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M u s ic L it e r a c y
       Notions about Notation
N o t a t io n in t h e E n s e m b le
             C la s s r o o m
How do students typically interact with notation in the
large ensemble classroom?

Read and sing, or read and play

Students rarely produce their own music in this setting.
W h a t is M u s ic
           L it e r a c y ?
The ability to communicate and comprehend the
language of music by reading, writing, speaking, hearing,
listening, and performing,

Aural Literacy – There is an ability to communicate and
comprehend purely “by ear.”
C o m p a r is o n t o E n g lis h
          L it e r a c y
Writing lags behind reading the English Language

Writing is a strong indication of comprehension of the
English language because it is creative. To create a
coherent English sentence requires strong
comprehension.

Musical composition lags behind music reading.
R e a d in g M u s ic :
   K e y t o E n s e m b le
            S is key c producing a performance,
• Reading music
                u c to e s s
  particularly in instrumental music. A flute does not
  produce an accurate pitch with an
  in a c c u r a t e fingering. Band and Orchestra
  students indicate some degree of musical literacy
  just by performing a passage with proper pitches
  and rhythms.
• Singers, however, don’t have to “push the right
  buttons” to produce accurate pitches. Singers can
  usually follow someone near them, or memorize
  their part from the director’s examples, or hear it
  in the accompaniment.
C o m p o s it io n is
  e s s e n t ia l t o M u s ic
          L it e r a c y
Student creation is a better indicator of
 student music literacy than their ability to
 recreate what others wrote by playing or
 singing. It forces them to generate the
 concepts from within.
W h y N o t a t io n s o f t w a r e a t
                 a ll ?
 It creates a permanent copy of student work.

 Editing is “WAY” easier!

 It can be shared with others quickly.

 It is aesthetically pleasing to the creator.

 Software produced music notation is the standard for
 musicians all over the world.

 It can be easily shared on the web.
N e w N o t a t io n a l
           N o t io n s
Large ensemble classroom is ill-equipped to allow student
composition, in particular composition with computer notation
programs.

Large Ensemble Teachers often do not promote composition

Belief produces Actions:

If we believe that writing is part of music literacy, then students
should be encouraged to write.

Students develop and demonstrate true mastery of music
concepts, not skills, through creations.
M u s ic C o n c e p t s in t h e
 E n s e m b le C la s s r o o m
What concepts are learned in the Ensemble setting?

For which of those concepts would notation be an
appropriate avenue for student creation?
P r o b le m s !
Concert demands
  Festivals, Concerts, Marching Band, Cedar Point, Memorial
  Day, etc.

Time!

Real World vs. Belief in Music Literacy and Composition
C la s s r o o m s o lu t io n s
Pencil and paper in the folder

Computers available for before school, after school, and
lunch times

Computers can be used by brass player when focus of
rehearsal is on woodwinds.

Many Lesson plans on TI:ME don’t address the problems
we spoke about. They simply throw in notation as a step
in the lesson plan process.

Example Lesson Plan: Notating an Improvised Bass Line
by Laura Cipriano, from the Taipei American School
C o m p u t e r La b
   s o lu t io n s
C o m p u t e r La b
             s obiglu t io accommodate all the
Are computer labs   enough to
                              ns
students in a large ensemble class?

Are teachers willing to take classroom time to use the
computer lab?

Should teachers be willing to take classroom time to use
the computer lab?

How expensive is the software and electronic musical
instruments for an entire lab? Is there a room available in
the school to install a music lab.

A computer lab is an excellent solution in some cases.
O f f s it e N o n - c la s s r o o m
            S o lu t io n s
Inexpensive notational software programs
  http://music-notation-software-review.toptenreviews.com/

Web-based Music notation
  http://musicnotation.org/software/strategy.html
  http://www.noteflight.com/login

Noteflight is collaborative as well!
Notation

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Notation

  • 1. M u s ic L it e r a c y Notions about Notation
  • 2. N o t a t io n in t h e E n s e m b le C la s s r o o m How do students typically interact with notation in the large ensemble classroom? Read and sing, or read and play Students rarely produce their own music in this setting.
  • 3. W h a t is M u s ic L it e r a c y ? The ability to communicate and comprehend the language of music by reading, writing, speaking, hearing, listening, and performing, Aural Literacy – There is an ability to communicate and comprehend purely “by ear.”
  • 4. C o m p a r is o n t o E n g lis h L it e r a c y Writing lags behind reading the English Language Writing is a strong indication of comprehension of the English language because it is creative. To create a coherent English sentence requires strong comprehension. Musical composition lags behind music reading.
  • 5. R e a d in g M u s ic : K e y t o E n s e m b le S is key c producing a performance, • Reading music u c to e s s particularly in instrumental music. A flute does not produce an accurate pitch with an in a c c u r a t e fingering. Band and Orchestra students indicate some degree of musical literacy just by performing a passage with proper pitches and rhythms. • Singers, however, don’t have to “push the right buttons” to produce accurate pitches. Singers can usually follow someone near them, or memorize their part from the director’s examples, or hear it in the accompaniment.
  • 6. C o m p o s it io n is e s s e n t ia l t o M u s ic L it e r a c y Student creation is a better indicator of student music literacy than their ability to recreate what others wrote by playing or singing. It forces them to generate the concepts from within.
  • 7. W h y N o t a t io n s o f t w a r e a t a ll ? It creates a permanent copy of student work. Editing is “WAY” easier! It can be shared with others quickly. It is aesthetically pleasing to the creator. Software produced music notation is the standard for musicians all over the world. It can be easily shared on the web.
  • 8. N e w N o t a t io n a l N o t io n s Large ensemble classroom is ill-equipped to allow student composition, in particular composition with computer notation programs. Large Ensemble Teachers often do not promote composition Belief produces Actions: If we believe that writing is part of music literacy, then students should be encouraged to write. Students develop and demonstrate true mastery of music concepts, not skills, through creations.
  • 9. M u s ic C o n c e p t s in t h e E n s e m b le C la s s r o o m What concepts are learned in the Ensemble setting? For which of those concepts would notation be an appropriate avenue for student creation?
  • 10. P r o b le m s ! Concert demands Festivals, Concerts, Marching Band, Cedar Point, Memorial Day, etc. Time! Real World vs. Belief in Music Literacy and Composition
  • 11. C la s s r o o m s o lu t io n s Pencil and paper in the folder Computers available for before school, after school, and lunch times Computers can be used by brass player when focus of rehearsal is on woodwinds. Many Lesson plans on TI:ME don’t address the problems we spoke about. They simply throw in notation as a step in the lesson plan process. Example Lesson Plan: Notating an Improvised Bass Line by Laura Cipriano, from the Taipei American School
  • 12. C o m p u t e r La b s o lu t io n s
  • 13. C o m p u t e r La b s obiglu t io accommodate all the Are computer labs enough to ns students in a large ensemble class? Are teachers willing to take classroom time to use the computer lab? Should teachers be willing to take classroom time to use the computer lab? How expensive is the software and electronic musical instruments for an entire lab? Is there a room available in the school to install a music lab. A computer lab is an excellent solution in some cases.
  • 14. O f f s it e N o n - c la s s r o o m S o lu t io n s Inexpensive notational software programs http://music-notation-software-review.toptenreviews.com/ Web-based Music notation http://musicnotation.org/software/strategy.html http://www.noteflight.com/login Noteflight is collaborative as well!