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Presentation
The aim of the presentation is to encourage a close textual analysis of a continuous extract, relating its features to
the flm as a whole and to the wider sociocultural context.
Students must present a clear understanding of how meaning is constructed through the use of flm language.
Students may prepare and take notes into the assessment, but they should not read from a prepared document
and any notes should be used for reference and guidance only. It is the teacher’s responsibility to ensure that
students do not read out their presentation.
Pre-prepared work:
Any student who reads out their presentation from a prepared document or fails to adhere to the specifed
time allocation cannot be awarded a mark within the top two markbands at SL. Notes may be used as aides-
memoire, but the student must be sufciently secure with their knowledge and understanding for the presentation
to be more than reading out an essay.
Marks Level descriptor
0 The work does not reach a standard described by the descriptors below.
1–5
There is little or no evaluative interpretation of the extract, displaying a very limited understanding of how
meaning is constructed through the use of flm language, and a very limited awareness of the extract’s
relationship to the flm as a whole. There is little or no explanation for the selection of the extract. The
critique shows little or
no awareness of the flm’s genre and/or its place in a broader sociocultural context. There is little or no
analysis of the director’s intention. This presentation is likely to be exclusively descriptive.
6–10
There is a limited evaluative interpretation of the extract, displaying some understanding of how meaning
is constructed through the use of flm language and a limited awareness of the extract’s relationship to the
flm as a whole. There is a limited explanation for the selection of the extract. The critique shows some
awareness of the flm’s genre and/or its place in a broader sociocultural context. There is a limited analysis
of the director’s intention. A substantial amount of the presentation may have detailed descriptions, but
ofers only limited analysis.
11–15
There is a coherent evaluative interpretation of the extract, displaying an adequate understanding of how
meaning is constructed through the use of flm language, and a satisfactory awareness of the extract’s
relationship to the flm as a whole. There
is an adequate explanation for the selection of the extract. The critique shows a satisfactory awareness of
the flm’s genre and/or its place in a broader sociocultural context. There is some analysis of the director’s
intention. There may be some descriptive elements but the presentation ofers adequate analysis.
16–20
There is a coherent and detailed evaluative interpretation of the extract, displaying a good understanding
of how meaning is constructed through the use of flm language, and a good awareness of the extract’s
relationship to the flm as a whole. There is a clear explanation for the selection of the extract. The critique
shows
a good awareness of the flm’s genre and/or its place in a broader sociocultural context. There is a sound
analysis of the director’s intention. There may be brief elements of description but analysis is thorough.
21–25
There is a coherent, incisive, insightful and detailed evaluative interpretation of
the extract, displaying an excellent understanding of how meaning is constructed through the use of flm
language, with an excellent awareness of the extract’s relationship to the flm as a whole. There is a
persuasive explanation for the selection of the extract. The critique shows an excellent awareness of the
flm’s genre and/
or its place in a broader sociocultural context. There is an insightful analysis of
the director’s intention. Simple description is negligible and analysis is clear and thorough.
Students should select an extract lasting no more than fve minutes from their chosen flm and ofer a detailed
textual analysis of the extract, placing it in the context of the flm as a whole and in a broader sociocultural context,
as appropriate. Students should include reasons for choosing the particular extract. Shot-by-shot analysis may form
part of the presentation, but this should not be used as a substitute for observations that are drawn together from
diferent parts of the chosen extract.
Any sources consulted during the preparation of the presentation must be acknowledged on the coversheet.
The following must be adhered to in preparing and submitting presentation work.
• The presentation must last no longer than 10 minutes.
• There must be no interruptions or prompting by a supervisor during the presentation
• The presentation must be recorded on a computer.
• Playing the flm extract must not occupy any of the student’s allotted 10-minute commentary time.
Supervisor's guidance
During the presentation, the supervisor should not interrupt.
The teacher may only remind the student of time left and ask whether they have anything further to say but they
must not make reference to specifcs or ask leading questions.
Students should use as much of the time available as possible.
Presentations that are signifcantly shorter than 10 minutes may be awarded a mark that does not represent the
student’s full potential.

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oralpressiecriteriafull IB FILM STUDIES.pdf

  • 1. Presentation The aim of the presentation is to encourage a close textual analysis of a continuous extract, relating its features to the flm as a whole and to the wider sociocultural context. Students must present a clear understanding of how meaning is constructed through the use of flm language. Students may prepare and take notes into the assessment, but they should not read from a prepared document and any notes should be used for reference and guidance only. It is the teacher’s responsibility to ensure that students do not read out their presentation. Pre-prepared work: Any student who reads out their presentation from a prepared document or fails to adhere to the specifed time allocation cannot be awarded a mark within the top two markbands at SL. Notes may be used as aides- memoire, but the student must be sufciently secure with their knowledge and understanding for the presentation to be more than reading out an essay. Marks Level descriptor 0 The work does not reach a standard described by the descriptors below. 1–5 There is little or no evaluative interpretation of the extract, displaying a very limited understanding of how meaning is constructed through the use of flm language, and a very limited awareness of the extract’s relationship to the flm as a whole. There is little or no explanation for the selection of the extract. The critique shows little or no awareness of the flm’s genre and/or its place in a broader sociocultural context. There is little or no analysis of the director’s intention. This presentation is likely to be exclusively descriptive. 6–10 There is a limited evaluative interpretation of the extract, displaying some understanding of how meaning is constructed through the use of flm language and a limited awareness of the extract’s relationship to the flm as a whole. There is a limited explanation for the selection of the extract. The critique shows some awareness of the flm’s genre and/or its place in a broader sociocultural context. There is a limited analysis of the director’s intention. A substantial amount of the presentation may have detailed descriptions, but ofers only limited analysis. 11–15 There is a coherent evaluative interpretation of the extract, displaying an adequate understanding of how meaning is constructed through the use of flm language, and a satisfactory awareness of the extract’s relationship to the flm as a whole. There is an adequate explanation for the selection of the extract. The critique shows a satisfactory awareness of the flm’s genre and/or its place in a broader sociocultural context. There is some analysis of the director’s intention. There may be some descriptive elements but the presentation ofers adequate analysis. 16–20 There is a coherent and detailed evaluative interpretation of the extract, displaying a good understanding of how meaning is constructed through the use of flm language, and a good awareness of the extract’s relationship to the flm as a whole. There is a clear explanation for the selection of the extract. The critique shows a good awareness of the flm’s genre and/or its place in a broader sociocultural context. There is a sound analysis of the director’s intention. There may be brief elements of description but analysis is thorough. 21–25 There is a coherent, incisive, insightful and detailed evaluative interpretation of the extract, displaying an excellent understanding of how meaning is constructed through the use of flm language, with an excellent awareness of the extract’s relationship to the flm as a whole. There is a persuasive explanation for the selection of the extract. The critique shows an excellent awareness of the flm’s genre and/ or its place in a broader sociocultural context. There is an insightful analysis of the director’s intention. Simple description is negligible and analysis is clear and thorough.
  • 2. Students should select an extract lasting no more than fve minutes from their chosen flm and ofer a detailed textual analysis of the extract, placing it in the context of the flm as a whole and in a broader sociocultural context, as appropriate. Students should include reasons for choosing the particular extract. Shot-by-shot analysis may form part of the presentation, but this should not be used as a substitute for observations that are drawn together from diferent parts of the chosen extract. Any sources consulted during the preparation of the presentation must be acknowledged on the coversheet. The following must be adhered to in preparing and submitting presentation work. • The presentation must last no longer than 10 minutes. • There must be no interruptions or prompting by a supervisor during the presentation • The presentation must be recorded on a computer. • Playing the flm extract must not occupy any of the student’s allotted 10-minute commentary time. Supervisor's guidance During the presentation, the supervisor should not interrupt. The teacher may only remind the student of time left and ask whether they have anything further to say but they must not make reference to specifcs or ask leading questions. Students should use as much of the time available as possible. Presentations that are signifcantly shorter than 10 minutes may be awarded a mark that does not represent the student’s full potential.