The document discusses two documentary photographers, Brandon Stanton and Eugene Richards. It describes Stanton's "Humans of New York" project, where he photographs people in New York and collects their stories. His book contains 400 such images. The document then discusses Eugene Richards, noting that his published photos are intended to raise social awareness through personal images, such as those focusing on his hometown of Dorchester, Massachusetts. It contrasts their styles, noting that while Stanton provides small insights into his subjects' lives, Richards delves deeper into social issues through powerful images.