This document provides information and guidance for a photography exam. It outlines 7 potential exam questions related to various photography topics like family, food, transport, etc. It also provides examples of photographers' work that could be explored for each question. Students are expected to choose one question, research related photographers, develop their own responses through photoshoots and sketches, and produce a final 8 hour exam and 1000-1500 word essay comparing two photographers. The exam aims to test students' ability to use prompts to develop original ideas and intentions for their photographic work.
From a workshop held as part of the 2014 THV institute, "Farms & Food: Teaching the Hudson Valley from the Ground Up." More information at www.TeachingtheHudsonValley.
Hudson Valley farms have long been a rich source of inspiration for artists. Bold relief prints, with a great capacity for visual storytelling, have been a medium of choice for artists portraying land and food issues worldwide. Explore selected prints and share worldwide stories as they relate to our farms, land, and food. Gina Palmer, high school art teacher and professional illustrator.
From a workshop held as part of the 2014 THV institute, "Farms & Food: Teaching the Hudson Valley from the Ground Up." More information at www.TeachingtheHudsonValley.
Hudson Valley farms have long been a rich source of inspiration for artists. Bold relief prints, with a great capacity for visual storytelling, have been a medium of choice for artists portraying land and food issues worldwide. Explore selected prints and share worldwide stories as they relate to our farms, land, and food. Gina Palmer, high school art teacher and professional illustrator.
In this class we consider how anonymous vernacular objects might be revelatory of a culture, then turning to design practices like packaging and product design.
In this class we consider how anonymous vernacular objects might be revelatory of a culture, then turning to design practices like packaging and product design.
The Potential Use of Alternative Photographic Processes.IMG-I
What is the purpose of using an alternative photography process? Should the process enhance the content or the content enhance the process? Is it beneficial for the art work or not?
A lesson for photography students with examples.
This is the theory revision I created for my A2 Media group a couple of years ago. There is some general narrative theory, Media theory Laura Mulvey etc and Racial Representation theory, Stuart Hall, Paul Gilroy, bell hooks etc. This was based on Media and Collective Identity focusing on the representation of black culture in British Film and American Music Videos.
2. Art 2 – Controlled Assignment (Exam)
• The exam questions (whether visual or written stimuli)
must be used as starting points or prompts for your own
ideas.
• This should provide the basis from which you originate
personal intentions.
• Only ONE must be answered – you must choose a different
question in art (if you do art)
• The controlled assignment (exam) will culminate in a final 8
hour exam – where you will produce your final outcomes.
3. Your sketchbook
• 25% of your grade will rely on a written essay – artist
research comparing and contrasting two different
photographers based on your chosen question/concept
• It will be 1000-1500 words long
• You will have to d a minimum of 4 photoshoots to develop
ideas and for preparation towards your final outcomes.
• These will need to be documented and evaluated in your
sketchbook as normal.
5. 2. Same but different
• Family – portraits
• Key rings
• Album covers
• Cd / vinyl – history of buying music
• Cameras - effects of using digital / film
• Food – different types/different food people eat
• Musical instruments
• Same people in different situations – different
environments
12. KELLI CONNELL
• A single model plays two roles in each of the photographs in this
portfolio from Kelli Connell. Connell uses elements of private
relationships she has experienced herself or witnessed in others to
inspire these two-person scenes. She then uses Photoshop to stitch
multiple medium-format negatives together to create the
juxtapositions in the final photographs. The result is a multi-faceted
questioning of duality: of masculine and feminine, exterior and
interior, static and evolving. Appropriately, Connell‟s intentions here
are two-fold. One the one hand she exposes her autobiographical
questioning of sexuality and gender roles, particularly as they
influence identity in relationships. On the other hand she is also
interested in how the response of viewers reveals their own notions
of identity and social constructs.
17. • Hernández-Díez is part of a new generation of
Venezuelan artists who emerged in the late 1980s. He
uses "street" materials such as
skateboards, sneakers, record players and other audio
equipment and bicycles in order to develop a personal
iconography centered on familiar, often
domestic, objects. The ordinary is made extraordinary
through Hernández-Díez‟s provocative, darkly humorous
use of material and scale. He manipulates the
objects, often by physically reconfiguring them in such a
way that invests the quotidian with philosophical and
emotional resonance. Elements from his Venezuelan
childhood are combined with those that reference a more
global pop culture.
18. Stuart Whipps
• Aladdin Houses, commission for an exhibition alongside Bill Brandt‟s work.
.
• http://www.stuartwhipps.com/index.php?/project/the-aladdin-houses/
19. 3. Creating a Space
• Documentary – document a change, knocking down of
houses/property development
• Landscape – put something within a landscape
• Landscape – develop into panorama
• The way in which you photograph a landscape
• 3D landscapes – photographic sculptures / 3D effect –
creating your own space
• Photograph people in their bedrooms – how people
develop or have their own space
24. Nadav Kander - www.nadavkander.com
His best shot, read the
article:
http://www.guar
dian.co.uk/artand
design/2008/nov/
27/photography
“More people live
along the
Yangtze river
than live in the
US. So, on my
first trip to
China, I wanted
to get a sense of
this by visiting
Shanghai and
Chongqing, a
massive city of
27 million
people, where
this image was
taken."
32. 4. On the road
• Travelling
• Documenting journey
• Documenting different things on a road – kate green
(road kill)
• Slow shutter speed – cars
• Different transport – commercial / documentary
• History of cars – photographing the history of
one/multiple cars
• Size and scale of cars and how they’ve changed.
Owners of these cars
• Going to a transport museum
43. 5. Steps and Rails
• Looking at modern/old architecture
• Railways stations – the actual train rail and
steps
• Abstract steps – MC Escher – never ending
steps
46. 6. Local Produce
• How different parts of the world produce different
food
• Where is food imported/exported too
• Who buys food from markets? Looking at
age/gender/ethnicity
• Farms – photograph the food/farmers/landscape.
Narrative story – of different process
• Different people produced locally – where do people
come from???
• Technology – that’s used in factories / farms / butchers
50. 7. Get together
• Sport – teams in action – playing their sport, behind
the scenes, outside of sport. How they
socialise/everyday job/where they work
• Family – different occasions, how they support each
other, who you live with – documentary/portraiture
• Volunteering – shelters / old peoples homes/ charities
• Animals – how pigeons eat food
• Community – people you live around / your own
community
• Religion – go to churches / places of religion
51. 7. Get Together
• Youth group
• Groups of friends
• Sports team
• Swim team
• Parties
• Group of animals
• Get your head together – depression/anxiety
• Relationships
• Families
• Concerts
• Special occasions
• Weddings / funerals
• People working together – colleagues
59. Jaskirt Dhaliwal
Everyday Olympian
The Everyday Olympian documents people involved in local community sports, be it a 12 year
old swimmer, 60 year old hockey player or 30 year old amateur boxer. These are the people that
make up the tapestry of sports that thrive at grass roots level across the region. They may not
be an Olympian, however it is through their commitment and participation on a weekly or daily
basis that so many sports still function and exist.
Shot on medium format, all the participants were photographed after taking part in competition
or training.
Everyday Olympian was the winner of Magnum Showcase Sports with Ideas Tap 2012, selected
for Foto8 Summershow 2012 and also featured in The Sunday Times magazine.
This body of work has been supported by Kalaboration, Arts Council England and the Cultural
Olympiad.
61. 9. Reveal the use of hidden meanings
or messages
Things to consider:
• Discovery of concealed and covert
messages, vague symbolism and double
meaning is often an unexpected and
fascinating outcome of in-depth contextual
study.
65. Adrienne M Norman
My work consists of portraits of people with medical disorders that are invisible to the
casual observer. I try to photograph the intangible beauty that comes from the mental and
physical suffering that often plagues the human condition, but is rarely explored in an
honest manner. I’m interested in the painful and exhilarating experiences that colour their
lives of those suffering from mental and neurological illness and I attempt to reveal them on
the faces of my subjects. Using the face as a map of psychological experience, I try to unveil
the tell-tale subtleties apparent in each individual’s physiognomy.
http://evinumen.com/section/67902_Portraits.html
72. Emma Livingston - Urban Trees
The collection of work hints at the
personification of trees, centrally
framed as if photographing a
person, each shot reflects on the
tree as an individual: observing its
personality, expression and
'attitude' through elements such as
posture and the arrangement of its
branches. The relationship
between the tree and its
surroundings poses the exploration
of how we ourselves
grow, flourish, suffer and inevitably
die within the urban spaces
granted to us.
73. Ellie Davies- Smoke and Mirrors
This series is made in remote
areas of The New Forest and
Dartmoor in the UK, far from
pathways and seldom visited by
the public.
From an early age the notion of
the forest is given a sinister and
threatening personality in the
form of fairy tales and children’s
stories. Stepping inside the dense
forest feels like entering another
world.
These sensory experiences often
lead to the forest being used as
metaphor. The wild and
impenetrable forest has long
symbolized the dark, hidden
world of the unconscious.
These magical, fantasy golden
trees, transported to the hearts
of mature, dark forests, allude to
this, whilst also evoking a sense
of the fairytale.
– Ellie Davies
74. Dan Dubowitz - Wastelands
Dan Dubowitz loves to travel the world
in search of abandoned, decaying
buildings
77. Pierre Gonnord
• The idea of creating my own work in the
lagoon and starting from scratch fascinated
me. I have had to take other roads to reach its
inhabitants and, trapped from the first
moment by this human river, I asked
myself, as Montesquieu did in his Lettres
Persanes: “Comment peut-on être Vénitien?”
The people, the human material present and
constant from the start of my search, have
once again helped to guide my steps and
launch me on another fantastic, intimate
adventure.
To experience Venice, share it, question
it, leap from one scenario to another, to
transgress and cross contemporary frontiers.
There are still as many possible Venices as
there are people and visions.
• Here are the seven chosen
faces, portraits, fragments of my vision and
experience of walking through Venice.
84. Maurice Broomfield
• Broomfield was “one of the first industrial and architectural photographers to use his corporate commissions to
make visionary photographic studies of the workers and the environments in which they worked,” writes the Host
Gallery, which, last year, put on the first retrospective of the photographer‟s iconic images of industrial Britain
from the 1950s to the 1970s.
90. Annie Leibovitz
One of today's most influential and admired artists, renowned for her vivid and distinctive style, Annie
Leibovitz is an American original and a master of self-promotion. Her portraits of Bruce Springsteen, Jody
Foster, Michael Jackson, Miles Davis, Greg Louganis, Mikhail Baryshnikov, John Lennon and more combine a
keen eye with a quick wit.
91. 11. Develop an outcome based on
family life
• Richard Billingham
• Photograph family in a place of meaning to them
• Show families growing up – progression
• Eva stenram / Irina Werning
• Disagreements in family
• Different personalities in a family – candid / classic
• Family members in their own environment
• Places or objects personal to family life
• How parents jobs affects your life
92. Alessandra Sanguinetti - Two Cousins
As a child she spent
her summers in the
Argentine Pampas.
Having become a
photographer, Aless
andra Sanguinetti
met Guillermina
and Belinda there.
Fascinated by their
simple happiness
and their whimsical
games, she has
followed them with
her camera every
summer for the last
eight years.
99. Taryn Simon - 'A Living Man Declared
Dead and Other Chapters'.
She has been photographing the descendents of 18 different bloodlines, each based around a
particular situation, exploring predetermination and notions of perpetual return. There are many
blank photographs for those who couldn‟t be photographed.
Video: http://www.tate.org.uk/context-comment/video/tateshots-taryn-simon
131. Develop a response to text and its use
with an artform
• Links between words and images
• Promotional photography
• Journalism
• Documentary photography
• Posters
• Graphic communication
132. Suky Best
Developed her own magazine – mocking the celebrity
culture magazines that began to appear in the 90’s
136. Fazal Sheikh
• The portrait is central to Fazal Sheikh‟s work. For more than two decades, as he has worked in
different communities around the world, the invitation to sit for a portrait has been the principal
means by which he has established a link with his subjects and been allowed to enter and
document their lives. Often these have been people in crisis: displaced from their homes and their
countries, at risk from violence, poverty and prejudice.
142. 14. Explore the effects of transparency
• Transparent means: ‘fine enough to be seen
through’ – e.g. being open to public scrutiny in
business and politics
• This could also mean in terms of materials use
to print – colour slide film, using multiple
layering, sheer fabrics, video projections
147. Nick Veasey
http://www.bjp-
online.com/british-journal-
of-
photography/profile/194037
6/penetrating-gaze-ray-
photography
148. Nick Veasey
Nick Veasey had each
component of this
Boeing 777
shipped to
him, then x-rayed
them on 43x35cm
film.
The entire image is
made up of more
than 500 x-
rays, stitched
together by
Veasey's
designer, Stuart
O'Neill. The
process took
months, and was
shot for Boston's
Logan Airport in
2003.
152. PERRAN COSTI
Baggage series:
The Baggage series
explores and expresses
those things in our life we
hold onto.
Memories, hopes, ideals.
UV prints on
glass, suitcase, wood, lights
, audio
http://www.perrancosti.com/WORKS/Pages/BAGGAGE_-_PORTABLE_CITY_10_09.html
161. Eva Stenram – Family portrait
The order of
age within the
family has
simply been
reversed –
Stenram has
become the
oldest member
of her family
and her father
has become
the youngest.
167. Tor Myhren
This image designed by
Tor Myhren, is
intended as a message
to the American public
that they should cast
their votes based on
the candidates' policies
and ignore their racial
differences.
169. Max De Esteban - Proposition
"whats on the
inside?"
These fascinating x-
rays demonstrates
the mechanics of
various pieces of
technology that are
quite interestingly old
fashioned.