Working as a freelance photographer requires strict adherence to contractual obligations to avoid legal issues. Contracts outline tasks, deadlines, payment amounts, and copyright agreements. While freelancing allows flexibility, photographers are still bound by client contracts and must manage their own business expenses. Building an online portfolio and networking are important for finding new clients and expanding opportunities.
This document contains the results of a questionnaire about magazine preferences. It asks respondents what they like to see in magazines, how many images they prefer, their opinions on potential magazine mastheads, what appeals to them in a magazine, how often they read magazines, and how much they would pay. The results show most respondents prefer magazines with a large number of images and reviews. They read magazines often and would pay between £2-3. The document also outlines plans for a print film magazine, including desired features, image use, locations, equipment needs, and a potential article on the new Spider-Man film.
This document contains the results of a questionnaire about magazine preferences. Most respondents said they would like to see 3-4 or more images in a magazine and are appealed to magazines that feature reviews, images and genres. They read magazines often or not often and would pay £2-£3 or £4-£5 for a magazine. The names "Film Reel" and "Solution" were the most appealing as potential mastheads. The document also outlines plans for a print film magazine, including using dominant images, exclusive features and reviews of movies and games. Photography plans and permissions are discussed for shooting images to feature in the magazine.
This document contains the results of a questionnaire about magazine preferences. It asks respondents what they like to see in magazines, how many images they prefer, what magazine names they think are appealing, how often they read magazines, and how much they would pay. The results show most people prefer magazines with lots of images, reviews over genres, and want exclusive features and giveaways. They also show a preference for the magazine name "Empire" and are willing to pay between £2-3 for a magazine. The document proposes creating a print film magazine incorporating these preferences through dominant images, enlarged text, and exclusive content.
This document summarizes key issues photographers face regarding copyrights and provides solutions. It discusses: (1) preventing stolen photos by adding watermarks or resizing images; (2) using model release contracts to obtain rights to photos featuring people; (3) legally photographing strangers in public by blurring or cropping identifying features; and (4) how incidental inclusion of logos in photos does not violate copyright if the photo is not used for promotion. The new copyright law establishes photographers' ownership of their work.
David Stubbs is a 33-year-old freelance wedding photographer based in Manchester. As a freelancer, he must promote his business through his website which features a portfolio of his work, information about himself, and the services he offers such as wedding packages and training courses. Equipment like multiple camera bodies, various lenses, speedlights, extra batteries and memory cards are essential for capturing all aspects of weddings. Proper time management, communication skills, and business attire are also important for freelance photographers to operate successfully and satisfy clients.
This transcript is the second session in the Lights Camera Profit Workshop. This session focuses on how to write web video scripts. It walks you through the process of developing scripts.
Want to learn more about web video techniques? Visit http://www.melbournevideoproduction.com.au/video-seo/video-production-process/
Sarah-Jane Creek evaluated the viewing of the opening sequence of her film "On The Run" by having two people, Gracia and Ashley, watch it. She observed and recorded their facial expressions and reactions. Gracia and Ashley seemed to enjoy the opening sequence, laughing at parts intended to be comedic. Sarah-Jane used this viewing to get feedback on how the target teenage audience responded to the opening of her comedy/action film about three teenage boys who rob a bank.
This document discusses improvements made to a presentation and pitch. It describes the equipment used to create and deliver the presentation, such as a Mac computer, Prezi software, smart board, slide changer, camera and tripod. It then discusses corrections made to the front cover, including aligning cover lines and adjusting the placement of the headline and launch date. Finally, it summarizes improvements made to the pitch, such as adding information on target audiences defined by theorists like Katz and Maslow and describing the target demographics of 16-25 year olds interested in rap music.
This document contains the results of a questionnaire about magazine preferences. It asks respondents what they like to see in magazines, how many images they prefer, their opinions on potential magazine mastheads, what appeals to them in a magazine, how often they read magazines, and how much they would pay. The results show most respondents prefer magazines with a large number of images and reviews. They read magazines often and would pay between £2-3. The document also outlines plans for a print film magazine, including desired features, image use, locations, equipment needs, and a potential article on the new Spider-Man film.
This document contains the results of a questionnaire about magazine preferences. Most respondents said they would like to see 3-4 or more images in a magazine and are appealed to magazines that feature reviews, images and genres. They read magazines often or not often and would pay £2-£3 or £4-£5 for a magazine. The names "Film Reel" and "Solution" were the most appealing as potential mastheads. The document also outlines plans for a print film magazine, including using dominant images, exclusive features and reviews of movies and games. Photography plans and permissions are discussed for shooting images to feature in the magazine.
This document contains the results of a questionnaire about magazine preferences. It asks respondents what they like to see in magazines, how many images they prefer, what magazine names they think are appealing, how often they read magazines, and how much they would pay. The results show most people prefer magazines with lots of images, reviews over genres, and want exclusive features and giveaways. They also show a preference for the magazine name "Empire" and are willing to pay between £2-3 for a magazine. The document proposes creating a print film magazine incorporating these preferences through dominant images, enlarged text, and exclusive content.
This document summarizes key issues photographers face regarding copyrights and provides solutions. It discusses: (1) preventing stolen photos by adding watermarks or resizing images; (2) using model release contracts to obtain rights to photos featuring people; (3) legally photographing strangers in public by blurring or cropping identifying features; and (4) how incidental inclusion of logos in photos does not violate copyright if the photo is not used for promotion. The new copyright law establishes photographers' ownership of their work.
David Stubbs is a 33-year-old freelance wedding photographer based in Manchester. As a freelancer, he must promote his business through his website which features a portfolio of his work, information about himself, and the services he offers such as wedding packages and training courses. Equipment like multiple camera bodies, various lenses, speedlights, extra batteries and memory cards are essential for capturing all aspects of weddings. Proper time management, communication skills, and business attire are also important for freelance photographers to operate successfully and satisfy clients.
This transcript is the second session in the Lights Camera Profit Workshop. This session focuses on how to write web video scripts. It walks you through the process of developing scripts.
Want to learn more about web video techniques? Visit http://www.melbournevideoproduction.com.au/video-seo/video-production-process/
Sarah-Jane Creek evaluated the viewing of the opening sequence of her film "On The Run" by having two people, Gracia and Ashley, watch it. She observed and recorded their facial expressions and reactions. Gracia and Ashley seemed to enjoy the opening sequence, laughing at parts intended to be comedic. Sarah-Jane used this viewing to get feedback on how the target teenage audience responded to the opening of her comedy/action film about three teenage boys who rob a bank.
This document discusses improvements made to a presentation and pitch. It describes the equipment used to create and deliver the presentation, such as a Mac computer, Prezi software, smart board, slide changer, camera and tripod. It then discusses corrections made to the front cover, including aligning cover lines and adjusting the placement of the headline and launch date. Finally, it summarizes improvements made to the pitch, such as adding information on target audiences defined by theorists like Katz and Maslow and describing the target demographics of 16-25 year olds interested in rap music.
When You Should Quit Your Day Job for a Full-Time Photography CareerKeith W. Springer
When You Should Quit Your Day Job for a Full-Time Photography Career https://www.adorama.com/alc/when-you-should-quit-your-day-job-for-a-full-time-photography-career
The document discusses various pre-production techniques for financing a project, including being self-financed, employer/client financed, and kickstarter. It recommends using kickstarter to fund a recipe card project for vegetarians, as that audience would be most likely to support it. It also lists aspects of production that require financing like personnel, equipment, ingredients. Methods to stick to deadlines like planning ahead and organization are suggested. Contingency time allows for unexpected delays. Legal requirements like location/model release forms and copyright must also be considered.
The document discusses various pre-production techniques for a student media project, including defining different types of financing options like self-financing, employer financing, and crowdfunding; identifying necessary roles for a small production team; and considering location options and their limitations or risks. Proper planning of financing, personnel, equipment needs, and locations is emphasized to ensure successful completion of the project within budget and deadline.
The document provides tips and advice for starting a photography business. It discusses researching the field, deciding what type of business to start, and obtaining necessary equipment. Setting up a portfolio, website, and business cards are recommended. The document also covers pricing, marketing, and various types of photography work like weddings, assignments, and stock photography that can generate income. Overall, it emphasizes pursuing a photography career if one is passionate about it, while also doing research before launching a business in this field.
The document provides definitions and explanations of different types of funding for productions, including self-financing, employer/client financing, and Kickstarter crowdfunding. It discusses which type of funding would be most suitable for the student's small recipe card production project, noting that self-financing would be sufficient and avoid unnecessary costs. Potential expenses like ingredients, equipment, and printing are identified. Maintaining a schedule and allocating contingency time are proposed as methods for ensuring deadlines are met. Legal requirements and regulatory bodies for images, recipes, food safety, and advertising are also addressed.
The document provides planning considerations for a digital graphic narrative project. It outlines various factors to consider including costs, available resources, quantity, audience, quality, codes of practice, regulations, copyright, ethical issues, and health and safety. For resources, the document indicates what is needed and how to obtain it. It also includes a proposed 10-session production schedule to help manage the work.
The document discusses pre-production techniques for a recipe card production project. It defines different types of project financing, identifying client financing as most suitable due to limiting financial risk. It outlines aspects of the production that require funding, including photography equipment and food ingredients. The summary will maintain a small team of two people to allow for clear communication and high quality work. Key roles are identified as a photographer, chef/expert, and graphic designer. Locations will be chosen based on ease of access, cost, and suitability for the photography work.
Here are some methods you could employ to identify locations needed for your production:
- Review your production schedule and storyboards/scripts to determine what types of locations you will need (e.g. interior kitchen, exterior garden, office space). This will give you a starting point.
- Research locations you already have access to through friends/family/work connections. See if any of their spaces could work for your needs before looking elsewhere.
- Drive or walk around your local area scouting for potential locations that match your needs. Pay attention to exteriors as well as calling/visiting businesses to ask about interior spaces.
- Search online location databases and forums where people list available spaces. You can search by
Here are some methods you could employ to identify locations needed for your production:
- Review your production schedule and storyboards/scripts to determine what types of locations you will need (e.g. interior vs exterior, urban vs rural, specific settings like a kitchen, office, park etc.). This will give you a starting point.
- Research locations online using Google Maps street view, location scouting websites, or location directories. Search for locations that match your needs.
- Drive or walk around areas you are considering to scope them out in person and check for things like parking availability, permits needed, and equipment access.
- Talk to your crew, friends, and colleagues to see if they have suggestions for locations they
Here are some methods you could employ to identify locations needed for your production:
- Research - Conduct online research to find potential locations that would suit your production needs. Look at photos/videos to get a sense of the space.
- Location scouting - Physically visit locations to get a first-hand look and assess suitability. Take photos/notes to review later.
- Consult production team - Discuss location needs with your director, cinematographer, etc. to get their input and expertise.
- Leverage contacts - Reach out to your industry contacts, friends, and family to see if they have any location suggestions or connections.
- Location databases - Search dedicated location databases online that professionals use
Pre production techniques - resubmissionRichardBurnn
Here are some key limitations and risks to consider for locations:
- Budget - Location fees can significantly impact your budget. Make sure any location is affordable.
- Access - Consider if you'll have easy and reliable access to the location for the duration of shooting.
- Permits - Some locations may require permits or insurance that add time and costs. Research requirements.
- Weather - Outdoor locations are vulnerable to unpredictable weather that could delay shooting.
- Distractions - Busy, public locations may have unwanted background noise or people that disrupt filming.
- Facilities - Ensure a location has necessary power, wifi, parking, bathrooms etc. that crew/equipment need.
- Liability - Risk
The document discusses different sources of funding for productions including self-financing, client financing, and crowdfunding. It also outlines the roles needed for a production team of 3 people including a photographer, copywriter, and graphic designer. Details are provided about finding locations, equipment, and managing risks and limitations for shooting recipe cards.
The document discusses various pre-production techniques for financing a project, including self-financing using personal savings or funding from family/friends, employer/client financing where the client provides funds, and crowdfunding websites like Kickstarter. It also addresses determining the most suitable financing option, which for this small production company would be self-financing to avoid interest costs. Contingency planning and adhering to deadlines are discussed as important to stay on schedule.
The document discusses feedback from a survey on the presenter's magazine pitch presentation. The presenter agrees the presentation met some quality standards but could be improved to a more professional level. The feedback will help the presenter decide how to improve future presentations, including adding more slides and details. The results show aspects that made the pitch successful and what to include in future pitches to make them convincing for professional use. The feedback also indicates areas still needing work to meet all evaluation criteria. The presenter aims to incorporate the feedback to strengthen subsequent presentations.
Boulevard artist is providing an online platform for Photographer Portfolio.We have photo editors, art producers, designers who contribute in marketing and production of Boulevard community. More details visit our website and call us today.
Working as a freelance photographer requires various equipment, workspaces, and business skills. To be successful, reliability is key as missed deadlines or poor quality work can damage one's reputation. Presenting a professional image and pitch is also important to win clients. Safety must be ensured, such as having a stable work area, to avoid health risks like stress that come with freelance work. Maintaining work-life balance through scheduling and self-care helps manage stress.
Molly is a 17-year-old studying multimedia journalism who is passionate about photography. She got her first DSLR camera for her birthday and enjoyed photographing a wedding for a family friend. Molly wants to gain more experience in photography and eventually start her own business. She is considering applying for part-time work at a local photography studio called Rob Paul Studios to develop her skills and build her portfolio.
Pre production techniques resubmissionRichardBurnn
The document discusses different sources of funding for productions, including self-financing, client financing, and Kickstarter crowdfunding. It provides an example of the Pebble smartwatch project that was successfully funded through Kickstarter. For their own production, the authors indicate they will likely use client financing, where the client provides money upfront and after completion if satisfied. This provides reliable funding and allows work to begin, while ensuring payment upon satisfactory completion. Some risks are that the client may not pay if unsatisfied or the work fails. The document also considers personnel, facilities, equipment, contributors, locations, legal requirements, and regulatory bodies that must be addressed in the production.
This document discusses different types of client brief structures that can be used for projects, including:
- Contractual brief - A legally binding document that outlines the specifics of a project such as timeline, budget, and deliverables.
- Formal brief - Provides more flexibility than a contractual brief while still outlining the client's needs and expectations.
- Informal brief - A verbal agreement with no written documentation, making it risky without protections.
- Co-operative brief - Where two or more companies work together on a brief, requiring negotiation and collaboration.
- Negotiated brief - Allows for negotiation and changes to appease all parties involved.
- Commission brief - When a larger company
The document discusses different types of client briefs that can be used for media production projects. It defines contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my briefs. For each type of brief it provides the definition, advantages, and disadvantages. The key information is that different brief structures offer varying levels of flexibility, legally binding agreements, creative freedom for producers, and protection for clients and producers. The document also provides an example of how the writer would structure their brief for a project with a close family member as the client.
The documentary will focus on exploring people's knowledge and relationship with curry cuisine. It will show how curry is viewed as a healthy part of a weekly diet rather than just a takeout meal. Interviews with the public and friends will discuss their admiration for the food and experiences. Statistics from retailers will provide background on curry's culture and how an authentic homemade curry differs from a microwaved version. The documentary will have no legal or ethical constraints and will be shown on television, the internet, and DVDs.
The Rolling Stones emerged in the 1960s as bad boys of the British Invasion, playing a rawer version of Chicago blues. They gained popularity with singles of Chuck Berry and Beatles songs. Over 40 years later, their music remains vital and influential, having helped define British rock's tone of ironic detachment.
When You Should Quit Your Day Job for a Full-Time Photography CareerKeith W. Springer
When You Should Quit Your Day Job for a Full-Time Photography Career https://www.adorama.com/alc/when-you-should-quit-your-day-job-for-a-full-time-photography-career
The document discusses various pre-production techniques for financing a project, including being self-financed, employer/client financed, and kickstarter. It recommends using kickstarter to fund a recipe card project for vegetarians, as that audience would be most likely to support it. It also lists aspects of production that require financing like personnel, equipment, ingredients. Methods to stick to deadlines like planning ahead and organization are suggested. Contingency time allows for unexpected delays. Legal requirements like location/model release forms and copyright must also be considered.
The document discusses various pre-production techniques for a student media project, including defining different types of financing options like self-financing, employer financing, and crowdfunding; identifying necessary roles for a small production team; and considering location options and their limitations or risks. Proper planning of financing, personnel, equipment needs, and locations is emphasized to ensure successful completion of the project within budget and deadline.
The document provides tips and advice for starting a photography business. It discusses researching the field, deciding what type of business to start, and obtaining necessary equipment. Setting up a portfolio, website, and business cards are recommended. The document also covers pricing, marketing, and various types of photography work like weddings, assignments, and stock photography that can generate income. Overall, it emphasizes pursuing a photography career if one is passionate about it, while also doing research before launching a business in this field.
The document provides definitions and explanations of different types of funding for productions, including self-financing, employer/client financing, and Kickstarter crowdfunding. It discusses which type of funding would be most suitable for the student's small recipe card production project, noting that self-financing would be sufficient and avoid unnecessary costs. Potential expenses like ingredients, equipment, and printing are identified. Maintaining a schedule and allocating contingency time are proposed as methods for ensuring deadlines are met. Legal requirements and regulatory bodies for images, recipes, food safety, and advertising are also addressed.
The document provides planning considerations for a digital graphic narrative project. It outlines various factors to consider including costs, available resources, quantity, audience, quality, codes of practice, regulations, copyright, ethical issues, and health and safety. For resources, the document indicates what is needed and how to obtain it. It also includes a proposed 10-session production schedule to help manage the work.
The document discusses pre-production techniques for a recipe card production project. It defines different types of project financing, identifying client financing as most suitable due to limiting financial risk. It outlines aspects of the production that require funding, including photography equipment and food ingredients. The summary will maintain a small team of two people to allow for clear communication and high quality work. Key roles are identified as a photographer, chef/expert, and graphic designer. Locations will be chosen based on ease of access, cost, and suitability for the photography work.
Here are some methods you could employ to identify locations needed for your production:
- Review your production schedule and storyboards/scripts to determine what types of locations you will need (e.g. interior kitchen, exterior garden, office space). This will give you a starting point.
- Research locations you already have access to through friends/family/work connections. See if any of their spaces could work for your needs before looking elsewhere.
- Drive or walk around your local area scouting for potential locations that match your needs. Pay attention to exteriors as well as calling/visiting businesses to ask about interior spaces.
- Search online location databases and forums where people list available spaces. You can search by
Here are some methods you could employ to identify locations needed for your production:
- Review your production schedule and storyboards/scripts to determine what types of locations you will need (e.g. interior vs exterior, urban vs rural, specific settings like a kitchen, office, park etc.). This will give you a starting point.
- Research locations online using Google Maps street view, location scouting websites, or location directories. Search for locations that match your needs.
- Drive or walk around areas you are considering to scope them out in person and check for things like parking availability, permits needed, and equipment access.
- Talk to your crew, friends, and colleagues to see if they have suggestions for locations they
Here are some methods you could employ to identify locations needed for your production:
- Research - Conduct online research to find potential locations that would suit your production needs. Look at photos/videos to get a sense of the space.
- Location scouting - Physically visit locations to get a first-hand look and assess suitability. Take photos/notes to review later.
- Consult production team - Discuss location needs with your director, cinematographer, etc. to get their input and expertise.
- Leverage contacts - Reach out to your industry contacts, friends, and family to see if they have any location suggestions or connections.
- Location databases - Search dedicated location databases online that professionals use
Pre production techniques - resubmissionRichardBurnn
Here are some key limitations and risks to consider for locations:
- Budget - Location fees can significantly impact your budget. Make sure any location is affordable.
- Access - Consider if you'll have easy and reliable access to the location for the duration of shooting.
- Permits - Some locations may require permits or insurance that add time and costs. Research requirements.
- Weather - Outdoor locations are vulnerable to unpredictable weather that could delay shooting.
- Distractions - Busy, public locations may have unwanted background noise or people that disrupt filming.
- Facilities - Ensure a location has necessary power, wifi, parking, bathrooms etc. that crew/equipment need.
- Liability - Risk
The document discusses different sources of funding for productions including self-financing, client financing, and crowdfunding. It also outlines the roles needed for a production team of 3 people including a photographer, copywriter, and graphic designer. Details are provided about finding locations, equipment, and managing risks and limitations for shooting recipe cards.
The document discusses various pre-production techniques for financing a project, including self-financing using personal savings or funding from family/friends, employer/client financing where the client provides funds, and crowdfunding websites like Kickstarter. It also addresses determining the most suitable financing option, which for this small production company would be self-financing to avoid interest costs. Contingency planning and adhering to deadlines are discussed as important to stay on schedule.
The document discusses feedback from a survey on the presenter's magazine pitch presentation. The presenter agrees the presentation met some quality standards but could be improved to a more professional level. The feedback will help the presenter decide how to improve future presentations, including adding more slides and details. The results show aspects that made the pitch successful and what to include in future pitches to make them convincing for professional use. The feedback also indicates areas still needing work to meet all evaluation criteria. The presenter aims to incorporate the feedback to strengthen subsequent presentations.
Boulevard artist is providing an online platform for Photographer Portfolio.We have photo editors, art producers, designers who contribute in marketing and production of Boulevard community. More details visit our website and call us today.
Working as a freelance photographer requires various equipment, workspaces, and business skills. To be successful, reliability is key as missed deadlines or poor quality work can damage one's reputation. Presenting a professional image and pitch is also important to win clients. Safety must be ensured, such as having a stable work area, to avoid health risks like stress that come with freelance work. Maintaining work-life balance through scheduling and self-care helps manage stress.
Molly is a 17-year-old studying multimedia journalism who is passionate about photography. She got her first DSLR camera for her birthday and enjoyed photographing a wedding for a family friend. Molly wants to gain more experience in photography and eventually start her own business. She is considering applying for part-time work at a local photography studio called Rob Paul Studios to develop her skills and build her portfolio.
Pre production techniques resubmissionRichardBurnn
The document discusses different sources of funding for productions, including self-financing, client financing, and Kickstarter crowdfunding. It provides an example of the Pebble smartwatch project that was successfully funded through Kickstarter. For their own production, the authors indicate they will likely use client financing, where the client provides money upfront and after completion if satisfied. This provides reliable funding and allows work to begin, while ensuring payment upon satisfactory completion. Some risks are that the client may not pay if unsatisfied or the work fails. The document also considers personnel, facilities, equipment, contributors, locations, legal requirements, and regulatory bodies that must be addressed in the production.
This document discusses different types of client brief structures that can be used for projects, including:
- Contractual brief - A legally binding document that outlines the specifics of a project such as timeline, budget, and deliverables.
- Formal brief - Provides more flexibility than a contractual brief while still outlining the client's needs and expectations.
- Informal brief - A verbal agreement with no written documentation, making it risky without protections.
- Co-operative brief - Where two or more companies work together on a brief, requiring negotiation and collaboration.
- Negotiated brief - Allows for negotiation and changes to appease all parties involved.
- Commission brief - When a larger company
The document discusses different types of client briefs that can be used for media production projects. It defines contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my briefs. For each type of brief it provides the definition, advantages, and disadvantages. The key information is that different brief structures offer varying levels of flexibility, legally binding agreements, creative freedom for producers, and protection for clients and producers. The document also provides an example of how the writer would structure their brief for a project with a close family member as the client.
The documentary will focus on exploring people's knowledge and relationship with curry cuisine. It will show how curry is viewed as a healthy part of a weekly diet rather than just a takeout meal. Interviews with the public and friends will discuss their admiration for the food and experiences. Statistics from retailers will provide background on curry's culture and how an authentic homemade curry differs from a microwaved version. The documentary will have no legal or ethical constraints and will be shown on television, the internet, and DVDs.
The Rolling Stones emerged in the 1960s as bad boys of the British Invasion, playing a rawer version of Chicago blues. They gained popularity with singles of Chuck Berry and Beatles songs. Over 40 years later, their music remains vital and influential, having helped define British rock's tone of ironic detachment.
The document discusses the details of a costume, hair, and makeup design for a production involving three actors: Ben Haliday, Matt Baker, and Kieran Godwin. The setting and location will involve a green screen studio with an airplane in the background added through visual effects. Bright lighting will highlight the green screen and actors, with most lighting being ambient.
A music video is a short film that represents a song visually, often showing scenes that relate to the song's mood or theme. Music videos are meant to entertain viewers while they listen to the song. An example of a successful music video is Gangnam Style by PSY, which became the most viewed video on YouTube with over 2.4 billion views in just 8 months, setting the record. Music videos can also showcase a live musical performance, like That's Not Me by Skepta featuring JME, which keeps the artist constantly rapping face-to-face with the camera.
This document discusses various music genres and subgenres including rock, hip-hop, rap, indie, as well as artists like The xx, Drake, Tupac Shakur, and The Beatles. It also mentions the electronic dance music subgenres of house music exemplified by Axwell and dubstep exemplified by Skrillex.
The document discusses pre-production for a music video. It identifies the genre as pop, possible subgenres as dance and rap, and hybrid genres as dance-rap-hiphop. The song that will be used is "I Want It That Way" by Backstreet Boys. Examples of other songs by the artist are listed.
Music videos can be used for artist promotion, income generation from sites like YouTube, and entertainment. Record labels often influence artists to create music videos to advertise the artist and label. Videos are also made for entertainment purposes and can become hugely popular like "Gangnam Style" which gained over 2 billion views. Artist availability may determine if they appear in videos or if dancers are used instead to still promote while the artist is away. Music channels are declining due to the massive viewership of sites like VEVO on YouTube where videos can be watched for free.
The document proposes two ideas for a commercial promoting a new hair gel product. The first idea would show an actor in a rush getting ready for school, quickly applying the hair gel and styling his hair to achieve a new look. The second idea features an actor who finds love after using the hair gel, conveying the message that the product gives users confidence to attract romantic partners. Locations for filming would include a bathroom showing use of the gel in the shower or in front of a mirror, as well as on the street displaying the actor's styled hair.
This presentation covers various topics related to TV advertisements, including BARB (Broadcasters Audience Research Board), NRS (National Readership Survey), audiences, advertising structures and styles, examples of advertisements, and the ASA (Advertising Standards Association). It discusses how organizations like BARB and NRS collect data on audiences to help advertisers target specific demographics. The presentation also analyzes two example advertisements in terms of their intended meanings and target audiences.
The Enigmatic Gemini: Unveiling the Dual Personalitiesmy Pandit
Explore the fascinating world of the Gemini Zodiac Sign, where duality reigns supreme. Discover the personality traits, important dates, and horoscope insights that define the ever-curious and communicative Gemini.
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Adani Group's Active Interest In Increasing Its Presence in the Cement Manufa...Adani case
Time and again, the business group has taken up new business ventures, each of which has allowed it to expand its horizons further and reach new heights. Even amidst the Adani CBI Investigation, the firm has always focused on improving its cement business.
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L'indice de performance des ports à conteneurs de l'année 2023SPATPortToamasina
Une évaluation comparable de la performance basée sur le temps d'escale des navires
L'objectif de l'ICPP est d'identifier les domaines d'amélioration qui peuvent en fin de compte bénéficier à toutes les parties concernées, des compagnies maritimes aux gouvernements nationaux en passant par les consommateurs. Il est conçu pour servir de point de référence aux principaux acteurs de l'économie mondiale, notamment les autorités et les opérateurs portuaires, les gouvernements nationaux, les organisations supranationales, les agences de développement, les divers intérêts maritimes et d'autres acteurs publics et privés du commerce, de la logistique et des services de la chaîne d'approvisionnement.
Le développement de l'ICPP repose sur le temps total passé par les porte-conteneurs dans les ports, de la manière expliquée dans les sections suivantes du rapport, et comme dans les itérations précédentes de l'ICPP. Cette quatrième itération utilise des données pour l'année civile complète 2023. Elle poursuit le changement introduit l'année dernière en n'incluant que les ports qui ont eu un minimum de 24 escales valides au cours de la période de 12 mois de l'étude. Le nombre de ports inclus dans l'ICPP 2023 est de 405.
Comme dans les éditions précédentes de l'ICPP, la production du classement fait appel à deux approches méthodologiques différentes : une approche administrative, ou technique, une méthodologie pragmatique reflétant les connaissances et le jugement des experts ; et une approche statistique, utilisant l'analyse factorielle (AF), ou plus précisément la factorisation matricielle. L'utilisation de ces deux approches vise à garantir que le classement des performances des ports à conteneurs reflète le plus fidèlement possible les performances réelles des ports, tout en étant statistiquement robuste.
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Adani Group Requests For Additional Land For Its Dharavi Redevelopment Projec...Adani case
It will bring about growth and development not only in Maharashtra but also in our country as a whole, which will experience prosperity. The project will also give the Adani Group an opportunity to rise above the controversies that have been ongoing since the Adani CBI Investigation.
2. Contractual obligations and financial issues
freelance photography
Photographers use contracts when striking a deal with companies or a individual due to the complications such as
copyright and pay, the company or individual will give them a number of tasks that they have to complete to be paid in
full, these can include a certain amount of images taken in various locations, travel costs, and how long they have been
working on the images for, you might be wondering why not do a handshake on what you want doing? The thing is, it is
much more complicated than just a handshake as if you are to mess up your obligated deal then it can end up in a
range of legal issues which you will not have the assorted paperwork to back up your case also having a contract sets
the rules of engagement for both parties with knowing how much you will be paid and how many hours you have to
complete your set task, also having a contract will eliminate miscommunications such as problems between you and
the person you are working under, in these contracts it’s usually stated that the work need’s to be done to a certain
standard or such as high or regular, if this isn’t met by you and is set to a poor standard for example then it may be up
to the company or civil rights court to dispute your claim, this can also be in reference with time management as well if
the video comes to the individual or company late.
The problems with being a freelance photographer is the fact that even though you are paid to work under people you
are still your own buissness, you are mostly in charge of your travel costs, hotel, and food depending how far you’re
working, if you plagiarize meaning you copied someone else's work which is immaculately similar to the photographer
that took the photo is may end up in legal issues which will come out of your pocket and may effect the contract you
were signed to.
When signing a contract with a company or a individual it’s always in good terms to make a agreement of copyright, so
if your images are seen elsewhere, it can be classed as yours and the company's profit being taken which can end up
in legal issues for the person taking your work, if it has be been used for educational purposes only then it’s abit more
lenient but if your images are being used for profit purposes only without your permission or the companies it will end
up bad for the person committing the crime as it’s highly cost efficient as copyright suits don’t go unattended.
3. Working as a freelance photographer in the
media sector
Working in this sector of the media industry is pretty much on your own accord, you can set your own working dates,
choose who you want to work for, it comes with a lot of freedom but with that it’s difficulties. Even though you’re a
freelance photographer and it’s technically classed as your own buissness you are still obliged under other peoples
rules and obligations as you are most of the time under peoples contract which when pen to paper is signed, you are
set to do their work in their time. When working for these companies you will have to to bring your own skill set to show
you are worth it, most of the companies hiring are not after just a regular photographer, they want photographers who
bring their own style and flare. Taking risks is also something you should acknowledge, an example of this can be
choosing a company that is looking for acquired skills out of your boundary, if you show you can meet these standards
it only widens your interest from other companies and individuals. Adding onto this, making sure work is on time is a big
factor, even though it doesn't’t really feel like a big deal, well it is, it shows you are up to par with bringing work in early,
it shows a lot about your personality too and may even build you bridges with the right people for the future just giving
you even more job opportunity's.
One of the greatest advantages of being a freelance photographer is the fact you can work at home editing the photo’s
you have worked on throughout the week, the fact of being your own boss too is good as even though you work under
people you still set yourself your own work times as long as it’s in time for the companies contract.
A disadvantage is the isolation, you don’t have to work with groups of people so you are constantly at home or out
taking pictures with no real social aspect, the only contact you may get most times of the week will mostly be from texts
or phone calls which may affect your overall mood in time. Adding onto this is the amount of work you have to do being
your own boss, like collecting payments, signing sheets on sheets of continuous paperwork and client communication
which involves you talking about up and coming appointments with clients.
4. Equipment needed to be a freelance
photographer
• Digital Camera: A digital camera is needed when being a freelance photographer as it gives you the flexibility to
film in interior and exterior. They are relatively low budget and are quick to shoot when needing a good shot, make
sure not to buy a low cost one as they are flimsy and easy to break and aren't compatible with many other lenses.
• Memory cards: Memory cards are essential when filming due to the large amounts of storage they can hold when
taking vast amount of photo’s, it’s good to have at least a couple of these when out taking photo’s for backup and
the sake of having more images to store as one day could be gorgeous and great for taking photos in.
• Spare battery's: Another essential object is battery's, they are essential due to how quick camera’s run out, they
can run out within hours and when needed you may not have a spare whilst on location.
• Camera bag: having a camera bag doesn't’t just store your camera it stores and creates space for chargers,
battery's, memory cards and all sorts, this saves you from carrying unneeded bags around when you can just have
one that’ll do all the work for you.
• DSLR: Having a DLSR camera is the most essential item on this list, it has the ability to snap 100’s on photo’s
within the matter of 5 minutes, giving you various different images in a short space of time, adding onto this is the
camera’s amazing quality, it is able to capture beautiful imagery with the option to change the settings easily with
the manual scroll wheel attached onto it, giving you nothing but 100’s of options to ensure the best photo’s.
• Extra charger: Similar to the batteries, you will need it when on location as if your camera is to cut half way
through a shoot and you don’t have spare batteries, then it will come in handy to continue work.
5. Freelance photographer (paparazzi)
• The paparazzi are infamous for capturing immoral and funny photo’s of celebrities who are doing things they
shouldn't’t neccicerly be doing, an example of this can be Brittney spears when she was having a midlife crisis the
week she shaved her hair she tried to break a pedestrians car with her umbrella, the photographers who caught
her doing this earnt a goldmine of money from simply being in the right place at the right time, I classed this as
immoral cause they are stalking to a point of where they have no freedom really, you often see the celebrities lash
out at times at photographer, such as kanye west who attacked one because he was asking stupid questions
whilst shooting him walking through the airport.
• Positives: The money is really good, and can more than enough support your family, as one unique photo can earn
you a years worth of work.
• Negatives: Mostly harassment, stalking the celebrity, following them from days to weeks trying to capture a photo
that makes them look wrong.
• Newspapers will hire high level paparazzi to go out and take photo’s of celebrities and will give them a contract of
a certain amount of photo’s of A class celebrities to be taken, the contract may also involve the paparazzi spending
most of his day having to capture these photo’s.
6. How to become a freelance photographer?
• Choose your genre of photography: By choosing what style you think you are suited into, which can be anywhere
from sport photography, fashion photography or a nature photographer e.g. This first step gives you the heads on
to go in the direction you want.
• Establishing social media accounts: By establishing social media you are giving yourself even more of a platform
to raise your name as a photographer on as you can show what pictures you have taken and the methods you
have done to take them pictures, if people are interested to read then they are definitely interested in you, also
adding onto this, if you make social media accounts it gives people a recommendation on who to go too for well
made photo which only raises your platform more.
• Setting fee’s: if you set reasonable fee’s for your customers at a below standard price at first it lets people know
you aren't greedy for a startup photographer, it shows you’re willing to work to raise you platform, videographers
tend to do the same as they charge low rates for weddings to get their name out there to people.
• Portfolio: at this point you should have more than enough photo’s you have from customers and volunteers then
you did when you started, having a portfolio opens your horizon as it gives high ranking business’ the chance to
look at you and seek if they really need you for a job, it shows you have worked to get to where you are.
• Building friendships: Building bridges with ex-clients or businesses' is great due to it being able to give you a
number of high profile names to work under which essentially adds up to bigger pay as you have been a
recommendation to someone else who may be willing to offer more to you for a certain amount of photo’s.