Production schedule
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This production schedule outlines the dates, locations, cast, props, costumes, and equipment needed for various scenes of a film production. Scenes will take place at Gibby's house, a school hallway, The Griffin bar, on Knights End road for a car scene, a football club, another football location, and Peterborough Queensgate. The cast includes Joshua, Anita, Ross, James, Joe, Ben, Ash, Josh, and extras. Props include an alarm clock, bedding, toy ships, a chess set, posters, lighting equipment, food, a football, and shops. Costumes range from pajamas, normal clothes, and fashionable versus unfashionable outfits for different characters.
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The document discusses costumes, actors, and props for a music video being filmed using a gorilla filming technique. It states that costumes cannot be planned for or given to pedestrians filmed, and that all people in the video will be random. It then describes a potential costume for the filmmaker featuring a flannel shirt, circular sunglasses, and Nike shoes if they decide to include themselves. Finally, it mentions potential props of a Canon camera and iPhone.
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Costume, actors and props
The document discusses costumes, actors, and props for a music video being filmed using a gorilla filming technique. It states that costumes cannot be planned for or given to pedestrians filmed, and that all people in the video will be random. It then describes a potential costume for the filmmaker featuring a flannel shirt, circular sunglasses, and Nike shoes if they decide to include themselves. Finally, it mentions potential props of a Canon camera and iPhone.
Our pitch
The document discusses the production plan for a music video for the song "Rather Be" by Clean Bandit. It will be filmed by Catherine, Effie, and Kate. Locations include Catherine's house in Crick for bedroom/hallway scenes, streets of Crick, the school field for a picnic scene, and the drama studio at school made to look like a party. A shooting schedule is provided with 29 shots over multiple days. Safety precautions are outlined for different equipment and locations. Contingency plans are in place if primary locations become unavailable.
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This production schedule outlines the dates, settings, costumes, props, equipment, and personnel needed for three scenes - a gathering at a girl's house on October 10th, another gathering there on October 17th, and a party scene on October 24th. The October 10th scene takes place in bedrooms and involves casual clothes, beds, cushions, photographs, wardrobes, and mobile phones. Lucy, Tom and the girl's friends are listed as personnel.
Unit 2 Task 8
The students produced a 5-7 minute movie called "The Devil's Playground" to teach teenagers aged 14-16 about safety from strangers. They recorded all scenes in 4 days and edited it in 3. They changed the script and some scenes to make the dialogue more natural. Strengths included establishing shots, but the quality could have been better with school cameras instead of phones. They also lacked enough actors for all planned scenes.
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The document discusses the plans for a music video adaptation of the song "Rather Be" by Clean Bandit. It will be produced by Catherine, Effie, and Kate. They chose this song because the lyrics and dance theme fit well with pop music conventions. They plan to film scenes at Catherine's house, the streets of Crick, the school field for a picnic date, and the drama studio to depict a party. The document provides details on locations, costumes, props, actresses, and a shooting schedule. It also lists contingencies in case planned locations become unavailable.
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This call sheet summarizes the production details for a short film titled "Absence" being filmed on November 7th, 2017 in Reigate and surrounding areas. It lists the crew members and actors involved along with their roles, the equipment being brought, costumes and props needed, and notes on weather and makeup. The crew call time is 9am and filming will finish at 4pm.
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WATCH my video review below:
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Four people attended a focus group to review a planning page: Ross Glover, Joe Clark, Jamie Vietch, and Jack Dickson. They identified several faults and strengths. Faults included a lack of clarity and depth in the work, and no direction on fonts, colors, or draft for the poster. Strengths were clear and precise layouts for ancillary documents and a detailed casting list and production schedule. When asked about the page layout, faults were it not being clear for building up to the production. Suggested changes were to order the page chronologically, reduce cluttering text, and add more font details to ancillary pages.
Recovered file 3
Jerome Blake analyzes how their group's three media projects for a music video, magazine advertisement, and CD packaging utilize and challenge conventions of real media in the R&B and hip hop genres. The music video draws from conventions like minimal female clothing, tattoos and jewelry for men, and sexualization of women but aims to challenge stereotypical objectification. Elements like lighting, camera angles, editing, and representation of the female actor are used to relate to but also push boundaries from typical music video tropes. Analysis of genre conventions and application of film theories helped inform the projects' approaches.
Recovered file 1
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This document provides guidance on how to analyze a TV drama by examining its representation of various attributes like gender, age, ethnicity, etc. It outlines areas to focus on such as camera shots, editing, sound, and mise-en-scene. Specific techniques are defined, like establishing shots, close-ups, and tracking shots. Editing techniques like shot-reverse-shot and graphic matches are also explained. The document also covers different types of sound like diegetic, non-diegetic, and asynchronous sound. Mise-en-scene elements include production design, location, set design, costumes, lighting, and color design.
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The document compares scenes from the author's student trailer to scenes from the movie trailer for The Hangover. It finds similarities in three areas:
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3) Dangerous predicaments like a smashed car or a character being bullied create comedy through jeopardy.
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Fonts audience research
The document discusses font choices for promotional materials for a comedy film called "Gibby" about an unpopular boy's journey to becoming popular in school. It is aimed at 15-24 year olds. The client must choose fonts for the film title "Gibby" on the magazine cover and poster, the cover story description, and additional inside cover stories. The assistant provides several font options to pick from for each text element.
Casting list
Gibby is the main character who is bullied by his peers for not fitting in. His best friend James tries to include Gibby but drifts apart as they get older due to Gibby's lack of social skills. Ross and Joe are also friends of Gibby and James who initially tolerate but later accept Gibby as the film progresses. The courtyard, main corridor, and hallway of the school are potential filming locations to show scenes of Gibby being bullied alone as well as the transformation of his relationship with his friends.
Storyboard
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Risk assessment
This document outlines the risks associated with various scenes from a film shoot and the preventative measures put in place. Scenes involving liquids near electricity, physical contact between actors, a toilet scene, night driving, and a collapse in a pub pose low to high risks. To address these, liquids will be sealed, physical contact monitored, toilets closed, driving done on a private road by a well-rested actor, and the pub area cleaned, cordoned off, and with a stunt double. Three individuals - Lewis, Joe and Ross - will oversee safety and monitor different risks during shooting.
Production pitch
The document outlines plans for a comedy film trailer that will tell the story of an unpopular teenage boy named Gibby and his transformation into a popular kid at school. The trailer will start with an establishing shot of Gibby's house and a voiceover introducing him. It will then cut to a close-up of Gibby waking up, showing his stereotypical home life. Scenes will show Gibby being bullied and rejected by the girl he likes, before three friends intervene to help change his life, such as bringing him to his first house party. The trailer will also depict Gibby's journey of overcoming obstacles, like being ignored by the girl mid-transformation before regaining his new confidence.
Shot list
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Production concepts
This document provides examples of different comedy film genres and concepts for comedy trailers. It lists common romance comedy, sitcom, animation, cringe comedy, spoof, and sketch film titles. It then discusses props, costumes, character types, and common comedy settings that could be depicted. Finally, it proposes two potential comedy storyline ideas - one about young men maturing from school bullies and the other about friends who time travel and alter history.
Script
Gibby is an unpopular boy who struggles at school and with his friends. His friends Lynn, Joe, and Zach are more popular and athletic. Gibby's friends want to help improve his confidence by encouraging him to talk to a girl at the pub, but Gibby collapses from nerves before reaching her. A film about Gibby is announced that will show his journey to gain acceptance and save his struggling self-esteem.
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Audience research of planning
Four people attended a focus group to review a planning page: Ross Glover, Joe Clark, Jamie Vietch, and Jack Dickson. They identified several faults and strengths. Faults included a lack of clarity and depth in the work, and no direction on fonts, colors, or draft for the poster. Strengths were clear and precise layouts for ancillary documents and a detailed casting list and production schedule. When asked about the page layout, faults were it not being clear for building up to the production. Suggested changes were to order the page chronologically, reduce cluttering text, and add more font details to ancillary pages.
Recovered file 3
Jerome Blake analyzes how their group's three media projects for a music video, magazine advertisement, and CD packaging utilize and challenge conventions of real media in the R&B and hip hop genres. The music video draws from conventions like minimal female clothing, tattoos and jewelry for men, and sexualization of women but aims to challenge stereotypical objectification. Elements like lighting, camera angles, editing, and representation of the female actor are used to relate to but also push boundaries from typical music video tropes. Analysis of genre conventions and application of film theories helped inform the projects' approaches.
Recovered file 1
Jerome Blake analyzes how their group's three media projects for a music video, magazine advertisement, and CD packaging utilize and challenge conventions of real media in the R&B and hip-hop genres. The music video draws from conventions like minimal female clothing, tattoos and jewelry for men, and sexualized imagery but aims to challenge typical objectification of women. Elements like lighting, camera angles, editing, and representation of gender draw from examples like "Miss Independent" while updating representations. The analysis considers how conventions were both followed and updated to resonate with audiences.
Camera map and plan
The document outlines the shots and blocking for a scene between two actors. It begins with an establishing shot of an actor opening and closing a door, then follows them as they walk to meet at a chair. The scene uses shot reverse shot and matches lines of dialogue between the actors with a fade out ending the scene. The actors will have a brief greeting and question exchange based on provided options.
Presentation for pitch media
The document outlines a horror film storyboard presentation. It describes 6 scenes: 1) A girl sees a stalker's eyes through bookshelves in a library. 2) In a dark library, lights turn off towards the girl as an unknown number calls her. 3) The stalker watches the girl from behind trees as she closes her car. 4) The stalker hides as the girl arrives home and talks to her mother. 5) The stalker is seen in the rearview mirror as the girl drops off her mother. 6) After a power outage, the girl sees the stalker's face on the stairs before waking up to a call from her mother.
How to analyze a tv drama
This document provides guidance on how to analyze a TV drama by examining its representation of various attributes like gender, age, ethnicity, etc. It outlines areas to focus on such as camera shots, editing, sound, and mise-en-scene. Specific techniques are defined, like establishing shots, close-ups, and tracking shots. Editing techniques like shot-reverse-shot and graphic matches are also explained. The document also covers different types of sound like diegetic, non-diegetic, and asynchronous sound. Mise-en-scene elements include production design, location, set design, costumes, lighting, and color design.
Story board - Youth
This document provides a storyboard for a music video for an indie folk song called "Youth". It describes 38 shots that make up the narrative of the video. The shots tell the story of a young woman named Lily dealing with a breakup from her boyfriend Wes. They show her initially upset in the woods [SHOT 1-7], a flashback to happier times with Wes [SHOT 20-24], and her journey of moving on, culminating in her burning a photo of them together [SHOT 36-38]. The shots are designed to reflect the lyrics and mood of the song, use conventions of the indie folk genre, and elicit emotion from the viewer.
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Reflection on details of a comedy trailer
The document summarizes responses from a questionnaire about expectations for elements in a comedy trailer. For props, everyday household items like books, cars, and houses were suggested as they allow audiences to relate to the comedy and find escapism in familiar objects. In terms of editing, respondents recommended using a normal pace to depict unfolding events but also slow motion for emphasis and comedy. Sound-wise, the consensus was to use exaggerated sound effects to enhance the humor.
Reflection of conventions research
This document summarizes the results of a survey about comedy movies and trailers. The survey helped the author understand which age groups watch comedy the most in order to target their trailer audience effectively. Younger audiences aged 11-20 were found to view the most comedy trailers and content online. Respondents emphasized that comedy is essential in a trailer and that trailers should feature humor, common comedy scenarios like school bullying, and establish the setting. The survey reinforced for the author that comedy should be heavily incorporated throughout the trailer rather than just in a few moments.
Reflection on details of a comedy trailer
The document summarizes responses from a questionnaire about expectations for elements in a comedy trailer. For props, everyday household items like books, cars, and houses were suggested as they allow audiences to relate to the comedy and find escapism in familiar objects. In terms of editing, respondents recommended using a normal pace to depict unfolding events or a slow pace to emphasize comedic scenes, along with cut shots and shot reverse shot to introduce conversations and different scenes. Common sound recommendations were the use of upbeat music and exaggerated sound effects to create humor.
Comparison of my trailer to a real one
The document compares scenes from the author's student trailer to scenes from the movie trailer for The Hangover. It finds similarities in three areas:
1) Both trailers use an establishing shot to introduce the main character(s) waking up, showing professionalism.
2) The trailers show the main characters in silly outfits or shirts to create comedy.
3) Dangerous predicaments like a smashed car or a character being bullied create comedy through jeopardy.
The document argues these similarities demonstrate the author's trailer has reached a professional level of comedy comparable to a proven successful movie trailer like The Hangover.
Technology
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Fonts audience research
The document discusses font choices for promotional materials for a comedy film called "Gibby" about an unpopular boy's journey to becoming popular in school. It is aimed at 15-24 year olds. The client must choose fonts for the film title "Gibby" on the magazine cover and poster, the cover story description, and additional inside cover stories. The assistant provides several font options to pick from for each text element.
Casting list
Gibby is the main character who is bullied by his peers for not fitting in. His best friend James tries to include Gibby but drifts apart as they get older due to Gibby's lack of social skills. Ross and Joe are also friends of Gibby and James who initially tolerate but later accept Gibby as the film progresses. The courtyard, main corridor, and hallway of the school are potential filming locations to show scenes of Gibby being bullied alone as well as the transformation of his relationship with his friends.
Storyboard
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Risk assessment
This document outlines the risks associated with various scenes from a film shoot and the preventative measures put in place. Scenes involving liquids near electricity, physical contact between actors, a toilet scene, night driving, and a collapse in a pub pose low to high risks. To address these, liquids will be sealed, physical contact monitored, toilets closed, driving done on a private road by a well-rested actor, and the pub area cleaned, cordoned off, and with a stunt double. Three individuals - Lewis, Joe and Ross - will oversee safety and monitor different risks during shooting.
Production pitch
The document outlines plans for a comedy film trailer that will tell the story of an unpopular teenage boy named Gibby and his transformation into a popular kid at school. The trailer will start with an establishing shot of Gibby's house and a voiceover introducing him. It will then cut to a close-up of Gibby waking up, showing his stereotypical home life. Scenes will show Gibby being bullied and rejected by the girl he likes, before three friends intervene to help change his life, such as bringing him to his first house party. The trailer will also depict Gibby's journey of overcoming obstacles, like being ignored by the girl mid-transformation before regaining his new confidence.
Shot list
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Production concepts
This document provides examples of different comedy film genres and concepts for comedy trailers. It lists common romance comedy, sitcom, animation, cringe comedy, spoof, and sketch film titles. It then discusses props, costumes, character types, and common comedy settings that could be depicted. Finally, it proposes two potential comedy storyline ideas - one about young men maturing from school bullies and the other about friends who time travel and alter history.
Script
Gibby is an unpopular boy who struggles at school and with his friends. His friends Lynn, Joe, and Zach are more popular and athletic. Gibby's friends want to help improve his confidence by encouraging him to talk to a girl at the pub, but Gibby collapses from nerves before reaching her. A film about Gibby is announced that will show his journey to gain acceptance and save his struggling self-esteem.
Institutions research
Warner Bros is a subsidiary of media conglomerate Time Warner that has produced highly successful film franchises like Harry Potter and individual films such as The Dark Knight, The Matrix, and Inception. Time Warner owns other popular media brands like HBO, CNN, Time Magazine, and Cartoon Network, making it a diverse entertainment and news company.
Shot type
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Promotional package
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Ps analysis of hangover and inbtweeners
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Poster and magazine
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Genre research 1
The document discusses conventions for film trailers and comedy films. For trailers, it notes they include clips from the film with fades, different shot types to show emotion and setting, titles with credits and ratings, and voiceovers. There are two theories on how trailers work - the hypodermic needle theory where they manipulate viewers, and audience reception theory where viewers interpret trailers differently. For comedies, conventions include voiceovers introducing the storyline, introducing main characters early, aiming for a multi-sex audience, having a journey or family/friend focus, a happy ending, and varied characters. Music, dialogue, mise-en-scene, and magazine posters are also discussed.
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Production schedule
- 1. Production Schedule Date Location Cast Props Costume Equipment 25/10/14 Gibby’s House, his bedroom Joshua Harradine (gibby) Anita Harradine (gibby’s mum) Alarm clock, bedding, toy ships, chess set, runescape poster Kids pyjamas with Ben 10 Camera Tripod Filming by Ross 03/10/14 School hallway Ross, James and Joe Extra lighting Smart, fashionable clothes Camera Tripod Filming by Lewis 03/10/14 School hallway Ben, ash, josh, ross, Joe, James, Extras Dim lighting Normal clothes for ben, ash, fashionable clothes for ross and joe, unfashionable clothes for josh Camera Tripod Filming By Lewis 28/10/14 The Griffin bar scene Josh, ross, Joe, James, Leah and Extras Beer, food, football game, Normal clothes for extras, fashionable clothes for Joe, Ross, James, Josh Camera Tripod Filming by Lewis 22/10/14 Car Scene Knights end road Joe Car Normal clothes Camera Tripod Filming by Ross 18/10/14 Football scene march town football club Ross, Football, goals Sporty outfit Camera Tripod Filming by Joe 24/10/14 Football scene the avenue Josh Football Bad looking sport equipment Camera Tripod Filming by Ross 29/10/14 Peterborough Queensgate Josh, Ross, Joe, James Clothes, shops Ross, Joe and James all wearing designer clothes, Josh wearing Camera Tripod Filming by Lewis