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Once you start looking around for objects that lend themselves to block-printing, you'll find that your home is practically Gutenberg's workshop: You will see potential everywhere -- a pair of dice, rubber bands, striped bocce balls. (Be sure to do a test run, and be aware that paint might permanently stain the object.)
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Encaustic lab set up powerpoint
The document describes setting up an encaustic art studio for middle school students. It outlines the materials needed at each of 5 stations, including heat tools, encaustic wax medium, brushes, pans, and boards. Safety procedures are discussed such as using splatter paper and hot pads. Students will create backgrounds by layering colored encaustic wax and oil pastels, and some may add images using transfers. Examples of past student projects include portraits and designs incorporating the school mascot. The goal is to introduce students to the encaustic technique in a safe, well-organized studio environment.
Encaustic Process Grades 7 & 8
The document provides instructions for students on the encaustic art process. It explains that the process involves layering heated beeswax or paraffin wax combined with pigment or oil paint onto a substrate. Students are warned about fire safety and keeping the heating trays below 400 degrees. The instructions describe how to apply a base layer of wax, add color using oil pastels or hand-mixed pigmented wax, and fuse each layer before adding the next. Proper cooling is emphasized between layers. A toner transfer technique is also outlined to embed printed images under the wax. Cleanup responsibilities are noted.
5 Basic Brush Strokes For Beginners
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https://www.showflipper.com/blog/5-Basic-Brush-Strokes-You-Must-Learn
Clay glazing 8th pottery whistle
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Lithography Without a Stone
This document provides instructions for lithography printing using toner-based prints or photocopies as the printing plate. The process involves adhering the print to a plexiglass sheet using gum arabic, inking the plate with lithographic ink, and transferring the ink to damp paper by rubbing. Basic supplies include lithographic ink, plate oil, gum arabic, photocopies or laser prints, printing paper, and plexiglass. Multiple prints can be made from a single plate. Vegetable oil can be used to clean up ink, followed by mineral spirits or denatured alcohol if needed.
Reductive Printmaking-A Basic Introduction
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Diy chalkboard stocking hangers
This document provides instructions for making DIY chalkboard stocking hangers using poplar boards and a router. The project involves cutting and assembling poplar boards to form a weighted base, routing edges, painting one side with chalkboard paint, and attaching hardware to display stockings. The finished hangers provide a homemade alternative to store-bought versions and allow for personalization by writing names on the chalkboard.
Week 4
Chemigrams are abstract photographic prints created through a chemical resist process discovered by Pierre Cordier in 1956. The process involves dipping objects in photographic chemicals like developer and fixer, and placing them on light-sensitive paper to create detailed prints of the objects. The paper is then developed further with chemicals to leave an image where the object was placed and change the color of the unprotected areas. Variations include fixing the object first to leave it white against a black background or splattering dilute chemicals on unexposed paper and exposing it to light. Different materials can be used to create resist patterns before development.
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Encaustic lab set up powerpoint
The document describes setting up an encaustic art studio for middle school students. It outlines the materials needed at each of 5 stations, including heat tools, encaustic wax medium, brushes, pans, and boards. Safety procedures are discussed such as using splatter paper and hot pads. Students will create backgrounds by layering colored encaustic wax and oil pastels, and some may add images using transfers. Examples of past student projects include portraits and designs incorporating the school mascot. The goal is to introduce students to the encaustic technique in a safe, well-organized studio environment.
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The document provides instructions for students on the encaustic art process. It explains that the process involves layering heated beeswax or paraffin wax combined with pigment or oil paint onto a substrate. Students are warned about fire safety and keeping the heating trays below 400 degrees. The instructions describe how to apply a base layer of wax, add color using oil pastels or hand-mixed pigmented wax, and fuse each layer before adding the next. Proper cooling is emphasized between layers. A toner transfer technique is also outlined to embed printed images under the wax. Cleanup responsibilities are noted.
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Are you interested in learning art? Then there is no better way than focusing on the little tips. Here are 5 basic brush strokes for beginners. Don't forget to click on the link below for detailed article:
https://www.showflipper.com/blog/5-Basic-Brush-Strokes-You-Must-Learn
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The document provides instructions for glazing clay whistles using underglazes. It states that three coats of each color should be applied, allowing time to dry between coats and colors. Lighter colors should be applied first before adding darker details or spots. A final coat of clear glaze should be applied. Frequently asked questions are answered, emphasizing the importance of applying three coats of every color to avoid streakiness and confirming color choices.
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This document provides instructions for lithography printing using toner-based prints or photocopies as the printing plate. The process involves adhering the print to a plexiglass sheet using gum arabic, inking the plate with lithographic ink, and transferring the ink to damp paper by rubbing. Basic supplies include lithographic ink, plate oil, gum arabic, photocopies or laser prints, printing paper, and plexiglass. Multiple prints can be made from a single plate. Vegetable oil can be used to clean up ink, followed by mineral spirits or denatured alcohol if needed.
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Reductive printmaking involves carving away areas of the printing block for each new color layer to create a multi-layered print. The artist begins with a fully inked block and removes material for subsequent prints, building up the image layer by layer and registering each new color precisely. This process is demonstrated using a foam block and ballpoint pen, where blue lines are carved away to create the negative space and additional areas are then removed to print additional yellow and color layers in the composition.
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Chemigrams are abstract photographic prints created through a chemical resist process discovered by Pierre Cordier in 1956. The process involves dipping objects in photographic chemicals like developer and fixer, and placing them on light-sensitive paper to create detailed prints of the objects. The paper is then developed further with chemicals to leave an image where the object was placed and change the color of the unprotected areas. Variations include fixing the object first to leave it white against a black background or splattering dilute chemicals on unexposed paper and exposing it to light. Different materials can be used to create resist patterns before development.
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Week 3 13 photo
Chemigrams are abstract photographic patterns created through chemical manipulation of light-sensitive paper. Pierre Cordier discovered the process in 1956 when he found that certain resists could block the chemical effects of developer and fixer, leaving patterns. The document provides instructions for creating positive and negative chemigrams using developer, fixer, and light exposure to produce images. It encourages experimenting with different papers, chemicals, and resists to create varied effects outside of the traditional darkroom process.
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2. Image transfers using underglaze or clay slips can imprint printed designs onto mugs. Homemade stencils can also be used.
3. Colored clay slips applied in different ways can create unique textures and patterns when added to mug surfaces. Combining techniques can yield varied results.
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Once you start looking around for objects that lend themselves to block-printing, you'll find that your home is practically Gutenberg's workshop: You will see potential everywhere -- a pair of dice, rubber bands, striped bocce balls. (Be sure to do a test run, and be aware that paint might permanently stain the object.)
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This document provides instructions for creating eraser prints. Students are asked to: 1) Draw 10 squares and designs, selecting the best 5; 2) Transfer the designs onto an eraser and cut them out; 3) Use the eraser to stamp the designs onto a grid paper using different color combinations. The goal is to experiment with stamping techniques and color combinations to create an eraser print project.
Screen printing
This document provides instructions for screen printing using a craft knife to cut out a shape from screen mesh as a stencil. Key steps include carefully cutting out a shape, placing the cutout screen mesh over material, applying paint thickly behind the cutout with a squeegee, and pulling the squeegee through the paint to transfer the image. The screen should then be rinsed to prevent dried paint from ruining it.
Week 3 13 photo
Chemigrams are abstract photographic patterns created through chemical manipulation of light-sensitive paper. Pierre Cordier discovered the process in 1956 when he found that certain resists could block the chemical effects of developer and fixer, leaving patterns. The document provides instructions for creating positive and negative chemigrams using developer, fixer, and light exposure to produce images. It encourages experimenting with different papers, chemicals, and resists to create varied effects outside of the traditional darkroom process.
Mug decorating lecture
Three possible mug decorating techniques were summarized:
1. Underglaze painting allows for creative designs to be painted on mugs and can be combined with carving or sgraffito techniques to add texture.
2. Image transfers using underglaze or clay slips can imprint printed designs onto mugs. Homemade stencils can also be used.
3. Colored clay slips applied in different ways can create unique textures and patterns when added to mug surfaces. Combining techniques can yield varied results.
Processing problems in tablet manufacturing
This document discusses common processing problems that can occur during tablet manufacturing and their causes and remedies. Major problems discussed include capping, lamination, picking, sticking, mottling, chipping, and cracking. Capping is caused by air entrapment during compression and can be prevented by proper drying, sufficient binder, and removing fines. Lamination is caused by oily or waxy materials and too much lubricant, and can be addressed by modifying the mixing process and using minimal lubricant. Sticking occurs due to moisture, excess binder, or improper lubrication and drying. Remedies involve drying, lubrication, and modifying granulation.
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This document provides information on various mug decorating techniques for a beginning ceramics class. It discusses considering themes and designs for mugs and addresses questions about shape, size, and function. Techniques covered include glazing, underglaze, clay slips, carving, image transfers, stamping textures, and applying sculptural elements. Specific application methods are outlined for each technique. Students are encouraged to research additional techniques and to think creatively about combining methods. The document concludes with an activity where students gather design inspiration materials and notes.
Patterned paper power point
This document provides information on preparing surfaces, lining paper, wallboards, previously painted surfaces, filling cracks and holes, mould growth, new plaster, stripping wallpaper, tools and equipment, pastes and adhesives, paste consistency, how wallpaper is manufactured including screen printing, hand block printing, machine printing and embossing, types of wallpaper including grounds, machine prints, hand prints, embossed papers, wet embossed paper, washable papers, coated washable papers, wood grain, metallic folis and expanded polystyrene.
Defeccts of tablet coating unit ii
This document discusses tablet coating defects and their remedies. It begins by describing 11 common coating defects: blistering, chipping, cratering, picking, pitting, blooming, blushing, color variation, infilling, orange peel, and cracking. For each defect, it provides the causes and recommended remedies. The document was written by Suryam.G, an Assistant Professor with an M.Pharm and CPC certification, to educate readers about tablet coating issues and how to address them.
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1. This document provides instructions for creating reduction prints using foam printing plates. It outlines the materials needed, including foam plates, pencils, printing paper, block print ink, and brayers.
2. The process involves preparing an image on paper and transferring it to the foam plate before inking and printing the first color. The plate can then be reduced by adding details or cutting pieces to print additional colors.
3. Examples of projects for different grade levels are provided, such as seascapes, cityscapes, Aboriginal prints, self-portraits, and insects. The entire process allows for creating multilayered prints through successive reductions of the foam plate.
056 chromatography
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Blend colored pencils
Are you a beginner in the art world? Want to learn how to blend colored pencils? Have a look at our PPT and visit our blog here - https://www.showflipper.com/blog
Rendering with markers
Markers can be used like watercolors by applying them wet but they dry instantly. They allow for realistic colors without mixing and are compatible with other media. Markers can be used on many types of paper including carton, tracing paper, and butter paper. To create gradual value changes, apply lighter markers vertically over darker ones while still wet. Gray markers can also be layered up to three times to create shades from dark to light. Technical tips include outlining drawings in black if the original ink bleeds, using thinner pens for smaller drawings, and applying two coats of color with waiting time in between to darken values.
Slides on avoiding ghosting
Ghosting in sheetfed offset printing refers to darker glossy areas appearing on the back of printed surfaces with high ink concentration. Ghosting occurs due to contact between printed sheets in the pile, as inks dry at different rates on different areas. To avoid ghosting, it is best to choose paper and ink combinations that do not encourage it, as identified through lab testing procedures involving printing test sheets and evaluating their appearance when stacked. The timing between printing, perfecting, and finishing is also important to control ghosting, as chemical bonds in inks can transfer to adjacent sheets during drying if intervals are too short. While methods like airing the pile can help, lab testing of materials provides the most reliable way to prevent ghosting
Dyeing_ printing_defects
This document discusses common defects that can occur during dyeing and printing of textiles. It describes two main methods for adding color to fabrics - dyeing and printing. Dyeing involves applying color evenly throughout the fabric using dye solutions, while printing uses localized application of dyes or pigments in a paste form to create patterns. Common dyeing defects include uneven color, crocking, stains and softener marks. Printing defects can result from faulty processes or fabric imperfections, and include issues like misprints, uneven color, water marks, misregistration and bleeding of dyes. Potential causes and remedies are provided for many of the typical defects.
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Chalk Mixed Media Drawing inspired by Jim Dine Lesson
Chalk Mixed Media Drawing inspired by Jim Dine Lesson
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Step by step beginners guide for pastel art printing
Step by step beginners guide for pastel art printing
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4 video surveillance technology trends 2021
Deep learning and AI video analytics will allow for faster investigations by enabling search and filtering of video footage based on specific criteria. Edge-based solutions can provide instant alerts when threats are detected and allow for cloud-based verification of incidents. Customers will prioritize cyber-secure vendors who follow best practices and standards for security and quickly roll out updates. Cloud technology offers remote monitoring opportunities that have increased due to the pandemic.
5 essentials for managing hybrid cloud (2)
This document outlines 5 essentials for managing a hybrid cloud: 1) Understand the workloads that will run on public and private clouds in terms of how they interact with users and manage data, networking, security, and performance. 2) Focus on security and governance using mechanisms like identity and access management (IAM) to control who can access what. 3) Integrate a single pane of glass interface to manage cloud platforms and save time. 4) Understand available management tools that cover areas like API management and security. 5) Acknowledge service level agreements (SLAs).
Intelligent automation
The document presents three approaches for organizations to adopt intelligent automation: 1) Think Big, Scale Fast, which involves appointing an executive to lead automation across the entire enterprise simultaneously in business and IT; 2) A Winning Partnership, which leverages an automation partner's expertise to reduce risks integrating new technologies; 3) Automation On-Demand, where organizations access automated agents through a partner rather than developing automation expertise internally.
Machine learning
The document discusses key considerations for building a machine learning pipeline. It recommends limiting the scope of each component, building reusable components, codifying testing into the pipeline, defining the order and flow of components through orchestration, and automating the pipeline when criteria are met. The overall message is that an effective pipeline incorporates data processing, modeling, testing, and automation in a modular and orchestrated manner.
M achine learning_2
Building a machine learning pipeline requires considering several key steps including data collection, cleaning and preprocessing, model selection, training, and evaluation. The data must be properly collected and cleaned to prepare it for modeling, then an appropriate algorithm must be chosen and trained on the data. Finally, the trained model must be evaluated on test data to analyze its performance and effectiveness at the task.
Parallel (2)
Parallel computing can process large amounts of real-time data from various industries like weather, traffic, and health more efficiently than serial computing. It allows multiple computers with several cores each to work on different parts of large data problems at the same time. This saves both time and money compared to serial computing which processes things one at a time. Leveraging parallel computing can help solve more complex and larger problems faster and at a lower cost than using serial computing alone.
Machine learning (1)
Machine learning is changing the world by enabling the organization and analysis of enormous amounts of data. It looks for patterns in data to generate insights. Machine learning improves data handling for organizations and detects fraud and security threats for banks. It also helps doctors access healthcare records and make quicker decisions. Machine learning powers home security systems with facial recognition and activity monitoring to identify strangers and check on family.
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Move applications and data to the cloud in small batches to identify issues. Consider which applications provide financial and operational benefits. Plan your inventory and define dependencies before deciding what to migrate. Understand costs and ROI before fully migrating to ensure alignment of cloud expenses with budget. Assess security risks and compliance gaps to ensure safety of application migration and data storage in the cloud.
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Refined data is the fuel for running Machine Learning algorithms to make more accurate predictions and ultimately better decisions. Learn how cloud computing powers the data economy:
Delamination in sheetfed offset printing
Delamination refers to the separation of layers in printing stock like paper or cardboard. It can be caused by issues during cutting, stacking, or unrolling of paper. Precautions like carefully cutting paper, discarding bottom sheets, and using wedges or probes gently can prevent delamination. For example, in one print shop delamination was traced to a mispositioned cutter bar damaging sheet edges, causing strips to roll up during processing. Identifying the problem sheet can help determine if the cause was cutting, stacking, or something earlier in the paper making process.
The 5 Steps of the Color Management Process
The 5 steps of color management are: 1) choose consumables, 2) determine production conditions, 3) optimize prepress, 4) optimize the printing press, and 5) print and evaluate a test form. The document provides details on each step, such as choosing inks and printing stocks in step 1, setting color standards and print speeds in step 2, and ensuring correct platesetter settings in step 3. Step 4 involves standard press settings and dampening adjustment. Step 5 describes printing a test form, measuring, and iterating until color values are accurately achieved. The goal is reproducible quality through consistent color management.
Problem Cases in the Pressroom
The document discusses various problem cases that can occur in a pressroom, including electrostatic charge on paper, crease formation, picking, emulsification, ghosting, mottling, horizontal stripes, darkening, and changes in tone value. It provides details on the causes and remedies for each issue. The key issues covered are electrostatic charge occurring when paper is too dry, crease formation from poorly fed paper or machine settings, and remedies like ensuring proper paper moisture and machine adjustments.
REGULAR MAINTENANCE
Regular maintenance of printing presses is important to prevent premature wear of components, reduce reliability, and impact print quality. Following maintenance schedules ensures maximum life of presses by lubricating key parts like cam followers monthly. Neglecting maintenance can lead to failures of these components and require expensive repairs and downtime. Sticking to manufacturer maintenance programs helps maintain performance and avoid costly issues.
CMYK
CMYK refers to the four ink colors - cyan, magenta, yellow, and black - used in printing presses and some inkjet printers to reproduce full-color images. These inks are applied in thin layers of dots that combine optically to create the full spectrum of colors. CMYK is the most common full-color printing process, where color images are separated into the four color values and then sequentially printed using the colored inks to reproduce the original image.
Scratches on Folding Box Packaging
Scratches were found on folding boxes containing pharmaceutical bottles that had been transported. An investigation found glass splinters from the bottles embedded in the cardboard of some boxes. Tests showed the prints and coatings had normal abrasion resistance, so the glass particles were the likely cause of the scratches. A scanning electron microscope image confirmed embedded glass fragments matched those from the bottles. The conclusion was that loose glass particles from bottle movement during transport caused the scratches on some folding boxes.
Printing with Polyester Printing Plates
This document provides guidance for using polyester printing plates with Heidelberg printing presses. It notes that polyester plates offer cost savings over metal plates for short print runs up to 20,000 copies with faster throughput and lower production costs. It provides tips for setup and use of polyester plates, including proper cleaning and maintenance of presses, performing register corrections carefully, and using additives and treatments to prepare plates for printing.
Avoiding Gradient Flaws, Part II
During imaging of printing plates, gradient flaws can occur due to poorly calibrated linearization and color tone correction curves. The purpose of linearization curves is to reproduce tone values on printing plates, but applying both linearization and color tone correction can lead to rounding errors and gradient flaws. Investigations indicate that linearization curves only provide benefits in exceptional cases and may cause shifts in tone values. Proper testing and visual checks of gradients on plates are recommended before and after applying any linearization curves.
Delamination
Delamination a mode of failure for composite materials. In laminated materials, repeated cyclic stresses, impact, and so on can cause layers to separate, forming a mica-like structure of separate layers, with significant loss of mechanical toughness. Read more in these Slides
Avoid ghosting
Ghosting in sheetfed offset printing refers to darker glossy areas visible on the back of printed surfaces with high ink concentration. It occurs through contact between printed sheets in the pile due to different drying speeds of inks. To avoid ghosting, it is best to choose the right paper and ink combination through lab testing, as certain combinations encourage ghosting. The lab test involves printing test sheets and storing them like sandwiches to check for ghosting effects. Time intervals between printing, perfecting, and finishing also impact ghosting - shorter intervals reduce ghosting. A lab test can ensure the paper and ink combination will not cause ghosting during the printing process.
Environmentally Friendly Cleaning
The document discusses environmentally friendly cleaning for printing presses. It describes how Heidelberg works with industry groups and research organizations to test and approve cleaning agents that minimize solvent emissions, protect machines and the environment. The testing evaluates physical properties of the agents as well as their compatibility with press materials to ensure safe and effective cleaning. Over 290 cleaning products from around the world have received certification for use with Heidelberg presses.
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Monitoring and Managing Anomaly Detection on OpenShift
Overview
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Key Topics Covered
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5th Power Grid Model Meet-up
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Power Grid Model
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The narrative then shifts to a captivating exploration of prominent desktop OSs, Windows, macOS, and Linux. Windows, with its globally ubiquitous presence and user-friendly interface, emerges as a cornerstone in personal computing history. macOS, lauded for its sleek design and seamless integration with Apple's ecosystem, stands as a beacon of stability and creativity. Linux, an open-source marvel, offers unparalleled flexibility and security, revolutionizing the computing landscape. 🖥️
Moving to the realm of mobile devices, Das unravels the dominance of Android and iOS. Android's open-source ethos fosters a vibrant ecosystem of customization and innovation, while iOS boasts a seamless user experience and robust security infrastructure. Meanwhile, discontinued platforms like Symbian and Palm OS evoke nostalgia for their pioneering roles in the smartphone revolution.
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HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAU
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und ĂĽberflĂĽssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
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- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
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Operating System Used by Users in day-to-day life.pptx
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- 2. 2 KEEP YOUR EYES PEELED • Once you start looking around for objects that lend themselves to block-printing, you'll find that your home is practically Gutenberg's workshop: You will see potential everywhere -- a pair of dice, rubber bands, striped bocce balls. (Be sure to do a test run, and be aware that paint might permanently stain the object.)
- 3. 3 MAKE A PRINTING BLOCK • Some things, such as plastic berry baskets and woven trivets, are ready-made for printing. For others, such as buttons or lengths of twine, you'll need a hot-glue gun to secure a scrap of wood to the object, creating a base panel.
- 4. 4 PREP AND PAINT • If you're printing on paper, use craft paint. • If you're printing on a textile, , fabric paint is best. • If you want a sheerer finish without watering down the pigment, mix one part paint with three parts lightener medium (also known as colorless extender) in a jar. When you're ready to print, spread paint on a palette or a piece of cardboard; dab paint all over the object with a foam pouncer.
- 5. 5 PRESS ON COLOR • When printing on a textile, lay the cloth over an old towel or a piece of batting (depending on the object -- you may need to experiment). In addition to helping the paint press into the fabric, this cushioning keeps the block from slipping. • Some paints dry in as little as five minutes; if you're creating an overlapping pattern, allow for drying time between applications. When you're finished, set paint according to package instructions to make the design permanent and machine washable.
- 6. 6 PAINT PRIMER • If you want to print on textiles, experiment with a variety of fabric paints. Some brands are more transparent; some are heavier -- so each gives a different effect. Mix in colorless extender to make the paint semitransparent -- if you overlap colors, you can create a new shade.
- 8. 8