The document provides an analysis of the 1950 Japanese film Rashomon by Akira Kurosawa. It examines how the film presents four different accounts of a murder from four witnesses, demonstrating that truth is subjective based on individual perspectives and experiences. The document also discusses philosopher Roger Ebert's view that the multiple accounts in the film suggest there is no single, objective truth. It analyzes how theories of expectation, memory, emotion and reason influence how individuals perceive and recall events.