Production concepts
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This document provides examples of different comedy film genres and concepts for comedy trailers. It lists common romance comedy, sitcom, animation, cringe comedy, spoof, and sketch film titles. It then discusses props, costumes, character types, and common comedy settings that could be depicted. Finally, it proposes two potential comedy storyline ideas - one about young men maturing from school bullies and the other about friends who time travel and alter history.
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E1115_CULTURE News
Abigail Spencer talks about her role as Amantha Holden in the drama series Rectify and what viewers can expect from her character's development this season. She discusses how she gets into her complicated character and draws from the writers and other actors. Spencer also talks about wanting to play roles without concern for gender or ethnicity, such as a historic figure like Catherine the Great or a contemporary nun.
Bridget jones’ diary film opening analysis
This document provides an overview and analysis of the film opening of Bridget Jones's Diary. Some key elements:
1) The opening establishes Bridget as an average British woman living in London through narration of her personal thoughts and commentary on events.
2) Scenes like a turkey-curry buffet and references to a gherkin show Bridget's family life and foreshadow the comedy to come.
3) Mention of Mr. Darcy references the classic novel Pride and Prejudice and hints at a romantic storyline between Bridget and Mark Darcy.
4) Bridget's witty internal narration connects with audiences by expressing thoughts they can relate to.
Alive Feb 2012 Article
The document criticizes several popular romantic films as actually depicting stalker-like behavior disguised as romance. It analyzes scenes from "Say Anything" where Lloyd follows Diane obsessively and tells her father his goal is to be her boyfriend. In "The Graduate", Ben secretly follows Elaine around campus after she breaks up with him. "Love Stalker" is praised for depicting a situation where a man stalks a woman after she breaks up with him. The document warns that obsessive behavior and lack of boundaries shown in these films should not be considered realistic or healthy in real relationships.
Call sheet
This document provides details for filming the music video "Can't Fight the Moonlight" including the location, equipment needed, costumes, shoot dates and cast contact information. Scenes of characters Sophie and Grace arguing with a male character will take place on the Burn Valley walkway. Additional filming of the song's first verse and chorus will occur in the surrounding Burn Valley area among the trees.
Introducing sitcom[1]
Sitcoms are typically set in a limited location like a home or workplace to keep production costs low. They feature a small group of main characters stuck in an ongoing situation or dysfunctional relationship that is the source of comedy each episode, like being part of a family. Plots revolve around everyday problems and misunderstandings rather than life-threatening crises. This format allows characters and situations to remain largely unchanged from episode to episode, keeping the show familiar and affordable to produce repeatedly.
Satire
The document defines satire and provides examples of techniques used in satirical works such as exaggeration, reversal, incongruity, and parody. It then analyzes a clip from Shrek that uses these techniques to satirize and critique traditional gender roles and action movie tropes. The clip features Princess Fiona defeating Robin Hood and his men through exaggerated martial arts moves and special effects seen in movies like The Matrix.
History of Romantic Comedy
Romantic comedies originated from Shakespearean plays that depicted lovers reunited after overcoming obstacles. Early romantic comedies in film included silent films from the 1920s. In the 1930s, "comedies of manners" focused on relationships between the rich and poor, while "screwball comedies" featured fast-paced dialogue and slapstick humor. Sex comedies of the 1950s-1970s explored gender differences and relationships. By the 1970s, romantic comedies questioned whether true love exists and focused on personal happiness rather than "happily ever after" endings. Today, popular "neo-traditional" romantic comedies follow the traditional structure but depict more realistic relationships.
The Simpsons A Satire About Society
The document provides background information on Matt Groening, the creator of The Simpsons. It discusses how he created The Simpsons in just 15 minutes and how it began as shorts before becoming its own TV show in 1989. It also summarizes the premise and format of The Simpsons, describing the Simpson family and how the show satirizes American culture, society and politics through the family's experiences in Springfield.
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E1115_CULTURE News
Abigail Spencer talks about her role as Amantha Holden in the drama series Rectify and what viewers can expect from her character's development this season. She discusses how she gets into her complicated character and draws from the writers and other actors. Spencer also talks about wanting to play roles without concern for gender or ethnicity, such as a historic figure like Catherine the Great or a contemporary nun.
Bridget jones’ diary film opening analysis
This document provides an overview and analysis of the film opening of Bridget Jones's Diary. Some key elements:
1) The opening establishes Bridget as an average British woman living in London through narration of her personal thoughts and commentary on events.
2) Scenes like a turkey-curry buffet and references to a gherkin show Bridget's family life and foreshadow the comedy to come.
3) Mention of Mr. Darcy references the classic novel Pride and Prejudice and hints at a romantic storyline between Bridget and Mark Darcy.
4) Bridget's witty internal narration connects with audiences by expressing thoughts they can relate to.
Alive Feb 2012 Article
The document criticizes several popular romantic films as actually depicting stalker-like behavior disguised as romance. It analyzes scenes from "Say Anything" where Lloyd follows Diane obsessively and tells her father his goal is to be her boyfriend. In "The Graduate", Ben secretly follows Elaine around campus after she breaks up with him. "Love Stalker" is praised for depicting a situation where a man stalks a woman after she breaks up with him. The document warns that obsessive behavior and lack of boundaries shown in these films should not be considered realistic or healthy in real relationships.
Call sheet
This document provides details for filming the music video "Can't Fight the Moonlight" including the location, equipment needed, costumes, shoot dates and cast contact information. Scenes of characters Sophie and Grace arguing with a male character will take place on the Burn Valley walkway. Additional filming of the song's first verse and chorus will occur in the surrounding Burn Valley area among the trees.
Introducing sitcom[1]
Sitcoms are typically set in a limited location like a home or workplace to keep production costs low. They feature a small group of main characters stuck in an ongoing situation or dysfunctional relationship that is the source of comedy each episode, like being part of a family. Plots revolve around everyday problems and misunderstandings rather than life-threatening crises. This format allows characters and situations to remain largely unchanged from episode to episode, keeping the show familiar and affordable to produce repeatedly.
Satire
The document defines satire and provides examples of techniques used in satirical works such as exaggeration, reversal, incongruity, and parody. It then analyzes a clip from Shrek that uses these techniques to satirize and critique traditional gender roles and action movie tropes. The clip features Princess Fiona defeating Robin Hood and his men through exaggerated martial arts moves and special effects seen in movies like The Matrix.
History of Romantic Comedy
Romantic comedies originated from Shakespearean plays that depicted lovers reunited after overcoming obstacles. Early romantic comedies in film included silent films from the 1920s. In the 1930s, "comedies of manners" focused on relationships between the rich and poor, while "screwball comedies" featured fast-paced dialogue and slapstick humor. Sex comedies of the 1950s-1970s explored gender differences and relationships. By the 1970s, romantic comedies questioned whether true love exists and focused on personal happiness rather than "happily ever after" endings. Today, popular "neo-traditional" romantic comedies follow the traditional structure but depict more realistic relationships.
The Simpsons A Satire About Society
The document provides background information on Matt Groening, the creator of The Simpsons. It discusses how he created The Simpsons in just 15 minutes and how it began as shorts before becoming its own TV show in 1989. It also summarizes the premise and format of The Simpsons, describing the Simpson family and how the show satirizes American culture, society and politics through the family's experiences in Springfield.
Evaluation q4 and 5
This document summarizes information about a 16-year-old boy named Joe Egan from South London to evaluate how to attract an audience. Joe enjoys action movies with exciting fight scenes and weapon battles. He discovers new movies through the internet and friends' recommendations. Joe listens to hip hop, rock, and gothic music on radio stations daily. He watches action/comedy TV shows. This audience would be appealed to by a film like "Operation Croak" due to its bloody battles and action scenes, suiting the target age range of teenagers to young adults who prefer such violent movies. The film could be distributed on DVD sold online and through social media recommendations to reach this target audience.
Romantic comedy genre research
This document provides an overview of the history and evolution of the romantic comedy genre. It discusses the origins of rom coms in Shakespearean plays, then traces the development of various subgenres over time, including comedies of manner in the 1930s, screwball comedies in the 1930s focusing on strong female leads, sex comedies of the 1950s-1970s, and more radical romantic comedies of the 1960s addressing topics like sex. It also lists some of the most prominent actors, directors, conventions, and influential films in the genre.
Rom-com Research
The genre of romantic comedies began in the early 1930s with films like Trouble in Paradise, building on conventions from Shakespearean comedies featuring romance plots. Typical rom-coms follow a "meet cute" structure where the future couple meets awkwardly or amusingly at the start and their romance develops over the film. In the 1990s, rom-coms took a new direction with films like When Harry Met Sally featuring more sexually charged narratives. Modern studios now experiment with sub-genres and complex topics while maintaining the typical happy ending.
Postmodern Music Video Analysis: Lady Gaga & Beyonce - Telephone
1. The video references several Tarantino films like Kill Bill and Pulp Fiction through elements like the Pussy Wagon vehicle and character names.
2. Lady Gaga challenges 1950s gender stereotypes as she poisons customers while dressed as a chef.
3. Scenes in a prison represent themes of fame and sexuality from previous videos, as Lady Gaga explores her identity behind bars.
Star wars audience avatars
This document profiles four potential Star Wars fan avatars: an older male fan in his 40s-50s who saw the original film in 1977; an older female fan of similar age who also saw the original films as a teenager; a younger male fan aged 14-17 who enjoys the newer films and games; and a younger female fan aged 12-17 who was drawn to the newer films because of the strong female lead. Each profile provides details on their age, interests, spending habits, and where they fit within consumer segmentation models.
Thriller planing
Harry Cooper hires a teen to mug a woman, stealing her identity documents and credit card. The victim, Eve White, is left desiring revenge. Harry and his accomplice Scarlet believe their plan went perfectly but Eve is scheming retaliation. The thriller will be set in Norwich, using locations like an alleyway and subway to create a sense of isolation and danger as Eve seeks vengeance against those who attacked her.
Movies that should never be remade
Executive Producer, Carter Boehm, shares a brief presentation discussing which popular films should never be remade.
Genre theory
1) Genre provides audiences with familiar codes and conventions to create expectations about the types of stories, characters, and themes in a film.
2) Producers can use genre as a guide to conform to audience expectations or challenge conventions.
3) While genre gives audiences comfort, it can also limit films and actors that break out of expected types. Blending genres or subverting expectations can both please and surprise audiences.
Thriller planing
Harry Cooper hires a teen to mug a woman to steal her identity. The teen, Will Block, mugs Eve White using a skateboard. Harry and his partner Scarlet Fraser watch to see if their plan works. However, Eve seeks revenge after being attacked. The characters and locations in Norwich include Harry, a manipulative 20-year-old, Will a skateboarding teen, Scarlet an 18-year-old who admires Harry, and Eve a 17-year-old student and victim. Key locations are a subway, alleyway, and ATM machine where the crime occurs.
Question 1
This document summarizes how the production of the thriller "Invisible Lives" uses and develops conventions of real media products. It draws inspiration from films like "The Third Man" in its location and use of low-key lighting. The costumes of the male stalker and female victims are inspired by films such as "Once Upon a Time in America," "The Girl with the Dragon Tattoo," and "Kill Bill Vol 1." While reinforcing some stereotypes of gender, it challenges stereotypes of age by using young victims and an older male perpetrator. Though it doesn't use a conventional claustrophobic location, it employs the genre convention of dark, wet streets in its opening scenes.
Neo classical
This document discusses Henry Fielding's novel "Tom Jones" as a picaresque novel. Some key points:
1) The novel follows Tom Jones, a picaro or roguish hero of low social class, as he moves through various circumstances and adventures.
2) It adopts a realistic style with elements of comedy and satire to depict Jones' journey.
3) As a picaresque novel, there is no overarching plot but rather a series of stories, and the protagonist undergoes some character development as the world changes around him.
Question 1
This document summarizes how the production of the student's thriller "Invisible Lives" uses and develops conventions of real media products while also challenging some conventions. It was inspired by "The Third Man" and uses its dystopian city setting. Low-key lighting, suits worn by the stalker character, and costumes for female victims were influenced by other films. While reinforcing some stereotypes like using young female victims, it also challenges others like age stereotypes by having an older male perpetrator. Location and visual conventions of dark streets are also used from influences like "Once Upon a Time in America" but the setting is not a conventional claustrophobic space.
Guess the 'stache!
Some of the world's most iconic personalities are famous simply because of their facial hair swag. In honour of Movember, we take a look at the best of them!
Sitcom Comedy the basics
Sitcoms typically follow a basic structure: they set up an incomplete situation and disrupt expectations for comedic effect, undermining ideas of normalcy. This structure allows sitcoms to deal with varied social groups and genres through hybridization. Sitcoms are also economically efficient for networks, using limited characters and reusable sets to keep costs low while enabling flexible scheduling and repeat airings.
Evaluation
Ben Loynd's FMP project is a comic book adaptation based on The Walking Dead graphic novels and TV show. His story follows Ben Fields, a desk worker in the UK who finds himself amidst a zombie invasion. With his friend Tom, wife Molly, and daughter Lilly, Ben tries to survive, but his wife is killed and daughter kidnapped. Ben is found injured and recovers in a church with an old man named John. Once healed, Ben sets out to avenge his wife and rescue his daughter. For his project, Loynd aimed to develop his own artistic style rather than directly copying The Walking Dead comics.
History of romance films
The document discusses the history of romance films. It defines romance films as plots that revolve around the love between two main characters and the highs and lows of that love. Common themes in early romance films included kissing, love at first sight, tragic love, and obsessive love. The first romance film was created by Thomas Edison in 1896 and was only 18 seconds, featuring a kiss. The document then discusses some famous historical romance films and common conventions in the genre, such as affection between characters, conflicts preventing their love, and happy endings.
Postmodern analysis 2
The document analyzes Lady Gaga and Beyonce's music video for "Telephone" through a postmodern lens. It identifies several ways the video blurs boundaries and references other works, making it a postmodern text. These include pastiches of old Hollywood films through its font and setting of a women's prison, references to movies like "Kill Bill" and "Thelma & Louise" through vehicles. It also blurs fiction and reality by having Lady Gaga wear a telephone as a hat and give a cooking demonstration. Overall, the analysis argues the video exhibits postmodern traits through its intertextuality and blending of different artistic elements.
Lady Gaga - Postmodern Artist
Lady Gaga is a postmodern artist who creates a hyperreal persona named Lady Gaga separate from her personal identity of Stefani Germanotta. She references other works like films in her music videos and live performances to remix genres and push boundaries in unconventional ways for a mainstream pop star. By blending symbols, signs, and intertextual references from popular culture, Lady Gaga controls her image and critiques society.
space teenagers
1. The document summarizes the 2010 film "I Am Number Four" which is based on a young adult science fiction novel of the same name.
2. The film tells the story of John Smith, a teenage alien fugitive with extraordinary powers who poses as a high school student in an Ohio town.
3. While trying to live a normal life and get to know a girl named Sarah, John finds himself hunted by another aggressive alien race trying to kill him and the other six fugitives.
Tom Jones as Picaresque Novel
This document is a student paper analyzing the 18th century novel "Tom Jones" by Henry Fielding as an example of a picaresque novel. It provides background on what defines the picaresque genre, including that it typically features a roguish hero of low social class who goes on a journey involving humorous adventures and realistic depictions of lowlife. The paper then analyzes how "Tom Jones" fits this form through its episodic structure, portrayal of Tom as a picaresque hero, and themes of pursuit and journeying. It includes references and is submitted to the English department of the student's university.
Technology
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How does my media product use, develop and challenge real media products?
This document outlines the typical design elements found on an indie magazine's front cover, contents page, and double page spread. The front cover usually features a large masthead, main coverline in the center, pull quotes, band index, and small barcode. The contents page has a smaller masthead, photo and coverline, and lists the magazine contents. A double page spread commonly includes a large headline, photo spanning both pages, pull quotes, and narrow columns of text.
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Evaluation q4 and 5
This document summarizes information about a 16-year-old boy named Joe Egan from South London to evaluate how to attract an audience. Joe enjoys action movies with exciting fight scenes and weapon battles. He discovers new movies through the internet and friends' recommendations. Joe listens to hip hop, rock, and gothic music on radio stations daily. He watches action/comedy TV shows. This audience would be appealed to by a film like "Operation Croak" due to its bloody battles and action scenes, suiting the target age range of teenagers to young adults who prefer such violent movies. The film could be distributed on DVD sold online and through social media recommendations to reach this target audience.
Romantic comedy genre research
This document provides an overview of the history and evolution of the romantic comedy genre. It discusses the origins of rom coms in Shakespearean plays, then traces the development of various subgenres over time, including comedies of manner in the 1930s, screwball comedies in the 1930s focusing on strong female leads, sex comedies of the 1950s-1970s, and more radical romantic comedies of the 1960s addressing topics like sex. It also lists some of the most prominent actors, directors, conventions, and influential films in the genre.
Rom-com Research
The genre of romantic comedies began in the early 1930s with films like Trouble in Paradise, building on conventions from Shakespearean comedies featuring romance plots. Typical rom-coms follow a "meet cute" structure where the future couple meets awkwardly or amusingly at the start and their romance develops over the film. In the 1990s, rom-coms took a new direction with films like When Harry Met Sally featuring more sexually charged narratives. Modern studios now experiment with sub-genres and complex topics while maintaining the typical happy ending.
Postmodern Music Video Analysis: Lady Gaga & Beyonce - Telephone
1. The video references several Tarantino films like Kill Bill and Pulp Fiction through elements like the Pussy Wagon vehicle and character names.
2. Lady Gaga challenges 1950s gender stereotypes as she poisons customers while dressed as a chef.
3. Scenes in a prison represent themes of fame and sexuality from previous videos, as Lady Gaga explores her identity behind bars.
Star wars audience avatars
This document profiles four potential Star Wars fan avatars: an older male fan in his 40s-50s who saw the original film in 1977; an older female fan of similar age who also saw the original films as a teenager; a younger male fan aged 14-17 who enjoys the newer films and games; and a younger female fan aged 12-17 who was drawn to the newer films because of the strong female lead. Each profile provides details on their age, interests, spending habits, and where they fit within consumer segmentation models.
Thriller planing
Harry Cooper hires a teen to mug a woman, stealing her identity documents and credit card. The victim, Eve White, is left desiring revenge. Harry and his accomplice Scarlet believe their plan went perfectly but Eve is scheming retaliation. The thriller will be set in Norwich, using locations like an alleyway and subway to create a sense of isolation and danger as Eve seeks vengeance against those who attacked her.
Movies that should never be remade
Executive Producer, Carter Boehm, shares a brief presentation discussing which popular films should never be remade.
Genre theory
1) Genre provides audiences with familiar codes and conventions to create expectations about the types of stories, characters, and themes in a film.
2) Producers can use genre as a guide to conform to audience expectations or challenge conventions.
3) While genre gives audiences comfort, it can also limit films and actors that break out of expected types. Blending genres or subverting expectations can both please and surprise audiences.
Thriller planing
Harry Cooper hires a teen to mug a woman to steal her identity. The teen, Will Block, mugs Eve White using a skateboard. Harry and his partner Scarlet Fraser watch to see if their plan works. However, Eve seeks revenge after being attacked. The characters and locations in Norwich include Harry, a manipulative 20-year-old, Will a skateboarding teen, Scarlet an 18-year-old who admires Harry, and Eve a 17-year-old student and victim. Key locations are a subway, alleyway, and ATM machine where the crime occurs.
Question 1
This document summarizes how the production of the thriller "Invisible Lives" uses and develops conventions of real media products. It draws inspiration from films like "The Third Man" in its location and use of low-key lighting. The costumes of the male stalker and female victims are inspired by films such as "Once Upon a Time in America," "The Girl with the Dragon Tattoo," and "Kill Bill Vol 1." While reinforcing some stereotypes of gender, it challenges stereotypes of age by using young victims and an older male perpetrator. Though it doesn't use a conventional claustrophobic location, it employs the genre convention of dark, wet streets in its opening scenes.
Neo classical
This document discusses Henry Fielding's novel "Tom Jones" as a picaresque novel. Some key points:
1) The novel follows Tom Jones, a picaro or roguish hero of low social class, as he moves through various circumstances and adventures.
2) It adopts a realistic style with elements of comedy and satire to depict Jones' journey.
3) As a picaresque novel, there is no overarching plot but rather a series of stories, and the protagonist undergoes some character development as the world changes around him.
Question 1
This document summarizes how the production of the student's thriller "Invisible Lives" uses and develops conventions of real media products while also challenging some conventions. It was inspired by "The Third Man" and uses its dystopian city setting. Low-key lighting, suits worn by the stalker character, and costumes for female victims were influenced by other films. While reinforcing some stereotypes like using young female victims, it also challenges others like age stereotypes by having an older male perpetrator. Location and visual conventions of dark streets are also used from influences like "Once Upon a Time in America" but the setting is not a conventional claustrophobic space.
Guess the 'stache!
Some of the world's most iconic personalities are famous simply because of their facial hair swag. In honour of Movember, we take a look at the best of them!
Sitcom Comedy the basics
Sitcoms typically follow a basic structure: they set up an incomplete situation and disrupt expectations for comedic effect, undermining ideas of normalcy. This structure allows sitcoms to deal with varied social groups and genres through hybridization. Sitcoms are also economically efficient for networks, using limited characters and reusable sets to keep costs low while enabling flexible scheduling and repeat airings.
Evaluation
Ben Loynd's FMP project is a comic book adaptation based on The Walking Dead graphic novels and TV show. His story follows Ben Fields, a desk worker in the UK who finds himself amidst a zombie invasion. With his friend Tom, wife Molly, and daughter Lilly, Ben tries to survive, but his wife is killed and daughter kidnapped. Ben is found injured and recovers in a church with an old man named John. Once healed, Ben sets out to avenge his wife and rescue his daughter. For his project, Loynd aimed to develop his own artistic style rather than directly copying The Walking Dead comics.
History of romance films
The document discusses the history of romance films. It defines romance films as plots that revolve around the love between two main characters and the highs and lows of that love. Common themes in early romance films included kissing, love at first sight, tragic love, and obsessive love. The first romance film was created by Thomas Edison in 1896 and was only 18 seconds, featuring a kiss. The document then discusses some famous historical romance films and common conventions in the genre, such as affection between characters, conflicts preventing their love, and happy endings.
Postmodern analysis 2
The document analyzes Lady Gaga and Beyonce's music video for "Telephone" through a postmodern lens. It identifies several ways the video blurs boundaries and references other works, making it a postmodern text. These include pastiches of old Hollywood films through its font and setting of a women's prison, references to movies like "Kill Bill" and "Thelma & Louise" through vehicles. It also blurs fiction and reality by having Lady Gaga wear a telephone as a hat and give a cooking demonstration. Overall, the analysis argues the video exhibits postmodern traits through its intertextuality and blending of different artistic elements.
Lady Gaga - Postmodern Artist
Lady Gaga is a postmodern artist who creates a hyperreal persona named Lady Gaga separate from her personal identity of Stefani Germanotta. She references other works like films in her music videos and live performances to remix genres and push boundaries in unconventional ways for a mainstream pop star. By blending symbols, signs, and intertextual references from popular culture, Lady Gaga controls her image and critiques society.
space teenagers
1. The document summarizes the 2010 film "I Am Number Four" which is based on a young adult science fiction novel of the same name.
2. The film tells the story of John Smith, a teenage alien fugitive with extraordinary powers who poses as a high school student in an Ohio town.
3. While trying to live a normal life and get to know a girl named Sarah, John finds himself hunted by another aggressive alien race trying to kill him and the other six fugitives.
Tom Jones as Picaresque Novel
This document is a student paper analyzing the 18th century novel "Tom Jones" by Henry Fielding as an example of a picaresque novel. It provides background on what defines the picaresque genre, including that it typically features a roguish hero of low social class who goes on a journey involving humorous adventures and realistic depictions of lowlife. The paper then analyzes how "Tom Jones" fits this form through its episodic structure, portrayal of Tom as a picaresque hero, and themes of pursuit and journeying. It includes references and is submitted to the English department of the student's university.
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Postmodern Music Video Analysis: Lady Gaga & Beyonce - Telephone
Postmodern Music Video Analysis: Lady Gaga & Beyonce - Telephone
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How does my media product use, develop and challenge real media products?
This document outlines the typical design elements found on an indie magazine's front cover, contents page, and double page spread. The front cover usually features a large masthead, main coverline in the center, pull quotes, band index, and small barcode. The contents page has a smaller masthead, photo and coverline, and lists the magazine contents. A double page spread commonly includes a large headline, photo spanning both pages, pull quotes, and narrow columns of text.
Promotional package
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Fonts audience research
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Risk assessment
The document outlines the risks associated with various scenes in a film production and the measures being taken to prevent issues. It discusses potential risks like electrocution, physical injury to actors from pushing or falling, and accidents in a driving scene at night. Low, medium, and high risk levels are provided. Preventative methods include keeping liquids away from electronics, using body doubles and stunt performers for risky scenes, thoroughly cleaning areas, and having supervisors monitor each scene. Designated personnel will oversee different safety aspects.
Production concepts
This document outlines various concepts for comedy film trailers, including common comedy genres like romantic comedies, sitcoms, and animation. It discusses typical props, characters, and settings used in comedy films, such as normal clothing, groups of friends, and cities. Finally, it provides two potential storyline ideas - one about a group of young men maturing and reconciling their past actions, and another about friends who discover time travel and cause trouble changing history.
Q6
The document discusses the various technologies used to produce a magazine, including Publisher, Microsoft Word, PowerPoint, the Internet, a camera, and Photoshop. Publisher was the most useful tool for laying out pages, adding photos, and creating double page spreads. Word was primarily used for writing texts. PowerPoint helped with market research and data presentation. The Internet and camera provided photos and research materials. Photoshop allowed editing of photos, such as changing backgrounds. Overall, these tools helped the author format, design, and produce the magazine.
Comedy trailer audience research
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Production pitch
The production pitch proposes a comedy film trailer that will showcase the transformation of an unpopular teenage boy. The trailer will start with voiceover describing the boy's stereotypical home life while showing his morning routine. Scenes will then depict him being bullied and struggling to get the attention of a girl he likes. His journey will include befriending three classmates who help him become more popular by the end, though he faces a setback when the girl ignores him mid-transformation. The overall plan is to transform the boy into a confident, fashionable teen who gains social acceptance.
Storyboard
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Poster and magazine
The document analyzes the typography, image, color, layout, language, and conventions used in a film poster and magazine cover for a comedy film. The sans serif font and basic colors are described as conveying the film's comedic genre. Both the poster and magazine cover follow conventional layouts, with the main title and image centered, and use exaggerated costumes and facial expressions typical of comedy. The analysis suggests the design elements create a masculine feel and provide visual clues that the story is a basic comedy focused on humor rather than complex plots.
Conventions comedy trailer
The document discusses conventions that will be used in the film trailer, such as depicting bullying for comedy through the protagonist's journey. Shots will show social differences between popular and bullied characters. Close-ups will react to uncomfortable situations, and locations like pubs will portray familiar settings to different audiences. The narrative will provide context for scenes and be used for both information and comedy, like in the film Ted. A montage with background music and narrative will introduce characters while maintaining the trailer's flow.
Genre research 1
The document discusses conventions for making a comedy film trailer. It notes that trailers typically include short clips from the film with fades to black, a variety of shots to show emotions and settings, titles with production details and ratings. Voiceovers are used to provide context and sharp noises add emphasis. There are two main theories around how trailers work - the hypodermic needle theory where the trailer manipulates viewers, and the audience reception theory where viewers interpret the trailer differently. Conventions for comedy trailers include voiceovers introducing the storyline, introducing main characters early, aiming for a multi-sex audience, having a journey-based plot often around friends or family, and ending happily.
Q2
The document discusses how age, gender, and social class are represented in a magazine. Age is represented through informal yet clean language appropriate for the target middle-class audience. Gender is represented through "masculine" colors like black, blue, and red rather than stereotypical "feminine" colors. Social class is represented through these depictions of age and gender, using some informal language but not profanity, and mid-shot images rather than close-ups that could portray a more chaotic vibe. The front cover, contents page, and double page spread are analyzed as appropriately representing the middle class through fonts, colors, photo styles, and consistency across the magazine.
Poster and magazine
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Shot type
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Storyboard
The document appears to be a storyboard, which is a visual representation of the sequence of events in a story or film. Storyboards are used in filmmaking and video production to help plan scenes and shots and visualize how they will be arranged and flow together. They provide an outline of the key plot points, scenes, characters, and visual elements before going into production.
Fonts audience research
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Q7
The document discusses the progression and improvements made between the author's induction task and final magazine cover. In the induction task, the cover lacked conventions for the chosen genre and had an unconventional photo, layout, fonts, and colors. For the final cover, the author focused more on conventions, using a bold masthead, barcode, appealing photo with conventional editing, route-of-the-eye layout, varied fonts appealing to the target audience, contrasting colors conventional to the genre, and a mode of address that stands out and connotes the genre's tone. The final cover is now completely different and more conventional and appealing for the target audience.
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How does my media product use, develop and challenge real media products?
How does my media product use, develop and challenge real media products?
Similar to Production concepts
Conventions of Soaps and Our Soap - Folks
This document discusses the key elements of soap operas including genres, target audiences, characters, storylines and how production elements like mise-en-scene are used. It provides examples of popular soap operas like Coronation Street, EastEnders, Dallas and how they employ different genres and narrative devices. The document also outlines an original soap opera concept set in Folkestone, Kent featuring characters escaping an abusive husband and dealing with threats from the husband's family seeking revenge. Production elements like costumes, locations and an overview storyline are presented for the proposed soap.
Our soap
This document discusses genres and conventions of soap operas. It provides context on how soaps target specific audiences and include certain stereotypical characters. Examples are given of popular soap operas and their genres, like EastEnders being a light entertainment soap. The document outlines some common narrative techniques soaps use, such as cliffhangers. It also explains how mise-en-scene elements like setting, facial expressions, lighting and costumes are used to convey meaning and emotion to viewers. Finally, it discusses how soaps develop devoted audiences through engaging storylines.
Our soap1
This document discusses genres and conventions of soap operas. It provides examples of different types of soap opera genres including glamorous, light entertainment, and social realist. It outlines some common soap opera character stereotypes such as thugs, nosy neighbors, womanizers, and young ruffians. It also discusses important elements of soap operas like narratives, mise-en-scene techniques, audience involvement, and location setting. At the end, it proposes ideas for a new soap opera set in Folkestone, Kent called "Our Soap" that would have an abusive husband storyline and glamorous elements.
This is-england-production-notes
This document provides a long synopsis and production details for the film "This is England". It begins with a short synopsis describing the film's story of 12-year old Shaun who finds friendship and male role models in a group of local skinheads in 1983 England. The rest of the document discusses the film's production, including how director Shane Meadows was inspired by his own experiences growing up, and how he cast mostly non-professional actors such as Thomas Turgoose in the lead role of Shaun after an extensive search. It also discusses how the cast bonded during filming and the director's commitment to supporting the young actors beyond the production.
Folks
The document discusses the students' soap opera project called "Folks". It will be a glamorous soap set in Folkestone, Kent. The main characters are mother Alison Smith, her abusive husband Seth Smith, daughter Hope Smith, and Alison's new boyfriend Nathan Green. The storyline involves Alison and Hope escaping Seth's abuse and moving to Folkestone, only for Seth to track them down and kidnap them before being imprisoned. Farmer Joe is also a character who murdered an intruder on his farm. When Seth is released, he hires a hitman to kill Farmer Joe and his family.
Improved Powerpoint
This document discusses the key elements of soap operas including genres, target audiences, common storylines, and characters. It provides examples of different soap opera genres like glamorous, light entertainment, and social realist. It describes some common stereotypical soap opera characters and how they are used. It also discusses the importance of narratives and cliffhangers in keeping audiences engaged. Overall, the document analyzes several aspects of the soap opera format and style.
Improved Powerpoint 1
This document discusses the key elements of soap operas including genres, target audiences, common storylines, and characters. It provides examples of different soap opera types like glamorous (Dallas), light entertainment (EastEnders), and social realist (Doctors). Common stereotypical characters are described such as "thugs" and "nosy neighbors." The importance of narrative, cliffhangers, and audience involvement is explained. Mise-en-scene techniques are defined including setting, facial expressions, character positioning, lighting, props, and costumes. The document concludes by outlining plans for a new glamorous soap opera called "Folks" set in Folkestone, Kent with main characters,
Our soap
The document discusses the students' soap opera idea called "Folks". It will be set in Folkestone, Kent and feature a glamorous genre. The main storyline involves a mother and daughter escaping abuse by the husband/father and starting a new life, but he finds and kidnaps them. Other storylines include a farmer murdering an intruder and being blackmailed. The soap aims to have large audiences that get emotionally invested like other popular soaps. Main characters and their actors are identified.
Our Soap
The soap opera is set in Folkestone, Kent and focuses on Allison Smith and her daughter Hope who escape abuse from Allison's husband Seth. They start new lives in Folkestone but Seth finds them. Allison begins a relationship with Nathan Green who helps protect them. However, Seth kidnaps Allison and Hope before being imprisoned. The soap involves storylines including a murder cover-up on a local farm and attempts at revenge against those who put Seth in prison. Main characters include Allison, Seth, Hope, Nathan, farmer Joe and his family who become targets of violence.
Genre Research (Coming of Age) - Freya Slater
This document provides an overview of coming of age films as a subgenre of drama films. It discusses the typical conventions and themes of coming of age stories, such as protagonists dealing with changes during youth to adulthood. Notable examples like The 400 Blows, Stand By Me, and Boyhood are summarized. The document also outlines some common settings for coming of age narratives, like schools, outdoors, bedrooms, and modes of transportation. Finally, it notes that these films often feature stereotypical characters archetypes dealing with themes of friendship, sexuality, and identity formation.
Annotating scripts
This document summarizes and compares the style, content, narrative structure, genre, and target audience of various media scripts, including:
- The film script for "The Hangover", following typical film script format and focusing on the misadventures of friends on a bachelor party trip.
- The TV series script for "Stranger Things", following standard TV script style and centered around supernatural events in 1980s Indiana.
- The radio sitcom script "Welcome to Our Village", jumping straight into dialogue with scene descriptions and focusing on an alien invasion of a small English village.
- The video game script for "Dragon Shard", describing the story and gameplay of a Dungeons & Dragons real-
Romantic comedy genre research (2)
This document provides an overview of the history and evolution of the romantic comedy genre. It discusses the origins of rom coms in Shakespearean plays and early 20th century films. It then outlines different subgenres that developed over time, such as comedies of manner in the 1930s, screwball comedies in the 1930s focusing on fast-paced dialogue, and sex comedies from the 1950s-1970s highlighting differences between men and women. Radical romantic comedies in the 1960s focused on personal happiness rather than relationships. Recent neotraditional rom coms emphasize compatibility and compromise. Key conventions, directors, actors, and top-grossing films are also mentioned to analyze trends in the genre.
The Simpsons, Hyper-Irony, and the Meaning of LifeBy Carl Mathes.docx
The Simpsons, Hyper-Irony, and the Meaning of Life
By Carl Matheson
From “The Simpsons and Philosophy: The D'oh! of Homer” by Open Court Publishing.
Disaffected youth #1: Here comes that cannonball guy. He's cool.
Disaffected youth #2: Are you being sarcastic, dude?
Disaffected youth #1: I don't even know anymore.
("Homerpalooza," season seven)
What separates the comedies that were shown on television fifty, forty, or even twenty five years ago from those of today? First, we may notice technological differences, the difference between black and white and color, the difference between film stock (or even kinescope) and video. Then there are the numerous social differences. For instance, the myth of the universal traditional two-parent family is not as secure as it was in the fifties and sixties, and the comedies of the different eras reflect changes in its status � although even early comedies of the widow/widower happy fifties, sixties and seventies were full of non-traditional families, such as are found in The Partridge Family, The Ghost and Mrs. Muir, Julia, The Jerry van Dyke Show, Family Affair, The Courtship of Eddie's Father, The Andy Griffith Show, The Brady Bunch, Bachelor Father, and My Little Margie. Also, one may note the ways in which issues such as race have received different treatments over the decades.
But, I would like to concentrate on a deeper transformation: today's comedies, at least most of them, are funny in different ways from those of decades past. In both texture and substance the comedy of The Simpsons and Seinfeld is worlds apart from the comedy of Leave it to Beaver and The Jack Benny Show, and is even vastly different from much more recent comedies, such as Mash and Maude. First, today's comedies tend to be highly quotational: many of today's comedies essentially depend on the device of referring to or quoting other works of popular culture. Second, they are hyper-ironic: the flavor of humor offered by today's comedies is colder, based less on a shared sense of humanity than on a sense of world-weary cleverer-than-thou-ness. In this essay I would like to explore the way in which The Simpsons uses both quotationalism and hyper-ironism and relate these devices to currents in the contemporary history of ideas.
Quotationalism
Television comedy has never completely foregone the pleasure of using pop culture as a straight-man. However, early instances of quotation tended to be opportunistic; they did not comprise the substance of the genre. Hence, in sketch comedy, one would find occasional references to popular culture in Wayne and Shuster and Johnny Carson, but these references were really treated as just one more source of material. The roots of quotationalism as a main source of material can be found in the early seventies with the two visionary comedies, Mary Hartman Mary Hartman, which lampooned soap eras by being an ongoing soap opera, and Fernwood 2Night, which, as a small-budget talk show, took on small-bud.
Romantic comedy genre research (2)
This document provides an overview of the history and evolution of the romantic comedy genre. It discusses the origins of rom coms in Shakespearean plays and early 20th century films. It then outlines different subgenres that developed over time, such as comedies of manner, screwball comedies, sex comedies, and radical/neotraditional romantic comedies. The document also lists some of the most prominent actors, directors, conventions, and key films within the genre. Overall, it traces how romantic comedies have changed to reflect different societal attitudes around love, sex, and relationships over the decades.
Film Pitch For "No Guys Policy"
The film pitch proposes a romantic comedy called "No Guys Policy" about a woman named Lola who moves to New York after her boyfriend cheats on her. She swears off dating but finds it difficult when attractive old friends and coworkers pursue her. The film would star Ashley Greene as Lola, Joseph Gordon-Levitt as the ex-boyfriend Dean, Andrew Garfield as a coworker Leo, and Tom Felton as a family friend Russell. The film is targeted at women aged 15-30 and draws inspiration from movies like "500 Days of Summer" and "New in Town."
Book club final
Here are 3 ways the pre-reading activity could be assessed:
1. Journal responses - Assess students' ability to thoughtfully consider different perspectives on controversial issues and support their own views.
2. Class discussion - Observe students' active listening skills and ability to respectfully discuss sensitive topics.
3. Exit ticket - Have students briefly summarize the key issues discussed and how their own views may have changed or been reinforced. This provides feedback on comprehension.
The goal is to promote critical thinking on complex social issues, not to judge students' opinions, so assessments should focus on thoughtfulness, open-mindedness and understanding different perspectives.
Pitch
The document discusses initial ideas for three different film genres:
1) A horror/thriller film told from the murderer's point of view with a potential supernatural twist. It would target teenagers/young adults.
2) A drama/thriller about a teenager coping with a parent's suicide that turns out not to be suicide and leads them into trouble. It would target audiences from teenagers to adults.
3) A social realism film about an underground rave resembling 1970s/80s raves with something going wrong at the end. It would target teenagers/young adults and adults familiar with original raves.
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The Simpsons, Hyper-Irony, and the Meaning of LifeBy Carl Mathes.docx
The Simpsons, Hyper-Irony, and the Meaning of LifeBy Carl Mathes.docx
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Reflection on details of a comedy trailer
The document summarizes responses from a questionnaire about expectations for elements in a comedy trailer. For props, everyday household items like books, cars, and houses were suggested as they allow audiences to relate to the comedy and find escapism in familiar objects. In terms of editing, respondents recommended using a normal pace to depict unfolding events but also slow motion for emphasis and comedy. Sound-wise, the consensus was to use exaggerated sound effects to enhance the humor.
Reflection of conventions research
This document summarizes the results of a survey about comedy movies and trailers. The survey helped the author understand which age groups watch comedy the most in order to target their trailer audience effectively. Younger audiences aged 11-20 were found to view the most comedy trailers and content online. Respondents emphasized that comedy is essential in a trailer and that trailers should feature humor, common comedy scenarios like school bullying, and establish the setting. The survey reinforced for the author that comedy should be heavily incorporated throughout the trailer rather than just in a few moments.
Reflection on details of a comedy trailer
The document summarizes responses from a questionnaire about expectations for elements in a comedy trailer. For props, everyday household items like books, cars, and houses were suggested as they allow audiences to relate to the comedy and find escapism in familiar objects. In terms of editing, respondents recommended using a normal pace to depict unfolding events or a slow pace to emphasize comedic scenes, along with cut shots and shot reverse shot to introduce conversations and different scenes. Common sound recommendations were the use of upbeat music and exaggerated sound effects to create humor.
Comparison of my trailer to a real one
The document compares scenes from the author's student trailer to scenes from the movie trailer for The Hangover. It finds similarities in three areas:
1) Both trailers use an establishing shot to introduce the main character(s) waking up, showing professionalism.
2) The trailers show the main characters in silly outfits or shirts to create comedy.
3) Dangerous predicaments like a smashed car or a character being bullied create comedy through jeopardy.
The document argues these similarities demonstrate the author's trailer has reached a professional level of comedy comparable to a proven successful movie trailer like The Hangover.
Production schedule
This production schedule outlines the dates, locations, cast, props, costumes, and equipment needed for various scenes of a film production. Scenes will take place at Gibby's house, a school hallway, The Griffin bar, on Knights End road for a car scene, a football club, another football location, and Peterborough Queensgate. The cast includes Joshua, Anita, Ross, James, Joe, Ben, Ash, Josh, and extras. Props include an alarm clock, bedding, toy ships, a chess set, posters, lighting equipment, food, a football, and shops. Costumes range from pajamas, normal clothes, and fashionable versus unfashionable outfits for different characters.
Audience research of planning
Four people attended a focus group to review a planning page: Ross Glover, Joe Clark, Jamie Vietch, and Jack Dickson. They identified several faults and strengths. Faults included a lack of clarity and depth in the work, and no direction on fonts, colors, or draft for the poster. Strengths were clear and precise layouts for ancillary documents and a detailed casting list and production schedule. When asked about the page layout, faults were it not being clear for building up to the production. Suggested changes were to order the page chronologically, reduce cluttering text, and add more font details to ancillary pages.
Fonts audience research
The document discusses font choices for promotional materials for a comedy film called "Gibby" about an unpopular boy's journey to becoming popular in school. It is aimed at 15-24 year olds. The client must choose fonts for the film title "Gibby" on the magazine cover and poster, the cover story description, and additional inside cover stories. The assistant provides several font options to pick from for each text element.
Casting list
Gibby is the main character who is bullied by his peers for not fitting in. His best friend James tries to include Gibby but drifts apart as they get older due to Gibby's lack of social skills. Ross and Joe are also friends of Gibby and James who initially tolerate but later accept Gibby as the film progresses. The courtyard, main corridor, and hallway of the school are potential filming locations to show scenes of Gibby being bullied alone as well as the transformation of his relationship with his friends.
Risk assessment
This document outlines the risks associated with various scenes from a film shoot and the preventative measures put in place. Scenes involving liquids near electricity, physical contact between actors, a toilet scene, night driving, and a collapse in a pub pose low to high risks. To address these, liquids will be sealed, physical contact monitored, toilets closed, driving done on a private road by a well-rested actor, and the pub area cleaned, cordoned off, and with a stunt double. Three individuals - Lewis, Joe and Ross - will oversee safety and monitor different risks during shooting.
Production pitch
The document outlines plans for a comedy film trailer that will tell the story of an unpopular teenage boy named Gibby and his transformation into a popular kid at school. The trailer will start with an establishing shot of Gibby's house and a voiceover introducing him. It will then cut to a close-up of Gibby waking up, showing his stereotypical home life. Scenes will show Gibby being bullied and rejected by the girl he likes, before three friends intervene to help change his life, such as bringing him to his first house party. The trailer will also depict Gibby's journey of overcoming obstacles, like being ignored by the girl mid-transformation before regaining his new confidence.
Shot list
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Script
Gibby is an unpopular boy who struggles at school and with his friends. His friends Lynn, Joe, and Zach are more popular and athletic. Gibby's friends want to help improve his confidence by encouraging him to talk to a girl at the pub, but Gibby collapses from nerves before reaching her. A film about Gibby is announced that will show his journey to gain acceptance and save his struggling self-esteem.
Institutions research
Warner Bros is a subsidiary of media conglomerate Time Warner that has produced highly successful film franchises like Harry Potter and individual films such as The Dark Knight, The Matrix, and Inception. Time Warner owns other popular media brands like HBO, CNN, Time Magazine, and Cartoon Network, making it a diverse entertainment and news company.
Ps analysis of hangover and inbtweeners
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Genre research 1
The document discusses conventions for film trailers and comedy films. For trailers, it notes they include clips from the film with fades, different shot types to show emotion and setting, titles with credits and ratings, and voiceovers. There are two theories on how trailers work - the hypodermic needle theory where they manipulate viewers, and audience reception theory where viewers interpret trailers differently. For comedies, conventions include voiceovers introducing the storyline, introducing main characters early, aiming for a multi-sex audience, having a journey or family/friend focus, a happy ending, and varied characters. Music, dialogue, mise-en-scene, and magazine posters are also discussed.
Analysis of hangover 3
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Font research summary
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Production schedule
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Promotional package
The promotional packages for a film show consistency through using the same fonts, colors, and characters in both the movie trailer and poster. This continuity establishes a clear brand identity and connection between the different marketing materials to effectively and simply portray that the trailer and poster are for the same film.
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Production concepts
- 2. Comedy film Titles Rom-Com - Love Actually, You’ve got mail, Hitch, Shaun of the Dead, the wedding singer Sitcom- Alan Partridge Alpha Papa, the inbetweeners, Mr beans Holiday, porridge Animation- the Simpsons movie, wreck it ralph, the Flintstones , Garfield , space Jam, Shrek Cringe comedy- the 40 year old virgin , Borat, Bruno, bridesmaids, meet the parents Spoof- meet the Spartans, epic movie, superhero movie, disaster movie, scary movie, Johnny English Sketch- lost reality , extreme movie, dirty movie, movie
- 3. Props Regular to exaggerated settings, for example for different types of film you may have a normal house down a normal street or a extravagant area. Costumes- these are usually just normal clothes as seen in films such as the inbetweeners, however the style and standard of clothes depend on where the humour is coming from, for example in the hangover the clothes are dirty and ripped.
- 4. People There would be a variety of characters which is incredibly broad. Old people pretending to be young again as seen in the film last vegas Young groups going on holidays or just their school life such as the inbetweeners or role models Middle age people in a crisis People of different ethnicities with situational humour for example four lions
- 5. Setting City setting Abroad Home School Work
- 6. Possible storyline Set in a reasonably size town in Derbyshire, a young group of friends go on a journey from being the bullies and the face of there year in school to going to work and being nobodies. It shows the transformation and the maturity change between four young men appreciating what they were like and the journey to reconcile what they have done Set in 1963, in boston America three friends find a way to time travel and begin surfing through time causing havoc on important historical events. Things like stopping Hitler and taking over the roman empire has changed the world they knew before they left.