Valorizing Industrial Heritage 
International Conference (Shift X project) 
15 October 2014 (Genk - BE) 
EU SUPPORT FOR 
TOURISM AND INDUSTRIAL HERITAGE 
Eric Philippart 
European Commission, DG Enterprise & Industry 
Unit E2. Tourism and cultural instruments
Types of support 
• Policy support (Communications and Action Plans flagging the 
importance of the sector, challenges and opportunities) 
• Facilitation (setting places for (inter-)sectoral dialogue) 
• Soft law (monitoring, proposing and occasionally 
endorsing) 
• Promotion, marketing, training (trade fairs, Tourism 
business portal http:// 
ec.europa.eu/enterprise/sectors/tourism/tourism-business-portal/index_en.htm 
…) 
• Financial support (direct funding through grants or 
indirect funding via financial intermediaries) 2
EU competence for tourism 
• Since 1 December 2009, the EU can intervene to "support, 
coordinate or complement the action of Member States"* 
• Its action shall in 
particular "encourage 
the creation of a 
favourable environment 
for the development" of 
a competitive tourism 
sector 
3 * Articles 6 and 195 - Treaty on the functioning of the European Union
• "Europe, the world's No 1 tourist destination – 
a new political framework for tourism in 
Europe" (COM(2010)352 
• "A European Strategy for more Growth and 
Jobs in Coastal and Maritime Tourism" 
(COM(2014)86 
• "Towards an integrated approach to cultural 
heritage for Europe" (COM(2014)477) 
• Mapping of Cultural Heritage actions in 
European Union policies, programmes and 
activities (European Commission DG EAC, 
2014) 
http:// 
ec.europa.eu/culture/library/reports/2014-heritage-mapping_en.pdf 
4 
Policy support
Facilitation 
• Industrial tourism strategies and international key 
players 
• Industrial heritage promotion and new tourism 
solutions 
• Industrial tourism: local development and 
sustainable policies 
• Industrial tourism: local development: "niche" 
markets and innovative tourism products 
http://ec.europa.eu/enterprise/sectors/tourism/conferences/2011-etd 
/ 
5 
European Tourism Day (2011) 
Industrial heritage
Crossroads of Europe 
on Industrial Tourism (2014) 
Ferrol (Spain) - 3rd Crossroads of Europe & 
5th European Conference of Industrial Tourism 
•Thematic (promotion and marketing; conversion of 
industrial landscapes into tourist attraction; importance 
of education and handbooks on industrial tourism; 
planning, sustainability and quality; Interactions 
between public administrations, associations and 
networks at international level) 
6 
• Sectoral (greenways, heritage railways; mining; beers, wine and spirits; maritime 
industries, …) 
http://ec.europa.eu/enterprise/newsroom/cf/itemdetail.cfm?item_id=7329&lang=en
• European Route of Industrial Heritage 
network (ERIH) 
• European Federation of Associations of 
Industrial and Technical Heritage (E-FAITH) 
• Europa Nostra 
• … 
7 
Dialogue
Soft Law & good practices 
• Dublin Principles (2011) for the 
Conservation of Industrial Heritage Sites, 
Structures, Areas and Landscapes 
• Framework Convention on the Value of 
Cultural Heritage for Society (Council of 
Europe) 
• European Landscape Convention with 
respect to industrial heritage (Council of 
Europe) 
• "Decalogue of good practices of industrial 
tourism" (2014) adopted by the 5th 
European Congress of Industrial Tourism 
International Committee 
for the Conservation 
of the Industrial Heritage 
International Council 
on Monuments and Sites 
• … 8
New Guide on funding for the tourism sector 
9 
• strategic importance of tourism 
for the EU 
(1 of top 3 economic sectors) 
• Sector made of many different 
players with different needs 
(long supply chain from marketing & 
advertising; travel agents, ...) 
• Range of EU thematic 
programmes 
9 
INSERT
10 
Scope and focus of the guide (1/3) 
• The guide covers the most important EU 
programmes for the tourism sector 
• It focuses on (in)direct funding opportunities 
(by opposition to EU actions benefiting the tourism sector such 
as fight against money counterfeiting ...) 
• The tourism sector is defined here as private and 
public entities promoting tourism destinations or 
developing tourism services. 
This contribution can be direct (e.g. National tourism offices) or 
indirect (entities training tourism workers – e.g. universities 
organising a master in tourism management …). 
10
11 
Scope and focus of the guide (2/3) 
• EUROPEAN COHESION FUND 
• EUROPEAN SOCIAL FUND 
• EUROPEAN REGIONAL DEVELOPMENT FUND 
• LIFE 
• EUROPEAN AGRICULTURE AND RURAL DEVELOPMENT FUND 
• EUROPEAN MARITIME AND FISHERIES FUND 
• HORIZON 2020 
• COSME 
• CREATIVE EUROPE PROGRAMME 
• ERASMUS + 
• EMPLOYMENT AND SOCIAL INNOVATION PROGRAMME 
11
12 
Scope and focus of the guide (3/3) 
• The guide focuses on practical questions: 
• type of tourism-related actions eligible for funding 
• type and level of funding 
• who can apply and 
• how to apply 
Electronic version 
http://ec.europa.eu/enterprise/sectors/tourism/index_en.htm 
12
13 
13
14 
Selection of relevant programmes 
Next to well-known Structural Funds' opportunities 
•HORIZON 2020 
•COSME 
•CREATIVE EUROPE PROGRAMME 
14
Horizon 2020 
EU Framework Programme for Research and Innovation 
(2014-2020) made of "programme sections" (also called 
"pillars. Most interesting for tourism probably are: 
•"Excellent Science" 
• sub-section MSCA ("Marie Skłodowska-Curie Actions") for 
career development and training of researchers – with a focus 
on innovation skills – in all scientific disciplines through 
worldwide and cross-sector mobility 
15
Horizon 2020 
• "Societal Challenges" 
• sub-section programme "Europe in a changing world - Inclusive, innovative and 
reflective societies" funding Research & Innovation Actions", "Innovation 
Actions" and "Coordination and Support Actions" in particular on 
transmission of European cultural heritage 
See calls on "Emergence and transmission of European cultural heritage and Europeanisation" (REFLECTIVE-2- 
2015) or "The cultural heritage of war in contemporary Europe" (REFLECTIVE-5-2015). 
uses of the past 
See call on "Innovation ecosystems of digital cultural assets" (REFLECTIVE-6-2015) for bringing cultural content 
to new audiences in novel ways, through the development of new environments, applications, tools, and services 
for digital cultural resources in scientific collections, archives, museums, libraries and cultural heritage sites 
3D modelling for accessing EU cultural assets 
See "Advanced 3D modelling for accessing and understanding European cultural assets" 
(REFLECTIVE-7-2014) focuses on developing new methods and tools for automated 3D 
modelling and analysis of physical cultural resources and assets (e.g. cultural heritage sites, 
monuments, sculptures, archaeological sites…). 
16
17 
COSME 
Incubator, nursery, hospital 
•Calls for the development or improvement of 
European thematic routes (focus on Cultural and 
industrial heritage) 
• Cultural contents (story telling, augmented reality …) 
• Sustainability & accessibility dimensions 
• Promotion of the Route 
• Ways to ‘consume’ itineraries (biking …) 
17
18 
COSME 
Pre-COSME projects 
Extra_Expo - From Extraction to Exposition: a 
journey on how rocks become masterpieces 
creating and promoting a new transnational tourist itinerary 
based on a common cultural and industrial heritage around 
European marbles (2014-2015) – 200.000 € 
18
19 
COSME 
Pre-COSME projects 
Tastes of Trappists - sustainable tourism strategy 
within major Trappists’ sites areas, which cover beer industrial 
heritage (2014-15). 
European Route of ceramics capitalizing on the 
specific industrial and cultural heritage of ceramic territories 
(2013-2014). http://www.viaceram.eu/ 
19
Creative Europe programme 
TRANSNATIONAL COOPERATION PROJECTS 
•The "Culture sub-programme" funds transnational activities within 
and outside of the EU, aimed at developing, creating, producing, 
disseminating and preserving goods and services which embody 
cultural, artistic or other creative expressions. Priorities include the 
support of international cultural activities such as exhibitions and 
festivals. 
•For "smaller scale cooperation projects" (consortium of at least 3 
partners from 3 different participating countries, with maximum 
duration of 48 months), grants up to € 200.000 representing 
maximum 60% of the eligible budget. For "larger scale cooperation 
projects" (consortium of at least 6 partners from 6 different 
participating countries, with maximum duration of 48 months), 
grants up to € 2 million representing maximum 50% of the eligible 
budget. 
20
Creative Europe programme 
EUROPEAN NETWORKS 
•The "Culture sub-programme" supports European networks (i.e. 
structured groups of organisations) that strengthen the capacity of 
the cultural and creative sectors to operate transnationally and 
internationally, adapt to change and promote innovation. A limited 
number of networks with broad coverage will be supported across a 
balanced range of sectors. Greater synergies between existing 
networks are welcomed in order to reinforce their organisational and 
financial structure and avoid duplication of efforts. 
•Action grants awarded under a 3-year Framework Partnership 
Agreement, that shall not exceed € 250.000 per year. Maximum co-financing 
rate of 80% of total eligible costs. 
21
Contact details 
European Commission, 
Directorate General Enterprises and 
Industry 
Directorate E. Service Industry 
Unit E2. Tourism and cultural 
instruments. Eric Philippart c/o ENTR-TOURISM- 
AND-CULTURAL-INSTR@ 
ec.europa.eu 
22 
Thank you for 
your attention

eric philippart

  • 1.
    Valorizing Industrial Heritage International Conference (Shift X project) 15 October 2014 (Genk - BE) EU SUPPORT FOR TOURISM AND INDUSTRIAL HERITAGE Eric Philippart European Commission, DG Enterprise & Industry Unit E2. Tourism and cultural instruments
  • 2.
    Types of support • Policy support (Communications and Action Plans flagging the importance of the sector, challenges and opportunities) • Facilitation (setting places for (inter-)sectoral dialogue) • Soft law (monitoring, proposing and occasionally endorsing) • Promotion, marketing, training (trade fairs, Tourism business portal http:// ec.europa.eu/enterprise/sectors/tourism/tourism-business-portal/index_en.htm …) • Financial support (direct funding through grants or indirect funding via financial intermediaries) 2
  • 3.
    EU competence fortourism • Since 1 December 2009, the EU can intervene to "support, coordinate or complement the action of Member States"* • Its action shall in particular "encourage the creation of a favourable environment for the development" of a competitive tourism sector 3 * Articles 6 and 195 - Treaty on the functioning of the European Union
  • 4.
    • "Europe, theworld's No 1 tourist destination – a new political framework for tourism in Europe" (COM(2010)352 • "A European Strategy for more Growth and Jobs in Coastal and Maritime Tourism" (COM(2014)86 • "Towards an integrated approach to cultural heritage for Europe" (COM(2014)477) • Mapping of Cultural Heritage actions in European Union policies, programmes and activities (European Commission DG EAC, 2014) http:// ec.europa.eu/culture/library/reports/2014-heritage-mapping_en.pdf 4 Policy support
  • 5.
    Facilitation • Industrialtourism strategies and international key players • Industrial heritage promotion and new tourism solutions • Industrial tourism: local development and sustainable policies • Industrial tourism: local development: "niche" markets and innovative tourism products http://ec.europa.eu/enterprise/sectors/tourism/conferences/2011-etd / 5 European Tourism Day (2011) Industrial heritage
  • 6.
    Crossroads of Europe on Industrial Tourism (2014) Ferrol (Spain) - 3rd Crossroads of Europe & 5th European Conference of Industrial Tourism •Thematic (promotion and marketing; conversion of industrial landscapes into tourist attraction; importance of education and handbooks on industrial tourism; planning, sustainability and quality; Interactions between public administrations, associations and networks at international level) 6 • Sectoral (greenways, heritage railways; mining; beers, wine and spirits; maritime industries, …) http://ec.europa.eu/enterprise/newsroom/cf/itemdetail.cfm?item_id=7329&lang=en
  • 7.
    • European Routeof Industrial Heritage network (ERIH) • European Federation of Associations of Industrial and Technical Heritage (E-FAITH) • Europa Nostra • … 7 Dialogue
  • 8.
    Soft Law &good practices • Dublin Principles (2011) for the Conservation of Industrial Heritage Sites, Structures, Areas and Landscapes • Framework Convention on the Value of Cultural Heritage for Society (Council of Europe) • European Landscape Convention with respect to industrial heritage (Council of Europe) • "Decalogue of good practices of industrial tourism" (2014) adopted by the 5th European Congress of Industrial Tourism International Committee for the Conservation of the Industrial Heritage International Council on Monuments and Sites • … 8
  • 9.
    New Guide onfunding for the tourism sector 9 • strategic importance of tourism for the EU (1 of top 3 economic sectors) • Sector made of many different players with different needs (long supply chain from marketing & advertising; travel agents, ...) • Range of EU thematic programmes 9 INSERT
  • 10.
    10 Scope andfocus of the guide (1/3) • The guide covers the most important EU programmes for the tourism sector • It focuses on (in)direct funding opportunities (by opposition to EU actions benefiting the tourism sector such as fight against money counterfeiting ...) • The tourism sector is defined here as private and public entities promoting tourism destinations or developing tourism services. This contribution can be direct (e.g. National tourism offices) or indirect (entities training tourism workers – e.g. universities organising a master in tourism management …). 10
  • 11.
    11 Scope andfocus of the guide (2/3) • EUROPEAN COHESION FUND • EUROPEAN SOCIAL FUND • EUROPEAN REGIONAL DEVELOPMENT FUND • LIFE • EUROPEAN AGRICULTURE AND RURAL DEVELOPMENT FUND • EUROPEAN MARITIME AND FISHERIES FUND • HORIZON 2020 • COSME • CREATIVE EUROPE PROGRAMME • ERASMUS + • EMPLOYMENT AND SOCIAL INNOVATION PROGRAMME 11
  • 12.
    12 Scope andfocus of the guide (3/3) • The guide focuses on practical questions: • type of tourism-related actions eligible for funding • type and level of funding • who can apply and • how to apply Electronic version http://ec.europa.eu/enterprise/sectors/tourism/index_en.htm 12
  • 13.
  • 14.
    14 Selection ofrelevant programmes Next to well-known Structural Funds' opportunities •HORIZON 2020 •COSME •CREATIVE EUROPE PROGRAMME 14
  • 15.
    Horizon 2020 EUFramework Programme for Research and Innovation (2014-2020) made of "programme sections" (also called "pillars. Most interesting for tourism probably are: •"Excellent Science" • sub-section MSCA ("Marie Skłodowska-Curie Actions") for career development and training of researchers – with a focus on innovation skills – in all scientific disciplines through worldwide and cross-sector mobility 15
  • 16.
    Horizon 2020 •"Societal Challenges" • sub-section programme "Europe in a changing world - Inclusive, innovative and reflective societies" funding Research & Innovation Actions", "Innovation Actions" and "Coordination and Support Actions" in particular on transmission of European cultural heritage See calls on "Emergence and transmission of European cultural heritage and Europeanisation" (REFLECTIVE-2- 2015) or "The cultural heritage of war in contemporary Europe" (REFLECTIVE-5-2015). uses of the past See call on "Innovation ecosystems of digital cultural assets" (REFLECTIVE-6-2015) for bringing cultural content to new audiences in novel ways, through the development of new environments, applications, tools, and services for digital cultural resources in scientific collections, archives, museums, libraries and cultural heritage sites 3D modelling for accessing EU cultural assets See "Advanced 3D modelling for accessing and understanding European cultural assets" (REFLECTIVE-7-2014) focuses on developing new methods and tools for automated 3D modelling and analysis of physical cultural resources and assets (e.g. cultural heritage sites, monuments, sculptures, archaeological sites…). 16
  • 17.
    17 COSME Incubator,nursery, hospital •Calls for the development or improvement of European thematic routes (focus on Cultural and industrial heritage) • Cultural contents (story telling, augmented reality …) • Sustainability & accessibility dimensions • Promotion of the Route • Ways to ‘consume’ itineraries (biking …) 17
  • 18.
    18 COSME Pre-COSMEprojects Extra_Expo - From Extraction to Exposition: a journey on how rocks become masterpieces creating and promoting a new transnational tourist itinerary based on a common cultural and industrial heritage around European marbles (2014-2015) – 200.000 € 18
  • 19.
    19 COSME Pre-COSMEprojects Tastes of Trappists - sustainable tourism strategy within major Trappists’ sites areas, which cover beer industrial heritage (2014-15). European Route of ceramics capitalizing on the specific industrial and cultural heritage of ceramic territories (2013-2014). http://www.viaceram.eu/ 19
  • 20.
    Creative Europe programme TRANSNATIONAL COOPERATION PROJECTS •The "Culture sub-programme" funds transnational activities within and outside of the EU, aimed at developing, creating, producing, disseminating and preserving goods and services which embody cultural, artistic or other creative expressions. Priorities include the support of international cultural activities such as exhibitions and festivals. •For "smaller scale cooperation projects" (consortium of at least 3 partners from 3 different participating countries, with maximum duration of 48 months), grants up to € 200.000 representing maximum 60% of the eligible budget. For "larger scale cooperation projects" (consortium of at least 6 partners from 6 different participating countries, with maximum duration of 48 months), grants up to € 2 million representing maximum 50% of the eligible budget. 20
  • 21.
    Creative Europe programme EUROPEAN NETWORKS •The "Culture sub-programme" supports European networks (i.e. structured groups of organisations) that strengthen the capacity of the cultural and creative sectors to operate transnationally and internationally, adapt to change and promote innovation. A limited number of networks with broad coverage will be supported across a balanced range of sectors. Greater synergies between existing networks are welcomed in order to reinforce their organisational and financial structure and avoid duplication of efforts. •Action grants awarded under a 3-year Framework Partnership Agreement, that shall not exceed € 250.000 per year. Maximum co-financing rate of 80% of total eligible costs. 21
  • 22.
    Contact details EuropeanCommission, Directorate General Enterprises and Industry Directorate E. Service Industry Unit E2. Tourism and cultural instruments. Eric Philippart c/o ENTR-TOURISM- AND-CULTURAL-INSTR@ ec.europa.eu 22 Thank you for your attention

Editor's Notes

  • #21 Media sub-programme largely focuses on the development and distribution of European films, TV programmes ... It is therefore not covered by this guide. One of its actions however could be of interest for the tourism sector, i.e. support to Film Festivals. This action covers (1) initiatives promoting presenting and promoting a diversity of European audio-visual works as well as (2) activities aimed at promoting film literacy and increasing audience's knowledge of, and interest in, European audio-visual works, including the audio-visual and cinematographic film heritage, in particular among young audiences.
  • #22 Media sub-programme largely focuses on the development and distribution of European films, TV programmes ... It is therefore not covered by this guide. One of its actions however could be of interest for the tourism sector, i.e. support to Film Festivals. This action covers (1) initiatives promoting presenting and promoting a diversity of European audio-visual works as well as (2) activities aimed at promoting film literacy and increasing audience's knowledge of, and interest in, European audio-visual works, including the audio-visual and cinematographic film heritage, in particular among young audiences.