Prelim task
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Magic Sound Ltd owns several popular music publications in the UK and is giving 20 students the opportunity to work on a new teen music publication and website. To be considered, students must submit their ideas by December 10th and demonstrate their knowledge of music publications and websites, clearly understand their target audience, refer to media language concepts, and use industry terminology in their planning.
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main Script
Black Hole Advertising presents their proposal for radio advertisements for Ringwood School's lower and upper schools.
For the lower school ad, they will focus on extracurricular activities through rhetorical questions over 30 seconds, targeting parents around 40 years old. For the upper school ad, they will highlight pass and success rates over 40 seconds using multiple voices to promote diversity, targeting students and parents of 16-year-olds.
They discuss contingencies if recording is delayed and buying individual equipment if needed. They will adhere to advertising codes of conduct by ensuring the ads are appropriate for children and avoid inappropriate content or political/racial issues.
Black Hole Advertising believes they are well-suited for the project due to
IT PRODUK HORTIKULTURA
PT. Jeklindo Consulting memberikan jasa konsultan perijinan usaha dan dokumen perusahaan serta pribadi. Mereka menawarkan berbagai jasa pengurusan perijinan seperti API, PMA, PT, dan lainnya.
The guardian gender
The document discusses the exclusion of female rock artists from the mainstream rock canon and their celebration in isolation rather than as part of the larger rock tradition. It argues that while pioneering black and female musicians helped establish rock music's roots, the genre has been portrayed as the domain of white male bands. Recent innovative female artists like EMA, St Vincent, and Anna Calvi have been praised for their work but denied connection to their major male influences and seen as flashes of brilliance separate from the larger rock scene. By separating female musicians into a distinct "women in rock" category rather than integrating them as part of rock history alongside influential male artists, the music press maintains a divided view of rock that excludes women from its core tradition.
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The document discusses Rudder, an open-source configuration management tool. Rudder is designed to simplify IT automation and compliance by making configuration management easy to use and adopt. It demonstrates how Rudder can be used by a team through a workflow involving sysadmins, managers, and developers requesting and implementing changes through a simplified web interface. Rudder provides built-in reporting, complete traceability of changes, and a validation workflow to review changes before deployment.
التمكين الاقتصادي للأسر الفلسطينية الفقيرة
ورقة عمل بعنوان التمكين الاقتصادي للأسر الفلسطينية الفقيرة عبر المنح الصغيرة مقدم لمؤتمر «الريادة والإبداع في تطوير الأعمال الصغيرة» 05-06 مايو 2015
Q media pack-2011
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it influences with its trusted opinions on music. The magazine and its brand have a wide reach through additional platforms like a website, radio show, and live music events. Advertisers are attracted to Q because of its influential readership and ability to associate their brands with Q's credible voice in the music industry.
Mojo media pack-2011
Mojo is a UK-based music magazine known for its in-depth coverage of music across genres and decades. It aims to provide an authentic connection to music for passionate fans through long-form journalism, photography, and curated playlists. With a circulation of nearly 95,000 and a readership of over 200,000, Mojo's audience is predominantly affluent and highly influential music enthusiasts. The magazine seeks to celebrate both classic and cutting-edge artists through a hand-crafted experience.
Teaching music press teacher guidance
This document provides an overview and teaching guide for using the book "Teaching the Music Press" in the classroom. It outlines a possible scheme of work with two main sections. Section 1 contains case studies of specific music publications to analyze codes and conventions. Section 2 places these case studies in the context of key issues like genre, representation, institutions, audiences, and the online music press. The guide suggests starting with familiar publications in Section 1 before exploring broader concepts in Section 2. It identifies several key areas covered, including historical perspectives, textual analysis, target audiences, and more. Student activities and resources are also provided to facilitate learning and assessment.
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main Script
Black Hole Advertising presents their proposal for radio advertisements for Ringwood School's lower and upper schools.
For the lower school ad, they will focus on extracurricular activities through rhetorical questions over 30 seconds, targeting parents around 40 years old. For the upper school ad, they will highlight pass and success rates over 40 seconds using multiple voices to promote diversity, targeting students and parents of 16-year-olds.
They discuss contingencies if recording is delayed and buying individual equipment if needed. They will adhere to advertising codes of conduct by ensuring the ads are appropriate for children and avoid inappropriate content or political/racial issues.
Black Hole Advertising believes they are well-suited for the project due to
IT PRODUK HORTIKULTURA
PT. Jeklindo Consulting memberikan jasa konsultan perijinan usaha dan dokumen perusahaan serta pribadi. Mereka menawarkan berbagai jasa pengurusan perijinan seperti API, PMA, PT, dan lainnya.
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The document discusses the exclusion of female rock artists from the mainstream rock canon and their celebration in isolation rather than as part of the larger rock tradition. It argues that while pioneering black and female musicians helped establish rock music's roots, the genre has been portrayed as the domain of white male bands. Recent innovative female artists like EMA, St Vincent, and Anna Calvi have been praised for their work but denied connection to their major male influences and seen as flashes of brilliance separate from the larger rock scene. By separating female musicians into a distinct "women in rock" category rather than integrating them as part of rock history alongside influential male artists, the music press maintains a divided view of rock that excludes women from its core tradition.
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التمكين الاقتصادي للأسر الفلسطينية الفقيرة
ورقة عمل بعنوان التمكين الاقتصادي للأسر الفلسطينية الفقيرة عبر المنح الصغيرة مقدم لمؤتمر «الريادة والإبداع في تطوير الأعمال الصغيرة» 05-06 مايو 2015
Q media pack-2011
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it influences with its trusted opinions on music. The magazine and its brand have a wide reach through additional platforms like a website, radio show, and live music events. Advertisers are attracted to Q because of its influential readership and ability to associate their brands with Q's credible voice in the music industry.
Mojo media pack-2011
Mojo is a UK-based music magazine known for its in-depth coverage of music across genres and decades. It aims to provide an authentic connection to music for passionate fans through long-form journalism, photography, and curated playlists. With a circulation of nearly 95,000 and a readership of over 200,000, Mojo's audience is predominantly affluent and highly influential music enthusiasts. The magazine seeks to celebrate both classic and cutting-edge artists through a hand-crafted experience.
Teaching music press teacher guidance
This document provides an overview and teaching guide for using the book "Teaching the Music Press" in the classroom. It outlines a possible scheme of work with two main sections. Section 1 contains case studies of specific music publications to analyze codes and conventions. Section 2 places these case studies in the context of key issues like genre, representation, institutions, audiences, and the online music press. The guide suggests starting with familiar publications in Section 1 before exploring broader concepts in Section 2. It identifies several key areas covered, including historical perspectives, textual analysis, target audiences, and more. Student activities and resources are also provided to facilitate learning and assessment.
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This document provides an overview and guidelines for analyzing music press publications like magazines and websites. It introduces the CLAIR framework for examining codes and conventions, language, audience, institutions, and representation. It discusses exploring features, genres, design elements, portrayed audiences, funding sources, regulations, and how artists and other groups are depicted. The exam will ask students to analyze what appeals to audiences, create their own music publication for a specific demographic, and design/evaluate an element to appeal to that audience.
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The document summarizes information about Uncut magazine, its readers, and advertising opportunities. Uncut targets music and movie enthusiasts with a focus on indie, rock, and Americana genres. Its readers, who are mostly middle-aged men, spend significant amounts of money annually on music, movies, and concerts. They are highly engaged with digital music and spend over an hour daily on music websites. The document provides advertising rates and specifications for Uncut magazine.
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The document discusses how the UK music press is largely marketed to and created by men, despite many successful female artists. It analyzes media packs and content from magazines like Kerrang!, NME, Mojo, and Classic Rock to show they portray their target readers and many artists as predominantly male. While some publications are making efforts to be more inclusive, coverage of women is still often through a stereotypical lens, and the canon of artists covered skews heavily male. The economics of the industry may also be pushing coverage in a more conservative, risk-averse direction.
Source media kit
The document outlines marketing opportunities and events for 2011 with The Source magazine, including issue release parties celebrating cover artists and themes, concerts, showcases, and partnerships with sports and music events like the NBA All-Star Weekend and SXSW to promote brands and artists. It also provides details on the magazine's audience demographics, reporting a readership of 1.5 million people who are mostly 18-44 years old and interested in hip hop music and culture. The Source is positioning itself as the top brand in hip hop media across both print and digital platforms.
Nme music magazine print deconstruction
NME has been one of the longest running weekly music magazines in history since its founding in 1952. It originally competed with magazines like Sounds and Melody Maker in a broadsheet newspaper format. Throughout the 1970s and 1980s, NME championed punk rock and independent music while promoting anti-establishment, socialist views through writers like Danny Baker and Tony Parsons. In 1998, NME switched to a color magazine format and tabloid size as it is now owned by an international publishing group, though it still supports independent artists.
Music press history
The history of music press began in the late 19th century with publications like Billboard magazine that reported on music industry news and charts. In the 1950s-60s, magazines like Melody Maker and New Musical Express became popular weekly publications in the UK covering new releases and concerts. The 1960s saw the rise of music fanzines and Rolling Stone magazine addressing youth culture. Major changes in the 1970s included more political coverage and the rise of glossier magazines like Smash Hits catering to younger audiences. Independent music labels produced more fanzines in the 1980s, while new magazines explored genres and styles. Digital technologies in the 1990s-2000s disrupted the music press industry, leading to more specialized niche publications and declining
Mm mediapack 2013
This document provides information about Mixmag, a magazine and media company focused on dance music and club culture. It details Mixmag's print magazine, digital platforms and mobile apps which reach over 350,000 unique users and 800,000 impressions per month. The document also profiles Mixmag's readers, outlines advertising options and rates across print, online and events, and provides production details.
Mastheads titles
The document provides guidance on analyzing magazine mastheads and covers. It prompts the reader to consider things like facial expressions, clothing, interactions, props, framing, camera angle, title meaning, title associations, typography descriptions, masthead size, color, font connotations, and changes to mastheads over time. It uses the examples of the mastheads of magazines called "New Musical Express" and "XXL" to illustrate aspects to analyze regarding the visual design and meaning of a magazine's branding.
Kerrang! media pack-2011
Kerrang! is the UK's largest music magazine with over 42,000 circulation and 400,000 readership. It has a median reader age of 22 and 52% of readers fall within the ABC1 socioeconomic group. Kerrang! readers are heavily engaged with music, purchasing on average over 6 albums per month and are 5.5 times more likely to attend rock concerts than the national average. The magazine is a multi-platform brand including the print publication, website, radio station, awards shows, and festival partnerships.
How the fanzine refused to die
Fanzines are making a resurgence despite the dominance of blogs and digital media. Some writers and readers prefer the tangible, handmade nature of fanzines which foster a sense of community. A new generation of fanzine writers value limited print runs and handcrafted aesthetics. While blogs allow easy, constant updates to large audiences, fanzines encourage deeper engagement with niche underground music scenes through their focused long-form coverage and distribution to dedicated readers. The resurgence shows that some seek analog experiences and curated communities in a digital world that feels impersonal and out of individual control.
Guardian why are we so hard on our music press
The document discusses the state of the British music press and magazines. It notes that while publications frequently argue over which was better in the past, the current market features many competing magazines, websites, and short attention spans. Mainstream publications now also cover music. The document discusses prominent weekly and monthly magazines that take different approaches to music coverage and notes specialist magazines focused on genres like rock, dance, and hip-hop. It acknowledges magazines with independent origins and short lifespans in the industry before concluding the UK has the best music press thanks to its free-spirited and passionate writing.
Clash media kit
This document provides information about Clash Music Ltd, a leading UK media brand representing music, fashion, and film. It operates platforms in print (Clash Magazine), digital (ClashMusic.com), outdoor advertising, live events, and creative projects. Clash Magazine has a circulation of over 47,000 and is known for its in-depth features, interviews, and reviews across various music and culture genres. ClashMusic.com attracts over 320,000 unique users and complements the magazine with daily online content. The document outlines Clash's offerings across its various platforms and provides statistics and contact information.
Appendix 4 music magazine industry
Music magazines are publications dedicated to music and music culture. They typically include music news, interviews, photo shoots, essays, and record reviews. The two largest conglomerate companies dominating the UK magazine market are Bauer and IPC Media. Most mainstream music magazines are produced by these large conglomerate companies, while some independent magazines produced by smaller companies focus on local music scenes or niche genres. Music magazines aim to advertise bands and music to readers while also selling advertising space to appeal to their target demographics, most often readers aged 16-34 interested in various music genres.
2013 gcse media studies exam sow
Louis Stewart is a fashion accessories brand. Magazines which may advertise Louis Stewart include:
- Cosmopolitan - Targets women aged 18-34. Louis Stewart offers fashionable accessories that would appeal to Cosmo's audience.
- Elle - Also targets women aged 18-34 with a focus on fashion and lifestyle. Louis Stewart's accessories are fashion-forward.
- InStyle - Another women's fashion and lifestyle magazine aimed at readers aged 25-45. InStyle readers would be interested in Louis Stewart's products.
- Vogue - High-end fashion magazine targeting affluent women aged 25-45. Louis Stewart could advertise in Vogue to target prestige-seeking readers.
- Graz
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- 1. Magic Sound Ltd. Music Press: Print & Online Preliminary Task Dear QPCS students, Magic Sound Ltd. own some of the top-selling music publications in the UK, catering for all ages and genre. They are giving twenty students the opportunity to work with them on an exciting new project; creating a new teen music publication and accompanying website which brings something unique and different to the industry. To be in with a chance, you must submit your ideas by the 10th December to Magic Sound Ltd. Use the guidelines below to ensure you fulfil the brief: • Demonstrate your knowledge of the history, codes & conventions of music publications and associated websites • Demonstrate a clear understanding of your target audience and how to represent them • Demonstrate your knowledge of the Key Concept of Media Language by referring to it throughout your planning • Use key media terminology throughout your planning. Good luck!
- 2. Jeremy Arbogast, Director, Magic Sound Ltd.