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Welcome to the BFI
Mark Reid
Head of Education
BFI Southbank
11 May 2016
Mark.reid@bfi.org.uk
@BFI @BFIEducation
Bfieducation.wordpress.com
http://bit.ly/1TzKRhs
AbouttheBFI..
archive and library
cinematheque
festivals
film production and
distribution
publishing
BFI2022
SUPPORTING UK FILM
• Work across different platforms
and lengths to encourage creative
filmmaking
• By 2022, devolve 25 per cent of all
BFI production funding to decision-
makers based outside London
• Launch a new model for fast
funding to fully finance low-budget
and debut films,
• Create a clearer progression path
for ambitious emerging filmmakers,
including regional BFI NETWORK
staff based in key cultural venues
in England
• Pilot a £10 million Enterprise Fund
providing repayable working capital
for innovative projects
FUTURE TALENT
FUTURE LEARNING AND SKILLS
• New ten-year skills strategy with
Creative Skillset…
• …creating new opportunities for
thousands of individuals from all
backgrounds from across the UK
• Develop a well-evidenced
manifesto for film in the
classroom, in partnership with
Into Film, demonstrating the
educational and cultural
importance of the art of film and
its role in inspiring the next
generation of a creative
workforce
• Ensure that the BFI’s board and
senior decision-making teams are
representative of the UK
population
• Focus on 16-30 year olds’
engagement with British
independent and specialised film
• Major initiative to preserve and
digitise 100,000 at-risk British TV
programmes
• Major cultural programmes
including:
A year-long focus on India
Year-round programming
celebrating the
representation of women,
• New 35mm film prints of 100 of
the great classics of British and
international cinema
• Launch the largest public
searchable, interactive database
dedicated to British feature
films.
FUTURE AUDIENCES
And BFI Education
Education at BFI Southbank:
Learning every day of the year
50,000 learners
500 events and learning sessions
Schools and teachers
Local diverse communities
General public and cinephiles
Young people
Democracy doesn’t require perfect equality, but it does require
that citizens share a common life. What matters is that people of
different backgrounds and social positions encounter one another
in course of everyday life.
Michael Sandel What Money Can’t Buy
Innovation:
Developing new ways to engage with and learn about film
Leadership:
Shaping agenda through research and advocacy
2014 Education highlight: Sci-fi
Midwich Experiments Film Academy Sci-fi/ Sci-fi Music academy
Familiy Sci-fi Schools Teach First, Into Film. Film Academy online resources
25 Public programme talks and courses
ENGAGEMENT
50,000 INTRODUCTORY EXPERIENCES
1,000 SUSTAINED EXPERIENCES
100 COLLABORATORS
COLLABORATIVE PROGRAMMING
• Future Film: 40 young
people as ‘peer
programmers’
• African Caribbean
consultative group
• Cultural Campus
• Schools and HE
collaborators
• Seniors’ programming
Education and audiences – annual investment of £44.2m
British film and filmmaking - investment of £32.3m pa
Film heritage investment - £9.9m per year
http://bit.ly/1TzKRhs
Thank you!

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Presentation for Sheffield School of Management

  • 1. Welcome to the BFI Mark Reid Head of Education BFI Southbank 11 May 2016 Mark.reid@bfi.org.uk @BFI @BFIEducation Bfieducation.wordpress.com http://bit.ly/1TzKRhs
  • 2. AbouttheBFI.. archive and library cinematheque festivals film production and distribution publishing
  • 3.
  • 5. • Work across different platforms and lengths to encourage creative filmmaking • By 2022, devolve 25 per cent of all BFI production funding to decision- makers based outside London • Launch a new model for fast funding to fully finance low-budget and debut films, • Create a clearer progression path for ambitious emerging filmmakers, including regional BFI NETWORK staff based in key cultural venues in England • Pilot a £10 million Enterprise Fund providing repayable working capital for innovative projects FUTURE TALENT
  • 6. FUTURE LEARNING AND SKILLS • New ten-year skills strategy with Creative Skillset… • …creating new opportunities for thousands of individuals from all backgrounds from across the UK • Develop a well-evidenced manifesto for film in the classroom, in partnership with Into Film, demonstrating the educational and cultural importance of the art of film and its role in inspiring the next generation of a creative workforce • Ensure that the BFI’s board and senior decision-making teams are representative of the UK population
  • 7. • Focus on 16-30 year olds’ engagement with British independent and specialised film • Major initiative to preserve and digitise 100,000 at-risk British TV programmes • Major cultural programmes including: A year-long focus on India Year-round programming celebrating the representation of women, • New 35mm film prints of 100 of the great classics of British and international cinema • Launch the largest public searchable, interactive database dedicated to British feature films. FUTURE AUDIENCES
  • 9. Education at BFI Southbank: Learning every day of the year
  • 10. 50,000 learners 500 events and learning sessions Schools and teachers Local diverse communities General public and cinephiles Young people
  • 11.
  • 12. Democracy doesn’t require perfect equality, but it does require that citizens share a common life. What matters is that people of different backgrounds and social positions encounter one another in course of everyday life. Michael Sandel What Money Can’t Buy
  • 13. Innovation: Developing new ways to engage with and learn about film
  • 14. Leadership: Shaping agenda through research and advocacy
  • 15. 2014 Education highlight: Sci-fi Midwich Experiments Film Academy Sci-fi/ Sci-fi Music academy Familiy Sci-fi Schools Teach First, Into Film. Film Academy online resources 25 Public programme talks and courses
  • 16.
  • 17. ENGAGEMENT 50,000 INTRODUCTORY EXPERIENCES 1,000 SUSTAINED EXPERIENCES 100 COLLABORATORS
  • 18. COLLABORATIVE PROGRAMMING • Future Film: 40 young people as ‘peer programmers’ • African Caribbean consultative group • Cultural Campus • Schools and HE collaborators • Seniors’ programming
  • 19. Education and audiences – annual investment of £44.2m British film and filmmaking - investment of £32.3m pa Film heritage investment - £9.9m per year
  • 20.
  • 21.