The poem "She Walks in Beauty" by Lord Byron describes a beautiful woman. Byron was inspired to write it after seeing his cousin at a party, struck by her dark hair and fair skin. The poem uses nature imagery and contrasts of light and dark to portray her physical beauty. It also suggests she has inner beauty, with references to her sweet and innocent thoughts and pure heart. Byron employs literary devices like similes, metaphors, personification and alliteration to vividly portray the woman's beauty and convey the theme that her external and internal qualities are in perfect balance and harmony.
IMPOLITE PHILOSOPHY OF LIFE TO A CRITICAL EVALUATION ON PERCY BYSSHE SHELLEY'...Rituparna Ray Chaudhuri
Perhaps,http://youtu.be/R6mefXs5h9o.
The beautiful atmospheric phenomenon with romantic and dignified language, the ferocity and power of west wind respectively presents the genesis of the poem, making the legend to represent the soaring idealism of the Romantics and a radical belief in a Utopia.-Percy Bysshe Shelley in his alliterative poem 'Ode to the West Wind', An Eternal Beauty of Truth and Philosophy.
Neste trabalho, apresento alguns dados sobre a poesia de Lord Byron, seleciono alguns dos seus principais poemas para mostrar a importância de seu papel para a literatura Inglesa bem como o que caracteriza sua poesia como romântica.
IMPOLITE PHILOSOPHY OF LIFE TO A CRITICAL EVALUATION ON PERCY BYSSHE SHELLEY'...Rituparna Ray Chaudhuri
Perhaps,http://youtu.be/R6mefXs5h9o.
The beautiful atmospheric phenomenon with romantic and dignified language, the ferocity and power of west wind respectively presents the genesis of the poem, making the legend to represent the soaring idealism of the Romantics and a radical belief in a Utopia.-Percy Bysshe Shelley in his alliterative poem 'Ode to the West Wind', An Eternal Beauty of Truth and Philosophy.
Neste trabalho, apresento alguns dados sobre a poesia de Lord Byron, seleciono alguns dos seus principais poemas para mostrar a importância de seu papel para a literatura Inglesa bem como o que caracteriza sua poesia como romântica.
Transitional Period & Ode to Evening by William CollinsRaniaAlghamdi3
this presentation was made for my poetry class. it contains information about the transitional period, William Collins, the poem "Ode to Evening", themes of the poem and the figures of speech.
As with narrative, there are "elements" of poetry that we can focus on to enrich our understanding of a particular poem or group of poems. These elements may include, voice, diction, imagery, figures of speech, symbolism and allegory, syntax, sound, rhythm and meter, and structure. While we may discuss these elements separately, please keep in mind that they are always acting simultaneously in a story. It is difficult, for example, to discuss voice without talking about imagery, sound, meter, diction and syntax. Above all, these elements reveal something about the poem's "theme," meaning, or function.
Voice: Speaker and Tone-
As DiYanni notes, tone refers to the poet's "implied attitude toward its subject. Tone is an abstraction we make from the details of a poem's language: the use of meter and rhyme; the inclusion of certain kinds of details and exclusion of other kinds; particular choices of words and sentence pattern, of imagery and of figurative language" (479). A poem could convey reverence toward its subject, or cynicism, fear, awe, disgust, regret, disappointment, passion, monotony, etc. Tone has a great deal to do with meaning, for a description of a parent would be radically different depending on a poet's attitude toward that parent.
Diction, Imagery, Figures of Speech, Symbolism and Allegory-
Simply put, diction refers to word choice and is intimately related to imagery and figures of speech because a poet chooses a word to achieve a certain sensory, emotional, or intellectual effect. Choosing "wandered," for example, suggests something different than, say, "walked around," "shuffled," "drifted," "floated," etc., for each word suggests a different attitude, image, or connection. Your job is to explore the possibilities, always broadening the meaning and linking it with other words and images. For example, placing words in new contexts creates metaphors, for the word suggests one meaning and the context another.
As noted earlier, word choices creates images, the "concrete representation of a sense impression, feeling, or idea. Images may invoke our sight, hearing, sense of smell and taste, and tactile perceptions." Imagery refers to a pattern of related details. When images form patterns of related details that convey an idea or feeling beyond what the images literally describe, we call them metaphorical or symbolic. The details suggest one thing in terms of another. For example, images of light often convey knowledge and life, while images of darkness suggest ignorance or death. This leap from one image to its symbolic counterpart is based on an interpretive act and must be done in context. For example, white is usually associated with purity, cleanliness, and virginity, but in Moby Dick the great whale is white and suggests absolute evil, but the use that symbolic color is consistent within the novel. Figures of speech refer to special kinds of language use.
2. * Lord Byron was an English poet and a
leading figure in the Romantic movement .
* He wrote during the early nineteenth century.
* Among Byron's best-known works are the
lengthy narrative poems Don Juan and Childe
Harold's Pilgrimage and the short lyric "She
Walks in Beauty."
* He is regarded as one of the greatest British
poets and remains widely read and influential.
* Byron continued to produce poetry until the
end of his life in 1824. He was only 36 when he
died .
3. She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
4. “She Walks in Beauty” is a lyric poem
centering on the extraordinary beauty of a
young lady. George Gordon Byron
(commonly known as Lord Byron) wrote the
poem in 1814 and published it in a collection
The poem was inspired by actual events in
, Hebrew Melodies , in 1815.
Byron’s life. Lord Byron attended a party at
Lady Sitwell’s. While at the party, Byron was
inspired by the sight of his cousin, the
beautiful Mrs. Wilmot, who was wearing a
black spangled mourning dress. Byron was
struck by his cousin’s dark hair and fair face,
5. The first stanza of the poem describes
the physical appearance of the woman
She walks in beauty, like the night
Of cloudless climes and starry skies;
Lord Byron describes a night (associated with darkness) with bright
stars (light) and compares this woman to that night.
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Byron describes light and dark coming together in her appearance (or
"aspect"), as in her dark hair ("tress") and the light complexion of her
face. But her also says they meet in her eyes. The eyes are often
associated with a person's soul, and reveal the heart. So he is suggesting
that opposites meet in her soul as well.
6. Thus mellowed to that tender light
Which heaven to gaudy day denies
Everything that's great about both "dark and
bright" is "mellowed," or toned down to
something that's more "tender" and less
intense than the light you get during the day.
7. The second stanza of the poem describes both her
physical and intellectual beauty.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
the combination of opposite forces, "shade" and "ray", used to create balance in this
woman. This balance between "shade" and light in the lady's beauty is so perfect that
if you added one more "shade," or took away a single "ray" of light, you'd mess
everything up.
* Fiddling with that balance at all would "half impair," or partially damage the
woman's beauty
* Her beauty and "grace" are so hard to define that they're "nameless." .
By using the word “nameless” , the poet enlarged the woman’s beauty and greatness,
thereby suggesting it as something so priceless that can’t be defined nor expressed
as a name.
This "nameless grace" is visible in every look of her black hair ("every raven tress")
and it "lightens" her face.
8. Where thoughts serenely sweet express
How pure, how dear their dwelling place.
_The expression on the woman's face shows how
"serenely sweet" her "thoughts" are.
_Her "sweet" expression is an accurate reflection of
what's going on inside her mind, which is the
"dwelling place" of her thoughts.
_ The sweetness of this lady's expression
suggests that her mind is "pure" and innocent.
9. In the last stanza , the poet also talks about both
her physical and intellectual, beauty.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
Her cheek and her smiles are beautiful.
In the phrases “days in goodness spent,”(16) “mind at peace,”(17)
and “heart whose love is innocent,”(18) we understand that the
woman’s inner thoughts are also as pure and graceful just as her
appearance.
As in previous stanzas, he once again shows the theme of this poem,
which is the woman’s physical beauty along with her internal beauty.
10. She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
to give the poem a smooth
Thus mellowed to that tender light flow, the poet uses
Which heaven to gaudy day denies. alliteration
in parts such as “cloudless
One shade the more, one ray the less, climes,”(2) “starry skies,”(2)
Had half impaired the nameless grace “day denies,”(6) and
Which waves in every raven tress, “serenely sweet.”(11)
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
11. the poet uses personification such as “smiles that win” and
“heart whose love is innocent,”
to vividly describe the woman’s soft smiles and pure heart.
use of similes and metaphors in parts “like the night,”(1)
“nameless grace / which waves in every raven trees,”(8-9)
the poet compares “grace”(8), the quality of the woman, to an
observable phenomenon “raven trees”(9) and makes the portray
more clear.
Byron also uses metonymies like
“smiles”(15) to represent “the woman,”
and “heaven”(6) to represent “god.”