The document summarizes the key findings of a survey conducted by the British Photographic Council in 2010 regarding photographers' copyright and working conditions in the UK. The survey found that many photographers feel pressure to give up their copyright or license work for no extra pay. It also found that 60% of photographers knew their copyright had been infringed in the past three years, but only 30% pursued these cases due to difficulties with the UK legal system. The document argues that current UK copyright law does not adequately protect photographers and that reforms are needed to support photographers' rights and make it easier to enforce copyright infringement cases.
As part of my level 3 90 credit diploma in creative media production I have had to undertake extensive research in to two of the regulators within the industry.
Phase-In of Energy-Efficient Lighting Briefing
Hampton Newsom, Attorney, Division of Enforcement, Federal Trade Commission
October 20, 2010. An informative briefing on efforts planned and underway by a variety of key stakeholders to ensure the successful phase-in of efficient lighting.
Hosted by the Alliance to Save Energy and the National Electrical Manufacturers Association.
As part of my level 3 90 credit diploma in creative media production I have had to undertake extensive research in to two of the regulators within the industry.
Phase-In of Energy-Efficient Lighting Briefing
Hampton Newsom, Attorney, Division of Enforcement, Federal Trade Commission
October 20, 2010. An informative briefing on efforts planned and underway by a variety of key stakeholders to ensure the successful phase-in of efficient lighting.
Hosted by the Alliance to Save Energy and the National Electrical Manufacturers Association.
Citizen Voices in a Networked Age of #BigDataStuart Shulman
A talk prepared for the Citizen Voices Conference sponsored by the World Bank:
http://live.worldbank.org/citizen-voices-conference-webcast-and-live-blog
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The ABA Section of Intellectual Property Law provides the latest updates in intellectual property law. Gain insight and ideas from IP experts and practitioners, coming together from around the world to share and discuss the most critical issues in IP law. Happy reading! .
Web 2.0 and Copyright legal issues for UniversitiesAaron Magner
How Australian Universities should management copyright in the context of Web 2.0.
Presentation for a Society of University Lawyers Conference at the University of Queensland, Brisbane, October 2009.
The Fascinating World of Bats: Unveiling the Secrets of the Nightthomasard1122
The Fascinating World of Bats: Unveiling the Secrets of the Night
Bats, the mysterious creatures of the night, have long been a source of fascination and fear for humans. With their eerie squeaks and fluttering wings, they have captured our imagination and sparked our curiosity. Yet, beyond the myths and legends, bats are fascinating creatures that play a vital role in our ecosystem.
There are over 1,300 species of bats, ranging from the tiny Kitti's hog-nosed bat to the majestic flying foxes. These winged mammals are found in almost every corner of the globe, from the scorching deserts to the lush rainforests. Their diversity is a testament to their adaptability and resilience.
Bats are insectivores, feeding on a vast array of insects, from mosquitoes to beetles. A single bat can consume up to 1,200 insects in an hour, making them a crucial part of our pest control system. By preying on insects that damage crops, bats save the agricultural industry billions of dollars each year.
But bats are not just useful; they are also fascinating creatures. Their ability to fly in complete darkness, using echolocation to navigate and hunt, is a remarkable feat of evolution. They are also social animals, living in colonies and communicating with each other through a complex system of calls and body language.
Despite their importance, bats face numerous threats, from habitat destruction to climate change. Many species are endangered, and conservation efforts are necessary to protect these magnificent creatures.
In conclusion, bats are more than just creatures of the night; they are a vital part of our ecosystem, playing a crucial role in maintaining the balance of nature. By learning more about these fascinating animals, we can appreciate their importance and work to protect them for generations to come. So, let us embrace the beauty and mystery of bats, and celebrate their unique place in our world.
Care Instructions for Activewear & Swim Suits.pdfsundazesurf80
SunDaze Surf offers top swimwear tips: choose high-quality, UV-protective fabrics to shield your skin. Opt for secure fits that withstand waves and active movement. Bright colors enhance visibility, while adjustable straps ensure comfort. Prioritize styles with good support, like racerbacks or underwire tops, for active beach days. Always rinse swimwear after use to maintain fabric integrity.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
MRS PUNE 2024 - WINNER AMRUTHAA UTTAM JAGDHANEDK PAGEANT
Amruthaa Uttam Jagdhane, a stunning woman from Pune, has won the esteemed title of Mrs. India 2024, which is given out by the Dk Exhibition. Her journey to this prestigious accomplishment is a confirmation of her faithful assurance, extraordinary gifts, and profound commitment to enabling women.
Have you ever wondered about the lost city of Atlantis and its profound connection to our modern world? Ruth Elisabeth Hancock’s podcast, “Visions of Atlantis,” delves deep into this intriguing topic in a captivating conversation with Michael Le Flem, author of the enlightening book titled “Visions of Atlantis.” This podcast episode offers a thought-provoking blend of historical inquiry, esoteric wisdom, and contemporary reflections. Let’s embark on a journey of discovery as we unpack the mysteries of ancient civilizations and their relevance to our present existence.
3. In 2009, the British Photographic Council began an annual survey into the state of the UK photographic industry In 2010, the survey went further, asking questions about lots of aspects of photographers working lives.
4. Current UK copyright law The 1988 Copyright Designs and Patents Act is the current law regarding copyright in the UK. When introduced, it was seen as a substantial improvement on previous UK copyright laws. Since this Act, freelances now own the copyright on commissioned work . This copyright was a ‘property right’ that could be sold to others. The legislation allowed certain moral rights, if asserted Copyright was extended to 70 years after the author’s death Penalties for copyright infringement include the lost amount, damages, and - in some cases - imprisonment.
5. So does the current UK copyright system help protect creators ? The BPC’s second survey showed that in 2009: 93% of freelance photographers said they were put under pressure by a client to give away copyright or give a more extensive license for no extra money; 71% of freelance photographers said one or more of their clients attempted to acquire copyright from them for no extra fee; and, 40% of freelance photographers said that the majority of their clients believed that by commissioning a freelance photographer, the company owned the copyright.
6. But despite all these pressures: Only one in ten freelance photographers said they voluntarily gave copyright to their clients by default.
7. If the law doesn’t help with commissioned work, does it help protect photographers against those who use their work without asking?
8. Does UK copyright system help stop copyright infringements ? 60% of freelance photographers knew that their copyright had been infringed in the previous three years. Photographers who knew of their work being infringed, said that on average they were aware of 21 infringements over the previous 3 years. Only 30% of photographers said they pursued every known infringement - and 25% say they never pursued any known infringement. 48% of photographers said copyright infringements were a threat to their businesses.
9. So why aren’t UK photographers using the law to help recover money from those who use their work without asking ?
10. Why aren’t UK photographers chasing copyright infringers? 45% say the UK legal system is too difficult to raise a court action. Of those who did pursue the infringement, 62% said they did so by raising an invoice and chasing it as a debt - a legally dubious method, but one that is often successful. Of those who successfully pursued an action, only 34% were happy with the outcome. 30% say the infringer was in a different country and jurisdiction, making it too difficult for legal action.
11. What effect does this have on UK publishers? UK newspapers routinely infringe the copyright of individual photographers - usually by taking photographs from the internet - because they know the penalties are so small. Less than 10% of newspapers routinely credit individual photographers - and they are exempt from doing so under the law. Almost every national and local newspaper seeks to circumvent the intention of the 1988 Copyright Designs and Patents by insisting either freelances give them copyright, or that the newspaper can reuse commissioned work without payment.
12. The statistics gathered by the British Photographic Council in 2009 and 2010 show that the UK copyright system is not defending the interests of photographers. But to understand the fuller situation, we need to understand the industry as a whole.
13. About the UK photography industry It is predominantly freelance: only one in ten photographers is staff. 85% of those freelances work alone, with no employees. It is poorly paid: the median profit or salary of a UK photographer is around £15,000 (€17,300) compared to a national average UK wage of around £25,500 (€29,400) Staff photographers earn on average around twice as much as freelances. Only 13.4% of photographers have a photography-related degree
14. So what does this mean ? In the UK, photographers are unregulated and do not need to be a member of a professional organisation - making them difficult to contact and organise. Most photographers work alone, with little contact with their competitors - which leads to suspicions that the competitors are charging less,or agreeing to more stringent terms. UK photography training courses are notoriously poor at teaching copyright and business skills - meaning new photographers have little or no knowledge of the law and industry best practice. A significant number of new photographers are middle aged and switching career. ,
15. The difficulties this creates for trades unions Photographers are difficult to find, organise and attract to membership. Usually photographers have little contact with their peers - leading to distrust, and a lack of information being shared. They are low paid and vulnerable to accept offers or terms which they would not normally agree to. 75% of professionals consider amateur photographers a threat to their businesses.
16. How do photographers want the UK system to change ? 82% of freelance photographers want a quicker and easier way to pursue copyright infringement. 84% want mandatory,legally enforceable credits and bylines when their work is published. 54% of photographers say any potential UK orphan works legislation would adversely affect their business
17. What the NUJ is doing : The NUJ is exploring new ways of reaching new photographers- such as working with equipment manufacturers, instead of just colleges and universities. Industry email discussion lists such as EPUS, EPUK and EPFrance bring photographers together to discuss issues and promote best practice. The NUJ is exploring ways in which photographers can introduce the issue of copyright and licensing to clients, without being seen as ‘awkward’ or ‘difficult’ The NUJ continues to publish its industry fees guide, as well as circulating examples of acceptable fees for particular uses.
18. What the NUJ is doing : The NUJ recognises the possible damaging effects of any orphan works legislation, and is committed to ensuring that were it introduced, it would include necessary safeguards including the automatic and mandatory right to a credit. The NUJ believes that the 1988 legislation has come to an end, and that future changes to UK copyright law should be along the lines of authors rights as seen in continental Europe, and proper, enforceable moral rights. The NUJ has long campaigned for a quicker,easier way to enforce UK copyright law for low-value, simple cases.
20. There is one group of photographers who earn significantly more than their colleagues - and it’s linked to one simple factor.
21. Freelance photographers who routinely keep their copyright earn 33.2% more than those photographers who routinely give their copyright to their clients.
22. Nick McGowan-Lowe,National Union of Journalists, andThe British Photographic Council nick@nml.uk.com The survey results: http://tinyurl.com/bpc2010survey