Production
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Production involves making the game through programming, motion capture acting, animation, art, sound engineering, and level design. Actors motion capture scenes which are then animated by 3D animators. Artists create concept art, characters, textures, and environments. Level designers map out locations and balance in-game resources. The composer was hired early to work with the director, while sound designers created effects for objects, weather, and infected enemies by combining human voices with other sounds.
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The document outlines the game development pipeline for The Last of Us. It describes the ideation stage where the concept was inspired by a BBC program on cordyceps fungus infecting hosts. In pre-production, concept art and themes were developed, including drawing inspiration from the book "The World Without Us". Production involved implementing the concept art into the 3D world and motion capture. Post-production comprised debugging, testing, and adding trailers. Finally, post-mortum was the evaluation of the full production process and success of the game.
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Game Directors Profile
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Game designers
This document outlines the various roles involved in game design, including art designers, writers, animators, lighting artists, user interface designers, and a project lead. It describes the key responsibilities of each role such as concept artists drawing early environment designs, writers creating the game's story and dialogue, animators bringing characters to life after motion capture, and a project lead overseeing the entire project from concept to promotion. The project lead for The Last of Us, Neil Druckmann, is highlighted for also writing the story and directing motion capture sessions.
Last of us pipeline
The document outlines the production pipeline for The Last of Us. It began with the co-founders of Naughty Dog deciding not to reboot an existing IP and instead developing a new idea for a post-apocalyptic game focused on the relationship between two main characters. Throughout pre-production and production, the creative director, writers, artists, animators, composers, sound designers and other leads worked to bring the game to life, with an emphasis on motion capture, music and sound design. Post-production involved refining the user interface, testing for bugs, and promoting the game after The Walking Dead and in a PS3 bundle.
Audio engineer
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A creative director must inspire creativity in others, be resourceful in generating new ideas, and have extensive knowledge across game development roles. There is no single path, but experience leading roles in areas like art, design, or writing can lead to becoming a creative director. Neil Druckmann is an example who started as an intern at Naughty Dog and became creative director for The Last of Us, receiving critical acclaim. Arnt Jensen also directed the indie game Limbo independently due to not wanting publisher interference.
Production job roles
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The sound designer has many responsibilities in designing games. They work with the creative director to understand the desired atmosphere and provide input on the game's sound. They are responsible for composing music to match different scenes and provoke emotions. The sound designer also oversees outsourcing voice actors, musicians, and recording studios. They record voices and create or record sound effects, either digitally or on location. Sound designers must understand recording equipment and software to produce high quality sound for the game.
Audio engineer
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The document summarizes the production pipeline of The Last of Us video game. It describes the ideation phase where the concept of a post-apocalyptic world infected by a parasitic fungus was developed. It then discusses the pre-production phase involving concept art, character designs, and storyline mapping. The production phase included voice acting recordings, environment creation, and gameplay development. Finally, it outlines the post-production phase of thorough testing, bug fixing, and preparation for publication.
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Alternative reality games (ARGs) are games that are played in the real world and augment reality by layering game elements on top of it. ARGs aim to make real life more rewarding by providing intrinsic rewards like meaningful work, social connection, and personal growth. They can positively influence behaviors and habits. ARGs come in many variations depending on their style, scale, narrative, and other factors. They are collaborative experiences played across multiple media platforms that blur the line between games and reality. Educational ARGs in particular use narrative and collaboration through blended physical and digital experiences to build skills and achieve learning objectives.
Job roles
Film directors are responsible for camera angles, lighting, set design, and hiring key crew members. They coordinate actors and may be involved in writing, financing, and editing. The director works closely with the editor in post-production to ensure the emotions and shots appropriately reflect the narrative. An assistant director helps create the director's ideas, manages the team, monitors time, and gives calls during filming. An art director is responsible for props, costumes, and ensuring continuity by recording prop and costume positioning.
6. production reflection
The student created the background and environment for their game first using different shades of brown, stones, and pink pixels to represent dirt and give a sense of life. They then added interactive elements like a crackling campfire and moving birds/coins using multiple layers that hid and revealed to create animation effects. Next, the student designed the main character but struggled to create a smooth walking cycle due to the character's small size. Finally, audio was added using Beepbox to compose background music and sound effects, which were then imported into Premiere Pro along with the animation video.
Priont screens
A documentary was edited using cut-aways of mobile phones imported into the tool bar to overlap an interview at specific times. An opening title with big bold white letters on a black background was added. A more creative opening will be needed for the real documentary to boost marks.
Shot over kill terrorist
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Rick Orner- Resume
The document summarizes the applicant's work experience in 3D animation, architectural visualization, effects fabrication, and directing. Some of the key projects mentioned include being the production designer for the IMAX film "More", directing and animating a music video for the band "The Rubinoos", creating 3D animated sequences for History Channel's "Modern Marvels" show, and designing animatronic characters for the film "Teenage Mutant Ninja Turtles". The applicant has over 25 years of experience in areas such as 3D modeling, animation, architectural rendering, sculpting, and effects fabrication for films, commercials, and presentations.
How the animation was done
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The ideation phase for The Last of Us began after Naughty Dog finished Uncharted 3. They considered rebooting an old IP like Jak & Daxter but decided against it to avoid straying too far from the original. They created a new IP set in a post-apocalyptic world focusing on the developing relationship between two people. Concept art, character details, and the overgrown urban setting were developed in pre-production. Actors Tory Baker and Ashley Johnson were cast as Joel and Ellie, and gameplay aimed to develop relationships through a realistic story, though removing threats made it less exciting. Production involved programming, voice acting, animation, and sound design to implement ideas. Post-production
Game designers
This document outlines the various roles involved in game design, including art designers, writers, animators, lighting artists, user interface designers, and a project lead. It describes the key responsibilities of each role such as concept artists drawing early environment designs, writers creating the game's story and dialogue, animators bringing characters to life after motion capture, and a project lead overseeing the entire project from concept to promotion. The project lead for The Last of Us, Neil Druckmann, is highlighted for also writing the story and directing motion capture sessions.
Last of us pipeline
The document outlines the production pipeline for The Last of Us. It began with the co-founders of Naughty Dog deciding not to reboot an existing IP and instead developing a new idea for a post-apocalyptic game focused on the relationship between two main characters. Throughout pre-production and production, the creative director, writers, artists, animators, composers, sound designers and other leads worked to bring the game to life, with an emphasis on motion capture, music and sound design. Post-production involved refining the user interface, testing for bugs, and promoting the game after The Walking Dead and in a PS3 bundle.
Audio engineer
An audio engineer designs soundtracks, sound effects, and oversees voice actors for video games. They may begin work early in development or after production is complete. Audio engineers must have skills in music composition, sound engineering, and an understanding of the game's theme. They work closely with creative directors to refine sounds and ensure mutual agreement on the audio aspects of the game. Gustavo Santaoalalla was the audio engineer for The Last of Us, bringing his film soundtrack experience to his first video game project by experimenting with various instruments early in development.
The Last of Us: Development Pipeline
The document describes Naughty Dog's development process for The Last of Us. It details the ideation phase where they drew inspiration from real-life fungal infections and decided the infected enemies would spread through spores. It discusses the production of gameplay, acting, sound, music, lighting and user interface. It notes the team refined the game through quality assurance testing and polish before shipping under a tight deadline.
Video game specialisms
A creative director must inspire creativity in others, be resourceful in generating new ideas, and have extensive knowledge across game development roles. There is no single path, but experience leading roles in areas like art, design, or writing can lead to becoming a creative director. Neil Druckmann is an example who started as an intern at Naughty Dog and became creative director for The Last of Us, receiving critical acclaim. Arnt Jensen also directed the indie game Limbo independently due to not wanting publisher interference.
Production job roles
The Creative Director oversees the entire game project and is responsible for the look and feel of the game. They oversee aspects such as the story design, gameplay as the game is built, and the soundtrack and voice acting. They make high-level decisions that affect how the game plays, sounds, and looks. Not all studios employ a Creative Director, as some prefer splitting duties between other roles.
Last of us
The document discusses the roles of composers and sound designers in creating audio for video games. It focuses on their work for The Last of Us. Composers convey emotion through a variety of instruments and experimenting with sounds from the environment. They also use a combination of electronic and traditional music to add tension and atmosphere while still allowing emotion to come through traditional instruments. Sound designers layer different sounds to create realistic effects and ensure the audio enhances the game experience without losing dynamics through compression. Their creativity is key in developing foley sounds to further immerse the player.
Audio cut sequence production costings
The sound designer has many responsibilities in designing games. They work with the creative director to understand the desired atmosphere and provide input on the game's sound. They are responsible for composing music to match different scenes and provoke emotions. The sound designer also oversees outsourcing voice actors, musicians, and recording studios. They record voices and create or record sound effects, either digitally or on location. Sound designers must understand recording equipment and software to produce high quality sound for the game.
Audio engineer
The role of the Audio Engineer is important to the production of any video game. They are responsible for composing and creating all music, sound effects, and other sounds needed for the game. When composing music, Audio Engineers must account for the non-linear nature of video games and be creative. Key skills for Audio Engineers include the ability to compose music and knowledge of various audio production software packages. Attention to detail is also crucial when creating realistic sound effects and emotive music.
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The document summarizes the production pipeline of The Last of Us video game. It describes the ideation phase where the concept of a post-apocalyptic world infected by a parasitic fungus was developed. It then discusses the pre-production phase involving concept art, character designs, and storyline mapping. The production phase included voice acting recordings, environment creation, and gameplay development. Finally, it outlines the post-production phase of thorough testing, bug fixing, and preparation for publication.
Cell block 33 production roles
George Streather is the director and script writer who will organize the play and write the script. Various roles such as co-director, set designer, choreographers, publicity manager, costume designer, props designer, project manager, casting director, music composer, lyric composer, and lighting designer are assigned to help bring the production together on time and within budget. Navina Shete, as project manager, will ensure everyone meets their deadlines.
Role of a sound designer
A sound designer has several key roles:
1) They work closely with the director and choreographer to help bring the creative vision to life through auditory elements.
2) They are responsible for designing, installing, and operating all sound elements to evoke emotion, set mood, and underscore action.
3) A sound designer must understand different types of microphones and how to use them appropriately depending on the location and needs of the production.
Role of a sound designer
A sound designer has several key roles:
1) They work closely with the director and choreographer to help bring the creative vision to life through auditory elements.
2) They are responsible for designing, installing, and operating all sound elements to evoke emotion, set mood, and underscore action.
3) This includes editing music, selecting appropriate microphones, and analyzing scripts to determine necessary sound cues.
Production process
The document outlines the development and production process for a video game. It begins with idea development where the creators sketch out ideas and storyboards. Next is pre-production planning where artists create characters and environments and budgets are set. Production is when development begins, adding gameplay elements and debugging. Post-production involves final touches, quality control testing, and adding music and cutscenes. Finally, marketing determines the release date, price, cover art, trailer, and advertising strategy to promote the game.
Job roles task 2
The projectmanageralso knownasthe producerisresponsible forensuringthe successfuldelivery
of a game on time andwithinbudgetforthe people. Duringdevelopment the ProjectManager
monitorsprogressagainstthe schedule.They are the central pointof contact forall aspectsof a
productionliaisingwithseniormanagement publishers PRandmarketingdepartmentsQA aswell as
the programmingdesignandart teams whichcan include anyoutsourcedpersonal.Alsoproject
managersmighthave to go oversee afteragame producthas be launchedandreleasedthiswill
involve updatesonthe game to talkaboutfor the publicnew thingsthattheymightneedtoknow
aboutand at the endtheymightalsoaskyou questionsaboutthe product
Fathy hassan resume
Fathy Hassan is a technical director, CG artist, filmmaker, and graphic designer with over 12 years of experience. He has worked on major Hollywood films as a visual effects artist and has certificates in over 40 3D software programs. Currently, he is the technical director for Saudi Group E3, where he oversees media production including 3D holograms, VR, and motion graphics.
Production design final
The production designer is responsible for the overall visual style and look of a film or television production. They work closely with the director to select settings, locations, and styles that help tell the story. The production designer oversees the art department, which includes specialists who help construct sets, source props, dress sets, and maintain the production designer's vision during filming.
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The document outlines Laurence Archer's initial plans for an animation project using a fantasy theme. It discusses using animation experience to create the project. It presents two potential genres: a fantasy fighting game with variety to create, or a turn-based role-playing game where animation would be easier. A mood board is shown incorporating pixel art styles from role-playing video games to inspire the art style. A schedule is provided with tasks over 5 weeks, including practicing music software and creating animation and sound effects.
ROLES IN A STAGE PRODUCTION in arts.pptx
Here are the answers to the questions:
1. B
2. B
3. D
4. C
5. A
6. A
7. B
8. C
9. B
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This document provides a summary and evaluation of various graphic design projects for an app called Achilles. It compares the app icon to Tinder's icon and finds similarities in design approach. It also compares a web ad to one created by Wanderlust and notes design similarities. A wallpaper is compared to one from Animal Crossing, noting similarities in repeating pattern structure. Feedback is provided on initial designs and how they were improved. Software used - Illustrator, Photoshop, iDraw - and their effectiveness are reviewed. Context images show how the background wallpaper and web ad fit their intended purposes.
Wallpapers pdf
The document summarizes the process of designing a wallpaper for the mobile game Achilles. It describes iterations based on feedback. The final wallpaper features resized Achilles-related images on a light maroon background that complements the game's color scheme. Through revisions, the designer learned to simplify compositions and leave space between assets rather than filling the entire background.
Graphic design banner presentation pdf
The document outlines the process of designing web banners to advertise a game. It begins with an initial plan and research on banner design. The designer creates a first banner ad, gets feedback, and iteratively designs two more banners based on feedback. The final banner incorporates gameplay screenshots, utilizes color effectively, and looks clean and professional, receiving positive feedback from the client.
Presentation icon pdf
The document provides information and design considerations for developing app icons. It includes tips for designing icons such as using complementary colors, keeping the design simple, avoiding text, standing out from other apps, and not worrying too much about details. It also discusses testing different icon designs, getting feedback, and adjusting the icon to better fit within the app grid and use dominant grid lines. Color schemes are explored using a color wheel and different shades are tested before selecting a final icon design using complementary cream and maroon colors.
Fitness for purpose final pdf
The document describes placing the main banner from the UK Tribes website at the top of an image to serve as a watermark, showing what campaign the image is linked to in an effective way.
Photographer comparison pdf
The document compares the work of two photographers, noting that the author added a white background to their photographs, as Tubke does, to make the subjects stand out more. Both photographers frame their shots with equal gaps on all sides. While Tubke mutes the shine in his photos, the author only did so slightly to avoid changing the tone. Tubke gets direct eye contact, while the author likes to capture a bit of personality, and Tubke's work is of higher quality due to better equipment and experience.
Fitness for purpose pdf
The document analyzes the strengths and weaknesses of 4 fitness photography images based on composition and technical quality. For image 1, it notes the use of rule of thirds, even lighting from overcast skies, and shallow depth of field, but says the background is off-center and quality could be better. Image 2 also employs rule of thirds and shallow depth of field, but has too much going on in the busy background and needed lighting adjustments. Image 3 effectively uses shade and a natural pose, though the face is less focused than the body and lighting is inconsistent. Image 4 frames the subject well with contrasting background colors, though a sign intrudes and a gap draws the eye.
Final image 1 pdf
The document describes edits made to four photographs. For the first photo, the editor increased brightness and boosted green tones to make the photo more high-key. The second photo had a street lamp removed using the clone stamp tool. For the third photo, the editor added white borders to frame the image and make it stand out, using different border styles depending on image composition. The fourth photo was given a more consistent style across subject and background by adjusting levels to balance blacks and whites and remove glare from the face.
Legal and ethical pdf
Copyright protects photographers' work from the moment an image is captured. The photographer has exclusive rights over the image for their lifetime, including copying, distributing, displaying, modifying, and selling the image or copyright. Fair use depends on factors like the work's nature, purpose of use, amount used, and market effect. Unauthorized use without permission is considered infringement or theft. A model release document agrees on terms for using an image of a person and should be signed when the photo is taken. Editorial use includes public interest, education, history, entertainment and art, while commercial use requires the person's agreement if used for advertising, promotion, endorsement, or political/religious causes. Privacy rights prevent using photos taken in private spaces or
Total film flat plan pdf
Total Film magazine has four main sections that cover movie news, features, home entertainment, and competitions. The magazine has a distinct style broken up by its sections and is filled with various content. A double page spread is now in portrait format, disrupting the normal flow of the magazine.
Annotated sheet 3 pdf
This document appears to be an annotation sheet, potentially for annotating text or other materials. However, there is no other context or information provided about the contents or purpose of this particular annotation sheet. The document title "Annotation Sheet 2" implies there may be additional related annotation sheets but this single sheet alone does not provide enough details to understand its specific use or the materials it relates to.
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Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
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Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
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Chapter 5
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Chapter 6
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Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
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1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
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Production
- 1. PRODUCTION Production - Making the game, programming, acting & motion capturing, 3D animator, artist, composer, sound engineers, lighting, level design, interface, director. The production stage starts to kick off when the acting and motion tracking side of the game starts taking place. The acting side isn’t a ‘by the script’ process, there was a lot of improvisation during filming for The Last Of Us which gave the game that human touch; the director would always do a scene multiple times until it gets the right feel to it. When the actors finish acting out the scenes in the motion capturing suits, it gives the 3D animators work to start getting on with. Each animator will have a part of the body to animate as the motion tracking can only go so far; faces will be altered to show more or less emotion, bodies will be adjusted on what they come across with in the game & etc. Artists will be divided in to many different teams; some may be doing concept art for people, infected or locations, some may be working on textures for the characters & landscape. When the art and 3D images are complete it gets passed down to the level designer which maps out where everything goes and then modifies when needed. One job which the designer does is to balance the frame rate; too much detail from the artists and too big on an object will cause this. Other members of the design team get involved in this process to deal with lighting, placement and interface. The composer came into the project in the early stages after Naughty Dog had realised a lot of the music that related to the game was from an Argentinean composer named ‘Gustavo Santaolalla’. So they hired him from the start which worked well for Gustavo due him liking to work from the script and to talk to the director about ideas; in an interview he said “it kept my motivated throughout the project”. On the other side of the sound department was the sound designers which had to create sounds for objects, characters, weather and ext. When creating the sounds of the infected they hired a bunch of voice actors to see if they could come up with something; both men and women created screeches and the designers combined that with a clicking noise made with his mouth to create the end product of the infected screech.