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VLADIMIR PROPP’S CHARACTER THEORY
He noticed that often many Folk tales were similar in a variety areas. He
identified a theory about characters and actions as narrative functions.
According the Propp, characters have a narrative function; they provide a
structure for the text.
THE HERO
› Embarks on a quest, seeks something.
› Saves the oppressed and brings down the villain.
› Commonly falls in love with the rescued.
THE VILLAIN
› Opposes or actively blocks the hero’s quest.
› Often tries to harm the princess.
THE DONER
› Gives the hero an object or a piece of information that
helps them prepare for what is to come.
THE DESPATCHER
› Sends that hero on their mission or quest.
THE FALSE HERO
› May appear good but has an ulterior motive, commonly to steal the love of the princess.
› Can attempt to take credit for the hero's actions.
› Can start out good but later betrays the hero.
THE HELPER
› Assists the hero with their quest.
› Usually the comic relief.
THE PRINCESS
› Needs assistance from the hero, usually because they are in
some form of danger.
THE PRINCESS’ FATHER
› Needs assistance from the hero, usually because they are in
some form of danger.
THE STRUGGLE SCENE
› There is a struggle between the hero and the villain.
› The hero fulfils their destiny.
› The villain is defeated.
› The state of disorder is resolved.
THE RECOGNITION SCENE
› Stage in the film when the hero is recognised.
OR
› The false hero or villain is unmasked and/or punished.
OR
› The hero gets their reward.

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Propp

  • 1. VLADIMIR PROPP’S CHARACTER THEORY He noticed that often many Folk tales were similar in a variety areas. He identified a theory about characters and actions as narrative functions. According the Propp, characters have a narrative function; they provide a structure for the text.
  • 2. THE HERO › Embarks on a quest, seeks something. › Saves the oppressed and brings down the villain. › Commonly falls in love with the rescued.
  • 3. THE VILLAIN › Opposes or actively blocks the hero’s quest. › Often tries to harm the princess.
  • 4. THE DONER › Gives the hero an object or a piece of information that helps them prepare for what is to come.
  • 5. THE DESPATCHER › Sends that hero on their mission or quest.
  • 6. THE FALSE HERO › May appear good but has an ulterior motive, commonly to steal the love of the princess. › Can attempt to take credit for the hero's actions. › Can start out good but later betrays the hero.
  • 7. THE HELPER › Assists the hero with their quest. › Usually the comic relief.
  • 8. THE PRINCESS › Needs assistance from the hero, usually because they are in some form of danger.
  • 9. THE PRINCESS’ FATHER › Needs assistance from the hero, usually because they are in some form of danger.
  • 10. THE STRUGGLE SCENE › There is a struggle between the hero and the villain. › The hero fulfils their destiny. › The villain is defeated. › The state of disorder is resolved.
  • 11. THE RECOGNITION SCENE › Stage in the film when the hero is recognised. OR › The false hero or villain is unmasked and/or punished. OR › The hero gets their reward.