The document discusses different perspectives on truth presented in the film Rashomon. It summarizes Errol Morris' view that truth is objective and absolute, despite varying accounts, versus Roger Ebert's view that truth is subjective. While Ebert believes the differing accounts in Rashomon are individually true, Morris argues there can only be one truth, regardless of beliefs. The document concludes Morris' argument is more logical, as differing accounts could factually be untrue, rather than all being considered knowledge.