Q magazine is a UK-based music magazine known for its in-depth reporting, photography, and authority on music. It has a circulation of over 61,000 and readership of 377,000 that is younger and more affluent than other music magazines. Q is a multi-platform brand that extends beyond the print magazine to websites, radio, live events, and social media with hundreds of thousands of engaged users and followers. The magazine and brand influence music fans and have high credibility in the industry due to decades of setting the agenda in rock music.
Q is the UK's number one music magazine, with over 60,000 circulation and 377,000 readership. It is aimed at music fans aged 32 on average, who are influential consumers. Q provides in-depth reporting, reviews, and exclusive access to the biggest stars. It is a trusted source of authority on music trends and acts as an influential opinion leader. Q extends its brand across multiple platforms including a website, radio station, live events, and social media, engaging over 300,000 users online.
This document provides information about the music magazine Q, including its circulation numbers, readership demographics, and brand extensions. It summarizes Q as the UK's number one actively purchased music magazine, known for its in-depth reporting, photography, interviews with major music stars, and influence in the music industry. The document also profiles Q's typical reader as someone in their early 30s who is passionate about music and spends significant money attending concerts and purchasing music.
Q is the UK's number one actively purchased music magazine. It has over 377,000 readers that are primarily younger, affluent music fans. Q prides itself on in-depth reporting, interviews with major stars, and setting the agenda in rock music. It also extends its brand through a radio station, live events like the Q Awards, and its website and social media platforms. The magazine is seeking to partner with advertisers to reach its influential audience.
This document provides information about a music magazine called Q and its various brand extensions. It summarizes Q as the UK's number one music magazine that is trusted and influential in the music industry. It has a print circulation of over 61,000 and digital readership of over 377,000 that is younger and more affluent than other music magazines. The document outlines Q's brand extensions including its awards show, radio station, social media presence, and iPad edition to engage readers across multiple platforms. It also describes a campaign partnership with National Express where Q promoted coach transportation to music festivals and a contest for readers to win a private performance by the band The Hives.
This document provides information about Clash Music Ltd, a leading UK media brand representing music, fashion, and film. It operates platforms in print (Clash Magazine), digital (ClashMusic.com), outdoor advertising, live events, and creative projects. Clash Magazine has a circulation of over 47,000 and is known for its in-depth features, interviews, and reviews across various music and culture genres. ClashMusic.com attracts over 320,000 unique users and complements the magazine with daily online content. The document outlines Clash's offerings across its various platforms and provides statistics and contact information.
This document provides an overview of the state of dance music in the UK and Spain in 2015. It includes sections on the demographics and attendance of dance music fans, their preferences and motivations, the culture of dance music events, the logistics of planning events, codes of conduct, and the role of brands and sponsorship. The methodology used for the research is described at the end. Interviews with experts in the dance music industry provide insights into how the genre and fan base have evolved over time.
This document analyzes the British music magazine CLASH. It summarizes that CLASH focuses on underground and mainstream musicians while combining sections on film, fashion, news and entertainment. The target audience is primarily men aged 21-30, though the slim difference in male and female readership suggests it appeals to both sexes. Additionally, the target audience has a strong interest in music and are avid tech users located primarily in the UK, with many readers in London and eastern England.
CLASH is an independent British music magazine launched in 2004 that focuses on both underground and mainstream musicians. It combines sections on film, fashion, news and entertainment. While its target audience is primarily men aged 21-30, the small difference in readership between men and women suggests it appeals to both sexes. The target audience also has a strong interest in music and technology and lives primarily in the UK, especially London and eastern England.
Q is the UK's number one music magazine, with over 60,000 circulation and 377,000 readership. It is aimed at music fans aged 32 on average, who are influential consumers. Q provides in-depth reporting, reviews, and exclusive access to the biggest stars. It is a trusted source of authority on music trends and acts as an influential opinion leader. Q extends its brand across multiple platforms including a website, radio station, live events, and social media, engaging over 300,000 users online.
This document provides information about the music magazine Q, including its circulation numbers, readership demographics, and brand extensions. It summarizes Q as the UK's number one actively purchased music magazine, known for its in-depth reporting, photography, interviews with major music stars, and influence in the music industry. The document also profiles Q's typical reader as someone in their early 30s who is passionate about music and spends significant money attending concerts and purchasing music.
Q is the UK's number one actively purchased music magazine. It has over 377,000 readers that are primarily younger, affluent music fans. Q prides itself on in-depth reporting, interviews with major stars, and setting the agenda in rock music. It also extends its brand through a radio station, live events like the Q Awards, and its website and social media platforms. The magazine is seeking to partner with advertisers to reach its influential audience.
This document provides information about a music magazine called Q and its various brand extensions. It summarizes Q as the UK's number one music magazine that is trusted and influential in the music industry. It has a print circulation of over 61,000 and digital readership of over 377,000 that is younger and more affluent than other music magazines. The document outlines Q's brand extensions including its awards show, radio station, social media presence, and iPad edition to engage readers across multiple platforms. It also describes a campaign partnership with National Express where Q promoted coach transportation to music festivals and a contest for readers to win a private performance by the band The Hives.
This document provides information about Clash Music Ltd, a leading UK media brand representing music, fashion, and film. It operates platforms in print (Clash Magazine), digital (ClashMusic.com), outdoor advertising, live events, and creative projects. Clash Magazine has a circulation of over 47,000 and is known for its in-depth features, interviews, and reviews across various music and culture genres. ClashMusic.com attracts over 320,000 unique users and complements the magazine with daily online content. The document outlines Clash's offerings across its various platforms and provides statistics and contact information.
This document provides an overview of the state of dance music in the UK and Spain in 2015. It includes sections on the demographics and attendance of dance music fans, their preferences and motivations, the culture of dance music events, the logistics of planning events, codes of conduct, and the role of brands and sponsorship. The methodology used for the research is described at the end. Interviews with experts in the dance music industry provide insights into how the genre and fan base have evolved over time.
This document analyzes the British music magazine CLASH. It summarizes that CLASH focuses on underground and mainstream musicians while combining sections on film, fashion, news and entertainment. The target audience is primarily men aged 21-30, though the slim difference in male and female readership suggests it appeals to both sexes. Additionally, the target audience has a strong interest in music and are avid tech users located primarily in the UK, with many readers in London and eastern England.
CLASH is an independent British music magazine launched in 2004 that focuses on both underground and mainstream musicians. It combines sections on film, fashion, news and entertainment. While its target audience is primarily men aged 21-30, the small difference in readership between men and women suggests it appeals to both sexes. The target audience also has a strong interest in music and technology and lives primarily in the UK, especially London and eastern England.
Move Forward Music is a Brooklyn-based event production agency that specializes in live music and experiential events. They connect artists and brands through unique music and art experiences. Their founder Alex Damashek has over 10 years of experience curating cultural events in New York. Some of their most notable projects include House Party, the largest weekly hip hop party in New York; So Far Gone, a sold out monthly Drake-themed dance party; and No Ceilings, a music industry showcase series for emerging artists. They leverage digital marketing and creative partnerships to build communities around music.
The document announces the Hard Electric Tour 2010, a music festival tour spanning 3 cities in India from December 2-4. It will feature both international and local bands and donate proceeds to HIV/AIDS charities. To promote the event, there will be advance shows and contests offering prizes like passes and meet-and-greets with artists. Contact information is provided for the music festival organizers.
MOJO is Britain's biggest selling music magazine with over 220,000 readers. It prides itself on delivering insightful journalism and reviews on both iconic and emerging artists across various music genres. The magazine is respected among musicians and readers for its engaging writing on music. In addition to the print magazine, MOJO also has a strong online and events presence to further immerse readers in music.
The document announces back-to-back daytime pool parties at the Well x Freehand Hotel Miami on December 4th featuring artists, musicians, and brands. It will expose sponsors' brands to thousands of art Basel attendees and culturally connect creative communities in Miami. Sponsors receive various promotional benefits and opportunities for brand activation depending on the sponsorship level.
David Dye, the longtime host of the NPR-syndicated radio program World Cafe, announced that after 25 years he will be stepping down as full-time host in March 2017. When interviewed, Dye explained that hosting the program, which involves producing a 2-hour session every weekday, had become too time-consuming at over 10 hours per day. World Cafe focuses on in-depth storytelling from musicians and a blend of genres. It has been successful, broadcasting to over 600,000 listeners weekly on 250 stations nationwide. Dye plans to still contribute regularly but focus on expanding the show's perspectives and producing exclusive online content as the program moves forward.
The document summarizes the lineup for the 2014 Standard Bank Joy of Jazz festival, which has moved to a new venue and dates. Jazz giants like Dianne Reeves, Billy Ocean, Delfeayo Marsalis, Sibongile Khumalo and Jonas Gwangwa will perform. Other Grammy winners include Gregory Porter and Roy Hargrove. The festival will now take place from September 25-27 at the larger Sandton Convention Centre, allowing for a full festival pass and greater attendance numbers.
The document provides an overview for "The Sequel", a music, art, and culture event taking place on August 26, 2017 in Queens, NY. It will feature performances from major hip hop and rap artists like Nicki Minaj and Travis Scott. The event is expected to draw around 4,000 attendees at Amazura Nightclub. The overview outlines various partnership packages for sponsors ranging from $10,000 to $50,000, which include perks like VIP passes, interviews, branding opportunities, and booth space. It aims to create an exclusive experience for music fans and industry professionals alike.
July 9 task force planning meeting presentation.pptx finaljuliestapf
The document summarizes attendance data and demographics for concerts by The Cleveland Orchestra during the 2013-2014 season. It notes that nearly 140,000 patrons attended concerts, with the highest attendance for classical concerts at 104,000 patrons. The document also provides an overview of the demographics of patrons, including that the majority are Caucasian, married, college-educated, and over age 55. Additionally, it discusses considerations for enhancing the customer experience at Severance Hall.
The document describes the Treasure Island Music Festival, a two-day music festival held on Treasure Island in San Francisco. It provides details on the 2014 lineup, which included performances by Beck, Aesop Rock, Amon Tobin, Animal Collective, and over 100 other musical artists. The festival attracted over 14,000 attendees each day and featured two stages of live music alongside other attractions like a Ferris wheel and silent disco. The document also discusses the festival's focus on sustainability and green practices as well as its marketing efforts.
Kerrang! is the world's largest weekly music magazine with a circulation of 37,603 and readership of 294,000 in the UK. It primarily targets readers aged 17-24 and has a strong online presence across its website, social media, and other multimedia platforms. The magazine is considered highly influential in music scenes and culture by its readers. Advertisers are attracted to Kerrang! for its ability to reach a younger demographic that is typically difficult to engage.
Music magazine double page spread codes & conventionssam hill
Music magazine codes & conventions
The document outlines the typical structure and design elements of a double page spread in a music magazine. These include a headline in a unique font at the top to attract readers, 3-4 columns of body text and images, a large main image on one page along with a page of text, and other visual elements like a drop cap, pull quote, and byline to enhance readability and engagement. Standard fonts and placements are used to effectively convey information through the layout.
Thrive is a monthly music magazine distributed in the UK through various retail outlets. It aims to promote up-and-coming indie and rock artists while also providing fans with news, reviews, interviews and contests. The magazine uses a casual, conversational tone to appeal to its target audience of 16-50 year olds. It features regular content such as gig listings and reviews alongside in-depth feature articles, including interviews and behind-the-scenes pieces.
Audience research results and conclusionsshakeira16
The document summarizes the results of a survey about audience preferences for a pop punk music magazine. Key findings include that the majority of the target audience is 15-20 years old, slightly more female than male, and willing to pay £3-5 monthly for the magazine. Popular artists mentioned include Blink-182 and Green Day. Respondents said they would be drawn to a magazine offering free concert tickets or posters with exclusive articles, interviews, and coverage of new bands. This information will help the author design and price an effective pop punk magazine for their target readership.
This document provides information about 6 music magazines: Q magazine, Mojo, Rock Sound, Kerrang, Classic Rock, and Uncut. It lists the price, publication frequency, average issue size, and some regular and featured content sections for each magazine. Q magazine, Mojo, and Uncut have the largest issue sizes around 200 pages and focus on broader music coverage. Kerrang and Rock Sound have smaller 100 page issues and focus more on rock and alternative music. Classic Rock also has a larger 200 page size and covers classic rock genres.
The document is a 2015 media pack for Rock Sound, a UK magazine for rock music fans. It summarizes that Rock Sound has over 1.7 million readers across print and digital platforms, with a median age of 21. 55% are female. It also notes advertising opportunities available in both print and digital formats, and provides testimonials from past advertisers on the effectiveness of partnering with Rock Sound.
The document provides information about the readership of Uncut magazine. It summarizes that the average reader is a 37-year-old married man with an income of £29,263 who spends over twice the national average on music each year. It notes that readers rely on the magazine for music and film reviews and insights to help choose purchases. Finally, it provides advertising rate information and production specs for placing ads in the magazine.
Rock Sound magazine has been a credible voice in the rock scene for over 12 years, appealing directly to the lucrative youth market aged 21. It has a monthly audience of 585,000 across its print, website, and social media platforms. Advertising with Rock Sound provides an opportunity to reach this engaged audience through consistent branding across its integrated campaign touchpoints, including print, online, live events, and social media. This allows for increased impact, response, and market presence for advertisers.
Rock Sound is a UK-based media company that provides access to the rock and youth music markets through its magazine, website, social media platforms, and live events. It has built credibility over 14 years covering emerging artists like Paramore and Bring Me the Horizon. The document provides statistics on Rock Sound's large monthly audience of over 715,000 across its touchpoints, which is mostly aged 15-24. It pitches Rock Sound as an effective partner for advertisers seeking to reach the youth market by offering integrated campaigns across its print, online, and event properties. Case studies are presented showing successful campaigns for Red Bull, EMI Records, and Fender.
This document provides information about a music magazine called Q and its various brand extensions. It summarizes Q as the UK's number one actively purchased music magazine that is trusted and influential in the music industry. It also discusses Q's print magazine, website, radio station, social media presence, and live events like the Q Awards that bring together major music stars. The document promotes partnering with Q for advertising and mentions an example partnership where National Express sponsored a contest for readers to win a private concert on a coach ride to a music festival.
MOJO is Britain's biggest selling music magazine with over 220,000 readers. It prides itself on delivering insightful journalism on both iconic and emerging artists through long-form features, reviews of the latest music, and guest editorial spots from major musicians. The magazine engages passionate music fans through its expert coverage and invites readers to immerse themselves in music. MOJO has high brand integrity and is trusted by both readers and artists as an authority on music.
Move Forward Music is a Brooklyn-based event production agency that specializes in live music and experiential events. They connect artists and brands through unique music and art experiences. Their founder Alex Damashek has over 10 years of experience curating cultural events in New York. Some of their most notable projects include House Party, the largest weekly hip hop party in New York; So Far Gone, a sold out monthly Drake-themed dance party; and No Ceilings, a music industry showcase series for emerging artists. They leverage digital marketing and creative partnerships to build communities around music.
The document announces the Hard Electric Tour 2010, a music festival tour spanning 3 cities in India from December 2-4. It will feature both international and local bands and donate proceeds to HIV/AIDS charities. To promote the event, there will be advance shows and contests offering prizes like passes and meet-and-greets with artists. Contact information is provided for the music festival organizers.
MOJO is Britain's biggest selling music magazine with over 220,000 readers. It prides itself on delivering insightful journalism and reviews on both iconic and emerging artists across various music genres. The magazine is respected among musicians and readers for its engaging writing on music. In addition to the print magazine, MOJO also has a strong online and events presence to further immerse readers in music.
The document announces back-to-back daytime pool parties at the Well x Freehand Hotel Miami on December 4th featuring artists, musicians, and brands. It will expose sponsors' brands to thousands of art Basel attendees and culturally connect creative communities in Miami. Sponsors receive various promotional benefits and opportunities for brand activation depending on the sponsorship level.
David Dye, the longtime host of the NPR-syndicated radio program World Cafe, announced that after 25 years he will be stepping down as full-time host in March 2017. When interviewed, Dye explained that hosting the program, which involves producing a 2-hour session every weekday, had become too time-consuming at over 10 hours per day. World Cafe focuses on in-depth storytelling from musicians and a blend of genres. It has been successful, broadcasting to over 600,000 listeners weekly on 250 stations nationwide. Dye plans to still contribute regularly but focus on expanding the show's perspectives and producing exclusive online content as the program moves forward.
The document summarizes the lineup for the 2014 Standard Bank Joy of Jazz festival, which has moved to a new venue and dates. Jazz giants like Dianne Reeves, Billy Ocean, Delfeayo Marsalis, Sibongile Khumalo and Jonas Gwangwa will perform. Other Grammy winners include Gregory Porter and Roy Hargrove. The festival will now take place from September 25-27 at the larger Sandton Convention Centre, allowing for a full festival pass and greater attendance numbers.
The document provides an overview for "The Sequel", a music, art, and culture event taking place on August 26, 2017 in Queens, NY. It will feature performances from major hip hop and rap artists like Nicki Minaj and Travis Scott. The event is expected to draw around 4,000 attendees at Amazura Nightclub. The overview outlines various partnership packages for sponsors ranging from $10,000 to $50,000, which include perks like VIP passes, interviews, branding opportunities, and booth space. It aims to create an exclusive experience for music fans and industry professionals alike.
July 9 task force planning meeting presentation.pptx finaljuliestapf
The document summarizes attendance data and demographics for concerts by The Cleveland Orchestra during the 2013-2014 season. It notes that nearly 140,000 patrons attended concerts, with the highest attendance for classical concerts at 104,000 patrons. The document also provides an overview of the demographics of patrons, including that the majority are Caucasian, married, college-educated, and over age 55. Additionally, it discusses considerations for enhancing the customer experience at Severance Hall.
The document describes the Treasure Island Music Festival, a two-day music festival held on Treasure Island in San Francisco. It provides details on the 2014 lineup, which included performances by Beck, Aesop Rock, Amon Tobin, Animal Collective, and over 100 other musical artists. The festival attracted over 14,000 attendees each day and featured two stages of live music alongside other attractions like a Ferris wheel and silent disco. The document also discusses the festival's focus on sustainability and green practices as well as its marketing efforts.
Kerrang! is the world's largest weekly music magazine with a circulation of 37,603 and readership of 294,000 in the UK. It primarily targets readers aged 17-24 and has a strong online presence across its website, social media, and other multimedia platforms. The magazine is considered highly influential in music scenes and culture by its readers. Advertisers are attracted to Kerrang! for its ability to reach a younger demographic that is typically difficult to engage.
Music magazine double page spread codes & conventionssam hill
Music magazine codes & conventions
The document outlines the typical structure and design elements of a double page spread in a music magazine. These include a headline in a unique font at the top to attract readers, 3-4 columns of body text and images, a large main image on one page along with a page of text, and other visual elements like a drop cap, pull quote, and byline to enhance readability and engagement. Standard fonts and placements are used to effectively convey information through the layout.
Thrive is a monthly music magazine distributed in the UK through various retail outlets. It aims to promote up-and-coming indie and rock artists while also providing fans with news, reviews, interviews and contests. The magazine uses a casual, conversational tone to appeal to its target audience of 16-50 year olds. It features regular content such as gig listings and reviews alongside in-depth feature articles, including interviews and behind-the-scenes pieces.
Audience research results and conclusionsshakeira16
The document summarizes the results of a survey about audience preferences for a pop punk music magazine. Key findings include that the majority of the target audience is 15-20 years old, slightly more female than male, and willing to pay £3-5 monthly for the magazine. Popular artists mentioned include Blink-182 and Green Day. Respondents said they would be drawn to a magazine offering free concert tickets or posters with exclusive articles, interviews, and coverage of new bands. This information will help the author design and price an effective pop punk magazine for their target readership.
This document provides information about 6 music magazines: Q magazine, Mojo, Rock Sound, Kerrang, Classic Rock, and Uncut. It lists the price, publication frequency, average issue size, and some regular and featured content sections for each magazine. Q magazine, Mojo, and Uncut have the largest issue sizes around 200 pages and focus on broader music coverage. Kerrang and Rock Sound have smaller 100 page issues and focus more on rock and alternative music. Classic Rock also has a larger 200 page size and covers classic rock genres.
The document is a 2015 media pack for Rock Sound, a UK magazine for rock music fans. It summarizes that Rock Sound has over 1.7 million readers across print and digital platforms, with a median age of 21. 55% are female. It also notes advertising opportunities available in both print and digital formats, and provides testimonials from past advertisers on the effectiveness of partnering with Rock Sound.
The document provides information about the readership of Uncut magazine. It summarizes that the average reader is a 37-year-old married man with an income of £29,263 who spends over twice the national average on music each year. It notes that readers rely on the magazine for music and film reviews and insights to help choose purchases. Finally, it provides advertising rate information and production specs for placing ads in the magazine.
Rock Sound magazine has been a credible voice in the rock scene for over 12 years, appealing directly to the lucrative youth market aged 21. It has a monthly audience of 585,000 across its print, website, and social media platforms. Advertising with Rock Sound provides an opportunity to reach this engaged audience through consistent branding across its integrated campaign touchpoints, including print, online, live events, and social media. This allows for increased impact, response, and market presence for advertisers.
Rock Sound is a UK-based media company that provides access to the rock and youth music markets through its magazine, website, social media platforms, and live events. It has built credibility over 14 years covering emerging artists like Paramore and Bring Me the Horizon. The document provides statistics on Rock Sound's large monthly audience of over 715,000 across its touchpoints, which is mostly aged 15-24. It pitches Rock Sound as an effective partner for advertisers seeking to reach the youth market by offering integrated campaigns across its print, online, and event properties. Case studies are presented showing successful campaigns for Red Bull, EMI Records, and Fender.
This document provides information about a music magazine called Q and its various brand extensions. It summarizes Q as the UK's number one actively purchased music magazine that is trusted and influential in the music industry. It also discusses Q's print magazine, website, radio station, social media presence, and live events like the Q Awards that bring together major music stars. The document promotes partnering with Q for advertising and mentions an example partnership where National Express sponsored a contest for readers to win a private concert on a coach ride to a music festival.
MOJO is Britain's biggest selling music magazine with over 220,000 readers. It prides itself on delivering insightful journalism on both iconic and emerging artists through long-form features, reviews of the latest music, and guest editorial spots from major musicians. The magazine engages passionate music fans through its expert coverage and invites readers to immerse themselves in music. MOJO has high brand integrity and is trusted by both readers and artists as an authority on music.
Q is a monthly music magazine that provides in-depth coverage of modern music through its writing, photography, and access to major artists. It reaches over 1 million music fans each month across its magazine, website, social media, and radio partnership. The magazine prides itself on its expertise in music coverage and ability to introduce both novice and expert readers to new artists and stories through its writing.
Q magazine was first published in 1986 focusing on music and culture. It was originally going to be called Cue magazine but was renamed to just Q to stand out more on newsstands. Bauer Media Group, a large multinational media company, owns Q magazine which is targeted towards rock and roll audiences aged 18 and over. Q has expanded into other mediums beyond the magazine such as a radio station, TV channel, and website to engage audiences across different platforms.
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it influences with its trusted opinions on music. The magazine and its brand have a wide reach through additional platforms like a website, radio show, and live music events. Advertisers are attracted to Q because of its influential readership and ability to associate their brands with Q's credible voice in the music industry.
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership who are passionate about music. Q is seen as highly influential in shaping readers' and artists' views of new music. It has numerous brand extensions including a website, radio show, and live music events. Advertisers are attracted to Q because of its loyal, opinion-leading readership who influence their social circles.
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it influences with its trusted opinions on music. The magazine and its brand have a wide reach through additional platforms like a website, radio show, and live music events. Advertisers are attracted to Q because of its influential readership and ability to associate their brands with Q's credible voice in the music industry.
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it heavily influences with its trusted opinions on music. The magazine prides itself on providing exclusive access and interviews to break new artists and shape readers' views. It also extends its brand through events like the Q Awards and its website, radio show, and TV presence to engage music fans across multiple platforms. Advertisers are attracted to Q to associate with its credible brand and reach its influential readership.
This is the beginning of my plan for a music magazine I will be creating. I have looked at 'Q' magazines as an example and to get inspiration from.
In my plan so far I have included:
- an analysis of the aspects in one particular edition of Q
which includes the masthead, layout, quality, text style and
content, cover price, cover stories and exclusives
- an analysis of detonation and connotation within that
edition
- the media pack for Q magazines
I will continue with my plan, adding in:
- about the language (vocabulary, linguistics, poetic
features, sentence style and formal or informal)
- about the style and tone of my magazine
- how it will fit alongside existing publications
- who my target audience/market will be, creating a profile for
a potential reader
- how I will appeal to my target audience
- which magazines have the most relevance to my own
and talking about any aspects of their style that I could
borrow or use as inspiration
When my magazine is completed, it will consist of a front cover, contents page and a double page spread.
This is my music magazine analysis. In this presentation I compare music magazines and analyze the cover pages,contents pages and double page spreads from the latest issues of KERRANG!, Q and Mojo.
Bauer Media UK reaches over 22 million UK consumers through popular media brands like heat, Kiss, and Grazia magazines as well as Empire, Magic and Absolute Radio. It creates entertaining content across multiple platforms. Originally a small German printing house, Bauer Media Group has grown to have over €2 billion in turnover through acquisitions like ACP Magazines in Australia and expansion into the UK magazine and radio markets.
Mixmag readers are influential early adopters in club culture who are the first to recommend new music and trends. The typical Mixmag reader is 24 years old, 72% male and 28% female, living urban lifestyles in cities. These readers have a high disposable income that they spend on nights out, clothes, music downloads, and the latest mobile devices and MP3 players.
'Q' magazine is the UK's number one music magazine, founded in 1986. It was originally aimed at older collectors of vinyl and CDs but now appeals to a wide demographic. While featuring both current artists and classics, its readership remains predominantly male aged 15-24. Through print, digital, and social media platforms, 'Q' has grown its popularity substantially over 29 years to become a trusted brand in music coverage in the UK.
KERRANG! is a weekly UK magazine published by Bauer that focuses on rock music. It was first published in 1981 as a supplement to Sounds newspaper. KERRANG! aims to appeal to both younger readers interested in various rock genres as well as older fans who respect its coverage of heritage bands. Each issue includes a balance of newer bands, scenes, and established acts. The magazine uses colorful graphics and language on its cover to attract a young readership interested in the latest and most exciting news in rock music.
This document compares and summarizes four British music magazines: NME, i-D, Q, and Mixmag. It provides details on the history, target audience, price, and content of each magazine. For NME, it notes that the magazine was originally a music newspaper that transitioned to a magazine format. For i-D, it highlights that the magazine focuses on street style and youth culture. It states that Q and Mixmag both include music reviews and cost £4.20 and £4.99 respectively. The document then provides more detailed profiles and summaries of Q magazine and i-D magazine.
Kerrang! is a weekly music magazine targeted at 16-25 year olds that has been published for 29 years. It covers rock music genres from emo to thrash and aims to appeal to both younger readers interested in discovering new music and loyal readers interested in heritage bands. Kerrang! focuses on the biggest events in rock music each week while also educating readers about older, harder bands.
Rock Sound is a monthly music magazine targeted at 15-24 year olds. It has a circulation of around 15,000 and readership of 23,000. The editor is Ben Patashnik and it covers alternative rock and heavy metal.
Metal Hammer is a monthly music magazine targeted at 18-19 year old
Q Magazine is considered one of the world's biggest music magazines with over 547,000 readers. It covers a wide variety of music genres and appeals to a younger demographic, mostly male readers. The magazine is seen as highly influential due to its expertise in music and ability to reach readers who act as influencers among their peers. It offers advertisers access to its large readership across its magazine and digital brand extensions.
Rock Sound is a UK-based media company that provides access to the rock and youth music markets through its magazine, website, social media platforms, and live events. It has a monthly audience of over 715,000 across its touchpoints that is predominantly aged 15-24. The document promotes Rock Sound as an advertising partner by highlighting its trusted reputation and influence within the rock scene as well as the spending habits of its sizable audience. Examples of successful advertising campaigns for Red Bull, EMI Records, and Fender are provided to demonstrate the impact of Rock Sound's integrated partnership opportunities.
The document provides information on various music magazines, including their circulation numbers, target audiences, mission statements, editors, and contact details. Popular magazines discussed include Kerrang!, Q, Mojo, NME, and Total Guitar. The magazines target audiences ranging from teenagers to those in their 40s and 50s, and cover genres like rock, metal, and electronic music.
This document provides information about OutSpoken, a music magazine. It summarizes the magazine's mission to educate readers about local and outstanding artists through in-depth features. It has high circulation numbers and readership, making it a successful outlet for advertisers. The magazine offers diverse music genres and keeps readers engaged with new content each month. It is considered the most influential music magazine in the world due to its quality of reporting and connection with passionate music fans.
This document provides information about OutSpoken, a music magazine. It summarizes the magazine's mission to educate readers about local and outstanding artists through in-depth features. It has high circulation numbers and readership demographics show it appeals mainly to passionate music fans aged 24. The magazine offers advertising opportunities to reach its large, loyal fan base and influence consumers. It produces special editions around music events like Glastonbury to further engage readers.
This document provides information about OutSpoken magazine, which aims to educate readers about the music industry through in-depth features on local and outstanding artists. It has become very successful in the UK and worldwide, with a circulation of over 98,000 and a readership of over 346,000. The magazine offers diverse music genres and keeps readers engaged with new, unexpected content each month. It is seen as the most influential and successful music magazine of the 21st century by readers. Advertisers are encouraged to advertise in OutSpoken due to its trusted brand and ability to reach a wide, passionate fan base.
My media product uses and challenges some conventions of existing music magazines. It uses conventions like a focus on indie music, red coloring associated with that genre, and layouts that make content easy to find. However, it challenges conventions by having a longer descriptive title rather than initials, and not including text on one side of the double page spread to focus solely on the image. Overall, the goal was to be unique while still attracting readers through some familiar conventions.
In my magazine I wanted to use some conventions of existing music magazines like NME and Q to attract buyers, but also make it unique. The title challenges conventions by using "Bass" instead of initials to indicate the genre. Fonts, color, and layouts are similar to other indie magazines to appeal to the target demographic of 13-25 year old males. Photographs follow conventions like direct eye contact and provocative poses to engage readers. The contents page and double page interview article layout are based on simplistic designs from magazines like Q for easy reading. Some conventions are challenged, like leaving text off the left page to focus on the image.
Companies/Institutions that Distribute Magazinesjackbreary
The document discusses potential distributors for a new music magazine. It analyzes several major magazine publishers in the UK and their existing brands. IPC Media, EMAP, Conde Nast, Hearst Magazines, and Immediate Media are rejected as potential distributors due to their focus on lifestyle magazines rather than music. Bauer Media Group is selected as they could promote the magazine across their various media platforms, including music TV channels. Wenner Media is also rejected due to its outdated website not reflecting a modern magazine.
The document discusses potential distributors for a new music magazine. It analyzes several major magazine publishers in the UK and their existing brands. IPC Media, EMAP, Conde Nast, Hearst Magazines, and Immediate Media are rejected as potential distributors due to their focus on lifestyle magazines rather than music. Bauer Media Group is selected as they could promote the magazine across their various media platforms, including music TV channels. Wenner Media is also rejected due to its outdated website not reflecting a modern magazine.
The document discusses key aspects of effective double page spreads in magazines. Most double page spreads use the extra space for a large central image and headline to introduce an article. The image helps provide clues about the artist and can be used to attract, shock, or inform the reader. While text is also important, the central image is seen as the key element in creating a professional and successful double page spread. Obtaining the right evocative image is important for making the spread look polished and engaging for readers.
This document contains 25 questions about an artist's music career. It asks about how they got started in music, past performances at different venues, musical influences, the instruments they play, songwriting process, albums, fanbase, and evolution of their musical style over time. Contact information is provided at the end for the artist's SoundCloud and YouTube pages.
The magazine will be called "Bass", published monthly for £2.70 distributed in stores, websites, and digitally. It will focus on indie music with reviews, interviews, and a free download per issue. Each cover will feature a well-known indie artist. Regular content will include a fan forum, top music videos, gig guides, new artists, and song recommendations. Feature articles will profile popular indie artists like Arctic Monkeys, The Strokes, and Oasis examining their styles and careers. The magazine style will use humor but also strong commentary, aimed to be simple and interesting for indie fans.
This monthly music magazine costs £2.70 per issue and is approximately 70 pages in length. It contains regular sections such as album reviews, top music videos, gig guides, and features on new and established artists. Each issue profiles 20 popular current artists and highlights 20 new hit songs.
This monthly music magazine costs £2.70 per issue and is approximately 70 pages in length. It contains regular sections such as fan forums, album reviews, top music videos, gig guides, and interviews and articles about new and popular artists. Each issue also profiles 20 new hit songs and bands.
This document outlines the publication plan for an unsigned indie music magazine. It will be published monthly for £2.70, distributed in supermarkets, newsagents, websites and music shops. The magazine aims to offer opinions, reviews and interviews about indie music to compete with other indie magazines. It will follow a typical music magazine format including album reviews, gig guides, featured artists and fan content. Regular sections include a fans forum, top music videos and songs of the month.
The document is a survey that asks respondents about their gender, age, music magazine buying habits, favorite color, favorite current music magazine, ratings of different aspects of music magazines, favorite artist/band, and three words associated with indie music. It collects both multiple choice and open-ended answers through questions about demographics, interests, and opinions.
This monthly music magazine costs £2.70 per issue and averages 70 pages in length. Each issue includes feature articles, fan forums, album and gig reviews, top music videos and artists lists. Regular sections also provide interviews with popular bands, fan mail, recommended songs and photos.
The document outlines a publication plan for a new monthly indie music magazine. It will be priced at £2.70 and distributed in supermarkets, newsagents, websites and music shops. Each issue will include album and gig reviews, interviews with popular artists, and a free music download. The magazine aims to compete with similar publications like NME and Q by providing content written in an informal style by and for indie music fans. Regular sections will cover topics like album reviews, music videos, and upcoming artists.
The document outlines the publication plan for an indie music magazine. It will be published monthly for £2.70, distributed in stores, websites, and digitally. Each issue will feature interviews and reviews of popular indie artists, as well as upcoming artists, album reviews, festival news, and a free music download. The magazine aims to compete with similar publications like NME and Q by offering opinions and insights in an informal style for indie music fans. Regular sections will include forums, reviews, top music videos, gig guides, and charts.
This monthly music magazine costs £2.70 per issue and averages 70 pages in length. Each issue includes feature articles, fan forums, album and gig reviews, top music videos and artists lists. Regular sections also provide interviews with popular bands, fan mail, recommended songs and photos.
The document provides information about the readership of Uncut magazine. It summarizes that the average reader is a 37-year-old married man with an income of £29,263 who spends over twice the national average on music each year. It notes that readers rely on the magazine for music and film reviews and insights to help choose purchases. Finally, it provides advertising rate information and production specs for placing ads in the magazine.
Q magazine is a UK-based music magazine known for its in-depth reporting, photography, and authority on music. It has a circulation of over 61,000 and readership of 377,000 that is younger and more affluent than other music magazines. Q is a multi-platform brand that extends beyond the print magazine to websites, radio, live events, and social media with hundreds of thousands of engaged users and followers. The magazine and brand influence music fans and have high brand influence and credibility earned over 25+ years of covering rock music.
The document compares key details of 4 music magazines: NME, Q, Uncut, and Mojo. It provides information on price, publication frequency, average issue size, regular content sections, and any feature articles for each magazine. NME is the most affordable at £2.40 per month and focuses on radar, news, reviews and live content as well as a band feature. Q costs £3.99 monthly and contains various sections like access all areas and Q hero as well as band interviews. Uncut is £4.80 and includes letters, meets, changes and obituaries with a 50 greatest singer-songwriter albums feature. Mojo is £4.90 and has artist articles while also listing regular content
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2. THE WORLD’S GREATEST MUSIC MAGAZINE
Q voted magazine of the
year at Record of the Day
Music Journalism and
PR Awards 2012
Circulation
61,485
Readership
377,000
what is Q?
Q is the UK’s No. 1 actively-purchased music magazine.
Q is about quality and character. Q’s readers prize its lavish
photography, in-depth reporting and sense of humour.
abc1 profile
Q is about authority and opinion. It stands for the music
that matters, the stars who make it and the people who love it.
Median Age
Q is trusted and influential. A positive review in Q can
make a band’s career – and Q’s major interviews reverberate
around the world.
72%
32
male/female
70%/30%
we think
popular.
Q gets unparalleled access to the biggest stars in rock
and roll.
Q’s audience is younger and more affluent than any
other music monthly.
ABC July–Dec ‘12 • NRS July–Dec ‘12
3. The READER
THE WORLD’S GREATEST MUSIC MAGAZINE
excited, engaged readers
Chris is 29 years old and lives in Leeds. Music is more important to him than
anything else. It’s at the centre of his social life. It soundtracks all the best moments
in his life. It’s his identity, his social currency and his world.
Chris lives for gigs, festivals, and those electrifying moments of togetherness that
only music can provide. He is the one who sorts out gig tickets for his friends, turns
them on to new bands and sets up the big festival weekend. His tastes are “mainstream
eclectic” – the big stadium acts like Muse or Noel Gallagher mixed with the best of
genres spanning rock and electronica, plus the finest discoveries from music’s past.
Chris works in a professional job and finally has the money and time to indulge his
music habit to the full. He lives with a partner (no kids yet) who is similarly musicmad. He is “discovering quality” in all areas, from sound systems to deluxe reissues to
cars, travel and clothes.
Chris loves technology – he was first with the iPod, iPhone, iPad and now streaming
music services. He downloads music but still prefers to own CDs. And he spends more
on music than anything else: a big-ticket gig every week or so, six albums a month plus
a Spotify subscription and countless on-the-go downloads.
we think
popular.
4. data
THE WORLD’S GREATEST MUSIC MAGAZINE
why advertise?
Q readers are affluent – 72% are ABC1 with high disposable
income – and they lead opinions. In fact, Q has the second highest ABC1
out of the whole men’s market.*
Q is a truly multi-media property which extends from the print magazine into
Q Online, Q Radio, live events and the world-famous Q Awards.
Q has over 25 years of heritage – a quarter-century of trust and credibility
earned by tirelessly setting the agenda in rock and roll.
Q has an extremely high brand influence score of 73%, greater than both GQ
and Esquire. Q readers exercise a strong influence on their friends and family
– creating a strong multiplier effect for advertisers.
Q is an official partner of Europe’s biggest music event, the Glastonbury
Festival – meaning that only Q can bring you exclusive access to the Festival
via its acclaimed Official Review.
we think
popular.
ABC July–Dec ‘12 • NRS July–Dec ‘12
5. mission
statement
THE WORLD’S GREATEST MUSIC MAGAZINE
music sounds better with Q
“Q is the magazine that brings music alive. It draws together
the biggest stars, the most exciting phenomena, the new
artists that matter and a healthy dose of irreverence to
create an unmissable widescreen picture of what’s really
happening in rock and roll right now.
Q’s reviews section is the ultimate critical overview of music.
And magazine’s unrivalled access brings its readers up close
and personal with the stars who set the agenda. Q is the
ultimate rock and roll read.”
Andrew Harrison – Editor
we think
popular.
6. brand extensions
WELCOME TO Q’S WORLD
The Q Awards
Every year Q hosts the most glittering array of rock and roll starpower in the
music calendar. Sir Paul McCartney, U2, Coldplay, the Gallaghers, Blur and Amy
Winehouse are among our legendary guests. The Awards generate priceless PR
profile for artists and commercial partners alike, in the national press and beyond.
we think
popular.
7. brand extensions
THE WORLD’S GREATEST MUSIC MAGAZINE
Q iPad
A brand-new interactive
tablet edition launched
in August 2012, making Q
available worldwide instantly
to an audience of millions.
Opportunities for advertisers
include bespoke embedded
video content, picture
exclusives and more.
Q Radio
Playing an eclectic mix of the best
in rock and discovering the most
exciting new artists, Q Radio
reaches 196,000 people a week.
The station hosts intimate live
sessions with stars incuding Noel
Gallagher and Emeli Sandé.
we think
popular.
8. THE WORLD’S GREATEST MUSIC MAGAZINE
Q social media
With an amazing 69,549 followers
on Twitter (@QMagazine) and
32,556 Facebook likes, Q keeps in
touch with its readers all day, every
day. Q uses social media to drive
readers to different parts of the
Q brand, sparking debate and
sharing our content.
329,888
unique users
569,659
page
impressions
15,886
newsletter
subscribers
69,549
Twitter
followers
32,556
facebook
fans
we think
popular.
Q Online
With 329,888 unique users and 569,659 page impressions,
www.qthemusic.com is a powerhouse hub for music fans
– providing news, exclusive interviews and video content,
hot new music and ample opportunities for innovative
commercial partnerships.
Rajar Q4 2012 • Stats as of Feb 2013
9. THE WORLD’S GREATEST MUSIC MAGAZINE
Influence
BRAND INFLUENCE
Q’s specialist depth of knowledge and
authority in the music world make it a powerful
influencer. In a recent survey, readers scored Q
at 73%, higher than either GQ or Esquire.
And the average Q reader is more likely to
influence their peers when it comes to choices
on financial services, food, toiletries and more…
EDITORIAL INFLUENCE
Q gets the stars other artists can’t reach.
When Blur reunited for the last time on
2012 they gave Q unprecedented access
over a three-month period to build up a
unique portrait of one of Britain’s most
beloved bands.
READER INFLUENCE
Music is at the centre of British culture,
and Q readers lead opinion across all
areas of their lives – not just rock and roll.
Q readers are much more likely to rate
as “influential consumers” compared
to all other men – making them a highly
desirable audience to target.
Notable consumer brands that have used
Q in the last 12 months include:
we think
popular.
10. Case study
THE WORLD’S GREATEST MUSIC MAGAZINE
National Express partnership with Q
Campaign objective - Make a connection with the audience and encourage
people to get the most out of music events and ultimately buy coach tickets!
CREATIVE CONCEPT
The Ultimate Rock ‘n Roll VIP Rockstar
experience to Reading & Leeds with
National Express. Q and National
Express partnered to create the
ultimate competition to win seats
on the special Rock & Roll to Reading
coach. Winners of this competition get
their own private gig with The Hives on
a National Express coach to Reading.
Activity
l The Hives performing a private gig
on-board a National Express coach on
the way to Reading Festival
l 2 x SP advertorials to encourage
readers to enter and to review the gig
l Online advertorials, newsletters,
solus newsletters and directional
media plus social media integration.
Q Promotion
Rock and Roll
to Reading
with the hives!
T
he festival journey is a long
and arduous one. A bleak,
remorseless trek which
involves getting hopelessly
lost down country B roads,
minutes after the headlining
set has begun; standing in cattletruck-like trains that not even
Mussolini could run on time; hopping
on “generous” free transport that
unceremoniously dumps you miles
from the site, leaving you to trudge in
Somme-style conditions to get there.
Imagine, then, a coach service that
drops you inside the festival site and
then picks you up three days later. A
comfortable and reassuringly green
mode of transport, packed with
bonhomie-addled festival goers just
like yourself. Plus drivers who actually
know where they’re going…
This summer National Express
will be ferrying festival revellers to
musical beanfests from Leeds to
Latitude. Not only that, but they’re
also offering one lucky Q reader (plus
four of his/her chums) the chance to
travel by coach to The Reading
Festival, where there are over 200
artists appearing. And on the way
they’ll receive their very own private
gig, performed by Swedish garagerockers The Hives.
Whether you’ll be partying with
Pelle Almqvist and co or not (The
Hives’ new album Lex Hives is out
4 June), one thing’s certain: National
Express is one of the most relaxed
ways to reach a festival. “Don’t just sit
there feeling stressed, take a trip on
the National Express,” informed The
Divine Comedy in 1999. And they
were right. On the festival’s final day,
when everybody else is abstaining in
advance of their long slogs home,
National Express travellers can
imbibe away until their heart is
content, secure in the knowledge
they’ll be delivered safely home by
somebody more knowledgeable
(and less tired) than them…
win a privaTe
hives gig!
With their self-aggrandising betweensong commentary, matching black-andwhite outfits and incendiary punk
racket, The Hives remain one of the
most thrilling live acts on the planet.
National Express is giving one Q reader
and four of their friends the chance
to watch their very own private Hives’
gig at Reading Festival, travelling
there aboard the National Express’s
“Rock & Roll” service. Head to www.
Qthemusic.com/nationalexpress
and answer the question for your
chance to win**.
To see the full line-up and for more
information on The Reading Festival
2012 go to www.readingfestival.co.uk
PhotograPh: annika berglund
*calls cost 10P Plus network extras
**entrants must be 18 or over. For Full terms and
conditions go to Qthemusic.com/nationalexPress
Want to win tickets for you and your mates to Reading
and your own personal on-the-road gig with The Hives?
Read on to see how National Express is making it happen…
visiT naTionalexpress.com/evenTs or call 08717 81 81 81*
agency feedback - “With Q we truly delivered the link between the
National Express festival journey and the event - this was shown
through the large number of competition entrants from our “Musical
Carefree” audience. The fact that we managed to get The Hives to play
a gig on a National Express coach on the way to Reading Festival was
fantastic and provided great content for National Express social media
feeds!”- Scott Braniff, Investment Director at MPG
we think
popular.
11. business
THE WORLD’S GREATEST MUSIC MAGAZINE
Ad Schedule
Cover Date
On Sale
Copy
Deadline
Feb 2013
March 2013
April 2013
May 2013
June 2013
July 2013
Aug 2013
Sep 2013
Oct 2013
Nov 2013
Dec 2013
Jan 2014
28 Dec 2012
29 Jan 2013
26 Feb 2013
26 March 2013
30 April 2013
28 May 2013
25 June 2013
30 Jul 2013
27 Aug 2013
24 Sept 2013
29 Oct 2013
26 Nov 2013
7 Dec 2012
08 Jan 2013
05 Feb 2013
05 March 2013
09 April 2013
03 May 2013
04 June 2013
09 July 2013
05 Aug 2013
03 Sept 2013
08 Oct 2013
05 Nov 2013
Ad specs
Full PAGE
HALF PAGE
VERTICAL
Half page
horizontal
Trim 285 x 220
Bleed 291 x 226
Type 265 x 200
Trim 285 x 108
Bleed 291 x 114
Type 265 x 93
Trim 142 x 220
Bleed 148 x 226
Type 136 x 200
1/4 page box
Type 130 x 100
1/4 page
vertical
Trim 285 x 70
Bleed 291 x 73 (RH)
Type 265 x 60
advertising rates
DISPLAY
Full page fh
Full page rop
half page
ibc/ obc
dps fh
dps ROP
advertorials
Full page
DPS
HALF PAGE
we think
popular.
£10,072
£9,156
£5,036
£11,902
£19,136
£17,396
£11,902
£22,615
£6,547
PRODUCTION
Please contact your Creative Solutions
Salesperson for Production Rates
INSERTS
Bound-in
tip-on
loose insert
£65 CPT
£65 CPT
£45 CPT
12. contact
THE WORLD’S GREATEST MUSIC MAGAZINE
editorial team
editor
Andrew Harrison
senior EDITOR
Matt Mason
associate editor (digital)
Paul Stokes
associate editor (production)
Simon McEwan
editorial contact number
0207 295 5000
advertising
HEAD OF MAGAZINES
Clare Chamberlain
ASSOCIATE MEDIA DIRECTOR
Fiona Senior
BRAND DIRECTOR
Rob Walsh
0207 295 8591
Games and consumer
manager
Stephen Jobling
Music Manager
Martin Bojtos
FILM Manager
Liz Harriott
0207 295 5427
0207 295 8560
CREATIVE SOLUTIONS
manager
Stefanie Daniels
Creative Solutions
Manager
Ariana Dunne
Creative Solutions
director
0207 295 5483
0207 295 8589
0207 295 6741
0207 208 3702
Tayba Hussain
Live Music & Media planner
Joel Hopkins
0207 295 5474
PRODUCTION
CLASSIFIED
Claudine Platt
Karen Gardiner
020 7241 8265
01733 468288
REGIONAL SALES OFFICE
LOOSE INSERTS
h Bauer publishing
Katherine Brown
Howard Foster
we think
popular.
0161 868 3218
0161 868 3214