iPad:
The most valuable screen ever.



  Alex Gault
  Vice president, product development, Mobovivo
  alex@mobovivo.com
So who is it going to be?

Who is going to be the next Ted Turner?
     Netflix
     Hulu
     YouTube
     Tim Cook
     Samsung
     Facebook
     Cisco
     Ryan Seacrest
TV vs. Apps vs. Web

 Prime time TV still the winner

 Apps a close 2nd

 Web lagging
Native Apps Trump HTML5

 1,000 x websites
  as apps competing
  for less & less time


 Apps make $$
Discovery Channel: Website losing to App

During Prime Time, page views for App exceed those for website




  http://corporate.discovery.com/media/uploads/pdf/video-perceptions-study.pdf
Samsung vs. Apple

  Samsung: Global leader in TV sales
  Apple: Most valuable company in the world
  Combined: Expected take 90% of 2012 smartphone profits
   (Maynard Um, UBS Analyst)
  Samsung: Distant 2nd in the tablet market
  Apple: Expected to launch TV
  IP: Heavy patent battles between two
Smart TV?

Or Smart Remote Control?
   Computing power is in the cloud, but not 100%
   Smartphone apps are better
   Better yet on tablet
   Browser-based navigation on TV is not user friendly
     ─ Typing & search work on computers, but not well on mobile devices
     ─ Voice is unproven


Tablets and smartphones make great remote controls
Growing sources of original programming

 Ad agencies are becoming producers
 Actors are becoming producers (Kim Kardashian, Oprah, etc)
 Producers are producers
 Studios are producers
 Networks are producers
 Operators are producers (Comcast/NBC)
 Netflix & YouTube are producers
TV Shows: Apps can serve entire life cycle
 Pre-release: Advanced marketing

 Broadcast: Second Screen
   – 86% of mobile internet users engage with mobile devices
     simultaneously with TV (Nielsen/Yahoo)
   – 31% of internet use is in front of TV
   – 30% of tablet use is in front of TV
   – In 2012, commuters will watch 5B hours of TV on their
     mobile devices

 Home Entertainment: TV apps: iPad becomes primary screen
DVD
  Currently represent 70% of the OTT revenue
  Predictions
    ─ DVD extras become App extras
    ─ Many DVDs become dedicated Apps by 2013
    ─ Apple launches video “Newsstand” – API that
      aggregates video apps
    ─ Single title Apps become points of aggregation for
      other shows & movies (in app purchases, etc)
Film
    Tweet Seats in 2012
    What role does social play in 2015?
    Life Cycle
      – Pre-Release marketing
      – Theatrical release
      – Broadcast
      – Home entertainment
    Apps are more secure than DVD and broadcast
    Actors can drive sales at all stages
Apps serve the life cycle of shows & films
Enable audiences to stay tuned from pre-release to home
entertainment
 Pre-release: Social & expressive medium for writers, actors & fans
 Broadcast: Companion to film & TV viewing
 Home entertainment: Primary screen viewing experience
Capture audiences early
 Pre-Release:
  Actors go social
  Producers & writers deliver production stills, dailies & locations
 Just prior to release:
    Actors & producers going again with in-app posts to Facebook & Twitter
 During release:
  Sell theater tickets to theatrical
  Drive audience to broadcast
 Home Entertainment:
  Sell movies & shows as dedicated Apps
Directly connect with audiences

Producers can build audiences during the entire life cycle:
 Engage
 Drive theater ticket sales
 Drive home entertainment sales
 Drive merchandise sales
 Fund their next productions
Power of the second screen

Audiences: Looking for deeper engagement with TV shows & films
 Information discovery: Cast, characters, players plot (Wikipedia,
  IMDB, sports stats, etc)

 Connecting socially: Facebook & Twitter integration

 Remote control: Personalized programming guide & controller

 Interactive: Game mechanics, quizzes, contests, rewards

 Shopping: Purchase something from either screen – from within an
  ad or product placement
Apps that engage audiences while
          watching the big screen   Second Screen App
2012 - 2020 Playbook

  Televisions get dumb
  Content gets smart
  Users get hooked on control
  Netflix, YouTube, Conde Naste, NY Times, etc. become channels
  Everybody makes original programming
  Celebrities become channels, producers – then studios & networks
  Advertising is great for reality & sports
  Pay-per-view & subscriptions rule scripted programming
  Netflix tries ads
iPad: Most valuable screen real estate

 Why?
    Airplay
    Video newsstand to help with discovery
    Remote control
    Second screen
    First screen
    Resolution suitable for television programming
    No need for Smart TV
    Unlimited shelf space
    The iOS and apps get upgraded regularly & automatically
The most valuable screen ever.




  Alex Gault
  Vice president, product development & client services, Mobovivo
  alex@mobovivo.com

iPad: The Most Valuable Screen Ever for TV & Film Producers

  • 1.
    iPad: The most valuablescreen ever. Alex Gault Vice president, product development, Mobovivo alex@mobovivo.com
  • 2.
    So who isit going to be? Who is going to be the next Ted Turner?  Netflix  Hulu  YouTube  Tim Cook  Samsung  Facebook  Cisco  Ryan Seacrest
  • 3.
    TV vs. Appsvs. Web  Prime time TV still the winner  Apps a close 2nd  Web lagging
  • 5.
    Native Apps TrumpHTML5  1,000 x websites as apps competing for less & less time  Apps make $$
  • 6.
    Discovery Channel: Websitelosing to App During Prime Time, page views for App exceed those for website http://corporate.discovery.com/media/uploads/pdf/video-perceptions-study.pdf
  • 7.
    Samsung vs. Apple  Samsung: Global leader in TV sales  Apple: Most valuable company in the world  Combined: Expected take 90% of 2012 smartphone profits (Maynard Um, UBS Analyst)  Samsung: Distant 2nd in the tablet market  Apple: Expected to launch TV  IP: Heavy patent battles between two
  • 8.
    Smart TV? Or SmartRemote Control?  Computing power is in the cloud, but not 100%  Smartphone apps are better  Better yet on tablet  Browser-based navigation on TV is not user friendly ─ Typing & search work on computers, but not well on mobile devices ─ Voice is unproven Tablets and smartphones make great remote controls
  • 9.
    Growing sources oforiginal programming  Ad agencies are becoming producers  Actors are becoming producers (Kim Kardashian, Oprah, etc)  Producers are producers  Studios are producers  Networks are producers  Operators are producers (Comcast/NBC)  Netflix & YouTube are producers
  • 10.
    TV Shows: Appscan serve entire life cycle  Pre-release: Advanced marketing  Broadcast: Second Screen – 86% of mobile internet users engage with mobile devices simultaneously with TV (Nielsen/Yahoo) – 31% of internet use is in front of TV – 30% of tablet use is in front of TV – In 2012, commuters will watch 5B hours of TV on their mobile devices  Home Entertainment: TV apps: iPad becomes primary screen
  • 11.
    DVD  Currentlyrepresent 70% of the OTT revenue  Predictions ─ DVD extras become App extras ─ Many DVDs become dedicated Apps by 2013 ─ Apple launches video “Newsstand” – API that aggregates video apps ─ Single title Apps become points of aggregation for other shows & movies (in app purchases, etc)
  • 12.
    Film  Tweet Seats in 2012  What role does social play in 2015?  Life Cycle – Pre-Release marketing – Theatrical release – Broadcast – Home entertainment  Apps are more secure than DVD and broadcast  Actors can drive sales at all stages
  • 13.
    Apps serve thelife cycle of shows & films Enable audiences to stay tuned from pre-release to home entertainment  Pre-release: Social & expressive medium for writers, actors & fans  Broadcast: Companion to film & TV viewing  Home entertainment: Primary screen viewing experience
  • 14.
    Capture audiences early Pre-Release:  Actors go social  Producers & writers deliver production stills, dailies & locations Just prior to release:  Actors & producers going again with in-app posts to Facebook & Twitter During release:  Sell theater tickets to theatrical  Drive audience to broadcast Home Entertainment:  Sell movies & shows as dedicated Apps
  • 15.
    Directly connect withaudiences Producers can build audiences during the entire life cycle:  Engage  Drive theater ticket sales  Drive home entertainment sales  Drive merchandise sales  Fund their next productions
  • 16.
    Power of thesecond screen Audiences: Looking for deeper engagement with TV shows & films  Information discovery: Cast, characters, players plot (Wikipedia, IMDB, sports stats, etc)  Connecting socially: Facebook & Twitter integration  Remote control: Personalized programming guide & controller  Interactive: Game mechanics, quizzes, contests, rewards  Shopping: Purchase something from either screen – from within an ad or product placement
  • 17.
    Apps that engageaudiences while watching the big screen Second Screen App
  • 18.
    2012 - 2020Playbook  Televisions get dumb  Content gets smart  Users get hooked on control  Netflix, YouTube, Conde Naste, NY Times, etc. become channels  Everybody makes original programming  Celebrities become channels, producers – then studios & networks  Advertising is great for reality & sports  Pay-per-view & subscriptions rule scripted programming  Netflix tries ads
  • 19.
    iPad: Most valuablescreen real estate Why?  Airplay  Video newsstand to help with discovery  Remote control  Second screen  First screen  Resolution suitable for television programming  No need for Smart TV  Unlimited shelf space  The iOS and apps get upgraded regularly & automatically
  • 20.
    The most valuablescreen ever. Alex Gault Vice president, product development & client services, Mobovivo alex@mobovivo.com