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According to audience research of 30 college students: - Horror thriller was the most popular genre, followed by psychological thriller. Crime thriller was the third most popular. - Most students were between 16-18 years old (93%). - The most popular character in crime thrillers was criminals (41%). Woods were the most common setting. - The most watched thriller film was Inception (38%). New York City was the most common film location. - Most students said they sometimes watch thriller films (66%). Thrillers overall received positive reviews and popularity.
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Data analysis
The document summarizes the results of a survey about thriller film preferences among 16-17 year olds. It finds that psychological and crime thrillers were most popular, while horror, sci-fi and dystopian were less so. Most respondents wanted to see a flawed protagonist and setting the film in modern times would be easiest. The survey also informed that characters should be established before story in the opening and fear was the preferred theme.
Thriller audience’s
Thriller audiences tend to be risk takers who enjoy suspense and anticipation, with surveys showing most thriller film watchers are aged 18-24, making the main demographic 25 and under. The surveys also found that mainly females watch thriller movies.
Target audiences
Horror films primarily target females and males under 35. Data shows that 44% of females and 36% of males in this age group enjoy horror films. Additionally, 15% of the general public rate horror as their favorite genre, indicating it is mainstream. To appeal to both genders, the film opening should include elements that interest both males and females under 35. Mixing genres, like adding thriller elements to horror, could also draw in more of the audience.
Evaluation q1
Our media product draws from conventions of conspiracy and political thrillers. The protagonist confronts a powerful threatening organization alone, and is employed by the government to stop information from being leaked that could destroy it. Research on films like Gone Girl and Se7en influenced our title sequence design. While conforming to some political thriller conventions like a mysterious phone call, our opening also challenges conventions by presenting the story in a nonlinear format.
The target audience of crime
Crime-Thriller films appeal to a broad audience ranging from ages 15 to 40, though they tend to attract more male viewers. Males are drawn to the criminal elements and action, while females enjoy the suspense and intrigue. Crime-Thrillers combine elements of crime films and thrillers, focusing on criminals and their activities like robberies and shootouts. The target audience for these films is typically ages 15-35 and includes both men and women from a variety of ethnic and socioeconomic backgrounds who seek adventure and discovery. Data from popular Crime-Thrillers like The Departed and Heat show they are favored most by younger male viewers ages 18-29, though those ages 30-44 also rate
Film beginning analysis identity
The film Identity opens with a gripping and psychologically provoking sequence that begins with a black screen and the voice of a man being interviewed by a psychiatrist on tape. Scenes of police documents, crime sketches, and mugshots related to the man's mother are shown, building intrigue around a potential crime. Shots of an unnamed man studying these documents at a table are intercut with the interview audio, not revealing either person's face. Throughout, dark music and storm sounds set a mysterious tone. In under three minutes, viewers are gripped with questions about who the man is, what crime was committed, and how the story will develop.
1. What Is a Cime Drama?
Television crime drama is a genre that follows certain conventions including having a plot that centers around solving a crime through characters like detectives, criminals, and victims. Typical episodes also include mysteries, suspense, red herrings and personal drama to engage audiences as the crime is solved. Settings are often in cities or police stations to move the story forward.
Film proposal
Two teenagers, Molly and Jack, set out to film a supposed criminal's hangout for online fame. They encounter much more danger than expected, with multiple close calls with the criminal. They are eventually caught and the footage cuts out, with their disappearances remaining a cold case. The film proposal describes a found footage horror film told from the camera footage the teens filmed, following their reckless decision and its terrifying consequences as a warning to teenagers.
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Data analysis
The document summarizes the results of a survey about thriller film preferences among 16-17 year olds. It finds that psychological and crime thrillers were most popular, while horror, sci-fi and dystopian were less so. Most respondents wanted to see a flawed protagonist and setting the film in modern times would be easiest. The survey also informed that characters should be established before story in the opening and fear was the preferred theme.
Thriller audience’s
Thriller audiences tend to be risk takers who enjoy suspense and anticipation, with surveys showing most thriller film watchers are aged 18-24, making the main demographic 25 and under. The surveys also found that mainly females watch thriller movies.
Target audiences
Horror films primarily target females and males under 35. Data shows that 44% of females and 36% of males in this age group enjoy horror films. Additionally, 15% of the general public rate horror as their favorite genre, indicating it is mainstream. To appeal to both genders, the film opening should include elements that interest both males and females under 35. Mixing genres, like adding thriller elements to horror, could also draw in more of the audience.
Evaluation q1
Our media product draws from conventions of conspiracy and political thrillers. The protagonist confronts a powerful threatening organization alone, and is employed by the government to stop information from being leaked that could destroy it. Research on films like Gone Girl and Se7en influenced our title sequence design. While conforming to some political thriller conventions like a mysterious phone call, our opening also challenges conventions by presenting the story in a nonlinear format.
The target audience of crime
Crime-Thriller films appeal to a broad audience ranging from ages 15 to 40, though they tend to attract more male viewers. Males are drawn to the criminal elements and action, while females enjoy the suspense and intrigue. Crime-Thrillers combine elements of crime films and thrillers, focusing on criminals and their activities like robberies and shootouts. The target audience for these films is typically ages 15-35 and includes both men and women from a variety of ethnic and socioeconomic backgrounds who seek adventure and discovery. Data from popular Crime-Thrillers like The Departed and Heat show they are favored most by younger male viewers ages 18-29, though those ages 30-44 also rate
Film beginning analysis identity
The film Identity opens with a gripping and psychologically provoking sequence that begins with a black screen and the voice of a man being interviewed by a psychiatrist on tape. Scenes of police documents, crime sketches, and mugshots related to the man's mother are shown, building intrigue around a potential crime. Shots of an unnamed man studying these documents at a table are intercut with the interview audio, not revealing either person's face. Throughout, dark music and storm sounds set a mysterious tone. In under three minutes, viewers are gripped with questions about who the man is, what crime was committed, and how the story will develop.
1. What Is a Cime Drama?
Television crime drama is a genre that follows certain conventions including having a plot that centers around solving a crime through characters like detectives, criminals, and victims. Typical episodes also include mysteries, suspense, red herrings and personal drama to engage audiences as the crime is solved. Settings are often in cities or police stations to move the story forward.
Film proposal
Two teenagers, Molly and Jack, set out to film a supposed criminal's hangout for online fame. They encounter much more danger than expected, with multiple close calls with the criminal. They are eventually caught and the footage cuts out, with their disappearances remaining a cold case. The film proposal describes a found footage horror film told from the camera footage the teens filmed, following their reckless decision and its terrifying consequences as a warning to teenagers.
Mark northcott pitch
This document outlines a crime thriller/action thriller film plot involving a drug kingpin in Manchester. The opening sequence will start with police pursuing the last member of a gang for information on the kingpin's hideout. This will grab audience attention and keep them watching to see the resolution. The introductions will allow audiences to relate to main characters and understand the hybrid genre. Some characters will be represented stereotypically as either heroes or villains. The opening aims to set an exciting tone for the entire film through high-octane action to maintain audience interest.
Nightcrawler
The document analyzes the opening scene of the film Nightcrawler through its use of visual techniques and mis en scene elements. It describes how the opening establishes mystery and tension. It shows a man facing away from the camera next to a car, cutting a fence at night which builds tension around what he is doing. Later shots reveal he has stolen a police officer's watch, suggesting he may be the antagonist. The mis en scene of a scrap yard implies he stole the fence for money. His determination in negotiations also foreshadows he will not give up easily on future goals. Overall, the opening uses visuals to set up an ambiguous and mysterious scene that intrigues the audience.
Lesson1
This document provides an overview of the television crime drama genre. It defines television crime drama as a genre that follows certain conventions, such as being set on television and focusing on crimes and their investigation. It discusses examples that would and would not qualify as television crime dramas. The document also explores subgenres within television crime drama like police procedurals and forensic shows. It outlines typical elements of television crime dramas like characters, plots, settings and how they use techniques like mysteries, suspense and red herrings to engage audiences. Finally, it discusses concepts like mise-en-scene and how visual elements are used to convey meaning and set mood in crime drama.
Audiences of murder mystery films
- The document discusses theories of audience reception for the murder mystery genre, including Barthes' Enigma Code and Hall's Reception Theory. It also discusses factors that influence the audience for murder mysteries, such as age, gender, employment status.
- The author conducted a questionnaire of 25 people about their murder mystery viewing habits. It found that most viewers are older teenagers and young adults who are not married. It also found viewers prefer films with both a murder and kidnapping that feature a charismatic, intelligent protagonist and a violent antagonist.
- The results indicate Hall's Reception Theory applies as different demographics view and interpret murder mystery films in different ways.
Tv crime drama v2
This document provides an introduction and overview for an exam on TV Crime Drama. It outlines the assessment objectives which include demonstrating media knowledge and understanding, research skills, and the ability to analyze productions and evaluate conventions. The key concepts covered are media language, institutions, audience, and representation. It also identifies the three sub-genres of TV Crime Drama as individual detective, procedural dramas, and crime solving professionals. Examples are provided and students are tasked with analyzing conventions of each sub-genre.
Part 4 & 5 of evaluation
The document discusses the target audience for a crime thriller film. The target audience would be people aged 18-35, as this demographic tends to enjoy violence in films. The characters and setting in a South London neighborhood imply the target audience falls into socioeconomic classes C1, C2 and D. The film aims to attract this target audience by including a relatable female protagonist from their social group and appealing suspense/action elements. It also aims to attract audiences who enjoy similar crime thrillers through a tense opening sequence building to a climax.
Question 1
In what ways does your media product use, develop or challenge forms and conventions of real media product?
Crime Mystery Research
This document discusses the key elements and conventions of the crime and mystery genre in film. It notes that crime fiction typically involves murders, detectives investigating crimes, and criminals being arrested or punished. Common characteristics of the genre include urban settings where crimes can be easily committed and covered up, titles that reference detectives or crimes, characters like criminals, victims, police, and families, mysteries for audiences to try and solve, the use of lighting, music, and props like weapons. The narrative typically follows a crime disruption, recognition, attempted repair, and new equilibrium.
Individual Initial Task - Sabrina Pinnu
The opening scene is set in a suburban home with signs of a struggle, including blood stains and scattered pictures. A woman is seen crying outside, waiting for the police. The scene uses a low saturated filter to create mystery and tension. Though colors are muted, red is emphasized to suggest danger and murder. A tracking shot provides a glimpse into the story while confusing viewers about what happened. The overall plot involves a wife who kills her son after her husband's death in Iraq, though she tries to blame her lover for the murder. Her husband is actually still alive and kills her upon learning of their son's death.
Question 2
Our thriller film includes emotion and fear in its storyline, creating an eerie atmosphere for its target audience. While similar to other thriller films in some aspects like mystery and crime, it also contains emotional attachments that keep viewers engaged. The film appeals to both men and women between ages 15 to 30 through its use of violence, strong language, and the emotional relationship between two sisters. It ends on a cliffhanger, leaving the audience with questions and a desire to see more.
Question 2
Our thriller film includes emotion and fear in its storyline, creating an eerie atmosphere for its target audience. While different than other thrillers, it also includes aspects audiences expect, like a mysterious and crime-filled storyline that keeps viewers engaged. The film appeals to men and women ages 15-30 through its violence, language, and the emotional attachment between two sisters. It ends on a cliffhanger to make audiences want to continue watching and learn more.
Sub genres of thriller
This document discusses various sub-genres of thriller films. It outlines the key characteristics and themes of action, comedy, conspiracy, crime, horror, legal, political, psychological, spy, supernatural, and techno-thrillers. For each sub-genre, it provides a brief example plot summary and notes other sub-genres they may overlap with due to shared themes of danger, violence, suspense, and conflicts between protagonists and antagonists.
Crime mystery (genre research)
This document provides definitions and information about the crime and mystery genres as well as their hybrid genre, crime/mystery. It discusses the key elements of each including typical settings, technical codes used, common iconography, narrative structures, character archetypes, and themes. The document explains that crime and mystery genres work well together because they share these elements, such as following Todorov's Narrative Theory and having themes of justice, interrogation, and good vs. evil. The target audience of crime/mystery hybrids is described as generally being males aged 15 to 35 since they contain strong language, graphic scenarios, and rely on problem-solving skills.
Film theorists
The document discusses various narrative and genre theories put forth by different theorists. It summarizes the key ideas from several theorists, including Roland Barthes, who proposed codes for analyzing narratives like the hermeneutic code and enigma code; Steven Neale, who discussed genre conventions and audience pleasure; Levi Strauss, who discussed binary opposites; Tzvetan Todorov, who outlined five stages in narratives; and Vladimir Propp, who identified common character roles in stories like heroes and villains. Examples are given of how some of these theories could be applied to analyzing the horror genre.
Evaluation q1
This document discusses how the media product conforms to and challenges conventions of thriller genres. It analyzed conventions of conspiracy and political thrillers to inform the opening. Specifically, it used the simple yet chilling title sequence from Gone Girl. Research also impacted using a flashback clip to provide context, and having music emphasize scenes like the chase and fight, inspired by another past student work. The protagonist was employed to stop hackers threatening the government, conforming to a political thriller convention. However, other typical thriller icons were not included. Overall narrative theory guided constructing the opening in line with thriller genres.
Question three who would be the audience for your media product
Our target audience for the psychological thriller film is 15+ years old. This is because similar successful thrillers like Final Destination attracted teenage audiences around 15 years old without including explicit content. Focusing on themes of violence, deception, and betrayal common to the genre, our film would interest and be appropriate for audiences 15 and older who are accustomed to these types of depictions without explicit material.
Yougov profiles
This document analyzes the target demographics of several films based on YouGov profile data and stereotypes. It finds that Along Came a Spider and The Lovely Bones appeal more to older women, likely due to themes involving children. Jack Reacher and Speed appeal more to younger men due to themes of action and violence. Now You See Me appeals more to younger people who grew up with magic shows. Gone Girl appeals more to educated younger women drawn to its psychological thriller genre.
Interview
Four interviews were conducted as part of audience research on psychological thrillers. Respondents highlighted the importance of sound and lighting for creating atmosphere, keeping the plot mysterious until the end, using editing techniques like fade in/out for a frightening effect and quick cuts, and employing close-ups and signifiers to build suspense and portray the killer's twisted nature.
Last house on the left presentation
The document describes various camera shots from a horror movie. A tracking shot establishes the dark wooded setting. A cutaway shot introduces two female lead characters, suggesting one will be the victim. A close-up shot shows a mysterious man in a car who may be the suspect. Subsequent shots establish a police car transporting a criminal at a derelict railway, where the tension builds as the light turns red and a car crash occurs, allowing the criminal to escape and the drama to begin.
9 frames
A young woman is shown practicing running in the woods in the early morning. Various camera shots are used to show her running through different areas, climbing over obstacles, and taking a rest. She is then shown talking to a man before running to a large building that appears to be a national training base. Shots show her running inside and going downstairs, where her casual clothes stand out from others in suits. She enters a room where others are practicing with firearms, indicating she is a student in FBI training.
English11-A17 GROUP 3
The document summarizes China's One-Child Policy, including its goals of controlling population growth, how it allows only one child per couple and some exceptions. It also discusses common advantages like improved social services and disadvantages like forced abortion. The document outlines how it will discuss the views of English students on whether the policy helped China's economy but violated human rights.
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Mark northcott pitch
This document outlines a crime thriller/action thriller film plot involving a drug kingpin in Manchester. The opening sequence will start with police pursuing the last member of a gang for information on the kingpin's hideout. This will grab audience attention and keep them watching to see the resolution. The introductions will allow audiences to relate to main characters and understand the hybrid genre. Some characters will be represented stereotypically as either heroes or villains. The opening aims to set an exciting tone for the entire film through high-octane action to maintain audience interest.
Nightcrawler
The document analyzes the opening scene of the film Nightcrawler through its use of visual techniques and mis en scene elements. It describes how the opening establishes mystery and tension. It shows a man facing away from the camera next to a car, cutting a fence at night which builds tension around what he is doing. Later shots reveal he has stolen a police officer's watch, suggesting he may be the antagonist. The mis en scene of a scrap yard implies he stole the fence for money. His determination in negotiations also foreshadows he will not give up easily on future goals. Overall, the opening uses visuals to set up an ambiguous and mysterious scene that intrigues the audience.
Lesson1
This document provides an overview of the television crime drama genre. It defines television crime drama as a genre that follows certain conventions, such as being set on television and focusing on crimes and their investigation. It discusses examples that would and would not qualify as television crime dramas. The document also explores subgenres within television crime drama like police procedurals and forensic shows. It outlines typical elements of television crime dramas like characters, plots, settings and how they use techniques like mysteries, suspense and red herrings to engage audiences. Finally, it discusses concepts like mise-en-scene and how visual elements are used to convey meaning and set mood in crime drama.
Audiences of murder mystery films
- The document discusses theories of audience reception for the murder mystery genre, including Barthes' Enigma Code and Hall's Reception Theory. It also discusses factors that influence the audience for murder mysteries, such as age, gender, employment status.
- The author conducted a questionnaire of 25 people about their murder mystery viewing habits. It found that most viewers are older teenagers and young adults who are not married. It also found viewers prefer films with both a murder and kidnapping that feature a charismatic, intelligent protagonist and a violent antagonist.
- The results indicate Hall's Reception Theory applies as different demographics view and interpret murder mystery films in different ways.
Tv crime drama v2
This document provides an introduction and overview for an exam on TV Crime Drama. It outlines the assessment objectives which include demonstrating media knowledge and understanding, research skills, and the ability to analyze productions and evaluate conventions. The key concepts covered are media language, institutions, audience, and representation. It also identifies the three sub-genres of TV Crime Drama as individual detective, procedural dramas, and crime solving professionals. Examples are provided and students are tasked with analyzing conventions of each sub-genre.
Part 4 & 5 of evaluation
The document discusses the target audience for a crime thriller film. The target audience would be people aged 18-35, as this demographic tends to enjoy violence in films. The characters and setting in a South London neighborhood imply the target audience falls into socioeconomic classes C1, C2 and D. The film aims to attract this target audience by including a relatable female protagonist from their social group and appealing suspense/action elements. It also aims to attract audiences who enjoy similar crime thrillers through a tense opening sequence building to a climax.
Question 1
In what ways does your media product use, develop or challenge forms and conventions of real media product?
Crime Mystery Research
This document discusses the key elements and conventions of the crime and mystery genre in film. It notes that crime fiction typically involves murders, detectives investigating crimes, and criminals being arrested or punished. Common characteristics of the genre include urban settings where crimes can be easily committed and covered up, titles that reference detectives or crimes, characters like criminals, victims, police, and families, mysteries for audiences to try and solve, the use of lighting, music, and props like weapons. The narrative typically follows a crime disruption, recognition, attempted repair, and new equilibrium.
Individual Initial Task - Sabrina Pinnu
The opening scene is set in a suburban home with signs of a struggle, including blood stains and scattered pictures. A woman is seen crying outside, waiting for the police. The scene uses a low saturated filter to create mystery and tension. Though colors are muted, red is emphasized to suggest danger and murder. A tracking shot provides a glimpse into the story while confusing viewers about what happened. The overall plot involves a wife who kills her son after her husband's death in Iraq, though she tries to blame her lover for the murder. Her husband is actually still alive and kills her upon learning of their son's death.
Question 2
Our thriller film includes emotion and fear in its storyline, creating an eerie atmosphere for its target audience. While similar to other thriller films in some aspects like mystery and crime, it also contains emotional attachments that keep viewers engaged. The film appeals to both men and women between ages 15 to 30 through its use of violence, strong language, and the emotional relationship between two sisters. It ends on a cliffhanger, leaving the audience with questions and a desire to see more.
Question 2
Our thriller film includes emotion and fear in its storyline, creating an eerie atmosphere for its target audience. While different than other thrillers, it also includes aspects audiences expect, like a mysterious and crime-filled storyline that keeps viewers engaged. The film appeals to men and women ages 15-30 through its violence, language, and the emotional attachment between two sisters. It ends on a cliffhanger to make audiences want to continue watching and learn more.
Sub genres of thriller
This document discusses various sub-genres of thriller films. It outlines the key characteristics and themes of action, comedy, conspiracy, crime, horror, legal, political, psychological, spy, supernatural, and techno-thrillers. For each sub-genre, it provides a brief example plot summary and notes other sub-genres they may overlap with due to shared themes of danger, violence, suspense, and conflicts between protagonists and antagonists.
Crime mystery (genre research)
This document provides definitions and information about the crime and mystery genres as well as their hybrid genre, crime/mystery. It discusses the key elements of each including typical settings, technical codes used, common iconography, narrative structures, character archetypes, and themes. The document explains that crime and mystery genres work well together because they share these elements, such as following Todorov's Narrative Theory and having themes of justice, interrogation, and good vs. evil. The target audience of crime/mystery hybrids is described as generally being males aged 15 to 35 since they contain strong language, graphic scenarios, and rely on problem-solving skills.
Film theorists
The document discusses various narrative and genre theories put forth by different theorists. It summarizes the key ideas from several theorists, including Roland Barthes, who proposed codes for analyzing narratives like the hermeneutic code and enigma code; Steven Neale, who discussed genre conventions and audience pleasure; Levi Strauss, who discussed binary opposites; Tzvetan Todorov, who outlined five stages in narratives; and Vladimir Propp, who identified common character roles in stories like heroes and villains. Examples are given of how some of these theories could be applied to analyzing the horror genre.
Evaluation q1
This document discusses how the media product conforms to and challenges conventions of thriller genres. It analyzed conventions of conspiracy and political thrillers to inform the opening. Specifically, it used the simple yet chilling title sequence from Gone Girl. Research also impacted using a flashback clip to provide context, and having music emphasize scenes like the chase and fight, inspired by another past student work. The protagonist was employed to stop hackers threatening the government, conforming to a political thriller convention. However, other typical thriller icons were not included. Overall narrative theory guided constructing the opening in line with thriller genres.
Question three who would be the audience for your media product
Our target audience for the psychological thriller film is 15+ years old. This is because similar successful thrillers like Final Destination attracted teenage audiences around 15 years old without including explicit content. Focusing on themes of violence, deception, and betrayal common to the genre, our film would interest and be appropriate for audiences 15 and older who are accustomed to these types of depictions without explicit material.
Yougov profiles
This document analyzes the target demographics of several films based on YouGov profile data and stereotypes. It finds that Along Came a Spider and The Lovely Bones appeal more to older women, likely due to themes involving children. Jack Reacher and Speed appeal more to younger men due to themes of action and violence. Now You See Me appeals more to younger people who grew up with magic shows. Gone Girl appeals more to educated younger women drawn to its psychological thriller genre.
Interview
Four interviews were conducted as part of audience research on psychological thrillers. Respondents highlighted the importance of sound and lighting for creating atmosphere, keeping the plot mysterious until the end, using editing techniques like fade in/out for a frightening effect and quick cuts, and employing close-ups and signifiers to build suspense and portray the killer's twisted nature.
Last house on the left presentation
The document describes various camera shots from a horror movie. A tracking shot establishes the dark wooded setting. A cutaway shot introduces two female lead characters, suggesting one will be the victim. A close-up shot shows a mysterious man in a car who may be the suspect. Subsequent shots establish a police car transporting a criminal at a derelict railway, where the tension builds as the light turns red and a car crash occurs, allowing the criminal to escape and the drama to begin.
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Question three who would be the audience for your media product
Question three who would be the audience for your media product
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A young woman is shown practicing running in the woods in the early morning. Various camera shots are used to show her running through different areas, climbing over obstacles, and taking a rest. She is then shown talking to a man before running to a large building that appears to be a national training base. Shots show her running inside and going downstairs, where her casual clothes stand out from others in suits. She enters a room where others are practicing with firearms, indicating she is a student in FBI training.
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The document summarizes China's One-Child Policy, including its goals of controlling population growth, how it allows only one child per couple and some exceptions. It also discusses common advantages like improved social services and disadvantages like forced abortion. The document outlines how it will discuss the views of English students on whether the policy helped China's economy but violated human rights.
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This document provides location information in two parts. The first location given is TS25 5PF, and the second part mentions Sia's home. A map is referenced on the bottom of the document.
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This document outlines the plot, characters, and technical details for a thriller opening sequence titled "Mind chip". It involves two companies competing for an important contract. One company implants a mind-controlling chip in the other company's manager to gain an advantage. However, the manager is aware of the chip and pretends to be controlled while plotting against the other company. The document provides character descriptions, a synopsis of the opening scene and overall plot, technical information, and requirements for props, costumes, music and filming locations. It aims to set up intrigue and conflict between the two companies over the high-stakes contract.
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The document outlines a research project on the views of English 11 A17 students about China's One-Child Policy. It lists 5 research questions, including what the policy is, why China implemented it, its sections, advantages and disadvantages. The thesis statement says the policy helped China control its population growth. Sections to be covered in the research paper include an introduction on China being the only country with this policy, a body covering the details of the policy, its advantages like improved healthcare, and disadvantages like forced abortions. Student views on its economic impact and human rights issues will also be discussed.
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Primary Research Data Analysis
The document analyzes primary research data from a questionnaire about thriller films. It contains several charts and graphs summarizing the responses. The key findings are:
- Most respondents were female, between 16-18 years old, with varying household incomes
- The majority enjoyed action thrillers and would like to see a female protagonist and antagonist
- Settings like abandoned buildings, forests, and dark alleyways were most associated with the thriller genre
Target audiences
The document discusses target audiences for horror films. It finds that while 32% of the general public enjoys the genre, females under 35 and males under 35 are the primary and secondary target audiences, making up 28% and 17% of those who rate horror as their favorite genre. Additionally, 28% of the public wants to see more dark horrors incorporated into future films.
Audience Theory and Research
The document summarizes the results of a questionnaire given to 50 people to understand the target audience for short films. It found that people ages 19-25 who watch short films online prefer drama and psychological drama genres. Therefore, the group determined their target audience is people ages 19-25 of mixed gender, and they will create a psychological drama short film to appeal to this audience's preferences, ensuring it does not follow stereotypical gender roles. The film will be distributed online to reach their target youth audience.
Audience theory and research
This is the audience theory results and it also includes the information about why we are researching and creating a film for this specific genre
Audience theory and research
The document summarizes the results of a questionnaire given to 50 people to understand the target audience for a short film. It found that the preferred audience is 19-25 year olds, as this age group most commonly watches short films online and prefers drama and horror genres. Specifically, the survey showed most 19-25 year olds are attracted to short films by storyline and watch online or at film festivals. Based on this, the document concludes the target audience for a new short film will be 19-25 year olds and it will be a psychological drama genre film accessible online.
Audience theory and research
The document summarizes the results of a questionnaire given to 50 people about their viewing habits and preferences for short films. It found that the target audience for a new short film should be people aged 19-25, as this age group was most likely to watch short films, preferring dramas and accessing them online. Specifically, the questionnaire revealed that this age range preferred psychological drama genres with intriguing storylines available through internet streaming. The filmmakers decided on a mixed gender target audience for this genre.
Audience Theory and Research
This document summarizes the results of a questionnaire given to understand the target audience for short films. It found that the preferred age group is 19-25 year olds, as they are most likely to watch short films online or at film festivals. This age group particularly prefers drama genres and are attracted by a good storyline. The proposed short film will be a psychological drama genre to appeal to both female and male viewers in this age range.
Audience theory and research
The document summarizes the results of a questionnaire given to 50 people to understand the target audience for a short film. It found that the preferred age group that watches short films is 19-25 year olds. This age group mainly watches short films online and prefers the drama and horror genres. Based on this, the filmmakers decided to create a psychological drama short film targeted towards a mixed gender audience between 19-25 years old.
Audience theory and research
The document summarizes the results of a questionnaire given to 50 people to understand the target audience for a short film. It found that the preferred age group that watches short films is 19-25 year olds. This age group mainly watches short films online and prefers the drama and horror genres. Based on this, the filmmakers decided to create a psychological drama short film targeted towards a mixed gender audience between 19-25 years old.
Films
This document summarizes the results of a questionnaire about thriller films. It shows that Taken was the most popular film chosen. It also shows that psychological thrillers seemed to be the most preferred genre. Most respondents believed thrillers were aimed at audiences aged 15 and older. Finally, the results indicated that people preferred watching young adults in thriller roles rather than teenagers or adults.
Our Presentation, Thriller research
The document discusses research conducted on thriller genres, including interviews, an analysis of the top 50 thrillers, and surveys. The research found that action was the most popular genre, with crime and drama also being highly rated. Explosive scenes or mysteries were preferred as openings. Suspense was identified as the element that keeps audiences engaged in thrillers.
Secondary research into my target audience
The document discusses secondary research conducted on the zombie apocalypse film genre to understand the target audience. The researcher analyzed data from the UK Film Council on the genres of thriller/suspense, horror, and disaster since zombie apocalypse was not included. Thriller/suspense had the highest popularity overall at 53% and was considered mainstream. Horror was less popular at 32% and more niche. Disaster had the lowest popularity at 28% and was niche. The data showed thriller appealed most to women over 35 in social class C2. This provided insight into the genres' audiences to help define the target market for the film opening.
Research into audience-
The document discusses research into audience demographics for different films based on data from IMDB. It analyzes rating statistics for the movies Mean Girls and Fast and Furious 6. For Mean Girls, it finds that fewer males under 18 and over 45 rated it highly compared to females, showing the target audience was teenage girls. For Fast and Furious 6, it surprisingly finds that more females overall and in different age groups rated it highly compared to males, despite it being an action film typically thought to appeal more to males.
Target audience responses
The document summarizes the responses to a survey about film preferences. It shows:
- Most respondents were 18-25 years old, with a majority being female.
- 11 out of 15 respondents enjoyed comedy films, while 5 enjoyed thrillers.
- Those who liked thrillers said they appreciated films that make them think, play on emotions, have interesting storylines and entertain them.
- Responses were split on interest in a detective thriller, with 9 saying yes and 6 saying no.
Secondary Target Audience using UK Film Council
This shows what the target audience my group and I should be focusing on for our film opening. The UK Film Council statistics show what the percentage of the population is that watch horrors.
Target audience data - UK Film Council
For my film opening I have done some secondary research about the target audience for my film opening using the UK Film Council's data.
Primary research
The document summarizes research conducted to inform the opening sequence of a thriller film. It describes analyzing the top 50 thriller films to identify popular subgenres. Crime thrillers were found to be most common. Interviews revealed a preference for psychological and eco-thrillers over techno thrillers. A survey showed action thrillers and suspense are most popular elements, with common cliches disliked. The research will help make an opening sequence avoiding cliches in a popular but less common subgenre.
Primary research into the thriller genre
The questionnaire results showed that most respondents were female aged 16-24. Psychological thrillers and the films Fight Club and Layer Cake were most popular. Respondents on average preferred moderate levels of violence and fiction over real events. The majority preferred cliffhangers over clear endings and introductions of characters and settings in opening sequences. These results will inform the development of ideas for the main task.
Thriller research pp newwwwwww
The document summarizes the results of a questionnaire about thriller movies. It found that those in the 20-29 age group had the most interest in thriller films and liked elements of mystery, crime, and horror the most. Therefore, the target audience for a new media product will be 20-29 year olds, and the opening title sequence will include mystery, crime, and horror but not love or humor.
Opening sequence survey analysis.
The survey analyzed responses from 140 people regarding their movie watching preferences and habits. The majority of respondents were female between the ages of 13-18. Nearly half watched movies every 2-3 days, with crime being the most popular genre. Hollywood was the favorite film industry at 49% favorability. Most respondents indicated a preference for watching movies in cinemas over watching at home or online.
Similar to Presentation3 (20)
Presentation3
- 1. Audience Research According to the audience research, we can see the horror thriller is the most popular thriller in 30 persons. And next famous one is psychological thriller, crime thriller is 21%. but, none people like watch conspiracy thriller. And least 7% people prefer others thriller.
- 2. Because I did this audience research in college, so, most ages of the 30 students are 16-18 that is 93%. And another one person’s age is during 19-25. The last person’s age might is under 16.
- 3. In college, 12 persons prefer criminals thriller which is 41%, and the next is stalkers in thriller film that is they like. Others three characters are take up 20% together, that are down-on-their-luck losers(3), convicts(1) and another thriller characters(2) respectively.
- 4. The setting of thriller film for the audience that woods was the most popular thing and the next were cities it is 24%, knives, shadows and others was 7%, 17% and10% respectively.
- 5. From this pie graph, we can see during the five famous thriller films, the most popular film is Inception that is 11 people watched it and it 38 percent, so, we know that most people prefer kinds of mind crime thriller film, and others thriller film were 24%. The same number are Panic Room and The silence of the lambs that is 14%, and the next is Seven it is 10%.
- 6. From this paragraph, we can see, the most famous location for thriller film is New York and next is Hong Kong that is 21%, but the Paris just 1 person. so, we know that people like thriller set in big and busy cities.
- 7. From this graph, most people watch thriller film sometimes that is 19 persons it is 66 percent, so, the thriller film quite popular at all. And 0 people never watch that, 8 people usually watch the thriller films.
- 8. According to this diagram, we know that the thriller films quite popular and it’s got high mark 4, it is 15 persons choose level 4. And 3 person choose level 5. Just 1 person choose 1 level.