This poem by Lord Byron reflects on the passage of time and how it continues to move forward regardless of one's circumstances. He acknowledges time's role in bringing both joy and sorrow, as it allows memories of past loved ones but also brings the speaker closer to his own death. While time can deform the present, the speaker takes comfort knowing its effects will ultimately be fleeting and meaningless once he is gone and reduced to "a nameless stone."
I have compiled this book so that you can get it printed. Its available in PDF form and you can download it, i will leave the option open. Its an anthology taught in NUML and students often have difficulty finding poems.
The presentation version of The Poet's Voice is an initiative of The Fourth Dimension Blog. If you download the presentation, open it and hit F5, you'll be able to hear the audio of the poems on the slides in the voices of the poets themselves.
I have compiled this book so that you can get it printed. Its available in PDF form and you can download it, i will leave the option open. Its an anthology taught in NUML and students often have difficulty finding poems.
The presentation version of The Poet's Voice is an initiative of The Fourth Dimension Blog. If you download the presentation, open it and hit F5, you'll be able to hear the audio of the poems on the slides in the voices of the poets themselves.
If You Forget Me,” Pablo NerudaI want you to knowone thing..docxwilcockiris
“If You Forget Me,” Pablo Neruda
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
“The Second Coming,” William Butler Yeats
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.
The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
We Are Seven
William Wordsworth (1770–1850)
A SIMPLE Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?
I met a little cottage Girl:
5
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.
She had a rustic, woodland air,
And she was wildly clad:
10
Her eyes were fair, and very fair;
—Her beauty made me glad.
‘Sisters and brothers, little Maid,
How many may you be?’
‘How many? Seven in all,’ she said,
15
And wondering looked at me.
‘And where are they? I pray you tell.’
She answered, ‘Seven are we;
And two of us at Conway dwell,
And two are gone to sea.
20
‘Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them wi.
Neste trabalho, apresento alguns dados sobre a poesia de Lord Byron, seleciono alguns dos seus principais poemas para mostrar a importância de seu papel para a literatura Inglesa bem como o que caracteriza sua poesia como romântica.
1)Read chapter 20 in CoffinStacey. (read something about Coffin.docxNarcisaBrandenburg70
1)
Read chapter 20 in Coffin/Stacey.
(read something about Coffin/Stacey and write just one pragpragh about it)
2)
read some selections of
Romantic Poems
and write a one-page paper in which you examine some of the main characteristics of the Romantic era. Please be sure to include quoted material.
Romantic Poems
:
Samuel Coleridge
, "Kubla Khan" (1798)
In Xanadu did Kubla Khan
A stately pleasure-dome decree;
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round;
And here were gardens bright with sinuous rills
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But O, that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced;
Amid whose swift, half-intermittent burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail.
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean;
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw.
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
`Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.
William Wordsworth
, "The Solitary Reaper" (1807)
Behold her, single in the field,
Yon solitary Highland Lassl
leaping and singing by herself;
Stop here, or gently passl
Alone she cuts and binds the grain,
And sings a melancholy strahl;
O listen for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shally haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no on.
1
English 2202
Selected Victorian Poetry: Tennyson, Browning,
Arnold and Rossetti
2
Dover Beach (1842)
Matthew Arnold
THE SEA is calm to-night.
The tide is full, the moon lies fair
Upon the straits;—on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay. 5
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanch’d sand,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling, 10
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago 15
Heard it on the Ægæan, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea. 20
The sea of faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furl’d.
But now I only hear
Its melancholy, long, withdrawing roar, 25
Retreating, to the breath
Of the night-winds, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems 30
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain 35
Swept with confus’d alarms of struggle and flight,
Where ignorant armies clash by night.
Memorial Verses (1850)
Matthew Arnold
GOETHE in Weimar sleeps, and Greece,
Long since, saw Byron’s struggle cease.
But one such death remain’d to come;
The last poetic voice is dumb—
We stand to-day by Wordsworth’s tomb. 5
3
When Byron’s eyes were shut in death,
We bow’d our head and held our breath.
He taught us little; but our soul
Had felt him like the thunder’s roll.
With shivering heart the strife we saw 10
Of passion with eternal law;
And yet with reverential awe
We watch’d the fount of fiery life
Which serv’d for that Titanic strife.
When Goethe’s death was told, we said: 15
Sunk, then, is Europe’s sagest head.
Physician of the iron age,
Goethe has done his pilgrimage.
He took the suffering human race,
He read each wound, each weakness clear: 20
And struck his finger on the place,
And said: Thou ailest here, and here!
He look’d on Europe’s dying hour
Of fitful dream and feverish power;
His eye plunged down the weltering strife, 25
The turmoil of expiring life—
He said: The end is everywhere,
Art still has truth, take refuge there!
And he was happy, if to know
Causes of ...
5 john milton poems biography intro themeMohdVaris
If you are looking for milton poet or john milton poems. So we have world famous 5 john milton poems. Like Lycidas poem, On shakespeare poem, On time poem, etc. With biography, intro, theme.
Reunió de directors d'instituts de tot el món amb directors xinesos a prop de Xangai i signatura d'un acord de col.laboració entre l'Institut Pompeu Fabra de Martorell i un institut de Wuxi (Xina9
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
1. Langston Hughes'
Mother to Son
Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So boy, don't you turn back.
Don't you set down on the steps
'Cause you finds it's kinder hard.
Don't you fall now
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.
2. I had no time to hate because
by Emily Dickinson
I had no time to hate, because
The grave would hinder me,
And life was not so ample I
Could finish enmity.
Nor had I time to love, but since
Some industry must be,
The little toil of love, I thought,
Was large enough for me.
3. Nostalgia
by Billy Collins
Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow.
"
Everything was hand-lettered then, not like today.
Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage.
We used to dress up in the flags
of rival baronies and conquer one another in cold rooms of stone.
Out on the dance floor we were all doing the Struggle
while your sister practiced the Daphne all alone in her room.
We borrowed the jargon of farriers for our slang.
These days language seems transparent a badly broken code.
The 1790's will never come again.
Childhood was big.
People would take walks to the very tops of hills
and write down what they saw in their journals without speaking.
Our collars were high and our hats were extremely soft.
We would surprise each other with alphabets made of twigs.
It was a wonderful time to be alive, or even dead.
4. I am very fond of the period between 1815 and 1821.
Europe trembled while we sat still for our portraits.
And I would love to return to 1901 if only for a moment,
time enough to wind up a music box and do a few dance steps,
or shoot me back to 1922 or 1941, or at least let me
recapture the serenity of last month when we picked
berries and glided through afternoons in a canoe.
Even this morning would be an improvement over the present.
I was in the garden then, surrounded by the hum of bees
and the Latin names of flowers, watching the early light
flash off the slanted windows of the greenhouse
and silver the limbs on the rows of dark hemlocks.
As usual, I was thinking about the moments of the past,
letting my memory rush over them like water
rushing over the stones on the bottom of a stream.
I was even thinking a little about the future, that place
where people are doing a dance we cannot imagine,
a dance whose name we can only guess.
5. The Moment
by Margaret Atwood
The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,
is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.
No, they whisper.
You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.
6. All the Worlds a Stage
by William Shakespeare
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages.
At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school.
And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow.
Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth.
And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part.
The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound.
Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
7. You see I cannot see your lifetime by Emily Dickinson
You see I cannot see your lifetime
I must guess
How many times it ache for me today Confess
How many times for my far sake
The brave eyes film
But I guess guessing hurts
Mine got so dim!
Too vague the face
My own so patient covers
Too far the strength
My timidness enfolds
Haunting the Heart
Like her translated faces
Teasing the want
It only can suffice!
8. As Time Passes
As the secondspass...
We lookback...
Of whatour liveshave held...
As the minutespass...
We see whatfell throughthe cracks...
Parts of our liveswe withheld...
As the hourspass...
We thinkof whatwe learned...
What we have taught...
What we have forgot...
As the dayspass...
We wisha lotcouldbe returned...
We wishwe wouldof neverfought...
You hope theyforget-me not...
As yearspass...
You standalone...
Theyhave all grown...
Married andgone...
Or on theirown...
As yourlife passes...
You standproud...
Lookinghowwell theyraise theirown...
You didwell...
Live on...
9. Signs of the Times by Raymond A. Foss
Kairos time, not Chronos time;
how hard a concept, so easily missing.
We live in times with signs, like the times
they shared with You.
How could they not see the signs,
those people who claimed to be
set apart, a chosen people
the people of the word, the law,
the prophets. But they failed to see,
to act on the wisdom, the fulfillment,
the signs plain before their unseeing eyes.
We too are so comfortable, so lazy,
so timid. We fail to see the signs
of the end times, signs before us.
We are stuck in the tick tock of the clock,
the slow march of time. We fail to see,
to act in our time. We see only the day to day
not the imperative outside our doors.
Kairos time is here. We need to choose.
We must act, even if it splits father from son,
mother from daughter.
He knew that. So must we.
10. To Time by Lord Byron
Time! on whose arbitrary wing
The varying hours must flag or fly,
Whose tardy winter, fleeting spring,
But drag or drive us on to die
Hail thou! who on my birth bestowed
Those boons to all that know thee known;
Yet better I sustain thy load,
For now I bear the weight alone.
I would not one fond heart should share
The bitter moments thou hast given;
And pardon thee since thou couldst spare
All that I loved, to peace or Heaven.
To them be joy or rest on me
Thy future ills shall press in vain;
I nothing owe but years to thee,
A debt already paid in pain.
Yet even that pain was some relief;
It felt, but still forgot thy power:
The active agony of grief
Retards, but never counts the hour.
In joy I've sighed to think thy flight
Would soon subside from swift to slow;
Thy cloud could overcast the light,
But could not add a night to Woe;
For then, however drear and dark,
My soul was suited to thy sky;
One star alone shot forth a spark
To prove thee not Eternity.
That beam hath sunk and now thou art
A blank a thing to count and curse
Through each dull tedious trifling part,
Which all regret, yet all rehearse.
One scene even thou canst not deform
The limit of thy sloth or speed
When future wanderers bear the storm
Which we shall sleep too sound to heed.
And I can smile to think how weak
Thine efforts shortly shall be shown,
When all the vengeance thou canst wreak
Must fall upon a nameless stone.
“PoemsOn Time
The butterfly countsnot months but moments,
and has time enough.
Time is a wealth of change,
but the clock in its parody makesit mere change and no wealth.
Let your life lightly dance on the edges of Time
like dew on the tip of a leaf.”
― Rabindranath Tagore