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Sai Chongratanakul

Senior Seminar, Period 6



                                   Rashomon’s Doubt



       Akira Kurosawa’s 1950 film Rashomonis a film about a man who got killed.

There are four testimonies stated by the lumberjack, the bandit, the wife of the

samurai, and the samurai, the victim of the murder. The interesting issue about the

plot of this film is that all of the testimonies state the story differently, and the crime

is left unsolved. However, Kurosawa attempted this unsolved mystery intentionally

to bring the audience’s attention not to solve who is the murder, but to bring up the

idea of how human’s perspective and action affect knowledge in a certain situation.

There are two respective views on truth and perception regarding to the film

Rashomon: Roger Ebert, and Errol Morris. Morris ultimately believed that truth is

objective and there is only one existed. Ebert points that truth is subjective and

varies from individual to individual. Eventhough both critics have their delightful

views, I personally believe that Ebert’s view on truth and reality havebetter

ingredients for justification, truth, belief, which gives better knowledge for the film

Rashomon though specific theory from perception: seeing and believing, and

selectivity of perception.



        Morris’s statement is acceptable for the aspect of an absolute truth behind

each character’s perception or lies in the film that everyone can agree on one thing:
the samurai did get killed some way or another no matter who committed the

murder. He also quoted “ it’s human to lie. Most of the time we can’t even be honest

with ourselves.” For the Rashomon film, independent testimony theory, from

perception, one of the Ways of Knowing, can be relevant to this view since it is one

of the ways to distinguish appearance from the reality, which is to include other

witnesses in the testimony as well as the credibility of evidence is increased when

confirmed by others. However, there is no actual justification that someone told a

lie. Therefore, there is no proof in who is the murderer of this crime since each

person does not agree on what really happen, but what if nobody is lying? There is a

chance that every character is telling their own truth, since they lack information.



       However, Ebert’s view makes more logical sense because his view on truth is

more subjective, paralleling to the differing witnesses which is relating to the theory

of seeing and believing, and the limitations of second-hand knowledge. The theory

of seeing and believing states that since our beliefs and expectations can affect the

way people see things. This theory can apply to how the bandit saw the woman’s

strength and fear; therefore he believes by her action that she is scared of her

husband and wants the bandit to kill him. On the other hand, the wife claims that

she cries and blames herself because she cheats on her husband with the bandit.

This illustrates that two testimonies have different truths based on what they see

and what they believe.
In addition, Ebert also argues that every person has a different truth because

they have lack of information. The theory of selectivity of perception best fits his

argument. The theory of selectivity of perception relatively states that human’s

senses are selective. Even though we think that we are aware of everything that is

happening, we only notice some of the things and overlook others, depending on the

main focal subject. According to the film, all of the testimonies tell the story

differently since they only know some pieces of the whole story and they only focus

on the specific senses. This depicts that truth is subjective and no one can deny it

because even our sense is subjective.



       In conclusion, although Morris’s idea has a good point that there is only one

absolute truth, it is undeniable to agree that truth is subjective which can adapt to

Ebert’s statement about relative truth through the theories of seeing and believing

and selectivity of perception. Based on the film Roshomon, Ebert’s view on truth can

be easily identified throughout the whole film, as each character perceives the

murder situation differently.



Lagemaat, Richard van de. Theory of Knowledge for the IB Diploma.N.p.:
  Cambridge University Press, 2008. Print.

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Rashomon's doubt

  • 1. Sai Chongratanakul Senior Seminar, Period 6 Rashomon’s Doubt Akira Kurosawa’s 1950 film Rashomonis a film about a man who got killed. There are four testimonies stated by the lumberjack, the bandit, the wife of the samurai, and the samurai, the victim of the murder. The interesting issue about the plot of this film is that all of the testimonies state the story differently, and the crime is left unsolved. However, Kurosawa attempted this unsolved mystery intentionally to bring the audience’s attention not to solve who is the murder, but to bring up the idea of how human’s perspective and action affect knowledge in a certain situation. There are two respective views on truth and perception regarding to the film Rashomon: Roger Ebert, and Errol Morris. Morris ultimately believed that truth is objective and there is only one existed. Ebert points that truth is subjective and varies from individual to individual. Eventhough both critics have their delightful views, I personally believe that Ebert’s view on truth and reality havebetter ingredients for justification, truth, belief, which gives better knowledge for the film Rashomon though specific theory from perception: seeing and believing, and selectivity of perception. Morris’s statement is acceptable for the aspect of an absolute truth behind each character’s perception or lies in the film that everyone can agree on one thing:
  • 2. the samurai did get killed some way or another no matter who committed the murder. He also quoted “ it’s human to lie. Most of the time we can’t even be honest with ourselves.” For the Rashomon film, independent testimony theory, from perception, one of the Ways of Knowing, can be relevant to this view since it is one of the ways to distinguish appearance from the reality, which is to include other witnesses in the testimony as well as the credibility of evidence is increased when confirmed by others. However, there is no actual justification that someone told a lie. Therefore, there is no proof in who is the murderer of this crime since each person does not agree on what really happen, but what if nobody is lying? There is a chance that every character is telling their own truth, since they lack information. However, Ebert’s view makes more logical sense because his view on truth is more subjective, paralleling to the differing witnesses which is relating to the theory of seeing and believing, and the limitations of second-hand knowledge. The theory of seeing and believing states that since our beliefs and expectations can affect the way people see things. This theory can apply to how the bandit saw the woman’s strength and fear; therefore he believes by her action that she is scared of her husband and wants the bandit to kill him. On the other hand, the wife claims that she cries and blames herself because she cheats on her husband with the bandit. This illustrates that two testimonies have different truths based on what they see and what they believe.
  • 3. In addition, Ebert also argues that every person has a different truth because they have lack of information. The theory of selectivity of perception best fits his argument. The theory of selectivity of perception relatively states that human’s senses are selective. Even though we think that we are aware of everything that is happening, we only notice some of the things and overlook others, depending on the main focal subject. According to the film, all of the testimonies tell the story differently since they only know some pieces of the whole story and they only focus on the specific senses. This depicts that truth is subjective and no one can deny it because even our sense is subjective. In conclusion, although Morris’s idea has a good point that there is only one absolute truth, it is undeniable to agree that truth is subjective which can adapt to Ebert’s statement about relative truth through the theories of seeing and believing and selectivity of perception. Based on the film Roshomon, Ebert’s view on truth can be easily identified throughout the whole film, as each character perceives the murder situation differently. Lagemaat, Richard van de. Theory of Knowledge for the IB Diploma.N.p.: Cambridge University Press, 2008. Print.