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The document describes a proposed video game called "Ken n Kev Getting Pizza" that combines elements of action adventure and comedy. The game would follow two friends, nervous Ken and confident accent-switching Kev, as they get into humorous shenanigans including a police chase and hit and run while trying to get pizza. The students were inspired by games like Ratchet & Clank and Jak & Daxter and plan to record voice acting and add sound effects and background music to their audio sequence using professional editing software.
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Presentation script
Two friends, Liam and Aiden, are presenting their idea for a new video game that blends action adventure and comedy genres. The game would feature two stickman characters, Ken and Kev, who get themselves into crazy escapades involving a police chase, hit and run, and pizza. Their presentation describes the inspiration from Ratchet and Clank and Jak and Daxter games, proposes an opening cut scene involving a spaceship under attack, and outlines plans to record audio and add sound effects using software like Audacity.
Ig1 task 2 analysis work sheet (3)
This document provides an analysis of the soundtrack elements in a cut scene from the video game GTA 5. It describes the setting as the open coastal scenery in the city of Los Santos. The mood is one of happiness as the 3 main characters celebrate their victory over the bad guy. The genre is described as action adventure and crime simulator. The narrative explains that the characters meet at the coast to kill Devin by rolling his car off a cliff and blowing it up before going their separate ways.
Game Moenetisation Platform Design
GAME$$ is a platform that allows web game developers to monetize their games by signing up and distributing their games, ringtones, wallpapers, and other merchandise through the platform. Developers can upload games, videos, images and scripts to the platform and select sites for distribution. The platform also provides statistics on games such as number of users and revenue earned.
Colin Mcrae
Colin McRae Rally 2005 is a racing simulation game that was released in 2004 for PC, Xbox, PlayStation 2, and Nokia N-Gage. The game allows players to race in over 30 licensed rally cars across over 300 stages located in 8 countries around the world. Players can participate in challenges, a championship career mode, and online multiplayer modes with up to 8 players. The game aims to provide a realistic rally racing experience through advanced physics engines and detailed damage modeling.
GaS: Dj Hero: Game of Layers - Tero Karppi
The document discusses DJ Hero and how it connects to the theme of games as services. It was hypothesized that DJ Hero would rely on downloadable content, but it failed with only two downloadable mix packages available and no player-created content. The boundaries of what constitutes the game are explored, looking at both territorialization that keeps the experience contained, and deterritorialization that extends it through virtual components. Materials like the controller's rubber band have expressive potential when used with the game. To understand games as services requires following what players do both within and outside the defined gameworld.
7 Secrets Of Aion- Secret 5 Music
7 Secrets Of Aion- Secret 5: Music
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Chicco - New toys - 2019
Presentation to sister companies and international customers of the 2019 Chicco Toys line-up.
All toys demonstrated are developed and launched by me.
Ig1 task 2 analysis work sheet
The document provides an analysis of sound elements in four scenes from the video game The Walking Dead.
In the first scene, slow background music sets the mood as the player learns about the main character Lee's backstory. In the second scene, emotional music plays as the character finds out about the fate of a girl's family. Tense music builds intensity in the third scene during the character's first zombie encounter. In the fourth scene, tense background music adds to the atmosphere of an argument about a character being bitten.
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Presentation script
Two friends, Liam and Aiden, are presenting their idea for a new video game that blends action adventure and comedy genres. The game would feature two stickman characters, Ken and Kev, who get themselves into crazy escapades involving a police chase, hit and run, and pizza. Their presentation describes the inspiration from Ratchet and Clank and Jak and Daxter games, proposes an opening cut scene involving a spaceship under attack, and outlines plans to record audio and add sound effects using software like Audacity.
Ig1 task 2 analysis work sheet (3)
This document provides an analysis of the soundtrack elements in a cut scene from the video game GTA 5. It describes the setting as the open coastal scenery in the city of Los Santos. The mood is one of happiness as the 3 main characters celebrate their victory over the bad guy. The genre is described as action adventure and crime simulator. The narrative explains that the characters meet at the coast to kill Devin by rolling his car off a cliff and blowing it up before going their separate ways.
Game Moenetisation Platform Design
GAME$$ is a platform that allows web game developers to monetize their games by signing up and distributing their games, ringtones, wallpapers, and other merchandise through the platform. Developers can upload games, videos, images and scripts to the platform and select sites for distribution. The platform also provides statistics on games such as number of users and revenue earned.
Colin Mcrae
Colin McRae Rally 2005 is a racing simulation game that was released in 2004 for PC, Xbox, PlayStation 2, and Nokia N-Gage. The game allows players to race in over 30 licensed rally cars across over 300 stages located in 8 countries around the world. Players can participate in challenges, a championship career mode, and online multiplayer modes with up to 8 players. The game aims to provide a realistic rally racing experience through advanced physics engines and detailed damage modeling.
GaS: Dj Hero: Game of Layers - Tero Karppi
The document discusses DJ Hero and how it connects to the theme of games as services. It was hypothesized that DJ Hero would rely on downloadable content, but it failed with only two downloadable mix packages available and no player-created content. The boundaries of what constitutes the game are explored, looking at both territorialization that keeps the experience contained, and deterritorialization that extends it through virtual components. Materials like the controller's rubber band have expressive potential when used with the game. To understand games as services requires following what players do both within and outside the defined gameworld.
7 Secrets Of Aion- Secret 5 Music
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In the first scene, slow background music sets the mood as the player learns about the main character Lee's backstory. In the second scene, emotional music plays as the character finds out about the fate of a girl's family. Tense music builds intensity in the third scene during the character's first zombie encounter. In the fourth scene, tense background music adds to the atmosphere of an argument about a character being bitten.
Electronic arts
Electronic Arts (EA) is a major American developer, marketer, publisher and distributor of video games. Founded in 1982, EA pioneered sports games with titles like Madden NFL and FIFA. EA also develops games for major consoles and mobile devices. It owns several game development studios and competes with companies like Activision, Nintendo, and Ubisoft. EA's priorities include leadership in next-generation consoles, mobile gaming, and developing more story and family-oriented games.
Assignment 11
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Videogames are becoming increasingly awesome, increasingly intuitive, increasingly appealing to a wide range of people. However, they still engender a disembodied feeling of unreality when we play them. Adding speech to games could change that feeling.
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Ig1 task 2 analysis work sheet 1 bloodborne
The soundtrack establishes a dark fantasy setting through ominous music that plays during dark imagery in the trailer. Specific audio cues like sword swings and hits communicate the hack-and-slash combat gameplay. Emotional vocals are used to convey the dark and violent narrative mood, as the character's voice breaks during one scene. Production techniques like sound queues and hits were likely recorded individually and added in post-production to match the on-screen action and communicate essential information to the player.
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Wizcare is a consultancy that offers total recruitment solutions including staffing, recruiting, training, and HR consulting, with the mission of providing the right resources at the right time to maximize client satisfaction. Their vision is to be a best-in-class organization delivering staffing and recruitment solutions to satisfied customers and empowered employees. The document outlines their objectives, services, and recruiting process which includes attracting candidates, assessing skills, and negotiating acceptance.
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Electronic arts
Electronic Arts (EA) is a major American developer, marketer, publisher and distributor of video games. Founded in 1982, EA pioneered sports games with titles like Madden NFL and FIFA. EA also develops games for major consoles and mobile devices. It owns several game development studios and competes with companies like Activision, Nintendo, and Ubisoft. EA's priorities include leadership in next-generation consoles, mobile gaming, and developing more story and family-oriented games.
Assignment 11
The document provides details on the opening title sequence of the film "Taking Chances", including the style, purpose, timing and placement of the credits. It lists 22 credits that appear from 00:02 to 01:40 in the opening sequence. The first few credits are usually for the distributor, production company and main actor. The title of the film is shown alone on a black background to stand out. Supporting actor credits follow the main actor. Crew credits like casting, music, editing and production design then appear. The director credit is typically one of the first but here it is the last credit before the film begins.
Making Games Human
Videogames are becoming increasingly awesome, increasingly intuitive, increasingly appealing to a wide range of people. However, they still engender a disembodied feeling of unreality when we play them. Adding speech to games could change that feeling.
Sims research
The Sims 3 is a 2009 life simulation computer game developed by The Sims Studio and published by Electronic Arts. It is the sequel to the best-selling The Sims 2. Players control Sims as they live their lives, with activities and relationships similar to real life. A key change from previous versions is the use of "rabbit holes," where Sims disappear inside buildings instead of players seeing their activities. Expansion packs add additional gameplay features and items.
Game comparison
The document compares and contrasts the games Just Dance and The Last of Us. It discusses the different genres, content, construction, narratives, common codes, and target audiences of the two games. Just Dance is a dance simulation game with bright colors and popular music, while The Last of Us is a narrative-driven survival/horror game set in a post-apocalyptic world. The document analyzes the key elements that define each game's style and the demographic groups they aim to appeal to.
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This document discusses and compares various aspects of media products like video games through examples of The Last of Us and Just Dance. It covers target demographics, genre, content, construction, codes and conventions, and modes of address. The Last of Us is designed for 15-25 year old males and falls into the survival horror genre. Just Dance is targeted at everyone and is a simulation game focused on dancing.
DmC sound analysis
The document summarizes the soundtrack of the video game DmC Devil May Cry. It analyzes how the ambient background music establishes the setting of a destroyed city. It describes how the music and voice actors help convey the mood shifting from calm to anger during a conversation between the main characters. The soundtrack is meant to match the dark and action-oriented genre of the hack and slash game.
Hunger Games information
The document provides information about the science fiction film The Hunger Games: Catching Fire. It discusses the production companies and directors that created the sequel film based on Suzanne Collins' novel. It also summarizes some of the main cast members and their roles, including Jennifer Lawrence as Katniss Everdeen. Furthermore, it details the worldwide distribution of the film and the extensive promotion and marketing campaigns used, including social media, subway ads, and trailers. It concludes with information about the film's soundtrack, home media releases, box office earnings, awards, and positive reviews from critics.
Ig1 task 2 analysis work sheet 1 bloodborne
The soundtrack establishes a dark fantasy setting through ominous music that plays during dark imagery in the trailer. Specific audio cues like sword swings and hits communicate the hack-and-slash combat gameplay. Emotional vocals are used to convey the dark and violent narrative mood, as the character's voice breaks during one scene. Production techniques like sound queues and hits were likely recorded individually and added in post-production to match the on-screen action and communicate essential information to the player.
Adding audio to unity
This 3-sentence summary provides the key steps to add audio to a Unity project:
Open Unity, drag and drop an MP3 file into the project, create an empty game object and rename it to reference the audio, add an Audio Source component to the object and drag the MP3 into it to play the audio clip on awake and in a loop.
Tune Hopper Design Document v1.0
The document provides a design overview for the iPhone game "Tune Hopper V1.0". It describes the key features and gameplay mechanics, including learning music intervals by tapping tiles in different difficulty levels. It also outlines the user interface wireframes, including main menus, level selection screens, gameplay, and animations/sounds for the character Greg. The goal is to create an educational music game that is intuitive and fun to play.
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Presentation script
Two friends, Liam and Aiden, are presenting their idea for a new video game that blends action adventure and comedy genres. Their game would feature two stickman characters, Ken and Kev, who get into crazy escapades involving a police chase, hit and run, and pizza. They drew inspiration from Ratchet and Clank and Jak and Daxter games featuring friends embarking on adventures. The audio for the game would include bass boosted sound effects for intensity and non-copyrighted music, with possible dialogue effects. Liam and Aiden plan to record their voices and edit it professionally using Audacity to produce the audio sequence.
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This document discusses the analysis of sound elements in a video game soundtrack. It examines the setting, mood, game genre, and narrative conveyed by the soundtrack. For each section, it proposes the production techniques likely used to create specific soundtrack elements. For the screams and snarls, it suggests they were recorded with a high-quality microphone and edited to modify pitch and depth. The music was likely created with an orchestra and edited in sound software to blend with other audio. The overall soundtrack was tailored through production to fit the game's narrative of surviving a zombie apocalypse.
My game development pipeline
The document describes the ideation and development process for a video game called "First Impact". It discusses how the team came up with the idea of an alien escaping from government captors across various levels. It then outlines the pre-production work, including initial designs and programming. During production, the team programmed gameplay elements and debugged the first level, adding complexity based on testing feedback before developing the second level.
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The opening sequence of Pixels establishes the 1980s setting of a classic arcade and introduces the main characters. Through a series of shots that emphasize characters and build anticipation, the sequence uses visuals, audio, mise-en-scene and editing to capture the nostalgia of arcade games and excite viewers for the adventure to come. Professional editing seamlessly blends footage of arcade games with live action to keep the audience engaged from the start.
Bloodborne
The document analyzes and describes the sound design techniques used in the video game Bloodborne. It examines four different examples - the church bells, creaking wheelchair, background music, and water drops - and speculates on how each sound effect was likely produced. The assistant identifies field recordings, studio recordings with live instruments, and digital editing of found sounds as the main production techniques used to create the realistic and immersive soundscape that helps establish the game's setting, mood, genre, and narrative.
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Chicken Grills awoke on a conveyor belt in a slaughterhouse and had to work with Turkeyton to escape being cooked alive. They discovered a pole vault by an open window that could help them escape. After some mishaps, Chicken Grills was able to pole vault them to freedom outside, though they landed painfully. Turkeyton then told a chicken crossing the road joke that offended Chicken Grills, beginning a rivalry between chickens and turkeys.
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1. The document is a glossary of terms related to sound design and production for computer games. It contains definitions for terms like Foley artistry, sound libraries, file formats like .wav and .mp3, limitations of audio hardware, recording systems, sampling constraints, and more.
2. For each term, it provides a short definition from an online source along with a description of how the term relates to the student's own production practice.
3. The glossary is intended to help the student research and understand foundational concepts in sound design as part of their study of a BTEC extended diploma in games design.
Ig2 Game Audio Cut Sequence Production 2014 to 2015
The document provides an assignment brief for a qualification in creative media production focusing on games design. The purpose is to produce audio cut sequences for computer game franchises. Tasks include researching sound design principles, analyzing existing game audio, scriptwriting, recording dialogue, creating sound effects using VST plugins, and programming the audio into a game. Students will gain skills in audio production and post-production technologies to create technically proficient sound assets for computer games.
CV
This curriculum vitae is for Susan King, who is studying a 90 credit BTec Level 3 Diploma in Creative Media Production in Games Design at Salford City College's Eccles Sixth Form Centre. It provides her contact details, education history, qualifications, work experience in a paper round, skills including reliability and enthusiasm, interests such as gaming and films, and Harry Arnold listed as a referee.
Personal Statement
Aiden Kelly has skills in Photoshop, Illustrator, and basic knowledge of GameMaker and Unity game engines. He lists transferable skills of ICT, problem solving, teamwork and creativity. His personal interests include watching films, stamp collecting and gaming.
Chicken Grills and Turkeyton the Draft
Chicken Grills awoke on a conveyor belt in a slaughterhouse and had to work with Turkeyton to escape being cooked alive. They discovered a pole vault by an open window that could help them escape. After some mishaps, Chicken Grills was able to vault them to freedom outside, though Turkeyton landed on top of him. Turkeyton then told a chicken crossing the road joke that caused Chicken Grills to become enemies with turkeys from that day forward.
Aiden Kelly ig2 game audio cut sequence production_2014 to 2015
The document provides an assignment brief for a student to complete units in creative media production related to computer game audio. The assignment involves researching sound design principles, analyzing existing game cut sequences, scriptwriting, budgeting, pitching an audio project, recording audio, editing with effects, creating sound assets, and programming sounds into a game. The student will produce a glossary, analyses, scripts, cost report, pitch materials, raw recordings, edited audio, sound effects, a game cut sequence, programmed sounds, and process documentation. The assignment aims to develop skills in audio production and application for computer games.
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