir Raihan for their contributions to Bengali cinema.
The document summarizes the history of film industries in Pakistan and India from their beginnings in the late 19th century through modern times. It notes that the golden era of Pakistani cinema was the 1960s-1970s, though film production had begun in the early 20th century in Lahore and Bombay. The industries declined in later decades but saw some revivals, including with the 2007 film Khuda Ke Liye which helped lift India's decades-long ban on Pakistani films.
Satyajit Ray was an Indian filmmaker who is considered one of the greatest auteurs of world cinema. He directed 36 films, including feature films, documentaries and shorts. Some of his most famous works include the Apu Trilogy - Pather Panchali, Aparajito, and Apur Sansar - which chronicle the maturation of a boy named Apu. He also directed films like Devi, Charulata, and Mahanagar. Ray received numerous national and international honors, including an Honorary Oscar, and is considered the most influential filmmaker of Indian cinema.
The document summarizes the history of movies in India from the Silent Era to the Covid Era. It discusses the early pioneers like the Lumiere brothers and Dadasaheb Phalke. The Golden Age of Indian cinema produced acclaimed social films. The Parallel Cinema movement emerged alongside mainstream cinema. During the pandemic, productions shut down and blockbusters were postponed or released on streaming platforms. The film industry faced major losses but streaming rose in popularity during nationwide lockdowns.
The document summarizes the history and evolution of Indian cinema from its beginnings in 1913 to the present day. It traces the transition from silent films to talkies, the influence of social and political changes on films, and the rise of Indian cinema on the international stage. Key events and developments discussed include Dadasaheb Phalke making India's first feature film in 1913, the first talkie in 1931, the social protest films of the 1930s, and the golden age of Indian cinema in the 1950s and 1960s. The document also covers the impact of color film and changing tastes in the 1970s, the new wave cinema movement, and the revival of musicals in the 1980s/90s before concluding with India
Indian cinema began in the late 19th century with screenings of short films in Bombay in 1896. The first full-length Indian films were released in 1912 in Marathi and 1916 in Tamil. Over time, Indian cinema evolved to incorporate elements of Indian culture like music and dance. It grew into several regional industries like Bollywood in Hindi, and also Bengal, Gujarati, Punjabi and others. Indian cinema was impacted by independence and partition in the mid-20th century and went through periods of growth and evolution to become a global commercial enterprise and cultural influence by the 1990s.
The document summarizes the history of Indian cinema from its beginnings in 1913 to the present day. It traces the evolution from silent films to talkies and color films. Key events and films are highlighted for each decade, including Dadasaheb Phalke's Raja Harishchandra in 1913, Ardeshir Irani's first talkie Alam Ara in 1931, and the new wave cinema movements of the 1950s-1970s. The document also discusses the rise of regional cinema, increasing globalization of Indian films, and emergence of new filmmakers in the new millennium.
The document discusses the history and process of filmmaking. It notes that the Lumiere brothers were the first filmmakers in 1895. It describes the key stages of filmmaking as development, pre-production, production, post-production, and distribution. It also discusses the origins and growth of cinema in South Asia, India, and Pakistan, highlighting important time periods and films.
The Pakistani film industry declined significantly from the 1970s-1990s due to various political and economic factors but has seen a revival in the 2000s. Key events in the decline included the death of superstars Waheed Murad in 1983 and Sultan Rahi in 1996, as well as the lifting of the ban on Indian films in the 1990s. Shoaib Mansoor's films Khuda Ke Liye (2007) and Bol (2011) helped revive the industry by bringing a new standard of quality and storytelling. The revival has continued in recent years due to films that focus on strong scripts, direction and production values rather than big stars.
This document summarizes the history and development of regional cinemas in India, including Hindi, Gujarati, Bhojpuri, Bengali, Tamil, Telugu, and Assamese cinemas. It discusses the first films produced in each regional language and highlights some influential films and filmmakers. It also describes the growth of these regional film industries over time from their origins to modern revivals, with many now competing globally.
The history of film began in the 1890s with the invention of motion picture cameras and the establishment of film production companies and cinemas. Early films were under a minute long and silent, but technological developments like rotating cameras, continuity editing, and multi-reel films expanded the capabilities of the medium. By the 1900s, the film industry had grown into a large-scale entertainment business. In India, the first films were produced in the early 1900s, with Dadasaheb Phalke's 1913 film Raja Harishchandra marking a pivotal moment. Throughout the 20th century, Indian cinema flourished in multiple regional languages and underwent periods of artistic and commercial success. While new technologies have challenged the film industry
The document summarizes the evolution of Indian cinema from its beginnings in the silent era to modern times. It traces major developments like the introduction of sound/talkies, the growth of regional film industries, the impact of social/political changes, and the rise of new cinema movements. The golden age of the 1950s-60s saw Indian film gain international recognition, while the 1970s brought the rise of masala films and the angry young man genre. New directors further developed Indian cinema in subsequent decades.
This document provides an overview of the history and development of Indian cinema and various regional language cinemas. It discusses how Indian cinema began with the production of silent films in the early 1900s and transitioned to talkies in the 1930s. It then summarizes the growth and achievements of major regional cinemas like Hindi, Bengali, Marathi, Gujarati, Telugu, Tamil, Malayalam, and others. Key directors, films, genres and time periods are highlighted for each regional cinema. The document positions Indian cinema as having strong cultural roots and being a cradle for many diverse cultures across its regions.
The document discusses the history and development of Indian language cinema. It notes that Indian cinema is diverse, with many regional film industries that developed unique cultures and traditions. Over time there has been crossover of talents between industries. Some highlights discussed include the "Golden Age" of Hindi cinema from the 1940s-1960s which produced many critically acclaimed films. Regional industries like Bengali, Marathi and Gujarati cinema also made important contributions to Indian film.
Indian cinema is the largest film industry in the world, producing close to 1000 films annually in various regional languages. It began in the late 1890s and has since developed a global following. The industry is based primarily in Mumbai and produces films in many Indian languages. It has influenced filmmaking in other parts of Asia and the Middle East. Major directors have found success abroad and Indian films are screened in over 90 countries. The golden age of Indian cinema was between the late 1940s-1960s and produced acclaimed films that competed at Cannes. Regional cinema also flourished particularly in Bengal, Tamil Nadu, and Kerala.
Satyajit Ray was born in 1921 in Calcutta, India. He grew up in an artistic family and was exposed to both Eastern and Western art and culture. In the 1940s, he began working in advertising and became a leading graphic designer. In the 1950s, Ray began his filmmaking career with the acclaimed Apu Trilogy about a Bengali family. Over his career, he made 36 films exploring real Indian characters and social issues. Ray received numerous awards, including an Honorary Oscar and India's highest civilian honor, the Bharat Ratna. He is considered one of the greatest filmmakers of all time for his humanistic and realistic storytelling style. Ray died in 1992 after making several
The golden age of Indian cinema was between 1944-1960. This period saw the rise of great directors who made landmark films that gained national and international fame, helping establish Indian cinema as a force globally. Socio-political melodramas from this era like Mother India and Pyaasa are considered some of the best films ever made. It was also a time when parallel cinema emerged. Central organizations like the CBFC, NFDC, and Film Division were established to regulate, promote and archive Indian cinema.
The presentation discusses the evolution and growth of the Indian film industry from its beginnings to modern times. It was divided into three parts: (1) the beginning from 1896-1930s, which saw the first films being shown and made; (2) the Golden Age from 1940s-1960s, which was the industry's peak and saw many classic films; and (3) the modern age from the 1970s-present, bringing new technologies and successes. The conclusion states that while some films flop, the overall industry outlook remains positive and it provides opportunities for economic growth if it embraces new technologies and distribution methods.
Satyajit Ray was an Indian filmmaker who is considered one of the greatest directors of the 20th century. He directed over 30 films in Bengali, including classics like Pather Panchali. Ray received numerous national and international awards, including an Honorary Oscar and Golden Lion awards. He was honored by major film festivals and was the second film personality after Chaplin to receive an honorary doctorate from Oxford University. Ray is recognized as one of the most influential filmmakers of all time.
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5. THE HISTORY OF BENGALI CINEMA
• The first seeds of the Bengali film industry was sown by Hiralal Sen. He started his own Bioscope
company, which became widely famous as the “Royal Bioscope Company” .
• After Sen’s successful revamping up of the Bengali film Industry, It was Dhirendra Nath Ganguly
who established the Indo British Film Company in 1918.
• This became a stepping stone to success for the Bengali film industry as it was the first Bengali
owned production company.
• The first Bengali Feature film, which was produced in 1919 called as Billwamangal.
• The 'Parallel Cinema’ movement of Indian cinema began in the Bengali film industry during the
1950s Bengali films since then have traversed a long way in history with stalwarts like Satyajit
Ray, Mrinal Sen, Ritwik Ghatak, Tapan Sinha etc.
6. Silent era (1919 – 1930) :
Hiralal Sen India is credited as one of Bengal's, and India's first directors.
Only six years after the release of ‘Billwamangal’, the first full-length Indian feature film, Raja
Harish Chandra, was released.
This era witnessed the rise of talkies, The First Bengali talkies as full length feature film Dena
Paona was released 30 December 1931 at Chitra Cinema Hall in Calcutta.
Golden era (1952 – 1975) :
During this period, Bengali cinema enjoyed a large, even disproportionate, representation
in Indian cinema, and produced film directors like Satyajit Ray, who was an Academy
Honorary Award winner, and the recipient of India's and France's greatest civilian
honours, the Bharat Ratna and Legion of Honor respectively, and Mrinal Sen, who is the
recipient of the French distinction of Commander of the Order of Arts and Letters and the
Russian Order of Friendship.
7. THE LEGACYOF satyajit ray
• The biggest event in Indian cinema was the release of Pather Panchali in
1955,a film directed by Satyajit Ray.
• It won "The Best Human Document" award.
• It was also nominated for the Palme d'Or at the 1956 Cannes Film Festival.
• Numerous awards were bestowed on Ray throughout his lifetime, including
32 National Film Awards by the Government of India.
• In 1982 he received an honorary "Hommage à Satyajit Ray" award at the
Cannes Film Festival.
• Ray is the second film personality after Chaplin to have been awarded
honorary doctorates by Oxford University
• He was awarded the Dadasaheb Phalke Award in 1985 and the Legion of
Honour by the President of France in 1987.
• The Academy of Motion Picture Arts and Sciences awarded Ray an
honorary Oscar in 1992 for Lifetime Achievement.
8.
9. RITWIK GHATAK :
• An artist who exerted a profound influence on the modern Indian
cinema but who was critically recognized abroad only after his untimely
death in 1975
• He is famous for films like ‘Meghe Dhaka Tara’(1961),’ Komal Gandhar’,
‘Subarnarekha’ (1962).
MRINAL SEN :
• His film, Bhuvan Shome (Mr. Shome) launched him as a major
filmmaker, both nationally and internationally.
• He received the Padma Bhushan, and in 2005 he was awarded the
Dadasaheb Phalke Award, the highest honor given to an Indian
filmmaker, by the Government of India.
TAPAN SINHA :
• His films were shown in different film festivals all over the world.
• In 1957, his film 'Kabuliwala' was shown in Berlin Film festival.
Directors of golden age
10. International recognition
• Cannes
Jury prize: Mrinal Sen (1983- Kharij)
• Venice
Golden Lion: Satyajit Ray (1957- Aparajito)
Golden Lion – Honorary Award: Satyajit Ray (1982)
• Berlinale
Golden Bear: Satyajit Ray (1973- Distant Thunder)
Jury Grand Prix: Mrinal Sen (1981- In Search of Famine)
Silver Bear:Satyajit Ray (1964- The Big City & 1965- Charulata),
• BFI London
Sutherland Trophy: Satyajit Ray (1959- The World of Apu)
• National Board of Review (USA)
National Board of Review Award for Best Foreign Language Film: Satyajit Ray (1958- Pather Panchali & 1960-
The World of Apu)
11. Parallel Cinema:
It is a film movement in Indian cinema that originated in the state of Bengal in the 1950s led by pioneers
such as Satyajit Ray, Ritwik Ghatak, Bimal Roy, Mrinal Sen, Tapan Sinha .
It was an alternative to the mainstream commercial Indian cinema.
Global Discourse:
Satyajit Ray particularly cited Italian and French filmmaker , which he assisted, as influences on his debut
film Pather Panchali (1955).
Another prominent filmmaker is Mrinal Sen, whose films have been well known for their Marxist views.
Ritwik Ghatak, began reaching a global audience long after his death.
DECLINE:
By the early 1990s, the rising costs involved in film production and the commercialization of the films had a
negative impact on the art films.
The National Film Development Corporation of India did not seriously look into the distribution or exhibition
of these films.
These films lacked the so-called 'entertainment value' .
EMERGENCE OF PARALLEL CINEMA
12. DOWNFALL
• Popularity of hindi films in 1960’s.
• Copy of other regional films.
• The proliferation of television sets in middle class homes.
• The over- the- top- content, bad acting, lewd songs, cheap lyrics an ill
maintained single screen theatres in Bengali cinema.
• Cultural distinctiveness curbed the ambition of conquering distant
markets.
13. SUCHITRA ANDUTTAM :The Quintessence of Bengali Cinema
In 1952 while Satayjit Ray's movies were garnering
critical acclaim among the educated elite in the 1950s,
Suchitra-Uttam movies were mega hits among the
masses, the Bengali audience loved it! As time robbed
them of their physical charm, and the last Suchitra-Uttam
movie “Priyo Bandhobi” flopped at the box office in 1975,
Suchitra realised that it was time to relinquish her throne.
The premature death of Mahanayak Uttam Kumar in July,
1980 (he was only 53) was a severe blow to Suchitra.
After making her last movie, “Pronoy Pasha,” in 1978,
Suchitra chose the life of a recluse.thus the pair left
creating a vacuum in bengali cinema.
14. THE END OF GOLDEN ERA OF BENGALI MUSIC
• Bengali music directors comprise of some of the most
talented people in the history of Bengali cinema they
composed great music of their times.
• In the films of Uttam Kumar, Suchitra Sen, and others
soul stirring songs were quite prevalent. Songs by
Hemanta Mukherjee and Shyamal Mitra and others were
popular with the young generation too.
• The songs of Rabindranath Tagore were a constant
source of inspiration for the Bengali music directors.
• Soon the Golden era of bengali film music came to an
end with the passing of these great music directors
which was a great loss to the bengali film industry.
15. Rituparno Ghosh: The man behindthe revival of Bengali
cinema
After Satyajit Ray died and Mrinal Sen retired, Bengali cinema
was no longer what it used to be until Rituparno Ghosh
triggered its revival. Rituparno Ghosh, the auteur who
brought the Bengali middle-class back to cinema halls. His
films changed the perspective of Bengali cinema. He earned
11 national awards in the best film category. But what he
gave his audience is far more like a renaissance to the bengali
film industry.
16. RESURGENCE
Resurgence of Bengali film slowly starts from 2002 with the film ‘SAATHI’, directed by HARANATH
CHAKROBARTY .
After that in 2008 flow of resurgence frequently starts with the film ‘CHIRODINI TUMI JE AMAR’
directed by RAJ CHAKROBARTY and music director JEET GANGULY.
The resurgence of Bengali cinema has made the world sit up and take notice of the cool new breed of
film makers. This attention has given a boost to the talented Bengali actors who are now being
discovered by Bollywood.
The industry is churning out more movies and box office hits than any time in the recent past.
String of box office hits are “BHOOTER BHOBISHYAT” ,”HEMLOCK SOCIETY” ,”LAPTOP” ,
“CHITRANGADA” , and “MUKTADARA”.
While the above movies were aimed at urban and multiplex audience ,commercial movies like
“AWARA” AND “KHOKA BABU” catered to the rural and semi-urban audience.
Interestingly movies like”ekti tarar khoje” and “JODI EKDIN” have raked in more overseas than at
home.
17. REASONS
1. Cine goers have more choice on the platter.
2. Accelaration to critics technically is the most impotant catalyst leading to more ‘HINDI’ film
makers and more creative content and more experimental works.
3. Greater production budget leading to more sequences in films and not just songs,now beins shot
overseas.
4. The industry exhibited growth both in terms of the number of films being made/certified and the
investments made in producing these movies.
5. Has been successful in reaching audience overseas hence market has expanded.
6. 2000s also saw the emergence of popular actors such as Jeet, and Dev, and music directors such
as Jeet Ganguly.
7. Apart from new ideas the two things which are attracting viewers are the rich literary content
and melodious music
19. Renaissance period
Saathi (2002) : This film is Jeet's cinematic debut. The most blockbuster in 2002 in bengali flim history.
Subho Mahurat (2002) :Directed by Rituparno Ghosh. The film won National Film Award for Best Feature Film in
Bengali and Raakhee won National Film Award for Best Supporting Actress.
Dosar(2006): Directed by Rituparno Ghosh, the black-and-white film won the National Film Award - Special Jury
Award / Special Mention (Feature Film) for the lead role portrayal by Prosenjit Chatterjee.
Chirodini... Tumi Je Aamar : It is a 2008 Bengali film by Raj Chakraborty. The film was inspired by the Balaji
sakthivel directed Tamil film Kaadhal.
Challenge (2009) : is a 2009 Bengali comedy, action film directed by Raj Chakraborty., few scenes and music-
video's ,shooting was done in Dubai, Australia, New Zealand.
Ami Aadu (2010) : Directed by Somnath Gupta. The film received National Film Award for Best Feature Film in
Bengali in 2010.
Bhooter Bhabishyat is a 2012 Bengali film directed by Anik Dutta. The film became one of the biggest hits of 2012
among the Bengali films.
• Apur Panchali is a 2013 Bengali film directed by Kaushik Ganguly who won the award of best director for Apur
Panchali in the 44th International Film Festival of India (IFFI) in November 2013.
• Antarmahal, Jaatiswar, Laptop, Chitrangada, Phoring, Icche, Mukto Dhara, Hemlock Society, Alik Shuk, Bojhena
Shey Bojhena, Meghe Dhaka tara,Sobdo etc.
20. RITUPARNO’S AWARD WINNING FILMS:
– His second movie Unishe April (19 April) won the 1995
National Film Award in India for best film.
– 2001 - National Film Award for Best Direction – Utsab
– 2003 - National Film Award for Best Feature Film in
Bengali - Shubho Mahurat
– 2004 - National Film Award for Best Feature Film in
Bengali - Chokher Bali
– 2005 - National Film Award for Best Feature Film in
Hindi - Raincoat
– 2008 - National Film Award for Best Feature Film in
English - The Last Lear
– 2010 - National Film Award for Best Feature Film:Shob
charitro Kalponik
21. TOLLYWOOD ADRENLINE RUSH
After witnessing a steady slump for almost two decades with degrading quality
of Bengali films, copy of south Indian, Oriya and C-grade Bangladesh films,
things have finally started looking up for the Bengali film industry. An
intelligent concoction of smart production, state-of-the-art technology,
inspiration from literary works, graphic sex scenes shot aesthetically coupled
with high quality music have led to the resurgence of commercial Bengali
cinema.
22. FUTURE ASPECTS AND IMPROVEMENTS
• Need for understanding changes in audience
preference.
• Exploring films based on Bengali literature.
• Use of filmless camera.
• Increase in use of social media and other online
resources
• Use of special effects is limited which needs to be
improved.
• Expansion of Bengali film eco system to other regional
languages.
• Film branding and merchandizing.
23. box office news
Last year 122 movies were certified almost 3 times that in 2006(42)..The industry
crossed the century mark in 2010,clocking 110 film up from 84 in 2009.
Significantly at least 90% of them recovered the investment with around 15-20%
rated very successful.
What has given the biggest fillip is the emergence of new battalion of directors
who are keen to experiment.
The audience would earlier look forward to barely 2 or 3 releases and now there
are at least 2 significant release each month with refreshing different stories and
treatment.
24. CONCLUSION
While the advent of digital production brought in a growth phase in Bengali
commercial cinema the industries awaiting the next tool or revolution that
will again accelerate the growth of the industry even more in coming years.
Repetition of the ‘winning formula’ will bring the industry to a standstill yet
again.
Experimentation with new ideas, actors and technology should continue.
But the industry shouldn’t take its success for granted and should instead
explore uncharted territories to leave an indelible mark in the hearts of
cinema lovers.