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Children’s theatre
Featuring Maile Speetjens
By Heather Salyer
Children’s theatre?
- Year Long: usually have a Jr. version of a popular show,
cast, rehearse and perform
- Week Long: a predetermined script or Jr. version of a
popular show, cast first day, rehearse, perform last day
- KDIA: Kids write THEIR OWN script, build their set, make
their costumes and perform (in one week)
Benefits of kdia vs other children theatre
- Students get a chance to take ownership of their work
- If the play sucks…. IT’S THEIR FAULT
- It is more engaging to be apart of something that YOU
created rather than something someone created for you
Maile Speetjens
- Maile has been the head
director of KDIA for the last
four years
- Started working in Children’s
Theatre at the age of 17
- Maile has worked every angle
counselor, director,
playwright, TD
Down Side
- Kids do not come with instruction manuals
- Theatre as a collaborative art is hard for the most
professional adults
- Children are energy dementors
Plus Side
- KIDS REMIND US OF WHO WE USED TO BE
- It is constantly new theatre and new ideas
- There are so many personalities
- A great environment to experiment and fail
What Is a Typical Week(students)
- Monday:meet students, give a tour, teach basic theatre
knowledge, improv games, dance, music and art
- Tuesday: warm up, movement based improv, brainstorm ideas
for the play, dance, music and art
- Wednesday: warm up, read the play round robin, improv
based on script, get roles, start learning song and
dance, make projections
- Thursday: warm up, memorize lines, finish learning song
and dance, start blocking, paint set
- Friday: warm up, rehearse all morning, perform for other
groups in the afternoon
- Saturday: SHOW TIME!!!!
PLAYWRIGHT TYPICAL WEEK
- Monday&Tuesday: Watch/Lead improv to get ideas for what
the students would like their play to be about
- Tuesday Night: write the play using the ideas from class,
making sure there are no lead roles and that the play is
30min or less
- Wednesday: read the play with the kids and help with any
pronunciation
- Thursday&Friday: keep the peace when the director is
staging
- Saturday: Lead games, introduce kids, possibly tech
Director Typical Week
- Monday&Tuesday: Lead games and keep the piece while the
playwright gathers ideas
- Wednesday: read the play before the kids get there, start
casting while they read the play, start blocking
- Thursday: help teach the song and dance, start teaching
blocking, tell TD what the set needs to be
- Friday: make sure everyone is off book, approve costumes,
be there for the kids
- Saturday: lead games, do any special makeup, introduce
kids, keep the peace
What Does EVERYONE Do?
- Every day there is a meeting to see how the groups are
doing and what the plays are about (so the music director
and TD can start doing their part)
- Every Friday the counselors divide up the kids and write
letters to give them after the performance on Saturday
- WE TEACH!! Everyone has to, at some point, lead a game or
answer questions that we think are simple but not so much
to a child
How Does This Benefit The A&H?
- By introducing young minds to music, art, theatre, dance
and literature they can feel more confident in those
areas as they move forward
- It utilizes the part of the brain that is not as
stimulated due to STEM schools
- TEAMWORK!!! It gives kids more opportunities to work with
people different from them in a safe and expressive
environment
More Reasons WHy Children’s Theatre Rocks
- Kids get to take ownership of their work and see how
collaboration and teamwork can add up to great things
- When you perform it is sort of like a celebration
- It is six days off creative freedom that always ends with
a surplus of encouragement
Why Teach Children’s Theatre?
- It is a way to get out of the 9-5 culture
- If you are a writer, you get the challenge of writing a
new script each week that has to be an ensemble piece…
that makes sense
- Artists get to design new sets each week
- Directors/Teachers get to work with new students and test
out lesson plans each week
Last Slide I Swear
Overall, working in children’s theatre is a huge passion of
mine and I am fortunate to work with Maile. For the last
four years I have directed eighteen original one acts for
some stellar children. I am exhausted everyday but it is all
worth it to give a home to some arts and humanities
advocates in the making.

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P3 Children's Theatre

  • 1. Children’s theatre Featuring Maile Speetjens By Heather Salyer
  • 2. Children’s theatre? - Year Long: usually have a Jr. version of a popular show, cast, rehearse and perform - Week Long: a predetermined script or Jr. version of a popular show, cast first day, rehearse, perform last day - KDIA: Kids write THEIR OWN script, build their set, make their costumes and perform (in one week)
  • 3. Benefits of kdia vs other children theatre - Students get a chance to take ownership of their work - If the play sucks…. IT’S THEIR FAULT - It is more engaging to be apart of something that YOU created rather than something someone created for you
  • 4. Maile Speetjens - Maile has been the head director of KDIA for the last four years - Started working in Children’s Theatre at the age of 17 - Maile has worked every angle counselor, director, playwright, TD
  • 5. Down Side - Kids do not come with instruction manuals - Theatre as a collaborative art is hard for the most professional adults - Children are energy dementors
  • 6. Plus Side - KIDS REMIND US OF WHO WE USED TO BE - It is constantly new theatre and new ideas - There are so many personalities - A great environment to experiment and fail
  • 7. What Is a Typical Week(students) - Monday:meet students, give a tour, teach basic theatre knowledge, improv games, dance, music and art - Tuesday: warm up, movement based improv, brainstorm ideas for the play, dance, music and art - Wednesday: warm up, read the play round robin, improv based on script, get roles, start learning song and dance, make projections - Thursday: warm up, memorize lines, finish learning song and dance, start blocking, paint set - Friday: warm up, rehearse all morning, perform for other groups in the afternoon - Saturday: SHOW TIME!!!!
  • 8. PLAYWRIGHT TYPICAL WEEK - Monday&Tuesday: Watch/Lead improv to get ideas for what the students would like their play to be about - Tuesday Night: write the play using the ideas from class, making sure there are no lead roles and that the play is 30min or less - Wednesday: read the play with the kids and help with any pronunciation - Thursday&Friday: keep the peace when the director is staging - Saturday: Lead games, introduce kids, possibly tech
  • 9. Director Typical Week - Monday&Tuesday: Lead games and keep the piece while the playwright gathers ideas - Wednesday: read the play before the kids get there, start casting while they read the play, start blocking - Thursday: help teach the song and dance, start teaching blocking, tell TD what the set needs to be - Friday: make sure everyone is off book, approve costumes, be there for the kids - Saturday: lead games, do any special makeup, introduce kids, keep the peace
  • 10. What Does EVERYONE Do? - Every day there is a meeting to see how the groups are doing and what the plays are about (so the music director and TD can start doing their part) - Every Friday the counselors divide up the kids and write letters to give them after the performance on Saturday - WE TEACH!! Everyone has to, at some point, lead a game or answer questions that we think are simple but not so much to a child
  • 11. How Does This Benefit The A&H? - By introducing young minds to music, art, theatre, dance and literature they can feel more confident in those areas as they move forward - It utilizes the part of the brain that is not as stimulated due to STEM schools - TEAMWORK!!! It gives kids more opportunities to work with people different from them in a safe and expressive environment
  • 12. More Reasons WHy Children’s Theatre Rocks - Kids get to take ownership of their work and see how collaboration and teamwork can add up to great things - When you perform it is sort of like a celebration - It is six days off creative freedom that always ends with a surplus of encouragement
  • 13. Why Teach Children’s Theatre? - It is a way to get out of the 9-5 culture - If you are a writer, you get the challenge of writing a new script each week that has to be an ensemble piece… that makes sense - Artists get to design new sets each week - Directors/Teachers get to work with new students and test out lesson plans each week
  • 14. Last Slide I Swear Overall, working in children’s theatre is a huge passion of mine and I am fortunate to work with Maile. For the last four years I have directed eighteen original one acts for some stellar children. I am exhausted everyday but it is all worth it to give a home to some arts and humanities advocates in the making.