Photography workshop Luciana Galli
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This document provides information about a photography workshop to be held in Bari, Italy in November 2019. It discusses techniques like light balance, color balance, and shape balance. It also provides context on Marcel Duchamp's famous work "Fountain", which was a urinal signed by Duchamp that challenged definitions of art. The workshop instructs participants to take photos of everyday objects to transform them into art by following principles of lighting, color, and composition discussed.
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11821, 1030 AM Straight Photographyhttpscoastdistric
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https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 1/3
Straight Photography
Due Sunday by 11:59pm Points 30
Submitting a text entry box, a media recording, or a file upload
Start Assignment
Straight photography emerged in the early twentieth century and was a way of thinking about
photography as independent and unique from other artistic media like painting. It attempted to capture a
scene as objectively as possible therefore it didn't rely on methods of photographic manipulation. One of
the first photographers to experiment with straight photography was Alfred Stieglitz in the late nineteenth
and early twentieth centuries. He would often employ straight photography to depict everyday scenes of
modern life as seen in his photograph The Terminal.
Alfred Stieglitz, The Terminal. 1893, printed 1911. Photogravure. Source: flickr (https://www.flickr.com/phot
os/[email protected]/3775792984/in/photolist-6KDVH3) License: CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/
2.0/)
Watch the 10 minute video segment below from the documentary film called Alfred Stieglitz: The
Eloquent Eye (https://www.youtube.com/watch?v=2j2N1Bdh830) to learn more about Alfred Stieglitz
https://www.flickr.com/photos/[email protected]/3775792984/in/photolist-6KDVH3
https://creativecommons.org/licenses/by-nc/2.0/
https://www.youtube.com/watch?v=2j2N1Bdh830
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 2/3
Straight Photography (1)
and his photographs.
Instructions:
1. Visit the Metropolitan Museum of Art's website
(https://www.metmuseum.org/art/collection/search/270032) and read the short description about The
Terminal by Alfred Stieglitz.
2. Take your own Stieglitz inspired photograph using the method of straight photography. Keep to his
theme of illustrating the everyday scenes of modern life--but updated to illustrate life today.
3. In a paragraph (5-6 sentences) describe how your photograph uses the method of straight
photography. Also, describe how the subject matter represents life today.
Alfred StieglitzAlfred Stieglitz
https://www.metmuseum.org/art/collection/search/270032
https://www.youtube.com/watch?v=8nc6hHSyxv8
Introduction to Art Chapter 29: Between World Wars 394
Chapter 29: Between World Wars
Dada
When you look at Marcel Duchamp’s Fountain, a factory-produced urinal he submitted as a
sculpture to the 1917 exhibition of the Society of Independent Artists in New York, you might
wonder just why this work of art has such a prominent place in art history books.
Marcel Duchamp, Fountain (original), photographed by Alfred Stieglitz in 1917 after its rejection by the Society of
Independent Artists
You would not be alone in asking this question. In fact, from the moment Duchamp purchased
the urinal, flipped it on its side, signed it with a ...
Detournment - Nygun L.pdf
The document discusses the concept of 'Detournement' and how it relates to postmodernism. The author aims to study Detournement by investigating the work of artists from different periods, including Marcel Duchamp and Hirohiko Araki, and how they took existing ideas and warped them into original or bizarre depictions. The author hopes this study will help them better understand postmodernism and how to successfully create Detournement in their own art.
Dadaism architecture
Dadaism was an early 20th century avant-garde art movement founded in Zurich that rejected reason and logic in favor of irrationality, chaos and nonsense. It began as a reaction to World War I and the nationalism and rationalism that had led to the war. Key figures included Hugo Ball, Richard Huelsenbeck, Tristan Tzara, Marcel Duchamp, Max Ernst, Francis Picabia and Raoul Hausmann. Their works featured found objects, collage, photomontage and absurdist performances designed to shock audiences. Dadaist art rejected cultural norms and emphasized anti-art, chance, nonsense and irrationality through provocative works that undermined traditional notions of art.
Dadaism
Dadaism was an early 20th century avant-garde art movement that was founded in Zurich in 1916 in reaction to World War I. It rejected reason and logic and emphasized chaos and irrationality through anti-art styles and shock value. Some of the most famous Dadaists included Marcel Duchamp, whose "Fountain" was a urinal signed and submitted as a sculpture, Max Ernst, known for his surreal collage paintings, and Francis Picabia, who formed a Dada group in Barcelona and created the painting "Amorous Parade."
Art Movements
This document summarizes several art movements presented by students in a 6th grade art class. It includes brief overviews of the Fauvism, Kinetic Art, Symbolism, Hard-Edge Painting, Pop Art, Op Art, Abstract Expressionism, Conceptual Art, Abstract Impressionism, and Prehistoric art movements. For each movement, it provides 1-2 sentences on the origins and key characteristics, and includes 1 example image. The document serves to concisely introduce multiple art styles and periods covered in the student presentations.
Aziz art january 2019
Louise Bourgeois was a French-American artist known for her large-scale sculptures and installation art that explored themes of domesticity, sexuality, and the subconscious. Her work was highly autobiographical, dealing with trauma from her childhood including witnessing her father's affair with her English governess. Throughout her long career, she transitioned between different mediums but is best known for sculptures that incorporated symbolic objects. Some of her most famous works include Femme Maison, Destruction of the Father, and the giant spider sculpture Maman. Bourgeois continued creating art into her late 90s, receiving her first retrospective at the Museum of Modern Art in 1982, and is now considered one of the most influential artists
Chapter 10 picturing the waste land - western europe during world war i
The Cabaret Voltaire opened in Zurich in 1916, launching the art movement known as Dada. Founded by Hugo Ball and Emmy Hennings, it attracted diverse artists and hosted performances of works rejecting logic and rationality in response to World War I. Dada soon spread to other cities and focused on nonsensical happenings and works incorporating chance to subvert artistic norms. Figures like Marcel Duchamp, Hans Arp, and Francis Picabia created readymades and works embracing happenstance that challenged definitions of art. Dada marked a revolutionary beginning of conceptual art and influence on subsequent avant-garde movements.
3.3.3 Dada
The document discusses the Dada art movement that emerged in Zurich, Switzerland in 1916 in response to World War I. It was founded by Tristan Tzara and characterized by nihilistic protest against conventions through provocative gestures and anti-art works. Key figures discussed include Tzara, Jean Arp, Francis Picabia, Man Ray, and Marcel Duchamp, who helped establish Dada in New York. Dada utilized techniques like collage, readymades, and photomontage to destroy artistic conventions through nonsensical and absurdist works that rejected logic and reason.
Expressionism Project
The document provides information about German Expressionism:
- It began in Dresden with the founding of Die Brücke group in 1905 which published a manifesto inspired by woodcuts. The group emphasized expressing inner feelings over external observation.
- Major figures included Ernst Kirchner, founder of Die Brücke, who painted Berlin street scenes, as well as Franz Marc, Paul Klee, and Wassily Kandinsky who were interested in the relationship between art and music. Edvard Munch and Vincent van Gogh also influenced German Expressionism.
- Expressionist works used distorted forms and bold colors to convey emotional experiences rather than physical realism. This included paintings of landscapes,
DADAISM.pptx
This document provides information about the Dada art movement through a series of sections. It describes Dadaism as emerging between 1916-1923 in response to World War I and cubism. Key figures like Hugo Ball and Richard Huelsenbeck founded the Cabaret Voltaire in Zurich as an early center. Notable works included Duchamp's "Fountain" and works by Schwitters, Hausmann, Höch, Arp, and Picabia that incorporated found objects, photomontage, and abstraction to protest social and political norms. Dadaism influenced later movements and innovations through its anti-establishment philosophy that questioned reason and order through irrationality and chaos.
Methods of presenting the art subject
The document discusses different artistic styles and movements including realism, abstraction, symbolism, fauvism, dadaism, futurism, and surrealism. It provides examples of prominent artists who worked in each style and descriptions of their techniques. Key points include defining realism as attempting to portray subjects accurately, abstraction as moving away from realistic depictions, and surrealism as revealing realities of the subconscious mind through fantasy elements. Examples are given of novels, paintings, and sculptures that exemplify these different artistic approaches.
How appropriation changes the original
The document discusses the history and practice of appropriation in art over the 20th century. It explores how artists like Duchamp, Warhol, Koons, Sherman, and Prince have used and transformed appropriated images and objects in their work. While earlier appropriation changed the context or meaning of the original, more recent artists argue appropriation is necessary to comment on mass media and contemporary society. The document examines debates around originality and ownership in appropriation art.
Art Appreciation Topic IX: Early 20th Century Art
The document provides an overview of major art movements in the early 20th century. It discusses the rejection of naturalism and academic traditions with the birth of Modernism. Key movements discussed include Fauvism, Cubism, Futurism, Orphism, Rayonism, Constructivism, Dada, Bauhaus, Surrealism, and Neue Sachlichkeit. Specific artists and works are mentioned from Britain, the US, Vienna, Germany, and Paris. The text focuses on the experimentation with technique and questioning of the nature of art during this revolutionary period.
arts-ppt.pptx
The document provides an overview of modern art movements from 1870-1970. It discusses how modernism emerged as artists moved away from realistic styles towards more experimental approaches. Key developments included photography freeing artists from realism, the industrial revolution creating new patrons, and the invention of techniques like pointillism. Impressionism in the 1870s sought to capture light and fleeting moments. Post-Impressionism added structure and expressionism. Cubism depicted objects from multiple views. Dadaism rejected rules as a reaction to World War 1. Famous artists discussed include Monet, Van Gogh, Munch, Picasso, and Duchamp.
arts-ppt.pptx
Modern art began in the early 20th century as artists moved away from realistic styles and sought new ways of expression. This was influenced by photography and industrialization. Major movements included Impressionism, focused on capturing light and fleeting moments; Post-Impressionism, which artists expanded upon Impressionist styles; Expressionism, which emphasized personal feelings over realism; Cubism, which showed objects from multiple views; Dadaism and Surrealism, anti-war movements that rejected rationality; Abstract Expressionism, focused on non-representational paintings; and Optical Art, which used geometric patterns to create optical illusions. Famous modern artists included Claude Monet, Vincent Van Gogh, Pablo Picasso
SHGC History of Art - Part 2
The document discusses several key figures and movements associated with Dada and Surrealism. It provides background on Duchamp's readymades and how they undermined assumptions about art. It describes Dada's emergence amid World War I and the nihilistic attitudes it expressed. Key ideas included incorporating chance, undermining artistic genius, and using materials like photographs for political commentary. Figures like Picabia, Schwitters, and Man Ray employed techniques like collage, assemblage, photomontage and more to challenge conventions. Dada in Berlin had left-wing political sympathies and used photomontage for social commentary, while Surrealism aimed to access the unconscious through automatism.
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11821, 1030 AM Straight Photographyhttpscoastdistric
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Chapter 10 picturing the waste land - western europe during world war i
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- 1. LUCIANA GALLI PHOTOGRAPHY WORKSHOP BARI - NOVEMBER 2019
- 2. Let's study this photo taken by the artist Luciana Galli LIGHT BALANCE OBJECTS EMOTIONS
- 4. WHICH OF THE TWO SMALL SQUARES IS BIGGER?
- 11. The Society of Independent Artists’ salon in New York claimed that they would accept any work of art, as long as the artist paid the application fee. So Duchamp presented an upside-down urinal signed and dated with the appellation “R. Mutt, 1917,” and titled Fountain. The Society’s board thought that it was a joke from an anonymous artist and rejected Fountain saying that it was not a true work of art. Duchamp, who was a member of that board himself, resigned in protest. How Duchamp’s Urinal Changed Art Forever
- 12. This female friend was Elsa von Freytag-Loringhoven, a German Dada artist and poet Evidence suggests that the Fountain was actually created by Elsa von Freytag-Loringhoven. Duchamp wrote a letter to his sister, Susanne: “One of my female friends who had adopted the masculine pseudonym Richard Mutt sent me a porcelain urinal as a sculpture.”
- 13. Found object art originates from objects or products that are not normally considered materials from which art is made, often because they already have a non-art function.
- 15. This is not a broken plastic bucket
- 16. This is not a pedestrian crossing
- 17. ACTIVITY Through photography transform a non-art function object into ART. Remember to follow the image light, colour and shape balance recommendations