This document provides an introduction to zines, including their definition, history, types, and who creates them and why. It discusses how zines have been used as a medium for feminism. The remainder of the document lists various zine titles, their creators, dates, and notes on permission to share images from them. It also includes biographical information on one zine maker and links to resources for learning more about zines and zine libraries.
Fact, Truth & Reality: New NF for Teen from 2014 NJASL Conference - PowerPoin...Sharon Rawlins
PowerPoint to accompany handout of titles from Fact, Truth & Reality: New Non-Fiction for Teens session presented at 2014 NJASL Conference by Sharon Rawlins on Sunday, Oct. 26, 2014.
Fact, Truth & Reality: New NF for Teen from 2014 NJASL Conference - PowerPoin...Sharon Rawlins
PowerPoint to accompany handout of titles from Fact, Truth & Reality: New Non-Fiction for Teens session presented at 2014 NJASL Conference by Sharon Rawlins on Sunday, Oct. 26, 2014.
Njasl 2013 dystopian sf books for middle and high school - PowerPoint to acco...Sharon Rawlins
Dystopian Science Fiction for Middle and High School Hunger Games Fans and Others Booktalk Program:
With the second Hunger Games movie on the horizon, readers can't seem to get enough of dystopian science fiction, with its focus on a dark, bleak future. Book talks, accompanied by a PowerPoint presentation of the book covers will be provided by Bonnie Kunzel, Sharon Rawlins, and Liz Burns.
Njasl 2013 dystopian sf books for middle and high school - PowerPoint to acco...Sharon Rawlins
Dystopian Science Fiction for Middle and High School Hunger Games Fans and Others Booktalk Program:
With the second Hunger Games movie on the horizon, readers can't seem to get enough of dystopian science fiction, with its focus on a dark, bleak future. Book talks, accompanied by a PowerPoint presentation of the book covers will be provided by Bonnie Kunzel, Sharon Rawlins, and Liz Burns.
PHILIP G. ZIMBARDO ON HIS CAREER AND THESTANFORD PRISON EXPE.docxmattjtoni51554
PHILIP G. ZIMBARDO ON HIS CAREER AND THE
STANFORD PRISON EXPERIMENT’S 40TH ANNIVERSARY
Scott Drury, Scott A. Hutchens, Duane E. Shuttlesworth, and Carole L. White
Delta State University
We interviewed Philip G. Zimbardo on April 19, 2011, in anticipation of the 40th
anniversary of the Stanford Prison Experiment in August 2011. While Zimbardo’s
name is mentioned often in tandem with the experiment, he has distinguished himself
in many other areas within psychology before and after the experiment, beginning with
an accomplished early career at New York University in which he took interest in social
psychology research on deindividuation. We discussed the Stanford Prison Experiment
in the greater context of his varied and illustrious career, including recent pioneering
work on heroism, the establishment of The Shyness Clinic at Stanford University, and
the iconic Discovering Psychology series. We also addressed his adroit and candid
approach to the experiment itself over the years.
Keywords: Philip G. Zimbardo, Stanford Prison Experiment, heroism, shyness, Discovering
Psychology
Scott Drury: The purpose of our project is
to create an interview that is assuming a learned
audience that already knows the particulars of
the Stanford Prison Experiment, placing this in
the context of your larger career, including your
recent heroism research. When did the moniker
“Stanford Prison Experiment” gain footing as a
coined term? It appears as a coined term as early
as 1973 in the Cognition article [(Zimbardo,
1973)]. Is that something that you coined your-
self, or did it sort of just emerge?
Philip Zimbardo: No, I think I actively
coined the term “Stanford Prison Experiment,”
in part because I didn’t want it to be the “Zim-
bardo Prison Experiment,” like the Milgram
obedience experiment [(Milgram, 1963)], and
in part, because it was in deference to the grad-
uate students who worked with me: Craig
Haney and Curt Banks. I felt that if it was the
“Zimbardo Prison Experiment,” then they
would not be given adequate credit. In fact in
the first articles we published, I made them
senior authors [(Haney, Banks, & Zimbardo,
1973)], and it really wasn’t until subsequently
that I assumed the senior authorship, although I
wrote most of the material.
Scott Drury: Was there a swell in notori-
ety for you that followed your 1973 New York
Times Magazine article [on the experiment;
(Zimbardo, Haney, Banks, & Jaffe, 1973)]? Did
that represent the onset of the most media at-
tention, or was it prior to that?
Philip Zimbardo: It’s hard to break down
the point at which that experiment went from
being a little social psychology demonstration,
which I always simply saw as the bookend to
the Milgram study of the power of the situation.
Milgram’s work focused on one-on-one social
power and the prison study focused on institu-
tional power over individuals in groups.
What I say in my book, The Lucifer Effect
[(Zimbardo, 2007)], is that really the study got
to be what it is.
This presentation explores the influence of Friedan's Feminist Mystique 50 Years Later. Specifically, it looks at Pinterest pins featuring the Feminine Mystique.
Every question asked of Sheila Coronel and Steve Coll and during Columbia Jou...rlarris
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April 6, 2015.
Amey NguyenDoctor AustinEnglish 1302 Fall 20165 Oc.docxnettletondevon
Amey Nguyen
Doctor Austin
English 1302 Fall 2016
5 October 2016
Past Feminism Vs. Today's Feminism
Since the creating of Adam and Eve, women and men have always been viewed and
treated differently; and that is not necessarily a positive thing. Especially when females were
viewed as fragile and less intelligent. Females that are victimized from these inequalities are
extremely unhappy. July 13, 1848 was the the first known date for the beginning of the women's
rights movement. Women from all over the time line had gotten together to fight for equality
with men. These ladies of the past had successfully gained all American women more
economical, social, and political rights. However, today's feminist are walking into unknown
waters. The only thing that today's feminist had done “Successfully”, was gaining American
women the right to be drafted into the military and be viewed as a man's “equal”. They fight
saying they speak for all women, but not every female agrees.
On July 13, 1848 Elizabeth Cady Stanton was invited to a tea party with four other
women. It was just a normal tea party on a hot summer day, until the conversation about
women's rights came up. Elizabeth Stanton had expressed her frustrations and listed many issue
that had justified her feelings. Some of what was listed on that day, were how women are
practically dead after marriage in the eye of their society, women had to follow laws that they did
not even have a saying in, and women were not allowed to participate in professions that fall
under the law or medical field. Stanton was upset and so were her fellow tea mates. They then
decided to get together and organize a future meeting with other females to take actions. Soon
after, Elizabeth Stanton and Susan B. Anthony created The National Women Suffrage
Association in 1869. But what really pushed for this, all women's group, was their prior failed
attempt of gaining suffrage through teaming up with former male slaves. They first teamed up in
hopes of when the former slaves gain the right to vote, so will women. But that was not the case
when the fifteenth amendment was passed. The fifteenth amendment had stated “ That no
American citizen will be denied the right to vote based on their race, class, or pass servitude”.
No were in the fifteenth amendment does it say anything about women's rights to vote. Another
historical example of this prejudice was exemplified in 1908. A case had gone through the
supreme court in 1905; Lochner verses New York. The cause of this case was due to New York
wanted to restrict baker's weekly working hours to only 60. Outraged the bakers took it to the
supreme court pleading the fourteenth. The supreme court had ruled it unconstitutional and it
was not passed. However, a similar case in 1908 emerged. Muller versed Oregon, had involved
Oregon wanting to restrict women's hours to only 10 a day. When brought to the face of the
supreme c.
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April 24th, 2014
7pm-9pm
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Free
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Make Your Own Culture: Who Zine Creators Are, Why They Do What They Do and Why It Matters
1. Make Your Own Culture: Who Zine Creators Are,
Why They Do What They Do and Why It Matters
Presented by Jacinta Bunnell & Jenna Freedman
SUNY New Paltz, February 2013
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Self-intros?
DEFINITION
Self-published and the publisher doesn’t answer to anyone
Small, self-distributed print run
Motivated by desire to express oneself rather than to make money
Outside the mainstream
Low budget
No need for any special equipment or knowledge
Portable
An expression of Do It Yourself (DIY) culture
Foster a community among their creators and readers
No ISSN, no barcode, no paid ads
HISTORY
17th century pamphlets in England: Women and the pamphlet culture of revolutionary England, 1640-1660
18th century revolutionary US—Common Sense
20th century science fiction and soviet dissidents, beat poets and punk rockers, riot grrrl, art books
TYPES
Personal, political, fanzine, literary zine, mamazine, art zine, comix, DIY zine, compilation zine, split zine
Barnard's zines are written by New York City and other urban women with an emphasis on zines by women of color. A woman's gender is self-defined. We also collect zines on feminism and femme identity by people of all genders. The zines are personal and political publications on activism, anarchism, body image, third wave feminism, gender, parenting, queer community, riot grrrl, sexual assault, and other topics.
WHO
Young people: majority teens & early twenties
Mothers of young children
librarians!
Writers and artists, bookmakers
WHY
Proof I exist
Communicate/share
Create/contribute
E.g. Kelly Shortandqueer—feels an obligation to his community (FTM transgender people) to document his experience
FROM The Long Tail, Self-publishers are
Differently motivated, not differently skilled
Amateur does not equal amateurish
Low selling does not equal low quality
WHY
Control
Only choice
ART
Additional means of communication
Collagechaos
Cut & pastefree
Juxtoposition, contrast
A d.i.y. guide to preventing sexual assault.
[S.l. : s.n., 200-]
1 folded leaf : ill. ; 22 x 36 cm.
Subjects
Rape > Prevention.
Subjects (Genre)
Zines.
Political zines.
DIY zines.
This collage-style DIY zine gives definitions of sexual assault, tips on how to prevent it for oneself and others, and ways to help survivors. It references the Rape, Abuse & Incest National Network, RAINN.
Cover title.
Book
Bookmark As http://clio.columbia.edu/catalog/5621076
Astrogirl.
Two rapes in the third person to be read deadpan.
Berkeley, CA : Astrogirl, [2003?]
29 p. : ill. ; 14 cm.
Rape.
Sexual harassment.
Subjects (Genre)
Zines.
Personal zines.
Summary
A cross between abstract poetry and a journal, this typewritten experimental personal zine describes the presence of sexual harassment and assault in everyday life and the ways in which men wield power over women.
Cover title.
Book
Bookmark As http://clio.columbia.edu/catalog/5453693
Mika.
Cutting : a diary / written by Mika.
[Portland, Ore.?] : the author, 2010
[8] p. ; 11 cm.
Subjects
Cutting (Self-mutilation)
Asian American women > United States > 21st century.
Prostitutes > United States > 21st century.
Self-esteem.
Harm reduction.
Subjects (Genre)
Zines.
Personal zines.
Journal detailing the author's experiences working as a street-based sex worker on Portland's 82nd Ave., practicing self-cutting, and visiting a doctor for a prescription for anti-depressants.
Cover title.
Purchased from the author at the Women of Color Zine Symposium, 2012.
Book
Acquired On June 24, 2012
Bookmark As http://clio.columbia.edu/catalog/9503475
Gomez, Nyky.
Skinned heart : numero tres / Nyky Gomez.
Seattle, WA: the author, 2011.
[28] p. : ill. ; 22 cm.
Series
Skinned heart ; no. 3.
Subjects
Mexican American women > 21st century.
Hispanic American women > 21st century.
Race relations.
Punk culture > United States > 21st century.
Working class > United States > 21st century.
Interpersonal relations.
Subjects (Genre)
Zines.
Personal zines.
The third issue of Skinned Heart, queer Mexican-American Nyky's cut and paste perzine, discusses her move from Flagstaff, AZ to Seattle; the changes in her understanding of punk communities, polyamory, abusive relationships, competing for male attention, losing white friends, and gardening. She also includes a drawing of her garden plan.
Purchased from Fight Boredom distro in 2012.
Cover title.
Book
Bookmark As http://clio.columbia.edu/catalog/9746502
Melton, LaMesha.
Cocoa/puss zine. #5, Bigger, blacker, harder, faster, deeper / LaMesha Melton.
[Minneapolis, Minn.] : Lamesha Melton, [2010?]
18 p. ; 22 cm.
Subjects
African American women > 21st century.
Single mothers > United States > 21st century.
Blacks > Race identity.
Women graduate students > United States > 21st century.
Sex > United States > 21st century.
Feminism.
Subjects (Genre)
Zines.
Personal zines.
This perzine addresses LaMesha Melton's many roles in life: as a pregnant African-American woman, a single mother, graduate student, and sexual being. She discusses her body image issues involving both her "nappy" hair and weight, her participation in online pro-anorexia communities, her current pregnancy, defying gender stereotypes in raising her son, being "one of the Goddess's whore priestesses," and a positive sexual encounter she had with a group of men. She also includes short diary entries, an IM transcript, a letter to Shakira about how she is her "thinspiration," and a Cocoa/Puss Manifesta addressed to black women.
Cover title.
Purchased from the author at the Women of Color Zine Symposium, 2012.
Book
http://clio.columbia.edu/catalog/9503474
Altadonna, Ashley.
Gendercide : v. 3, part 1 the chemical warfare issue / Ashley Altadonna.
[ Milwaukee, Wis. : Milo Miller ; 2007]
Description
[6] p. : ill. ; 14 cm.
Series
Gendercide ; 3, pt. 1.
Subjects
Transgender people > United States.
Hormone therapy.
Sex change.
Subjects (Genre)
Zines.
Personal zines.
Issue 3 of Gendercide focuses on the idea of chemical warfare as it relates to gender transition. Ashley Altadonna, an MTF activist, filmmaker, and singer/songwriter in her 20s, writes about her experiences with hormone replacement therapy and how she felt better in a more feminine body. This is a one page folding zine illustrated with clip art.
Cover title.
No.5 subtitled "cherchez la femme," 2008 and cataloged separately.
Book
http://clio.columbia.edu/catalog/6316126
Durden, Krissy.
Figure 8.
Portland, OR : Ponyboy Press, 2001-
Issues Published no. 1-
v. : ill. ; 18-22 cm.
A self-identified fat woman, Krissy Durden advocates a size-positive body image for fat chick and debunks health myths surrounding obesity.
Subjects
Body image in women.
Self-acceptance.
Discrimination against overweight women > United States.
Subjects (Genre)
Zines.
Political zines.
Notes
Title from cover.
Journal/Periodical
http://clio.columbia.edu/catalog/4221165
Jacinta bio
CLIO
Show how to search for zines
Zine? AND feminis?
Look by title, browse by call #
CLIO
Show how to search for zines
Zine? AND feminis?
Look by title, browse by call #