This document provides an overview of various fashion, styling and photography concepts through visual portfolios and descriptions. It includes summaries and inspiration for different outfits and photo series related to themes like eyes, fire, marriage, mist and motion, water, flowers, birds, circles, ethnic Indian wear, Theyyam dance and more. Handmade crafts in India are also documented through photos. Overall it explores diverse concepts through unique outfit designs and photographic concepts.
The document provides information on various topics related to Kutch, India:
1. It introduces the region of Kutch and discusses its famous embroideries created by local women.
2. It provides a map showing Kutch's geographical location and surrounding areas.
3. It describes the many tribes and communities that have settled in Kutch over centuries and maintained their traditions, including Jats, Harijans, Ahirs, Rabaris, and others.
4. It gives details on foods, costumes, culture, and crafts including embroidery, wood carving, and silver engraving practiced in Kutch by different communities.
Humayun's Tomb in Delhi, India was the first tomb to be considered a graveyard and is seen as precursor to the Taj Mahal in architectural style. It was commissioned by Humayun's wife and built by Persian architects. The Ganges River is central to life in India, with people bathing, doing laundry, cremating the dead, and offering candles to the river as part of religious traditions. Indian weddings involve the bride and groom exchanging garlands and vows while dressed in traditional colorful attire like saris for women and embroidered costumes for men.
It is not just the romance of a Lucknow-i summer, dappled courtyards and the sheer luxury of gossamer yards but also its identity lies in the intricate chikankari work.
Read More - http://bit.ly/2BNzS6X
This document is a project dissertation submitted by Ms. Nidhi Nayak on Chikankari, a traditional embroidery art from Lucknow, India. It provides an introduction to Chikankari and discusses its origins in Persia and development in Lucknow. The dissertation also examines the history of Chikankari, describes the various stitching techniques used, and outlines the traditional production process of block printing designs, embroidery, and washing the finished textiles.
The document discusses the embroideries of Kutch, an area in western India. It outlines the various tribes that live in Kutch, such as the Rabari, Jat, Harijan, Ahir, and Mutwa communities. Each tribe has its own distinctive embroidery style, featuring unique motifs, stitches, and colors. The embroidery is traditionally used to decorate items like clothing, but is now also being commercialized into product lines to sell to a wider market. However, artisans face challenges like low pay that threaten the viability of continuing these traditional crafts.
An Indian traditional craft Phulkari practiced in Punjab from generations. People from all over the love this hand crafted skill by the women in punjab
What is Phulkari?
#Phulkari is an embroidered with silk flowers on the cloth, we can say also Phulkari is the art of Make flower with threads on any type of cloths which is helping to make the most attractive and also gives a shaded effect to the fabric. It widely used in ceremony in North India. we are makeing phulkari since 1947
The arts of Indus Valley civilization, one of the earliest civilizations of the world, emerged during the second half of the third millennium (Bronze Age).
The document provides information on various topics related to Kutch, India:
1. It introduces the region of Kutch and discusses its famous embroideries created by local women.
2. It provides a map showing Kutch's geographical location and surrounding areas.
3. It describes the many tribes and communities that have settled in Kutch over centuries and maintained their traditions, including Jats, Harijans, Ahirs, Rabaris, and others.
4. It gives details on foods, costumes, culture, and crafts including embroidery, wood carving, and silver engraving practiced in Kutch by different communities.
Humayun's Tomb in Delhi, India was the first tomb to be considered a graveyard and is seen as precursor to the Taj Mahal in architectural style. It was commissioned by Humayun's wife and built by Persian architects. The Ganges River is central to life in India, with people bathing, doing laundry, cremating the dead, and offering candles to the river as part of religious traditions. Indian weddings involve the bride and groom exchanging garlands and vows while dressed in traditional colorful attire like saris for women and embroidered costumes for men.
It is not just the romance of a Lucknow-i summer, dappled courtyards and the sheer luxury of gossamer yards but also its identity lies in the intricate chikankari work.
Read More - http://bit.ly/2BNzS6X
This document is a project dissertation submitted by Ms. Nidhi Nayak on Chikankari, a traditional embroidery art from Lucknow, India. It provides an introduction to Chikankari and discusses its origins in Persia and development in Lucknow. The dissertation also examines the history of Chikankari, describes the various stitching techniques used, and outlines the traditional production process of block printing designs, embroidery, and washing the finished textiles.
The document discusses the embroideries of Kutch, an area in western India. It outlines the various tribes that live in Kutch, such as the Rabari, Jat, Harijan, Ahir, and Mutwa communities. Each tribe has its own distinctive embroidery style, featuring unique motifs, stitches, and colors. The embroidery is traditionally used to decorate items like clothing, but is now also being commercialized into product lines to sell to a wider market. However, artisans face challenges like low pay that threaten the viability of continuing these traditional crafts.
An Indian traditional craft Phulkari practiced in Punjab from generations. People from all over the love this hand crafted skill by the women in punjab
What is Phulkari?
#Phulkari is an embroidered with silk flowers on the cloth, we can say also Phulkari is the art of Make flower with threads on any type of cloths which is helping to make the most attractive and also gives a shaded effect to the fabric. It widely used in ceremony in North India. we are makeing phulkari since 1947
The arts of Indus Valley civilization, one of the earliest civilizations of the world, emerged during the second half of the third millennium (Bronze Age).
This document discusses the traditional Phulkari embroidery craft of Punjab. It originated in the 15th century and was done by women in their homes using silk threads to embroider flowers and motifs on cotton fabric. It was seen as a sign of love and was given as gifts for special occasions like marriages. However, after the India-Pakistan partition in the 20th century, the art form declined as it was mostly a domestic craft passed down generations. Now it has seen commercialization but lost some personal charm. The document explores traditional colors, patterns and the history and importance of Phulkari in Punjab culture.
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
Phulkari is a traditional embroidery style originating from Punjab. It involves using the darn stitch on the reverse side of fabric with colored silk thread to create intricate patterns. Motifs are inspired by nature and depict rural Punjabi life. Passed down orally, Phulkari was traditionally done by women as a leisure activity but is now a major industry. While machine production has made it more accessible, traditional hand-stitched Phulkari using local cotton and natural dyes remains highly valued. Phulkari is most often featured on fabrics like odinis and suits for weddings but is now also used on contemporary styles and home decor.
CRAFT RESEARCH AND CRAFT BASED PROJECTJigyasa Arya
This document summarizes several traditional crafts from Uttaranchal, India including block printing, zari and embroidery, aipan paintings, and craft-based projects. Block printing from Haldawani uses wooden blocks to print floral motifs onto textiles. Zari and embroidery from Roorkee and Haridwar feature metallic threads and intricate stitching to decorate items. Aipan paintings from Nanital are ritual floor designs drawn during religious ceremonies. The author also discusses some contemporary craft-based product designs inspired by traditional Gushaini crafts to appeal to modern customers.
Anupam Kumar established his label "Virasat Couture" in 2014 showcasing his inaugural collection at a fashion event in New Delhi. The collection featured traditional tribal designs from Hazaribagh realized in a contemporary fashion style for both men's and women's wear. Inspired by the diversity of Indian craft traditions, Kumar hopes to engage people in tribal crafts through his fusion of western and traditional styles. He will showcase his upcoming winter collection at another upcoming fashion event in New Delhi.
Phulkari is a traditional embroidery art form from the Punjab region of India and Pakistan. It involves using silk thread to embroider colorful patterns and motifs on cotton fabric using darning stitches on the reverse side of the fabric. Complex embroidery works that cover the entire fabric surface are called baghs, while simpler works with embroidery only on edges are called chobes. Phulkari was traditionally done by women and featured in trousseaus and ceremonial clothing. Common motifs included flowers, animals, and objects from daily life. Over time the craft has evolved in terms of materials used and applications to items like clothing, home decor and more.
This document describes the different types and styles of Phulkari embroidery from Punjab, categorized by region, design, and motifs. Phulkari can be distinguished based on whether it uses scattered motifs or fully covered "Bagh" designs. Eastern Punjab is known for Bagh styles using motifs repeated to cover the entire shawl, often in red, orange, or brown, whereas western Punjab features scattered motifs combined with other techniques like mirror work in brighter colors. The document outlines many specific Phulkari styles defined by their motifs, patterns, sizes, colors, and regional origins within Punjab.
Jayasri Burman is an Indian artist known for transforming ordinary people into mythological figures through her paintings. Born in Kolkata, she was influenced by folklore and spirituality from a young age. Her artwork often features female characters as goddesses and includes hybrid creatures. While her early works were impressionistic, over time her style evolved to become more intricate and bold. She finds inspiration from traveling and believes in spreading messages of love, peace, and harmony through reconnecting people to nature in her artwork. Despite facing personal tragedies, Jayasri is an accomplished artist who continues learning and creating vibrant pieces through painting and sculpture.
African masks have a long history, dating back to prehistoric times, and have traditionally been used by native African societies for various important cultural and religious purposes. Masks represent spirits and are believed to allow the spirit to possess the wearer. They have been used in initiation ceremonies, funerals, celebrations, and gatherings. Masks differentiate social statuses and often depict people, tribal chiefs, mythological figures, or animals.
The document summarizes various aspects of Chinese culture, including:
1) Traditional Chinese performing arts like Peking Opera, Kun Opera, and shadow puppetry.
2) Cultural icons such as the Forbidden City, Marble Pillar, and White Horse Temple.
3) Regional delicacies like dumplings, blown sugar, and sesame seed cake.
4) Art forms like paper cutting, calligraphy, and Chinese characters.
This document provides an overview of Gujarat's culture, including its festivals, cuisine, crafts, textiles, costumes, and jewelry. Some key points:
- Gujarat is known for folk dances like garba and raas that are performed during Navratri festivals. Traditional Gujarati food is primarily vegetarian and healthy.
- The state has rich textile traditions like Patola silk sarees, Bandhani tie-dye, embroidery styles like Banni and Kutchi that use mirrors and threadwork.
- Traditional Gujarati costumes vary by region and community but include items like chaniya cholis for women and kediyus for men. Bridal wear
This document provides information on various types of embroidery techniques found in Asia, including mirror work, soof embroidery, kharek embroidery, pakko embroidery, rabari embroidery, jats embroidery, and mutwas embroidery. The summary highlights that these embroidery styles originate from communities in places like Gujarat, Rajasthan, Sindh, and Kutch and involve the use of mirrors, geometric patterns, and motifs inspired by nature, mythology, and daily life. The embroidery is used to create various products like clothes, bags, caps, and home decor items.
The Meidias Painter created a hydria depicting the abduction of the daughters of Leucippus by Castor and Polydeuces. His figures are tall, slim and beautiful. In the upper frieze, various gods watch as the brothers abduct the women. The lower frieze shows the garden of Hesperides where Herakles collects the golden apples as part of his labors, watched by graceful female figures. The Meidias Painter was skilled at depicting drapery and movement to accentuate the elegance and poses of the figures.
The document discusses the colorful celebrations of Navratri festival in Gujarat, describing the 9 forms of the goddess Durga worshipped each night, traditional Garba and Dandiya folk dances, distinctive clothing and jewelry worn, delicious food enjoyed, and highlights some popular venues in cities like Ahmedabad, Vadodara, Rajkot, and Surat where large crowds gather to celebrate through dance and worship over the 9 nights of the festival.
Chikankari is a delicate form of hand embroidery that originated in Lucknow, India during the Mughal period. It involved intricate white-on-white embroidery designs. The craft is passed down through generations, with young and old artisans working together to complete the intricate and time-consuming designs. Different styles of chikankari embroidery include tepchi work, daraz work, and motifs featuring flowers, animals and geometric patterns. The embroidery is mainly done on lightweight fabrics like cotton and chiffon and is well-suited for summer wear.
This document provides an overview of Mansur Rahi's career and artistic style. It discusses how Rahi's work both borrows from and deviates from Cubism. While Rahi adopts certain Cubist techniques like using geometric shapes and monochromatic color, he rejects other aspects of Cubism like using multiple perspectives and intellectual abstraction. The essay also examines how Rahi's style changed over the course of his career, moving from a focus on social and political themes during his time in Karachi to more peaceful subjects after relocating to Islamabad. Overall, the document analyzes how Rahi's art blends conventional and unconventional approaches to Cubism.
Traditional Costumes of India #RajasthanMahin Hassan
This document provides information about traditional costumes and textiles from Rajasthan, India. It discusses the main types of clothing worn by men and women, including ghagras, cholis, odhnis, pagris, angarkhas and pyjamas. It also describes important textile crafts from the region like block printing, tie dye work, embroidery and mirror work. These crafts use locally sourced materials like cotton and silk. The document outlines the historical origins and development of these textiles and costumes, noting their royal patronage and increasing popularity both within India and internationally due to the influence of globalization.
Mirror work originated in 13th century Persia and was brought to India during the Mughal era by traders and travelers. It involves decorating fabric with small pieces of mirror or mica in various shapes and sizes using stitches. There are three main types: hand blown glass shisha, machine cut glass shisha, and shisha embroidery. In traditional Rajasthani clothing, mirror work embroidery is used to represent the landscapes of India and ward off evil spirits according to Islamic beliefs. Each Indian state has developed its own unique styles of mirror work featuring motifs, colors, and shapes inspired by nature.
This document contains summaries of multiple Native American artworks. Each summary is 3 sentences or less and includes the creator, date, medium, measurements, and a brief description of the key elements and interpretation of the piece. The artworks cover a variety of mediums including prints, photographs, paintings, sculptures, and artifacts that represent different Native American tribes and aspects of their culture.
" A skill development project started by TRTI for the development and trainning to the tribal villages in Maharashtra in their respective craft in order to help the artisans for getting new market insights, trend analysis, to gain knowledge to contemporararize the designs, new product lines, new product sampling to get an order from national and international buyers to make their livelihood more strong. "
The document describes Vidhi Anand's luxury clothing line VA Luxurious Art Pieces. It discusses the brand's inspiration from vintage and Asian influences and use of luxurious fabrics and intricate craftsmanship. The brand aims to offer timeless, elegant pieces to empower women globally through distinctive vintage-inspired contemporary styles. It provides details on some of the lines and product codes.
Temple jewellery is inspired by temples and cultures from across the country, with the south being the main source of inspiration. This presentation is to demonstrate how temple jewellery is and how to select one.
This document discusses the traditional Phulkari embroidery craft of Punjab. It originated in the 15th century and was done by women in their homes using silk threads to embroider flowers and motifs on cotton fabric. It was seen as a sign of love and was given as gifts for special occasions like marriages. However, after the India-Pakistan partition in the 20th century, the art form declined as it was mostly a domestic craft passed down generations. Now it has seen commercialization but lost some personal charm. The document explores traditional colors, patterns and the history and importance of Phulkari in Punjab culture.
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
Phulkari is a traditional embroidery style originating from Punjab. It involves using the darn stitch on the reverse side of fabric with colored silk thread to create intricate patterns. Motifs are inspired by nature and depict rural Punjabi life. Passed down orally, Phulkari was traditionally done by women as a leisure activity but is now a major industry. While machine production has made it more accessible, traditional hand-stitched Phulkari using local cotton and natural dyes remains highly valued. Phulkari is most often featured on fabrics like odinis and suits for weddings but is now also used on contemporary styles and home decor.
CRAFT RESEARCH AND CRAFT BASED PROJECTJigyasa Arya
This document summarizes several traditional crafts from Uttaranchal, India including block printing, zari and embroidery, aipan paintings, and craft-based projects. Block printing from Haldawani uses wooden blocks to print floral motifs onto textiles. Zari and embroidery from Roorkee and Haridwar feature metallic threads and intricate stitching to decorate items. Aipan paintings from Nanital are ritual floor designs drawn during religious ceremonies. The author also discusses some contemporary craft-based product designs inspired by traditional Gushaini crafts to appeal to modern customers.
Anupam Kumar established his label "Virasat Couture" in 2014 showcasing his inaugural collection at a fashion event in New Delhi. The collection featured traditional tribal designs from Hazaribagh realized in a contemporary fashion style for both men's and women's wear. Inspired by the diversity of Indian craft traditions, Kumar hopes to engage people in tribal crafts through his fusion of western and traditional styles. He will showcase his upcoming winter collection at another upcoming fashion event in New Delhi.
Phulkari is a traditional embroidery art form from the Punjab region of India and Pakistan. It involves using silk thread to embroider colorful patterns and motifs on cotton fabric using darning stitches on the reverse side of the fabric. Complex embroidery works that cover the entire fabric surface are called baghs, while simpler works with embroidery only on edges are called chobes. Phulkari was traditionally done by women and featured in trousseaus and ceremonial clothing. Common motifs included flowers, animals, and objects from daily life. Over time the craft has evolved in terms of materials used and applications to items like clothing, home decor and more.
This document describes the different types and styles of Phulkari embroidery from Punjab, categorized by region, design, and motifs. Phulkari can be distinguished based on whether it uses scattered motifs or fully covered "Bagh" designs. Eastern Punjab is known for Bagh styles using motifs repeated to cover the entire shawl, often in red, orange, or brown, whereas western Punjab features scattered motifs combined with other techniques like mirror work in brighter colors. The document outlines many specific Phulkari styles defined by their motifs, patterns, sizes, colors, and regional origins within Punjab.
Jayasri Burman is an Indian artist known for transforming ordinary people into mythological figures through her paintings. Born in Kolkata, she was influenced by folklore and spirituality from a young age. Her artwork often features female characters as goddesses and includes hybrid creatures. While her early works were impressionistic, over time her style evolved to become more intricate and bold. She finds inspiration from traveling and believes in spreading messages of love, peace, and harmony through reconnecting people to nature in her artwork. Despite facing personal tragedies, Jayasri is an accomplished artist who continues learning and creating vibrant pieces through painting and sculpture.
African masks have a long history, dating back to prehistoric times, and have traditionally been used by native African societies for various important cultural and religious purposes. Masks represent spirits and are believed to allow the spirit to possess the wearer. They have been used in initiation ceremonies, funerals, celebrations, and gatherings. Masks differentiate social statuses and often depict people, tribal chiefs, mythological figures, or animals.
The document summarizes various aspects of Chinese culture, including:
1) Traditional Chinese performing arts like Peking Opera, Kun Opera, and shadow puppetry.
2) Cultural icons such as the Forbidden City, Marble Pillar, and White Horse Temple.
3) Regional delicacies like dumplings, blown sugar, and sesame seed cake.
4) Art forms like paper cutting, calligraphy, and Chinese characters.
This document provides an overview of Gujarat's culture, including its festivals, cuisine, crafts, textiles, costumes, and jewelry. Some key points:
- Gujarat is known for folk dances like garba and raas that are performed during Navratri festivals. Traditional Gujarati food is primarily vegetarian and healthy.
- The state has rich textile traditions like Patola silk sarees, Bandhani tie-dye, embroidery styles like Banni and Kutchi that use mirrors and threadwork.
- Traditional Gujarati costumes vary by region and community but include items like chaniya cholis for women and kediyus for men. Bridal wear
This document provides information on various types of embroidery techniques found in Asia, including mirror work, soof embroidery, kharek embroidery, pakko embroidery, rabari embroidery, jats embroidery, and mutwas embroidery. The summary highlights that these embroidery styles originate from communities in places like Gujarat, Rajasthan, Sindh, and Kutch and involve the use of mirrors, geometric patterns, and motifs inspired by nature, mythology, and daily life. The embroidery is used to create various products like clothes, bags, caps, and home decor items.
The Meidias Painter created a hydria depicting the abduction of the daughters of Leucippus by Castor and Polydeuces. His figures are tall, slim and beautiful. In the upper frieze, various gods watch as the brothers abduct the women. The lower frieze shows the garden of Hesperides where Herakles collects the golden apples as part of his labors, watched by graceful female figures. The Meidias Painter was skilled at depicting drapery and movement to accentuate the elegance and poses of the figures.
The document discusses the colorful celebrations of Navratri festival in Gujarat, describing the 9 forms of the goddess Durga worshipped each night, traditional Garba and Dandiya folk dances, distinctive clothing and jewelry worn, delicious food enjoyed, and highlights some popular venues in cities like Ahmedabad, Vadodara, Rajkot, and Surat where large crowds gather to celebrate through dance and worship over the 9 nights of the festival.
Chikankari is a delicate form of hand embroidery that originated in Lucknow, India during the Mughal period. It involved intricate white-on-white embroidery designs. The craft is passed down through generations, with young and old artisans working together to complete the intricate and time-consuming designs. Different styles of chikankari embroidery include tepchi work, daraz work, and motifs featuring flowers, animals and geometric patterns. The embroidery is mainly done on lightweight fabrics like cotton and chiffon and is well-suited for summer wear.
This document provides an overview of Mansur Rahi's career and artistic style. It discusses how Rahi's work both borrows from and deviates from Cubism. While Rahi adopts certain Cubist techniques like using geometric shapes and monochromatic color, he rejects other aspects of Cubism like using multiple perspectives and intellectual abstraction. The essay also examines how Rahi's style changed over the course of his career, moving from a focus on social and political themes during his time in Karachi to more peaceful subjects after relocating to Islamabad. Overall, the document analyzes how Rahi's art blends conventional and unconventional approaches to Cubism.
Traditional Costumes of India #RajasthanMahin Hassan
This document provides information about traditional costumes and textiles from Rajasthan, India. It discusses the main types of clothing worn by men and women, including ghagras, cholis, odhnis, pagris, angarkhas and pyjamas. It also describes important textile crafts from the region like block printing, tie dye work, embroidery and mirror work. These crafts use locally sourced materials like cotton and silk. The document outlines the historical origins and development of these textiles and costumes, noting their royal patronage and increasing popularity both within India and internationally due to the influence of globalization.
Mirror work originated in 13th century Persia and was brought to India during the Mughal era by traders and travelers. It involves decorating fabric with small pieces of mirror or mica in various shapes and sizes using stitches. There are three main types: hand blown glass shisha, machine cut glass shisha, and shisha embroidery. In traditional Rajasthani clothing, mirror work embroidery is used to represent the landscapes of India and ward off evil spirits according to Islamic beliefs. Each Indian state has developed its own unique styles of mirror work featuring motifs, colors, and shapes inspired by nature.
This document contains summaries of multiple Native American artworks. Each summary is 3 sentences or less and includes the creator, date, medium, measurements, and a brief description of the key elements and interpretation of the piece. The artworks cover a variety of mediums including prints, photographs, paintings, sculptures, and artifacts that represent different Native American tribes and aspects of their culture.
" A skill development project started by TRTI for the development and trainning to the tribal villages in Maharashtra in their respective craft in order to help the artisans for getting new market insights, trend analysis, to gain knowledge to contemporararize the designs, new product lines, new product sampling to get an order from national and international buyers to make their livelihood more strong. "
The document describes Vidhi Anand's luxury clothing line VA Luxurious Art Pieces. It discusses the brand's inspiration from vintage and Asian influences and use of luxurious fabrics and intricate craftsmanship. The brand aims to offer timeless, elegant pieces to empower women globally through distinctive vintage-inspired contemporary styles. It provides details on some of the lines and product codes.
Temple jewellery is inspired by temples and cultures from across the country, with the south being the main source of inspiration. This presentation is to demonstrate how temple jewellery is and how to select one.
This document is a project report submitted by Divya Vijayvargiya, a 2nd year student of Fashion Design Diploma at Dezyne E'cole college, towards the partial fulfillment of her diploma. The report discusses traditional Indian motifs such as the lotus, sun tree, fish, tree of life, temple, elephant, conch, tortoise, and parrot motifs. It provides details on the symbolism and historical significance of each motif and the traditional Indian textiles where each motif is commonly found.
The history of Indian textile arts dates back over 5,000 years and represents an important part of India's cultural history. Traditional handloom textiles, natural dyes, and processes have been used. Weaving was considered a holy art and was undertaken by temple weavers. Elaborate patterns and motifs portrayed stories from Indian mythology. Today's fashion artists are still influenced by the rich history and culture of Indian textile craftsmanship.
India is culturally very vibrant country. You can see from my presentation how colourful a country and its people are. My presentation shows hoe colour is used by Indians in different ways
Dimpal Chouhan, a second year student of fashion technology, submitted this project report on ORBITO CAD as a partial fulfillment of her diploma. The report documents her work developing traditional Indian motifs using CAD software. It includes sections on developing motifs through techniques like repetition, collage, and using shapes. Motifs explored include paisley, peepal leaf, temple, kalasha, creeping vine, flower, lotus, rudraksh, buti, tree of life, sun tree, peacock, hansa, and fish. The report aims to showcase Dimpal's skills in replicating traditional Indian textile patterns digitally.
The document discusses Central Asian motifs that have influenced Indian art, including Persian paisley and tree of life patterns, Buddhist lotus motifs, Islamic geometric designs, and symbols of fertility. Birds are a common motif representing the connection between the physical and spiritual worlds. Motifs related to sun and fire worship like solar discs and swastikas appear in textiles from various Indian regions. Central Asian influences incorporated symbolic shapes and integrated order and unity in their designs.
Batucada Jewelry provides concise summaries of their jewelry pieces in 3 sentences or less. The summaries highlight the inspiration, symbolism, aesthetics, and feelings evoked by each unique piece. Customers can experience exotic destinations, ancient cultures, and free-flowing sensations through Batucada's delicate and stylish jewelry.
Indian Textiles - A Journey to Our HeritageSean Singh
We live in a country with one of the richest, most diverse textile heritages in the world. Lakhs of weaver families across the country weave the tanabana of our ancient stories every single day, and the movement for giving handlooms and handcrafted textiles their due recognition is gaining momentum with every new design collection and every #IWearHandloom or #100sareepact selfie on your social media feed.
In an easy to comprehend, simplified format, this visual guide aims to help everybody- from novice to avid Fabindia shopper to student to designer - recognize Indian textiles with a swift glance and also know (a lot more than) a thing or two about where the textile comes from and what it is worth.
The document discusses examples from nature that demonstrate signs of an intelligent creator. It describes the cushioning in an elephant's foot that absorbs pressure, how bees communicate directions to food sources through an intricate dance, and how DNA contains a vast amount of information to direct the formation of living things. The document argues that these examples could not have arisen through chance and must be the work of a creator, namely God.
Top Underrated Indian Handicrafts Which Will Rule The Global MarketInfoCraftezy
Indian Artisans have helped Indian handicrafts to gain fame around the globe but still, some crafts are underrated and deserve global recognition. The recognition of these crafts globally will do justice to the artisans’ unwavering determination and unique adeptness.
All the artforms mentioned in this presentation have been handpicked by the experts & enthusiasts of the Crafts Industry by precisely monitoring these trends, coupled with analysis of the market, both at Indian and global levels. We aim to provide the deserving exposure to Indigenous craft forms and boost craftsmanship.
Drape yourself in timeless elegance with our exquisite Organza Sarees. Elevate your style with the luxurious sheen and intricate designs of our Silk Saree collection, celebrating the artistry of traditional craftsmanship.
The Paithani, a staple of every Maharashtrian bride’s trousseau, is known as the ‘Queen of Silks’ and takes a prominent place among India’s vast array of handloom sarees.
Chinese clothing draws from ancient traditions, using traditional symbols and motifs in modern designs. Archaeological evidence shows adornment was used in ancient times. Traditional colors like red, green, and black were used seasonally. Modern Chinese clothing combines ancient symbols of good fortune with modern aesthetics, incorporating traditional prints and embroidery with new fabrics. Distinctive dragon and cloud motifs from imperial robes are now featured in contemporary styles, maintaining their symbolic meaning. Traditional techniques like silk production and embroidery continue to influence Chinese fashion today while adapting to modern times.
The document discusses several topics related to health, including environmental and socio-economic factors that influence disease transmission in the Philippines. Environmental factors mentioned are sanitation, pollution, and climate. Socio-economic factors discussed are certain cultural practices, living arrangements, and economic pressures that can lead to activities like prostitution. The document also outlines the three levels of disease prevention: primary prevention focuses on activities to prevent getting sick in the first place, secondary prevention aims to prevent further damage when disease has started through diagnosis and treatment, and tertiary prevention focuses on rehabilitation to prevent long-term complications.
Sarees for Women: An Icon of Elegance and Tradition in Women's Attirethreadsblocks
In the vibrant tapestry of India's cultural heritage, few garments are as iconic and versatile as the saree for women. Worn by women across the country, this elegant drape is not just a piece of clothing but a symbol of tradition, grace, and timeless beauty. In recent years, the saree has transcended its traditional boundaries to become a global fashion statement, captivating women worldwide with its allure and charm.
Originating from the Indian subcontinent, the women saree has a rich history that dates back thousands of years. It is believed to have evolved from the ancient "sattika" and "antariya," which were draped garments worn by women in early civilizations. Over the centuries, the saree has undergone various transformations in terms of fabric, design, and draping styles, reflecting the diverse cultural influences of different regions in India.
One of the most fascinating aspects of the saree is its ability to adapt to changing times while retaining its traditional essence. Today, women have a plethora of options when it comes to choosing a saree, ranging from traditional handloom sarees like Banarasi, Kanjeevaram, and Chanderi to contemporary designs that blend modern aesthetics with traditional craftsmanship.
The allure of the saree lies in its versatility, making it suitable for a wide range of occasions, from formal events like weddings and festivals to casual outings and everyday wear. The sheer variety of fabrics, colors, and embellishments available in sarees makes it possible for women to express their individuality and style in a unique way.
One of the reasons for the enduring popularity of the women saree is its ability to flatter women of all ages, body types, and skin tones. Whether draped in a classic silk saree for a traditional look or a trendy georgette saree for a modern twist, women can always find a saree that complements their personal style and enhances their beauty.
In recent years, the global fashion industry has taken notice of the saree's timeless appeal, with designers from around the world incorporating saree-inspired elements into their collections. From the red carpets of Hollywood to the catwalks of Paris, the saree has made a splash on the international fashion scene, cementing its status as a truly iconic garment.
Despite its global popularity, the saree remains deeply rooted in Indian culture and tradition, serving as a symbol of grace, femininity, and heritage. For many women, wearing a saree is not just a fashion choice but a way to connect with their cultural identity and heritage, passing down the tradition from one generation to the next.
In conclusion, the saree is much more than just a piece of clothing; it is a symbol of India's rich cultural heritage, a testament to the timeless beauty of women, and a canvas for artistic expression. As it continues to evolve and adapt to changing times, the saree remains a timeless classic that
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Portfolio
1. The Heaven and the Earth welcomes
you with her arms wide open.
NAMASKAR
2.
3. An overview of fashion,styling and photography through visuals and concepts.
DESIGN PORTFOLIO
BY KAUSHIK DAS
B.des,NIFT(Gandhinagar)
4.
5. A gift of god to animals of this
planet. Though it is very com-
plex in its nature of working,it is
a very simple gift to understand
and experience the visual treat of
nature.An instrument of percep-
tion and a major factor of the
evolution of mankind.
EYES
10. An outfit which traces the imagination of an urban rebel.
This collection is inspired by the dacoits of India. It is con-
temporariised to match the fashion trends of the modern
India. The styling is inspired by a infamous Indian woman ’
The bandit queen’.
THE BANDIT QUEEN
11.
12. A puppet show metaphoricaly describes the indian marriage.
The heavy weight of the Indian culture and its caste system binds
itself to the independent women of india. A quest of awareness to
be spread among the men and families to uplift the social condi-
tion of women for the prosperity of this country and the growth
of Modern India.
MARRIAGE
18. A series of photographs depicting the mood of mist and motion. The look and
styling is also inspired from the theme.
Hazy,blur,fog,dense,drama,uncertain,movement,act are certain keywords
which depicts the nature of the pictures.
MIST AND MOTION
30. Civilizatons of this world have revolved around this invaluable matter called the’WATER’.
Animals as well as plants and every living being in this planet are attracted in a way to
water as it is one of the fundamentals of life.Water in our daily life is viewed in different
forms and perspective.It is a colourful liquid as it takes the colour of the strata in which it
lies.It completes the cycle of life.
WATER
As it follows there are some photographs which explains itself with the conjugation of
different forms and perspective.Water has many formsand tendencies and storieswhich
the photographs explain.
34. The Ganges flows in the heart of the city of joy Kolkata. It is considered a sacred river and its
water is used for various religious occasions. A kali temple known as dakshineswar temple is
situated on the banks of the river. Men and women throws down coins into the river as a trib-
ute to the prosperity of life forms which the river possesses.
The life of small children near the river revolves around the river in many amazing ways. The
poor children ships the coins from the bed of the river with the help of a magnet to help in
the upbringing of their livelihood.
MAGNETISING THE GANGES
39. FLOW
Empire line silk georgette dress. A butterfly
twist in the middle to give a flowy feeling to the
four seperately attached panels.
Accessories is handmade pearls wrapped in silk.
40. Flowers are a great inspiration to the beauty of nature.The beauty of flowers are scientifi-
caly known to be because of its golden ratio in its dimension and its colors.Flowers natu-
rally seeks attention to all by highlighting its color and aroma as welll as structure.its
beauty can not be measured into any amount.
FLOWERS
44. Silk chiffon empire line dress,digital print inspired by flowers.
FLORAL FANTASY
45.
46. Vultures are one of the many species of birds. They roam high up
in the skies,live on others flesh and are omnivorous. their eyes are
very powerful and sharp. They resemble power and independence.
They have very large wings and are very beautiful. This is an in-
spiration to a outfit for women who are very powerful and have a
strong mind set. The styling is also inspired from the vulture.
BIRDS
49. THE GOLDEN SHOWER
An outfit designed for the self inde-
pendent classy,hardworking, delicate
and high fashionable women.
50. Circles are the building blocks of the civilisation.A drop of water becomes a sphere to experience the lowest
surface tension,man had his intellectual growth by inventing the wheel,Aryabhatta invented the zero which
has a great significance in mathematics, even we are made of atoms which is known to be spherical,the
world we live in is also a sphere,these examples gives us a view that the form of a circle is the greatest
knowledge to mankind. It still holds many mysteries,as it is the most interesting geometric form known to us.
58. INDIA is a country of colorful culture and tradition. It comprises of 25 states that
have different culture and they wear different ensemble. As it has a typical hot and
humid climate in most of the parts of the country,the main fabric of women and
men comprises of cotton. The silhouettes vary according to traditions but the
fabric and ornamentation remains the same. the look is more or less similar giving
birth to a look called The Indian Ethnic wear. Ethnic wear comprises of dhoti or
lungi for men and sarees and lehnga choli for women.The look is inspired from
the local traditions of the land.the local traditions of the land.
Motifs are very important in designing embroidery,as the cloth mainly comprises
of embroidery. motifs such as doputta,paisley,pan,chikan,jali are some of the types
which comprises the market. The most well known is the paisley which is inspired
from a fruit, MANGO.
ETHNIC INDIA
59.
60.
61.
62. Theyyam is an ancient dance form of kerala,in which the people worship the god of fire. they build
temples as a costume around a dancer. the make up is finely done with vegetable dyes. It is one of the
most ancient dance form practised in kerala which is popularly known as God’s own land.consequently
is a costume which is ethnic and is inspired from theyyam dance form. the make up is also inspired by
the dancer. Theyyam is mainly a male dance form and are worshipped and followed all over across
kerala.
THEYYAM
66. India is a hand made country. everything from textiles to furniture as well as houses are hand made. This results in the uniqueness
of the product and effects its quality and perfection of making. though this is one of the ancient civilization of the world ,the indus-
trial revolution got a late grip on our civilizations indeed made a lot of benefits,like well replenishment of natural resources and
sustainable development. the carbon foot print is way much less in India than other developed nations. Here hand made things
range from sculptures,houses,textiles furniture as well as vehicles of transportation. people pay for the uniqueness of the product
and for the respect towards traditional handicrafts. some examples are pictorials as it follows.and for the respect towards traditional handicrafts. some examples are pictorials as it follows.
HAND-MADE IN INDIA
72. Details of a hand sculpted wooden pillar from Kutch
73. Details of a hand cut and assembled stone pillar from
sun temple,modhera
74. The conflict of the angels is all about our emotions and intentions to lead our life. Angels and
Demons are the two faces of life. The positive and the negative forces rules the earth and the
mankind.the story depicts a conflict of the forces for an attractive dancer,which symbolises lust
and greed. The charm of the dancer is overpowering and thus it fascinates everyone. She is stuck
between the forces of nature.but still she smiles and dance..
THE CONCEPT
76. THE DEVIL
Baloon corset dress,shell is panelled chinese patterned satin,lower is dupiani,and is silk lining.lower silk georgette.
This outfit is inspired from the crow,which posseses a character of devil among the birds.the feather are replicated in
satin shell. The styling is also done thinking of the same.The character is well developed to give a cunning yet elegant
look which is covered up with fine and delicate detailing.
77.
78. THE DANCER
Sleeveless sequined dress made of silk organdy,transparent look but is filled with beads to give transluscency to it.The
beads are lined from the base till the bust to give a feeling of richness and royality.This outfit is inspired from the parrot
which is very beautiful and subtle.The subtleness of this bird gives an image of delicacy which is seen in the dress.the
dress is completely hand embroidered.The character of the parrot is well established as a dancer because of its delicacy
and playfulness.The look is preserved to give the beauty and delicacy of a parrot to a dancer who dances and fascinates
the worlds within.
80. THE ANGEL
Silk corset dress with cotton and organdy base and texo lining.An evening dress which is inspired by the white peasant. The
clean and delicate look of the peasant is preserved to give a neat and defined look.The dress is hand stitched to give a maxi-
mum delicacy to the look.the subtle yet powerful look is shown through the fall ang perfect fitting of the dress. The make is
inspired from the same.Foldable and hinged wings made of natural peacock feather is added to complete the look.As a whole
it shows subtlity,beauty and power and confidence.The beauty silences every evil force which tries to lay hands upon her.
96. GOTH
The outfit is inspired from the gothic architecture.The make up and stylin is viewed from the same.
Silk dupiani corset and organdy base,Satin lining.The look is a rich urban chic of high fashion syn-
drome. She has fallen from the skies to this mortal land.The rich clors adds to her beauty.
97.
98. REFLECTION THROUGH LENS
The consecutive pictures depicts different places and things and concepts we live through out.