Nijinsky Western Dance

Nijinsky Western Dance
what would be the most rioted ballet in history, but no one could see it coming. The Rite of Spring wholeheartedly abandoned all classic ballet ideals
and focused on feeling and tradition. Nijinsky's choreography had absolutely zero resemblance to any previously seen ballets, and yet became
extremely popular and well known for its unique choreography. The progression of the choreography in these ballets shows the regression of
humankind. The primitive, primal instincts are finally reached in The Rite of Spring, where in the first two ballets, The Firebird and Petrushka, we see
only glimpses of this primitive civilization's behavior. As the choreography progresses, the humanlike qualities seen actually regresses. The classic,
pretty and light... Show more content on Helpwriting.net ...
The music also transitions into a more primal sound with the addition of loud, heavy drumming and rhythms. This theme is especially notable given
the time period of these ballets. After the premiere of The Rite of Spring, the first world war would begin the following year. In this war, people
would begin reverting to their primitive instincts and killing their enemies. Primitive dances, like The Rite of Spring seem to have always been
looked down upon, simply because they are not what we consider to be "western dance" (Frosch 251). In our dance school setting in the West, we
focus on western dance, leaving out many important and influential styles that have occurred throughout history and throughout the world. This
unconscious prejudice is what made The Rite of Spring appear so shocking; no one in the Paris audience had ever studied primitive dances before.
Primitive dances are a vital part of our dance history, and the innate human qualities represented in them are vital to our education of humankind. In
The Rite of Spring, the ballet ends with a human sacrifice, a shocking ritual to be incorporated into a ballet, and yet an appropriate action considered
by the culture it is based upon. We often struggle to realize
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Modest Mussorgsky's Influence On Russia
According to Wikipedia's article "Modest Mussorgsky", Mussorgsky was born on March 21st, 1839 and died on March 28th, 1881. He was a
Russian composer in the Romantic period and wanted to be known as a unique composer in Russian music (Wikipedia 2014). He was influenced by
Russian history, Russian folklore, and other themes. Some popular musical pieces that written by him were "Boris Godunov", "Night on Bald
Mountain", and "Pictures at an Exhibition". At a young age, Mussorgsky was sent to Cadet School where it's believed that he started his alcoholism.
Mussorgsky eventually died after suffering four seizures one after another (Wikipedia 2014). Also according to Wikipedia's article "Igor Stravinsky",
Stravinsky was born on June 17th, 1882... Show more content on Helpwriting.net ...
They both seemed to have to have a part in the movement where it would descend out into a soft tone with a sort of tip toeing sound to it. Another
thing that was noticeable was that they both used polyphonies and monophonies in certain parts of the compositions. They also both used trumpet
instrumentations for what seemed to be important parts of the movements. As for the differences, they had different tempos. They both had driving
rhythms, but they were going at different paces. "Rite of Spring" also seemed to be more catchy then "Pictures of

Rite Of Spring
"The Rite of spring" – (Le Sacre du printemps) – (September 1911 – March 1913) remains one of the leading composition breakthroughs of the music
of the 20th century. The artistic merit of this piece is characterized by the revolutionary way of rhythmical and sonic craftsmanship and the unorthodox
manipulation of the orchestral forces resulting to unusual, for its times, colors and sonic landscapes. The musical language of this piece is based on
diatonic triachords, tetrachords etc., octatonic and modal complexes, all combined with melodic elements meticulously elaborated via multiple
rhythmical combinations. The goal of this paper is to present a thorough description of the aspects that are pertinent to the dramaturgical flow by trying
to rationalize

Stravinsky Rhythm
In this performance, the rhythm is apparent and a defining feature of the piece. Sometimes the piece becomes somewhat repetitive with ostinato
patterns present a lot of the time. This piece is played and composed in such a way that it draws the listener into a story. The rhythm plays a big part in
this. On the first page of the composition, Stravinsky changes the meter eight times in nine measures which grabs the attention of the listener. Though
the rhythms in the rite of spring are highly irregular, they are still pulsed. This caused innovations in musical notation in the score to make the piece
playable. Sometimes sounding chaotic, Stravinsky expanded the use of polyrhythm. Creating a hectic and unpleasant sound, nothing like this was done
before. The piece's enormous harmonies move very slowly indeed. This slow harmonies contradict the pie's sense of energy creating a very dissonant
and disturbing atmosphere. In 1913 this would have completely shocked the audience and contributed to the events that took place on the premier.
Although the piece is aggressive and bold in certain areas it cannot be generically labelled as such. The introductions to both parts set a more... Show
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On the night of the 29th of May 1913, the most famous scandal in the history of arts took place. A recently built, new theatre in Paris had the
privilege of hosting the premier night of Stravinsky's Rite of Spring. On that night, events took place that no one saw coming. A reaction was
expected, but not of the magnitude that took place. Having had a successful previous year with his piece 'Petrushka' great things were expected from
Stravinsky and he was hoping for the new ballet to be an even bigger than anything he'd written before. Writing to Nicholas Roerich (Who was behind
the ballet's vision of pagan Russia), Stravinsky said "From all indications I can see that this piece is bound to 'emerge' in a way that rarely

Igor Stravinsky Rite Of Spring
The Choreography of the Rite of Spring
It is a well–known fact that a large number of progressive artworks were not accepted by the publicity at the time of their creation and it could take
several decades for the society to do justice to them. However, the ballet the Rite of Spring created by Igor Stravinsky, which is considered to be one of
the most crucial works of art in the twentieth century, as it marked the beginning of the modernist era, caused a completely unpredictable reaction of
the audience on its premiere in 1913 in the Paris' ThГ©Гўtre des Champs–Г‰lysГ©es. The significance of the Rite of Spring, however, is not only the
merit of Stravinsky but also of Nijinsky who deployed innovative choreography that has altered the understanding ... Show more content on
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It was influenced by the colonial practices and representations which asserted that non–Western cultures are primitive and insufficiently developed. In
addition, Paris of that period was captured by such modern dance practices as the cakewalk, the apache, the grizzly bear, which were considered as
mass and undignified. Nevertheless, the connection between the aforementioned dance styles and the Rite of Spring is obvious, as "the choreography
for each deployed a kinetic vocabulary that yoked together mechanisation and animal vitality ... that not only transgressed conventional definitions of
dance but also offered a physical expression of modernity as defined by, and through, the atavistic body of the dancer" (Kennel 23). Therefore, the Rite
of Spring with its unfamiliar choreography appeared to be "primitive" to the highbrow audience of the ThГ©Гўtre des Champs–Г‰lysГ©es. However,
it is noted that Nijinsky's choreography expressed modernity with its tensions in a physical

`` Rites Of Spring `` By Modris Eksteins
Published in 1989, Modris Eksteins' book, "Rites of Spring" argues that World War I, with Germany specifically as a catalyst, is the turning point of
modernism. As Eksteins explains it, World War I was the final battle between the old world and the new, modern, world. To put it simply: England and
her allies represented the old ways, while Germany and her allies represented new ways. Eksteins believed that the end of the nineteenth century was
filled with urges for modernism with Germany leading the way as the "modernist nation par excellence of our century" Throughout the three acts of his
novel, Eksteins continues to address how Germany, and both world wars, managed to battle the old ways of the nineteenth century and as a result
continue into the twentieth century with humanity completely disillusioned as a whole.
Paying homage to the Russian ballet "The Rite of Spring" with his novel's title, Eksteins begins his analysis of World War Iby discussing Stravinsky's
ballet, which premiered in 1913. The ballet, which shocked audiences by straying from what was most accepted during the time, is used in
comparison to Germany and both world wars. According to Eksteins, both the ballet and Germany share similar notions of sacrifice being essential to
life, and glorify death. Germany, specifically, glorified death as a means of fighting against the old orders in search of liberation and global acceptance
of modernism. Therefore, Germany's reasoning for fighting in World War I

Stravinsky Spring Influences
Igor Stravinsky's ballet The Rite of Spring is a representation of his Russian roots and everything that he celebrated. His Russian roots influenced him
greatly throughout his career, writing compositions that reflected his life and Russia itself.
The symbol of Spring to them represents their new year such as a revival of the crops and fams that was crucial to living. Emboding the new
beginnings, t
Born on June 17, 1882 in Oranienbaum, Russia, Igor Stravinsky was raised in St. Petersburg by his father and mother. Family already with a muscial
background, Stravinsky did not want to pursue the same career as his father and mother. While attending the University of St. Petersburg, Stravinsky
met Nikolai Rimsky–Korsakov who changed his mind from studying law to become a music composer. After the arrival of the first World War,
Stravinsky along with his wife and children fled from Russia. Stravinsky then proceeded to travel the world with his music. Though Stravinsky moved
from New York City to Los Angeles, his time spent in Paris helped influence his inspiration for The Rites of Spring as the... Show more content on
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The piece opens with what seems to be sounds of a clarinet, but it is actually a bassoon reaching high notes in the key range. As the movement
continues, the piece is in a steady beat of offbeats from the instruments replicating the praise towards Spring harvesting. The meter is at a steady at a
pace longer than the usual 4/4. Although the music is steady, you hear the orchestra wanting to push the tempo, always on top of the beat, driving the
music and dancing forward. Later in the piece, the music turns dark, changing keys, and the melody becomes obvious and simple, reflecting that of the
indigenous people of Russia; possibly signalling the end of the piece or reflecting the nature of impending war that threatens the Russian

The Rite Of Spring
The Rite of Spring" is a ballet by Pina Bausch. The original production was choreographed by Vaslav Nijinsky and premiered in 1913. The music, by
Igor Stravinsky, is written about a pagan sacrificial ritual. Pina Bausch's interpretation of this music through dance emphasizes different gender roles
(Savarino, 15). Through dance and the intertwined theme of the ritual sacrifice of a young woman, Pina Bauch's choreography portrays the
self–sacrificial path that women are forced to follow in traditional societies through both desperate and unpretentious movements that are both original
and pay tribute to the initial choreography by Nijinsky.
"The Rite of Spring" first premiered as a ballet set in Pagan Russia. In its first version, by Vaslav Nijinsky, the ballet caused rioting and controversy in
the theater when it premiered in Paris in 1913. The music, by Igor Stravinsky, is intense and uncommonly powerful. The audience was so shocked by
the discordant melodies and the pounding, turned–in choreography that was performed on stage that they began to shout during the performance
(Hensher, "The Rite of Spring– a rude awakening). The ballet's main theme is the sacrifice of a young woman to the gods of spring. In Pina Bausch's
version, this theme is continued, albeit ... Show more content on Helpwriting.net ...
This is visible at 22:07 when one girl kneels down to the dress and another pulls her away. The female corps de ballet contracts down onto on each
other's shoulders at 22:15. At 22:23, they form a close circle and at 23:03 repeat the movements from the large circle with the men, but this time more
desperately and with the men as observers. The women's feet point and lift higher off the ground than before and their alonges are more desperate as
they move closer to one another. Throughout this section, the men stand and watch without emotion, in

Rite Of Spring
Ballet is the art form that generated the movement by human body. It is theatrical which performed on a stage with elaborate costume, scenic design
and lighting. Ballet can tell a story, thought and emotion through the dance. In addition, ballet can be charmed, exiting or provoking.
The analyses these two style ballet "Sleeping Beauty" and "Rite of Spring." this paper will describe the harmony, texture, and characteristic, which use
the dissonance that help clarify stylistic identification, especially with regard to contemporary instrumental dance repertories of lute and ensemble
music.
An overall sound of "Sleeping beauty" is fantastic with the many string or wind of the instruments in style period in 19th century, which can noticeable
in ... Show more content on Helpwriting.net ...
Classical save is essentially classless and international and expresses otherworldliness and lightness of being. Their choreography indicated such a
perfect form as a dance symphony, which based on the classical dance and provided all significant meaning such as free thought.
On the other hand, "Right Spring" was a work for a revolutionary time, which explosive sense of musical movement. From the beginning the music
became more and more intense and complex. That gave the feeling of fighting for the space, attractive and massive uproar. Move a little bit further, the
music become violent, sharp and intensely dissonant. The performers indicated the trill which highlighting the most savage looking, depressing, which
worse than a vagrant that ever seen.
Men who look like neanderthals were jump up and down to response in a completely unpredictable rhythm. However, the way they moved where in the
graceful way imaginable and intensity to everyone's mind. Aggressive, barbaric music is one thing, but this music is romantically savage. Extensive
melodies highlight the beauty of the characters, the story and the expression of human

Summary Of Pina Bausch's Cafe MпїЅller And The Rite Of Spring
Pina Bausch's classic CafГ© MГјller and The Rite of Spring seem to come from completely different worlds. The movement style, narratives, and
musical scores are completely contrasting in the pieces. However, there is one similarity between the two – the way Pina intelligently uses the music to
inform her movement. In both works she utilizes both stillness/silence and repetition to create power and drama to match the music.
As I watched a tall woman, stumble blindly across a crowded stage in silence, the last thing that crossed my mind was what kind of music could
accompany such mundane yet ethereal movement. If I were to have guessed what musical score would be used for Pina Bausch's abstract choreography,
I surely never would have imagined Henry Purcell's arias from Dido and Aeneas. On a basic level, Pina's choreography seemed to have no correlation
to the music. The sporadic rhythm of her choreography never seemed to follow the trembling voice of the soprano or dramatic cry of the violins. In
fact, as furniture and dancers unpredictably crash around the stage, her choreography almost serves as a second, contrasting musical score. At first, the
choice of seemed as random as which chair the sleep walking women ran into – yet her musical choice still seemed to fit perfectly.
Oddly enough, the choreography did have an obsessively regular rhythm, it just did not correlate with the music's rhythms. In her piece, the dancers'
bursts of violent movement are followed by long

The Rite of Spring
Dance Critique: The Rite of Spring
The Rite of Spring was choreographed by Vaslav Nijinsky, a Russian dancer and choreographer. He joined The Imperial School of Ballet in 1900
and was later the lead dancer of the Ballet Russes. He eventually choreographed many works, one of them being Le Sacre du Printemps (The Rite of
Spring) in 1913. He "exceeded the limits of traditional ballet" and the Rite was an example of this. In 1919 he was diagnosed with schizophrenia and
spent the rest of his life in and out of hospitals until he died in London on April 8, 1950. The Rite of Spring was performed by Sergei Diaghilev's
Ballet Russes on May 29th, 1913 at the Theatre des Champs Elysees in Paris. It was later remade by the Joffrey Ballet in ... Show more content on
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I think Nijinsky decided to use the circle dancing as his spatial configuration because the circles allowed for more use of the stage and it
symbolizes the rituals of natives are all connected during their celebrations and sacrifices. By having the males and females separated Nijinsky made
a strong statement that I believe is that the only thing that brings the sexes together is their important ritual of sacrifice. For most of the
performance, the dancers were in unison. This helps the audience capture everything that is occurring. It allows the crowd to focus their attention on
the important aspect of the performance instead of trying to go back and forth from one side of the stage to another. The spectators can also
appreciate the movement of the dancers more if they are in unison. It also helped Nijinsky show what he felt was important in the performance if
everyone was doing the same thing. There were some instances that the dancers were so n'sync that they looked like robots. The moves that they
made seemed simples, for example, their stomping didn't seem complicated but to do it at the same time looked very complex and harder. Najinsky
showed in The Rite of Spring that these performances could be about normal people and their traditions instead of fantasy. The dancers were hunched
over and close to the ground and loose with their bodies which is more

Essay The Rites of Spring by Modris Eksteins
Modris Eksteins presented a tour–de–force interpretation of the political, social and cultural climate of the early twentieth century. His sources were
not merely the more traditional sources of the historian: political, military and economic accounts; rather, he drew from the rich, heady brew of art,
music, dance, literature and philosophy as well. Eksteins examined ways in which life influenced, imitated, and even became art. Eksteins argues that
life and art, as well as death, became so intermeshed as to be indistinguishable from one another. The title of the book, The Rites of Spring, and the
plunge into the world of the Ballet Russe in the first chapter, made clear that Eksteins intended to use Stravinsky's ballet as an image for... Show more
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Germany was, relatively speaking, a new nation; new as a single nation. Russian contributions to music and dance were new; they did not date back
centuries like in England, France, Germany and Italy. Politically, Germany found herself in a similar situation. She was new and wanted to make her
place among the great powers; she saw herself as the innovator, a progressive spirit, as opposed to wearied France and conservative Britain. Eksteins
contends that because Germans saw themselves as the agent of (inevitable) progress, they felt their role in The Great War was defensive rather than
aggressive. To attack Germany was to attack the future. This belief that they must defend their homeland from those who would deny the future,
sustained the Germans during and after the war, and into the next one. Eksteins realized that Hitler was not an anomaly; Hitler touched a sympathetic
chord within the Germans. Although Eksteins discussed that any group may want to find scapegoats when things go wrong, citing the tendencies of
the French to look beyond themselves for explanations of failure, he implies that, in Germany, finding scapegoats produced such horrific results
because preexisting sentiments of anti–Semitism combined with the violence and power of Nazism. His depiction of the vibrant and dynamic, "pep
rally‿ mentality with its appeal to

Igor Stravinsky's The Rite Of Spring
As I listened to Igor Stravinsky download 70, Stravinsky's musical piece differs from that of the romantic era by the unadorned lines, raw energy, and
elemental truth in which was incorporated into his musical piece I listened to and analyzed The Rite of Spring. During this period modern artists such as
Igor Stravinsky were determined to turn the public away from Romantic idealism and back to harsh reality, as stated. In this particular piece it was
heard to have intensifying metallic sounds which are not expected catching the listeners as well as the dancers of this particular art off guard. Whereas,
in the romantic era calm signifying sounds are incorporated in each musical piece. In The Rite of Spring Stravinsky takes the listeners as well

Rite Of Spring Monologue
Uproarious laughter! Outcries of boos and grunts! Scarfs, hats, and shoes being thrown everywhere! And, worst of all, people getting trampled and
beaten on for no reason. Believe it or not, that is what I had witnessed in the audience last night at the premiere of a new ballet called
The Rite of Spring by up and coming Russian composer, Igor Stravinsky. Although this ballet was not well–received by its audience, the theater was so
packed that it took me over 15 minutes to find a decent seat to sit in! As soon as the beginning started with it's very poetic and dreamy bassoon solo,
the audience started to laugh and giggle. That puzzled me because I was enjoying the bassoon solo a lot and actually found it to be quite mesmerizing.
I felt really pleased by ... Show more content on Helpwriting.net ...
I felt very indifferent to the music because it sounded like Stravinsky took random notes from several keys at the same time and threw them onto paper
without caring about beauty. In addition, I absolutely hated the dancing
(or should I say stomping) that I saw! Although we Parisians requested Russian ballet with an exotic and oriental character to it, stomping is not
necessary! It mocks the elegance and grace that so many dancers work so hard at perfecting for performance on stage. When The Rite of
Spring finally reached the Sacrificial Dance section, it messed with my already upset ears and mind even more than any other section of the ballet. It
sounded extremely nightmarish to me through its outpourings of even more weird types of dissonances and unpredictable rhythmic unevenness that
made me feel sick, especially as the music gradually grew wilder until the end.
The Rite of Spring was unlike anything that I had heard before which is great, but the severe novelty of the music made it very difficult to listen to
and appreciate. As soon as it ended,

Rite Of Spring Choreography
There are certain dances that took the public by surprise during the period of the Ballets Russes, one specifically being The Rite of Spring, its
choreography going against the specific expectations of classical ballet at the time. The performance itself even managed to incite riots within the
public, not for being graphic or of a lude quality, but instead for the fact that it challenged the traditional choreography. It's interesting to note the strong
negative reaction that The Rite of Spring received when all it did was broach classical ballet stylistically. Especially when comparing it to two of the
more surprising and innovative, in choreography, performances that directly explored male and female sexual awakening, those two being Afternoon...
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Afternoon of a Faun seems very much like the adult version of "Little Red Riding Hood", showing the slyness of the faun being similar to that of
the wolf in the fairytale story. The wolf disguising himself as her grandmother telling her sweet things to lure her in closer for him to eat her and
the faun acting timid towards the nymph to lure her closer so that she may satisfy his sexual appetite. Spectre of the Rose looks at this young girls
sexual awakening not in a subtle and immature manner of her having a doll to play with in her dream, but her wishes to be the doll to the male and
have him play with her. She gives herself over completely and willingly in her dream, allowing the Rose to dance with her and take her wherever he
pleases. One must also keep in mind that this being her dream, it is looked at through a lens of her controlling him and he controlling her. Because it is
her dream, her mind controls what may occur and it is apparent that she wants a man to have his own way with her and when looking at the dance you
see exactly that, the Rose controlling the young girl, but forgetting along the way that she, being the dreamer, is truly controlling him. This
manipulative and deceitful quality are

The Rite Of Spring And The Nutcracker Analysis
Listening to Music class has taught me a new way to listen and enjoy music. I have learned how to differentiate the melodies, rhythms, and
instruments in a song. It has also introduced me to different genres in the music world, aside from what is usually played on the radio. I can now
attend any concert, listen to any genre, or watch any ballet and easily recognize the many specific aspects the music being played has. Ballets are
very interesting to me. The audience is able to enjoy the music being played as it is telling a story, and being acted out through the performer's body
language. In the two ballets, The Rite of Spring and The Nutcracker, a great story is told in both referencing the many great dynamics music has.
These two specific ballets are written by different composers, and each one of them have certain conditions they were written under. As well as
different receptions, popularity, and development. The Rite of Spring and The Nutcracker's differences has made some sort of an impact in the
performing world back then as well as now. To begin, The Rite of Spring was composed byIgor Stravinsky. Stravinsky was born in 1882 near St.
Petersburg, Russia. As a Russian–born composer, his music had "a revolutionary impact on musical thought and sensibility just before and after World
War I, and his compositions remained a touchstone of modernism for much of his long working life" (Taruskin; White). According to Wikipedia, he is
considered one of the most important and

Igor Stravinsky Controversy
"The Rite of Spring" was certainly the most controversial piece of orchestral music. The piece, composed by Russian Composer Igor Stravinsky,
included lots of uncommon musical elements. But was it really that uncommon? The world–changing ballet was so controversial when it debuted in
1913, because it completely contradicted the common rhythmic and harmonic languages of most of the music of the time. Stravinsky's music, however,
was based off early classical music and other compositions written before, where these composers were also accused of composing controversial
music, plus Stravinsky's early life experiences impacted his music. "Le Sacre du Printemps" (The original name) was one of the most controversial
ballets in history. The 33–minute ... Show more content on Helpwriting.net ...
Johann Sebastian Bach also wrote lots of controversial music. Some of his keyboard words included "bended" notes to resemble a specific string or
woodwind technique. This was executed as too chromatic and dissonant to most people and the church. At the time, this was uncommon and
unaccepted from a baroque composer, but clearly it wasn't thought of so bad for a while because Bach's death marked the end of the Baroque era.
Beethoven broke many rules too. His ninth symphony which was premiered in 1824 was nowhere near as unconventional of The Rite of Spring,
however, at the time of Beethoven, writing a symphony that was over an hour long, included a full chorus and vocal soloists, and was expressive and
romantic as it was, was in fact unconventional for his time. Beethoven's music was so rebelliously emotional, the last seven years of his life marked the
beginning of the Romantic era. This meant that Beethoven's music was so influential and unique he started the world's brand new "norm" of music in
1820, when the Romantic Era started. Stravinsky's composition took place at the end of the romantic era and went into the 20th century era. It is not
coincidental that these composers who were shunned at the time ended up being so revolutionary and influential that a new musical age

Music In Igor Stravinsky's The Rite Of Spring
Igor Stravinsky's ballet The Rite of Spring is a representation of his Russian roots and everything that he and his culture celebrated. Stravinsky
managed to bring an earthy and wild tone to an orchestra that audiences were used to being so elegant and high class. The symbol of spring to the
Russian culture represents their new year with the revival of the crops and unity that was crucial to living. Embodying the gathering of people with
their relationship with the Earth, Stravinsky brought music back to the origins of dance.
Born on June 17, 1882 in Oranienbaum, Russia, Igor Stravinsky was raised in St. Petersburg by his father and mother. The family already with a
musical background, Stravinsky did not want to pursue the same career as his father and mother. While attending the University of St. Petersburg,
Stravinsky met the son of the composer Nikolai Rimsky–Korsakov who changed his mind from studying law to become a music composer. After the
arrival of the first World War, Stravinsky, along with his wife and children, fled from Russia. Stravinsky then proceeded to travel the world with his
music, moving to France with his family in 1920. Though Stravinsky moved from New York City to Los Angeles, his time spent in Paris helped
influence his inspiration for The Rites of Spring as the Parisian culture was diffused from Russia. During his time in back in Russia, Igor Stravinsky
spent a summer in Ustilug where he discovered that the spring season is very influential

Ensemble Vagabond's The Rite Of Spring
Ensemble Vagabond's debut performance of The Rite of Spring changed the history of Igor Stravinsky's outrageous ballet. Arranged for Winds and
Piano, Peter Facer has taken this momentous piece to an entirely new level. With the Callaway Music Auditorium at maximum capacity, Vagabond
strode confidently onstage to roaring applause to give the performance of a lifetime. Adam Mikulicz's bassoon solo to open the piece captured the
audience while Emily Clements added colour and ornamentation with both the flute and piccolo. Jodie Upton on clarinet and Peter Facer on the oboe
encompassed style, texture and timbre which broadened the sound of this small ensemble. Conducting on the side, Facer kept the ensemble together in
demanding sections. Julia Brooke with her angelic horn sounded like an entire brass section packed into one instrument and finally, Gladys Chua tied
everything together with her outstanding... Show more content on Helpwriting.net ...
By swaying in the delicate phrases and jerking with the harsh ones, the performers became the dancers in the ballet. They expressed different levels
of emotion when required which reflected their playing. Furthermore, the connection between these artists ensured an impeccable performance.
Seeing people look up and interact with each other reinforced their confidence and helped the ensemble stay together. They moved and played
together as one organism. Thus, short notes were played identically by every person, creating sections of order in a piece of pandemonium. As the
piece ended, the performers smiled. Having put 7 years of work into this score, they stood proudly and bowed. The audience erupted in applause. The
Rite of Spring was reborn as the performers were re–invited on stage three times. Considering the already high expectations of the performance and the
applause they received, it is obvious this performance is by far the most memorable UWA Lunch Time Concert this

The Poetic Experience Of Rite Of Spring
The Poetic Experience of "Rite of Spring" Poetry provides an experience, no matter how the poet wishes to convey their message. Many poems have
a clear rhyme while other poems ignore rhyme and instead focus the on structure or style, this is not the case for "Rite of Spring" by Seamus Heaney.
"Rite of Spring" offers the reader the experience of rhyme and rhythm, with four lines rhyming and a rhythm that is noticeable throughout the entire
poem. While rhyme is very important in the poem (as well as the rhythm), imagery is also important in "Rite of Spring". In addition, rhyme, rhythm and
imagery all help the personification in the poem become enhanced, which achieves an experience that leaves the reader satisfied with what they have
read. Therefore, these elements of poetry are effectively used throughout the poem, and leave a lasting experience to the reader. In this essay, I will
seek to prove that Rite of Spring provides an adequate use of poetic devices that adds to the overall experience of the poem.
The first poetic device I noticed in "Rite of Spring" was the usage of rhyme. From the first stanza to the last, the poem has a rhyme scheme. It
follows an end rhyme style, with the rhyme being at the end of a line. This allows for the experience of rhyme to be expected in each stanza. The first
three stanzas follow a rhyme style in which the last two lines rhyme, seen in many modern and pre–modern poems. This rhyme has purpose throughout
the poem, as the first three

Sympathetic Magic: The Great Rite
The Great Rite is a form of sympathetic magic, performed to represent the marriage of the God and Goddess and also fertility. It is performed at
Beltane, this is done on April 31/May 1 in the Northern Hemisphere and October 31/November 1 in the Southern Hemisphere, which is a spring
festival that is based on fertility.
This is because to represent the ancient pagan practices where farms were a way of survival and proper harvesting of crops should be performed
every year to prevent famine. Spring is the season in which farmer begin planting the first crops. It is a time of renewal of the earth. In a group
setting it is done symbolically only, and is often only performed by the priest and priestess represent the God and Goddess. It involves the invocation
of the God ... Show more content on Helpwriting.net ...
Sympathetic magick is where we are doing something in small scale to represent something a lot greater.
The Great Rite is where we are symbolizing sex in ritual to represent the idea of fertility. As Beltane is the start of the planting season. The farmers'
goal is to have a plentiful harvest later. The ritual itself has really nothing to do with sex, however sexuality is used as a tool as a representation of a
larger picture. This is what is commonly known as "sympathetic magick". Sympathetic magick is where you use something to represent something
else. Usually small scale to large scale, like using a poppet to represent a person or it can be something physical to represent an idea, such as with the
Great Rite.
How people choose to utilize the rite is up to them and their practice however I believe that The Great Rite's purpose is about fertility of the land. It
was originally used to encourage the growth of crops and animals in the area so that the ancient Pagans could continue to survive. It was symbolized
through the act of sex, but not because of sex, and sometimes has little to do with the actual sexual rite itself but is shown as

Igor Stravinsky Rite Of Spring
A critique of The Rite of Spring by Igor Stravinsky and Folding by Shen Wei On November 22th, I enjoyed the Rite of Spring and Folding at
Centennial Hall in U of A. Both of them shocked me by their unique way of performances. From the very beginning, The Rite of Spring by Igor
Stravinsky strengthens in a volatile sense of harmonious movements. The Rite of Spring is quite different from classical ballets whose subtle
interchange of the curvaceous, subjective lithesome in the flow of time that romanticism savored. In this particular dance which was carefully planned
by Igor Stravinsky, Stravinsky's rhythms hit and batter; although highly asymmetric they are still pounded in such a new way that the score requires
innovation in harmonious representation to make Stravinsky's invention workable. In this dance, there is no way are these rhythms presented subtly, in
fact, they are habitually stricken out in harmony by the huge orchestra that the work uses. Undeniably, one of the most enjoyable facets of a noble
performance, even without dance convention, is the way that it looks. Their grey outfit and sporadic black tops make them a perfect blend. ... Show
It was as if there was nobody and only the ghost–like dancers onstage accompanied by irregular music terrified me. So as to concentrate on the listener's
discernment on the rhythm, musical material, Stravinsky at times reduces to tiny repetitive configurations of a simple two or three pitch. In tandem
with this rectilinear plainness, The Rite of Spring's gargantuan crunching synchronizations move at the stride of glaciers, this gradual harmonic
movement puzzlingly magnifying the general sense of drive and energy. These structures of sound, although distressingly dissonant for an audience in
1913, are selected with perfect modification, and they reinforce Stravinsky's complete arc with a structural indemnity on a practically Beethovenian

Stravinsky Rite Of Spring Essay
Timpani and Stravinsky
Stravinsky's Rite of Spring and its evolutionary impact towards timpani in an orchestral setting
The musical importance and relevance of Stravinsky's compositions established him as one of the dominant composers of the 20th century. By the
early 19th century Stravinsky's score The Rite of Spring was premiered. The Rite of Spring clearly established Stravinsky as a new and unique
composer setting him apart from his previous Russian teacher and composer Rimsky–Korsakov and on a large composer established him as the
modernist he is know as today. While on a broad scale the Rite is know as one of Stravinsky's most prolific Russian period works, Stravinsky's use of
the timpani throughout the ballet ushered in a new era of compositional method for the instrument. Stravinsky separates himself from his predecessors
(specifically his teacher Korsakov) by exploiting the modern aspects and improvements of timpani. Stravinsky writes for a wider pitch range and by
using Stravinskian compositional methods changes the role of timpani in the orchestra by writing melodic fragments, rhythmic ostinati and "motor"
driven segments, and support/emphasis segments. He also employs other special instructions and divisions of timpani writing that add to his unique ...
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Rimsky Korsakov was Stravinsky's teacher and mentor. Much of Korsakov' style can initial be seen in Stravinsky's writing, specifically in works
such as Firebird. Unlike Firebird, the Rite of spring breaks away from Korsakov's style. The timpani parts of Scheherazade and The Rite prove the
drastic differences between the two composers writing style. The timpani writing in Scheherazade parallel Korsakov's lush romantic writing style.
Often times specifically in the first and 4th mvmt the timpani rolls on a B or E filling out the texture of the orchestra and providing lyrical, sustained
support to the

Le Sacre Du Printemps ( The Rite Of Spring )
Le Sacre du printemps (The Rite of Spring)
Igor Stravinsky was born June 17, 1882 in Oranienbaum, Russia. While studying law, Nicolai Rimsky–Korsakov, a Russian composer and the most
influential member of the composer group known as The Five. Korsakov allegedly told him he should study music. He continued to study under
Korsakov his death in 1908. Stravinsky never had another teacher but caught the likes of many Russian composers like Sergei Diaghilev, impresario of
the famed Ballets Russes, who allowed him to compose a ballet. Among his other compositions nothing compared to his next one under Diaghilev. The
result was the voluptuous and impressionistic, The Firebird in 1910, and later in 1911, Petrushka. His next ballet would "ignite the most famous riot in
the history of music. With its savage rhythms, absence of melody, and barbaric energy,The Rite of Spring marks the true beginnings of Twentieth
Century music, and even today never fails to thrill or amaze listeners" (Sherrane).
While he was composing The Firebird, Stravinsky had a sudden visual idea, a scene of pagan ritual in which a chosen sacrificial virgin danced
herself to death. Naturally such an image invites the creation of a ballet to bring the dance to life. However, before put the vision to reality he had
another vision about a sassy yet sad little puppet from Russian street fairs; Petrushka. Eventually, the ancient images of Russia would come back to
him and would enjoy the popularity of people all the way

The Rites Of Spring By A Modris Ekstein
The novel "The Rites of Spring" is written by a Modris Ekstein is a Latvian author whose family was negatively impacted by the German occupation
during the war. This literary work is based on the Ekstein's claims about modernisms influence in the cause of World War 1. He divides the book into
the acts similar to the play in that is the books namesake. Throughout this work, Ekstein argues that the ideology of modernism, which is primarily
concerned with "introspection, death, emancipation, primitivism, abstraction, movement, and the creation of myths"; in the modern world, has mixed
art and life and made aesthetics more important than previous eras. He further hypothesizes that this progression of Modernism is the cause of the
Nazi regime taking hold of leadership in Germany, which resulted in World War 2 led byAdolf Hitler. Eckstein's understanding of the outcome of the
war centers on change that the US society underwent due to the cultural exchange brought on by the war with Germany, which served as the standard
for the epitome of modernism. However, despite the influence the US society may have absorbed, Americans still maintain their socialist ideas,
preserved their Anglo–American religion, and the ability to not have a consummating ethnocentric view. If war can serve as a medium of cultural
exchange, then it is also likely that the ideals of Modernism would soon spread to the Western society via normal interaction outside of war, especially
if Modernism is the ultimate

Stravinsky's Rite Of Spring
The production of Stravinsky's Rite of Spring was made, to recreate the performance of the Paris premiere. Although, many people did liked the
premiere, about half of the people did not like it. At the beginning of the ballet many people did not like the severe, and rigid music aspect of the ballet.
They were used to the original ballets, with the smooth, peaceful music and the clean lines. Even with the disagreement about the ballet, it didn't hinder
it, they continued doing the performances overtime and many of the people who originally didn't like it came to actually really enjoy it. My first
reaction to this ballet was that the music, which was very dark, was very interesting/weird considering that all the other ballets that I knew of

Rites Of Spring: The Great War And The Birth Of The Modern...
This is a book about death and demolition. Modris Eksteins advises the peruser in his prelude to Rites of Spring: The Great War and the Birth of
the Modern Age. For Eksteins, present day cognizance was conceived on the war zones of World War I and those war zones were, in some sense,
resulting from the tired dreams of the falling flat Western creative ability. The book's title and topic originate from Stravinsky's artful dance Rite of
Spring, which debuted in Paris in 1913 when workmanship still had the capacity to stun. Delivered by Diaghilev, arranged and moved by Nijinsky,
the artful dance sanctioned the people legend of a lady who truly moves herself to death in an agnostic custom to respect the divine forces of spring
and fruitfulness. It is in this reversal of life and demise that Eksteins discovers his focal similitude for what was to happen to Europe.... Show more
content on Helpwriting.net ...
This is a great deal of history for a generally little book, and Eksteins continues impressionistically, giving his examination a role as a dramatization in
three acts–however its belongings are more true to life, with sudden cuts, moving points of view, and montages of detached detail. He distinguishes his
technique as an endeavor to influence a sort of peace with the broken world we to have acquired from the war, however his endeavors at joining are
not generally effective, time and again instituting his topic where they ought to clarify

Rite Of Spring
It is unusual that a score music of a ballet can stand on its own of being a magnificent masterpiece. That is the case of the so popular orchestral
concert "The Rite of Spring" written by Russian composer Igor Stravinsky in 1913. Even though this work has a lot of history and controversy
attached to it, this review will focus more in the music and how we react to it.
My general reaction to the composition is that without seen the ballet you can pretty much have an idea of what is this piece about. It doesn't provoked
you a feeling of tranquility as you would expect from the music of that time period, rather it makes you feel anxious and uncomfortable throughout the
all piece, and especially the combination of high pitch and bass instruments.
In this orchestral concert there are two main sections, "A Kiss of the Earth" and "The Exalted Sacrifice."
The orchestral concert opens the first section with the bassoon making the mood of the piece starts with kind of a calm and pleasant feeling that ... Show
The increased tension in this section is mostly created by the string instruments, especially cellos and violins. The tension in the successive portion
comes back to a stable state to be then increased again towards the end of it. The instruments involved are many, but the ones that stood out the
most were: Violin, piccolo, and the triangle. The music in 6:53 changes to a slower melody, but the intensity is carry on and a suspense feeling is
added due to the use of the timpani. The shift in intensity in the 7:47 is hard to notice because it's almost carried over from the pre section, but it is
a little bit higher due to the faster speed of the bass and high pitch instruments. Again in 8:16 there is a change in the mood of the piece to a more
settle and calm state, this is due to the lower speed and the soft tone of the notes played by the woodwinds and the

Pina Bausch's Rite Of Spring
"I love to dance because I was scared to speak. When I was moving, I could feel." This quote was how one of the most influential dance artists of the
twentieth century described the meaning of dance to her. Although Pina Bausch was a German choreographer, she also had many other labels such as a
provocateur and feminist. Her choreography had a wide range of descriptions from beauty and humor to darkness and sarcasm. The artistry of Bausch
physically and emotionally express sentiments and are highly dramatic. One of her most famous productions, Rite of Spring, is a perfect representation
of the talent and voice Bausch contributed to the dance scene. The theatrical elements of her choreography are reputable for being unique and primal. In
... Show more content on Helpwriting.net ...
The costume choice of this piece expressed that it is deemed appropriate for men to wear what they want. As for the authoritative movements executed
by the men, that represented the power that men have just because they are men. The women dressed in white projected purity and innocence.
Although, the woman in the red dress was singled out and it seemed as if they were judging her. Throughout the reading on Pina and Gender, this was
labeled "othering" and after watching the performance, I completely understood what they meant. The dim and dark atmosphere of the dance
represented that this issue is not addressed and is often left in the dark. The intensity of the music, facial expressions, and style of movement all
influenced my feelings toward the performance. Bausch's choreography brought new meaning to music and I found that to be true. I felt anger when
the bold music played and the men exerted their presence. As the women danced to the softer music, I felt empathy for the struggle they were
experiencing. The facial expressions of the women changed dramatically with the presence of the men. The discomfort I felt, I felt with the female

European History as Told Through Diaghilevs Rite of Spring...
Many often associate the 19th Century with old–fashioned ideas and customs, whereas the 20th Century is seen as the 'modern era'. So where in
between these two extremes can historians label a turning point as the end of one era, and the start of another? Modris Eksteins offers his view in
Rites of Spring, where he uses the Russian ballet of the same name as a metaphor for the changing society during the World War I era. Eksteins views
Germany as being the most modern nation in Europe, despite the outcome of the war, and sees its characteristics in the ballet, with Serge Diaghilev as
the ringmaster behind it all. Diaghilev brings the ideas and talent of the blossoming Russia to Paris in 1913 with the premiere of Le Sacre du
printempes. Even ... Show more content on Helpwriting.net ...
Germany also rushed into war as a way to prove them as a capable new entity on the European map. It glorified war to its youth as being a speedy
rite of passage for young men where they would be able to get shipped off to war so as to gain manhood, and return to their families in a matter of
a few weeks. However this was incredibly unrealistic in every sense once the war started heating up; many would be gone for long periods of time
and possibly not return at all. Going to war was glorified to such an extreme extent in Germany and was the cause for the greatest loss of life in history
in what is now called the 'Lost Generation'. While Germany thought its antagonistic actions in war were justified in supporting their modern views and
ideas, old–fashioned Britain felt their behavior was warranted in that they were trying to defend the old regime that had dominated Western Europe for
centuries. Another changing aspect of culture in the early 20th Century is the morals and values of the people. There became an increasing value in
individualism and doing things for oneself rather than glory. One example of this was when Charles Lindbergh successfully landed in Paris after
flying across the Atlantic Ocean by himself. He was considered a hero amongst the people because he achieved his goal for himself rather than for his
country or God. This idea was evident even more after the publication of Erich Maria Ramarque's All Quiet on

The Rite of Spring Essay
When one thinks of a ballet they hear soft rhythmic notes and see elegantly dancing ballerinas softly tip–toeing around the stage. This is also what
people in early 1900's expected to see when they planned to attend a ballet. However, a couple of motivated artists in 1913 literally planned to change
the design of ballet, music and dance forever. On May 29, 1913 a ballet named The Rite of Spring premiered in Paris, France. The original title as it
translates from Russian to French is; Le Sacre du Printemps, meaning the rite of spring, but the literal translation from Russian to English means
"Sacred Spring". The ballet and music were composed by Igor Stravinsky, with the help of Nicholas Roerich, who proposed the general idea behind the
Unlike traditional ballet The Rite of Spring featured sharply bent arms and legs that focused on barbarian depictions of life rather than the elegant,
graceful representations used in conventional ballet. The violent dance steps depicted fertility rites, which is what provoked the earliest
interruptions during the ballet. While Nijinsky was creating the dance for the ballet, Roerich was creating the setting and costumes to accurately
portray this sacrificial rite. The use of such primitive pagan images were something that the people were not accustomed to. It was a topic that the
world was not yet ready to deal with. But the visuals of the ballet were not the only historic part; the music had an even greater impact. The music
was composed by Igor Stravinsky, who considered himself an inventor of music. He was also known for many controversial works reminiscent of
Nijinsky. He created many works that blasted the whole realm of music into other possibilities, in which it would never return from. He started his
career writing music for other ballets like Firebird and Petrouchka, which were grand and familiar like traditional ballet, but had a small hint of a more
modern tone. It was not until The Rite of Spring that Stravinsky's work was truly inspirational. This work tested the future of the 20th century classical
music, and in many ways it paved the path to a modernized view. There are still many who do not understand how he

Igor Stravinsky Rite Of Spring Essay
Igor Stravinsky's piece the Rite of Spring is probably one of the well–known pieces during the 20th century. Igor Stravinsky really changed the way
music was during the 20th century with his very popular piece the Rite of Spring. In the beginning of Stravinsky's piece the Rite of Spring the rhythm
is somewhat fast. The tempo of the piece changes throughout the piece. At times the piece can have an average pace and then pick up to a fast tempo
again. There is no clear solid rhythm to the piece because the tempo changes throughout the entire piece. The melody of this piece for the most part is
very disjointed and jumpy. Throughout the entirety of the piece it is harsh sounding, but there are moments in the piece where it is smooth sounding.
So the melody is... Show more content on Helpwriting.net ...
The chords being played are very unique. This piece can be considered polyphonic because of the multiple melodies being played at the same time.
In some aspects of the piece it can be considered homophonic, but the piece is mostly polyphonic. The piece has very high complexity in terms of
texture and structure. For the duration of this piece a large amount of instruments were used. Some of these instruments include bassoon flutes,
flutes, horns, trumpets, trombones, tubs, strings, drums, and even a triangle. So the amount of instruments used in this piece is very abundant,
which would entail an orchestra. A lot of the meter ranges in this piece can be very different. But a lot of what you can hear is a 4/4 meter and
either a 2/4 meter. Throughout this piece it is hard to determine the piece's main meter because it is constantly changing. The form of this piece is
sort of the same way. It is hard to determine the form of this piece, but it can be considered binary form. It is binary because of the contrast within
the piece. The genre of this piece is that of a ballet. This piece also is considered a concert and was not well liked at

What Was Stravinsky Trying To Accomplish With The Rite Of...
What was Stravinsky trying to accomplish with The Rite of Spring? Why did he include so much dissonance and irregular rhythm? Stravinsky was
trying to get fame and publicity with The Rite of Spring. The Rite of Spring, provoked a riot at its premiГЁre. Depicting various scenes from pagan
ritual, the work features sharp dissonances and intense rhythms with abruptly shifting accents. The choreography too was unconventional; the
audience, used to the long and graceful lines of classical ballet, was shocked by the angular movement centered more on the pelvis than the feet. He
include so much dissonance and irregular rhythm so that he can achieve his aim of making name, fame and to provoke riot at the premier. What did
Debussy mean when he said that

The Music Of Stravinsky's First Ballet
The music of Stravinsky has always been "ahead of time" in the way of using new and different ways of presenting music. His early ballets such as
Firebird, Petrushka, and The Rite of Spring being a great example of his modernism and will to compose music which is both innovative and shocking.
For this essay I have chosen to write about The Firebird (1910) and The Rite of Spring (1913). Firebird was Stravinsky's first Ballet and his first
composition that reached many people because of its modernism and exoticism. The Rite of Spring is still renowned for its portrayal of primitivism, a
concept that was accentuated by the riot that happened at its premiere.
The reason why I have chosen to write about The Firebird is because it was Stravinsky's first ballet and a milestone in modernist culture. Because of its
modernist attributes, The Firebird became very famous within ballet circles.
The reason why I have chosen to write about The Rite of Spring is because of the controversy that surrounded it after its premiere. The ballet was so
shocking to many of the audience members because some of the concepts explored in it were so different and new to them.
The Firebird is based on the Russian legend of the firebird and is said to be a beautiful large red, orange and yellow bird. In the ballet, it is played by a
ballet dancer whose costume is that of a half bird and half man. In the 1900s, ballet costumes tended o be very elegant, and often in pale colours.
However, when Alekandr

Rite of Spring Essay examples
Almost definitely imitating the act of new life waking in the spring soil, Stravinsky starts the haunting introduction to his world–renown ballet, Rite of
Spring, with a high–pitched lone bassoon. The unstable eeriness continues as a horn and pair of clarinets join in the rubato tempo. Just as everything
wakes and bursts into life in spring, so does the piece as more and more instruments join in. Each instrument seems to have a different theme, but seems
necessary in portraying the thick texture needed to symbolize the inevitable climactic arrival of Spring. After the orchestra has finished its first outburst
and almost all instruments have initially come in, a strange harmonic effect is applied to the viola. As the orchestra draws to a... Show more content on
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This is typical of Stravinsky, as he liked quick transposition between episodes so one never knows quite what one is expecting. Next, a fanfare–like
figure is introduced on the trumpets and is passed around the orchestra. Soon after, everything stops (typical Stravinsky) and the chords in the string
section returns. The chords now persist for a little longer and there are no bassoon solos. Instead of having a break every now and then, this time the
bassoon is on top of the whole string orchestra, playing a loud, simple, powerful rhythm. This eventually is done in some other wind instruments and
the movement is finished with a loud bang from the Timpani really caught me off guard. The orchestra then builds up into tremolo ideas used in the
strings that create a busy effect. Another fanfare–like figure is introduced on the horns, which appears throughout the rest of the movement. Stravinsky
plays around with the accents in the music thus resulting in 9–8 bars

Analysis Of The Rite Of Spring
"The Rite of Spring" (Le Sacre du Printemps) Part I: The Adoration of the Earth by Igor Stravinsky was written was written in 1913 for the Paris
dance troupe, the Ballets Russes company; the productions of Serge Diaghilev. The ballet was considered controversial and caused a small riot during
the performance between the two groups; supporters and detractors. "The Rite of Spring" was written during the Modern Era of music. The
characteristics of music during this period used nonsymmetrical patterns in the meter based on five, seven, eleven, or thirteen beats per measure. The
meter could shift constantly changing the flow of the music. Composers started using sharply contrasting rhythms simultaneous , this is called
polyrhythm. Early modern composers wrote melodies in relation to the instruments instead of the voice. Harmonies became more complex during this
time. Composers used stacked chords adding as much as seven notes to one chord. These chords were highly dissonant and were known as
polyharmony cords. These chords redefined the tonality and needed new ways of organization in music. These chords also could make distinctions
with the dissonance and consonance in music. "The Rite of Spring" represents these typical music traits for the modern era. The meter is constantly
changing and is different for each instrument. When the piece first starts the 4/4 time is used, but the bass clef quickly switches to a Вѕ time for one
measure then switches back to 4/4 for one

Stravinsky Influence On Society
Stravinsky is undoubtedly now one of the most influential pioneers due to his musical innovations in new music at the beginning of the 20th Century.
Stravinsky was born in 1882, into the privileged society of pre–revolutionary Russia. In his early years, he was raised strictly under the faith of the
Russian Orthodox Church, which is said to have led on to have a large impression on his compositional styles. At the tender age of 9, Stravinsky's
talent in keyboard improvisation had become apparent – at this stage being influence by composers like Glinka and Tchaikovsky. During his early 20's,
although studying law at university, he began private lessons in composition from Rimsky–Korsakov. It was during this time that Stravinsky began
some of his well–known works, such as Fireworks and a symphony, in which the talented young... Show more content on Helpwriting.net ...
Subsequent to this Stravinsky's career took another turn, into the ballet. During this time some of his most famous ballet works produced The Firebird
and Petrushka. These ballets began to demonstrate the immense skill in Stravinsky's bold and audacious orchestral writing.
The Rite of Spring
In 1913, Stravinsky premiered his arguably most famous and influential work – The Rite of Spring. This ballet ended up to potentially be a very
controversial work, pioneering new ideas in both the music and the choreography. This was Stravinsky's third ballet for Diaghilev's company, the Ballet
Russes, who primarily performed Russian themes. The Rite of Spring acts as a turning point in Stravinsky's career, spurring revolutionary techniques to
be

Automatism In The Rite Of Spring By Viktor Sklovsky
Viktor Shklovsky argued in his significant essay, "Art as Technique," that the nature of our lives separates us from experience. This nature leads to the
habituation of our perceptions and, thus, many aspects of our lives might go by unnoticed. Consequently, much of the beauty present in our lives might
go overlooked. To combat habituation, Shklovsky believed art could restore our sensations and allow us to see this overlooked beauty. For art to
restore our perceptions, however, it must make objects "unfamiliar" and difficult to perceive. Through this strategy, art will be removed from
automatism and the length of our perceptions will be prolonged– allowing for the aestheticizing of art. This strategy is exemplified in the Rites of Spring
Typically, Pound's poems are densely packed with subjective allusions related to the themes of history, literature, politics, economics, andculture.
Following Pound's move from America to Europe, an additional theme found in many of his poems is a general form of cynicism towards America.
This criticism of America and mass culture is exemplified through his poem, Hugh Selwyn Mauberry. In this poem, Pound's new found understanding
of European culture allowed him to complete a cross–cultural reflection of literature in the United States. Pound ingeniously constructed this poem by
dividing it into several distinct sections. In the first section of this poem, Pound discreetly characterized himself as a struggling poet in America who
appreciates aesthetics and the beauty of poetry. However, American society did not view literature in the same manner. Thus, he concludes America is a
"half–savage land" in which his art and ideas are unable to flourish. To illustrate the feebleness of literature in America, Pound constructed a second
section containing an allusionary autobiography using a third–person alter ego named Hugh Selwyn Mauberry. Pound used Hugh in this section to
subjectively describe his experience as a 20th century poet in America. In this section, Pound criticized artists and publishers for caring more about
sales and profits than the craft of literature itself. Throughout this allegory, it becomes apparent

Les Demoiselles D Avignon
Rite of Spring vs. Les Demoiselles d'Avignon
Igor Stravinsky and Pablo Picasso were the two major artists who created their most well–known artworks in the 18th century. Stravinsky created the
Rite of Spring, a musical work that focused on ballet. On the other hand, Picasso painted the Les Demoiselles d'Avignon, which "became the most
famous example of cubism painting," (Pablopicasso.org). Despite the fact that the Rite of Spring and Les Demoiselles d'Avignon are two different
works, they share a few similarities for a number of reasons.
First of all, the Rite of Spring and Les Demoiselles d'Avignon were created in an abstract style and also out of the ordinary. The music in the Rite of
Spring was "angular, dissonant, and totally unpredictable," ... Show more content on Helpwriting.net ...
According to NPR online, Harvard University professor Thomas Kelly suggests that "one of the reasons that the Paris premiere of 'The Rite of Spring'
created such a furor is that it shattered everyone's expectation," (NPR Online). For example, "the evening's program began innocently with a
performance of 'Les Sylphides'. However, as the follow–up piece, it turned out to be anything but spring–like. One of the dancers recalled that Vaslav
Nijinsky's shocking choreography was physically unnatural to perform," (NPR Online). Picasso's Les Demoiselles d'Avignon received "unanimous
shock, distaste, and outrage by a group of painters, patrons, and art critics," (PBS). In addition, "the painter Matisse is angered by the work, which he
considers a hoax, an attempt to pain the fourth dimension," (PBS). The critic Salmon wrote, "It was the ugliness of the faces that froze with horror the
half–converted," (PBS). Painter Derain also made a rude, inhumane comment stating that, "One day we shall find Pablo has hanged himself behind his
great canvas," (PBS). These unpleasant comments, however, did not prevent Stravinsky and Picasso's works from being displayed in theaters,
textbooks, and art

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