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Evaluation
1 In what ways does your media product use, develop
or challenge forms and conventionsof real media
products?
Before starting our Thriller opening we did research into a variety of areas relating to thrillers.
Specifically we looked into aspects of Conspiracy and political thrillers as this was the specific thriller
genre we were wanting our thriller to be.
Conspiracy thriller - Protagonist must confront a large, powerful
organization whose threat only he sees. The protagonist usually must
do this alone.
Political Thriller - Political relation or the whole government is at stake.
The protagonist is employedby the government to stop the decline.
Protagonist – Usually has a problem or is sent on a mission to solve a
mystery.
Antagonist – Enemyof the protagonist and responsible for the danger
of the protagonist.
Iconography - The usual icons of thrillers are guns and other types of
weaponry. In later years of thrillers blood and screams also plays a
part in the iconography.
Setting – Most common thriller settings are shady inner city areas with a variety of background
sounds suchas cars, shouting and rainfall and scenesoften include violence.
1.1 Research impacting ideas
Before the production of our film we
researchedfamous thriller films and past
students films. We looked at two film in detail:
Gone girl and
Se7en. The
main influence
out of the two
was Gone girl
due to the way
it presents its titling as its so simple and yethas such a chilling effect
My Gone girl research
Runner Title sequence
on the viewer. From this we thendecided to use this in our thriller to cause similar effects.
1.2 Conforming to conventions
In a fewways our thriller did conform to conventions of both types of thriller. In terms of a political
thriller our protagonist was employed by the government to stop hackers from leaking information
which would destroy it. This is supported due to a
‘shifty’ phone call to a mystery person at the
beginning of our opening which is quite common in
the political thriller genre.
1.3 Rejecting conventions
1.4 Narrative theory

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Evaluation q1

  • 1. Evaluation 1 In what ways does your media product use, develop or challenge forms and conventionsof real media products? Before starting our Thriller opening we did research into a variety of areas relating to thrillers. Specifically we looked into aspects of Conspiracy and political thrillers as this was the specific thriller genre we were wanting our thriller to be. Conspiracy thriller - Protagonist must confront a large, powerful organization whose threat only he sees. The protagonist usually must do this alone. Political Thriller - Political relation or the whole government is at stake. The protagonist is employedby the government to stop the decline. Protagonist – Usually has a problem or is sent on a mission to solve a mystery. Antagonist – Enemyof the protagonist and responsible for the danger of the protagonist. Iconography - The usual icons of thrillers are guns and other types of weaponry. In later years of thrillers blood and screams also plays a part in the iconography. Setting – Most common thriller settings are shady inner city areas with a variety of background sounds suchas cars, shouting and rainfall and scenesoften include violence. 1.1 Research impacting ideas Before the production of our film we researchedfamous thriller films and past students films. We looked at two film in detail: Gone girl and Se7en. The main influence out of the two was Gone girl due to the way it presents its titling as its so simple and yethas such a chilling effect My Gone girl research Runner Title sequence
  • 2. on the viewer. From this we thendecided to use this in our thriller to cause similar effects. 1.2 Conforming to conventions In a fewways our thriller did conform to conventions of both types of thriller. In terms of a political thriller our protagonist was employed by the government to stop hackers from leaking information which would destroy it. This is supported due to a ‘shifty’ phone call to a mystery person at the beginning of our opening which is quite common in the political thriller genre. 1.3 Rejecting conventions 1.4 Narrative theory