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By Pablo Neruda
About the Poet
                 
 Neftalí Ricardo Reyes Basoalto
 Supported communism
   1952 exiled
 1959 “Ode to Broken Things”
   Closure over exile
First Stanza
Things get broken
at home
like they were pushed
by an invisible, deliberate smasher.
It's not my hands
or yours
It wasn't the girls
with their hard fingernails
or the motion of the planet.
It wasn't anything or anybody
It wasn't the wind
It wasn't the orange-colored noontime
Or night over the earth
It wasn't even the nose or the elbow
Or the hips getting bigger
or the ankle
or the air.
First Stanza Continued

The plate broke, the lamp fell
All the flower pots tumbled over
one by one. That pot
which overflowed with scarlet
in the middle of October,
it got tired from all the violets
and another empty one
rolled round and round and round
all through winter
until it was only the powder
of a flowerpot,
a broken memory, shining dust.
Second Stanza
And that clock
whose sound
was
the voice of our lives,
the secret
thread of our weeks,
which released
one by one, so many hours
for honey and silence
for so many births and jobs,
that clock also
fell
and its delicate blue guts
vibrated
among the broken glass
its wide heart
unsprung.
Third Stanza

Life goes on grinding up
glass, wearing out clothes
making fragments
breaking down
forms
and what lasts through time
is like an island on a ship in the sea,
perishable
surrounded by dangerous fragility
by merciless waters and threats.
Fourth Stanza

Let's put all our treasures together
-- the clocks, plates, cups cracked by the cold --
into a sack and carry them
to the sea
and let our possessions sink
into one alarming breaker
that sounds like a river.
May whatever breaks
be reconstructed by the sea
with the long labor of its tides.
So many useless things
which nobody broke
but which got broken anyway.
Ode to Broken Things
            
 S: Observer of broken things
 O: at home
 A: humans, including the speaker
 P: perishable – The speaker explains how all material
  objects are perishable
 M: The speaker believes that since all tangible objects
  will inevitably break, they should not be infatuated
  with.

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Ode to broken things

  • 2. About the Poet   Neftalí Ricardo Reyes Basoalto  Supported communism  1952 exiled  1959 “Ode to Broken Things”  Closure over exile
  • 3. First Stanza Things get broken at home like they were pushed by an invisible, deliberate smasher. It's not my hands or yours It wasn't the girls with their hard fingernails or the motion of the planet. It wasn't anything or anybody It wasn't the wind It wasn't the orange-colored noontime Or night over the earth It wasn't even the nose or the elbow Or the hips getting bigger or the ankle or the air.
  • 4. First Stanza Continued The plate broke, the lamp fell All the flower pots tumbled over one by one. That pot which overflowed with scarlet in the middle of October, it got tired from all the violets and another empty one rolled round and round and round all through winter until it was only the powder of a flowerpot, a broken memory, shining dust.
  • 5. Second Stanza And that clock whose sound was the voice of our lives, the secret thread of our weeks, which released one by one, so many hours for honey and silence for so many births and jobs, that clock also fell and its delicate blue guts vibrated among the broken glass its wide heart unsprung.
  • 6. Third Stanza Life goes on grinding up glass, wearing out clothes making fragments breaking down forms and what lasts through time is like an island on a ship in the sea, perishable surrounded by dangerous fragility by merciless waters and threats.
  • 7. Fourth Stanza Let's put all our treasures together -- the clocks, plates, cups cracked by the cold -- into a sack and carry them to the sea and let our possessions sink into one alarming breaker that sounds like a river. May whatever breaks be reconstructed by the sea with the long labor of its tides. So many useless things which nobody broke but which got broken anyway.
  • 8. Ode to Broken Things   S: Observer of broken things  O: at home  A: humans, including the speaker  P: perishable – The speaker explains how all material objects are perishable  M: The speaker believes that since all tangible objects will inevitably break, they should not be infatuated with.