New York City Ballet Research Paper

New York City Ballet Research Paper
To prove everyone wrong, an interest was sparked in supporting ballet to show the world that American artists are just as competence as its foreign
competitors. Unlike the Russians who have already established their mark in the ballet world, Americans were not commonly associated as talented
ballet dancers. Thus, in 1954, President Dwight Eisenhower set aside $2,250,00 to fund dance, theatre, music, and sports tours to showcase American
talents around the world. One of the funded dance tours was a ballet tour by New York City Ballet's in Western Europe and the Soviet Union in 1962
(Croft, p. 425). New York City Ballet was a company founded by Balanchine and Kristen so their ballet performances reflected the innovation style of
American ballet while maintaining its classical grace. Before their tour in the Soviet Union, the dancers were prepared for criticism and even booing
during the performance due to the tensions between the two countries. However, all political differences were pushed aside, as "three thousand Soviet
ballet fans rose to their feet to celebrate ... Show more content on Helpwriting.net ...
Contrary to its pervious goal of persevering world culture, ballet had a new purpose to fix America's poor reputation as a culture of refined arts. To
persuade private donors to invest in their company, the American Ballet Theater said, " Each dollar you send is a ballot of belief in our culture and in
the fact that we, as Americans, have something valid to say in any art form " (Fried–Gintis, p. 150). Although this further supported consumerism, it
was spending for a good cause. Compared to what materialistic objects Americans could be purchasing, ballet companies suggested Americans put their
money in investing the growth of American art forms to show the world that American art culture can be as advanced and sophisticated as old European
... Get more on HelpWriting.net ...

Similarities And Differences Between Ballet And Yoga
According to Center for Arts and Cultural Policy Studies, 8 million people, who are in United States of America, take a ballet class one time at the
minimum past a year in 2002. In addition, the average number of frequency of ballet is 1.7 times in a year (Center for Arts, 1). On the other hand,
according to CISION of January 13, 2016, over 3.6 million people attend a yoga class in 2016. The amounts of student, who want to learn yoga, are
getting growing 20.4 million from 2012 (Yoga, 1). Therefore, there are similar and dissimilar points betweenballet and yoga. Ballet and yoga are
categorized by cardiorespiratory exercise. What is cardiorespiratory exercise? Cardiorespiratory exercise is that people, who do cardiorespiratory
exercise, need to take oxygen when their body generates energy and burn their fat or carbohydrate. Additionally, exercise level is from beginning to
intermediate so they can keep exercise for long time per one time such as, swimming, ballet, and yoga. University of Central Oklahoma (UCO) has
dance performance major and students can take ballet class three times a week. The class starts from nine o'clock to ten twenty–five in the morning.
Even if people are not dance performance major, they can take the class.
Moreover, UCO students can take yoga class at wellness center at UCO. There are two classes a day from Mondays to Thursdays during semester and
the classes are about fifty minutes per a class.
Ballet and yoga have benefits through

Research Paper On Copeland
work and perform with their company (Copeland 186). She declined these offers in hope of future roles with the American Ballet Theatre
(Copeland 185). Her waiting worked because later that year she was promoted (New York Times). From this promotion she gained great amounts of
fame and opportunities. One of her major projects was getting to be in Prince's music video and tour with him (Copeland 216). He loved her
confidence and grace she presented when she performed. In 2015 she was named one of "Time Magazine's 100 Most Influential People"
(Biography.com). These opportunities, along with others, have put her name out in the world for more than just her ballet career. Being first to some is
scary, but to Copeland it was what pushed her to want... Show more content on Helpwriting.net ...
To a dancer an injury to any part of their body can be critical because they use every body part. Overcoming an injury can give great trouble to the
dancer or it gives them great motivation to get back. Copeland, getting as late of a start as she, limited her injuries. She did not suffer from her first
injury until she was nineteen years old. Copeland was working with a choreographer when she started feeling extreme pain in her lower back
(Copeland 159). She continued to dance through her pain, which in the end made it worse. She eventually got an MRI. From this she found out she
had suffered a stress fracture to her lower lumbar (Copeland 160). Shortly after this she got asked to be the lead in the nutcracker production that the
American Ballet Theatre was putting on. She had to decline this big role due to her back injury. She had to wear a brace for twenty–three hours a day,
in order to recover faster. This injury put her out for a whole year, which in the dance world is a very long time (Copeland 161). During this time
her body was developing more because she had more time off (Copeland 165). When she came back everyone told her to lose weight in order to get
back to her normal self. This is when her dieting and workout plan started to come into play (Copeland 168–169). Copeland seemed to hit a low point
in her career during her comeback. She gained extreme confidence when she was entered into the Princess Grace Foundation contest to win
scholarships (Copeland 200–201). Soon after this event she got promoted to a soloist as well (Copeland 231). As a soloist Copeland was offered the
role as the Firebird in a major production (Copeland 241). This was a huge deal as she would be the first African American to ever dance this role.
Everything was going well until she started to feel pain in her left tibia (Copeland 247). She continued to practice for the Firebird. They then had their
first performance at the Metropolitan

Research Paper On Latin Dance Fiesta
Latin Dance Fiesta
On Saturday, April 22, 2017, I attended a Latin Dance Fiesta event at the Queens Theatre, the event featured Sisa Pakari Danza Ecuador, Ballet
FolclГіrico del Salvador, Ballet FolklГіrico Paraguayo and Bombazo Dance Company. The show started with Sisa Pakari Danza Ecuador with an
Andean song dedicated to Pacha Mama/Mother Earth, this song is to thank the earth for a good harvest. The dancers were wearing traditional
garments, the women artists had embroidered white blouses (camisas), shawls (rebozos), black–wrap skirts (anakus), gold–colored bead necklaces
(walkas) and red–bead bracelets (maki watana), with their hair wrapped up in strips of woven cloth (cintas). Male artists were wearing sport dapper
blue ponchos (ruwanas) ... Show more content on Helpwriting.net ...
This song is well known in el Salvador since it is usually presented at cultural activities. The dancers wore typical costumes, with the women dressed in
white with colorful embroidered shirts and skirts, and men wore traditional pants and embroidered shirts.
The third dance company to follow onto the stage was Ballet FolklГіrico Paraguayo. The group, performed by four female dancers, moved at the
rhythms of the Paraguayan polka which combines ternary and binary rhythms, whereas the European form only uses binary. The announcer informed
that, the most famous style of music in Paraguay is Guarania, created by the Paraguayan musician JosГ© AsunciГіn Flores in 1926. The Guarania
accomplishes this by using a combination of slow rhythms and melodies of melancholia character. The dancers were wearing traditional full
pleated skirts decorated with lace, their blouses were worn off the shoulder and the sleeves were made of lace. The body of their blouses were
embroidered in red, white and blue which are the colors of the Paraguayan flag, I also noticed that their hair was worn up and their jewelry was of
silver and coral color. In my opinion, this was one of the most impressive group of dancers of the event, because the performers presented the dance of

George Balanchine Research Paper
George Balanchine came to the United States in 1933, following an early career throughout Europe. He studied piano from a young age and graduated
from the Imperial Ballet School in St. Petersburg, where he first studied dance from the age of nine. He then enrolled in Russia's Conservatory of
Music and studied piano and musical theory, as well as musical theory, composition, harmony and counterpoint. He graduated after three years in
1924. His extensive training made it possible for him to work with composers held in high regard, such as Igor Stravinsky. Balanchine garnered
attention for staging a production of the Stravinsky ballet, Le Chant de Rossignol. He was one of four dancers who had left the Soviet Union for a
tour of Western... Show more content on Helpwriting.net ...
But more importantly, during his period, he met Lincoln Kirstein, who desired to an American school of ballet that would rival European schools.
Kirstein wanted to persuade Balanchine to relocate to the United States. Her dream came true – in 1934, they created the School of American Ballet.
Balanchine first choreographed work was Serenade, performed to the music of Tchaikovsky, was created as a workshop for students, but also as a
production that premiered in New York. In 1935, Kirstein and Balance set up a touring company of dancers from the school and named it the
American Ballet. Later that year, the Metropolitan Opera invited the American Ballet to become its resident ballet, with Balanchine as the ballet
master. Even though the program was very successful, Balanchine left the Met in 1938 to teach at the School of American Ballet and work in musical
theater and film. In 1941, he and Kirstein established the American Ballet Caravan and toured South America with Balanchine's new works, Concerto
Barocco and Ballet Imperial. Then in 1944, became the artistic director of the Ballet Russe de Monte Carlo, where he created Raymonda and La
Sonnambula. In 1946, he and Kirstein collaborated once again to create the Ballet Society, which performed such Balanchine works as The Four
Temperaments, Stravinsky's Renard, and

Pia Bausch Research Paper
Pina Bausch was born in Solingen, near DГјsseldorf, Germany, in the middle of World War II. Was the third daughter of August and Anita Bausch,
who had a restaurant, where Pina grew up and took her first dance classes. It was there when her parents realized her extreme physical flexibility and
talent, they decided to support her so at age 15, she would study with choreographer Kurt Jooss at the Folkwang School in Essen, where Pina would
acquire the foundations of German expressionist dance that would be the basis of her later career.
In 1959, at age 19, she graduated from the Folkwang School and won a scholarship to continue his studies in New York, where she danced for the first
time in the Metropolitan Opera Ballet.
Following the brilliant performance of Pina Bausch in the United ... Show more content on Helpwriting.net ...
In this work, she achieved a connection with the scenario based on soil moisture, an act that shows the basis of his proposal, where the scene is an
important part of the choreography. At the same time, she created a close relationship with the Polish designer Rolf Borzik, who would become his
husband and close collaborator, and with whom she would develop performance proposals away from classical dance, opening a new path towards the
consolidation of theater dance.
In 1976, with the choreography of The Seven Deadly Sins, by composer Kurt Weill, Bausch separated completely from the conventions of classical
ballet, introducing a rehearsal method in which she generates questions to her dancers, and creates a choreography based on His answers, which are
reflected in both the physical and the verbal and visual of the piece, which includes spoken texts and classical and popular music.
Their dancers connect with the dance tradition embodying feelings of existential human anguish and references to specific geographic places, dancing
focused on surreal situations, body use and the relationships between stage and

The Importance Of Looking From The Outside In Russian Ballet
Looking From the Outside In, Russian Ballet
Never knowing of an art form and to see the importance that is gathered from it can change an opinion. I am speaking in ballet and in specific, the
ballet of Russian. My reasoning for selection such a meticulous and thorough form is dance is to get a better view and to look from the outside in is
where I am now. What make this form ofdance interesting to me is that I have never taken the time to give my full undivided attention to it as I have
with music and photography. Russia has always had my interest because of the differences that is share between the United States and Russia. There is
ballet in the United States, but what is important to me is where this form of dance originated and why it originated.
"Russian ballet dancers seem to have no limits! Their arabesques and battement are sweeping, dimensional and yet very light and flexible. An expert
can immediately distinguish them from artists belonging to other schools." (Gureev, 2016)
The history of Russian ballet goes back to the first half of the 18th century. At that time Frenchman Jean–Baptiste LandГ© opened his dance school in
St. Petersburg, where he began teaching and instructing ... Show more content on Helpwriting.net ...
The telling of story that characterizes the Russian culture was able to keep me wanting to learn that much more about the art form. So what I can
take from the Russian ballet is that it is not an original Russian idea, but was introduced to Russian by French culture. Because of my musical
background and my love for the arts, I was able to quickly taste of the emotional expression and found arousing passion that was being within ballet. I
am also a photography and a few years back I was able to see my granddaughter perform at a dance recital, where I was able to photograph a child
approach to ballet and I was impress at the abilities to which they displayed their raw

Paris Opera Ballet
Dance has been around since the earliest of human times. However, the formalization of dance came long after humans were dancing. As cultures
became more developed, people could focus on other things such as rituals, dances, costumes, and entertainment (Hooper). This led to entertainment not
only for the royalty and leaders of a society, but also entertainment for the commoner. Kassing notes that as theRenaissance arrived, performances in
court became much more common as a form of entertainment to please the ruling class. Catherine de' Medici is known for bringing ballet to France,
where it became quite popular, according to Kassing's report. The Paris Opera (originally the AcadГ©mie Royale de Musique) was founded by Louis
XIV and its ballet ... Show more content on Helpwriting.net ...
When the Paris Opera Ballet was formed, it was meant to entertain royalty, requiring manners, etiquette, and protocol directed toward the royals,
according to Professor Suggs. Manners, etiquette, and protocol dictate how one is to behave and act. This led to performances at the Paris Opera
Ballet to be very formal affairs as evidenced today. Many dances end with bows that would have shown respect to the royalty present according to
Anderson. However, today it is shown to thank the entire audience. Also, there was a decorum practiced by the audience, which can still be seen
today. According to the San Francisco Ballet Company website, they suggest propriety such as avoiding tardiness, making sure electronic devices
are off, no candy wrappers, no talking, and no snuggling with your significant other. These are enforced out of respect for the performer and guests
around. Dress codes are another legacy left by the Paris Opera Ballet. Since the performances were first staged for King Louis XIV, Anderson
suggests that they were a formal affair. This can be seen today: while most theaters do not have formal dress codes, they provide suggestions on
dress. Trip Advisor advises that guests should be clean, use small amounts of perfume or collogue, and "to dress the part." Trip Advisor says that this
is because there is a large amount of money put in such as ticket costs,

Ballet During The Russo-American Era
Dance is found in all cultures. It is considered a way to communicate without talking. During the Renaissance period, ballet was considered a Russian
specialty. The highly qualified and sought after dance companies would tour the world performing in front of those who had never experienced ballet
before. By exposing ballet to the United States of America, the Russians inspired and sparked a demand for legitimate ballet in America. It took place
throughout the 20th century, currently known as the Russo–American Era. During the Russo–American Era, Russian choreographers, such as, Michel
Fokine, Anna Pavlova, Vaslav Nijinsky, LГ©onide Massine, and Bronislava Nijinska; benefited from the American audience and started to make
dramatic changes to the classical ballet. Every single one of these choreographers implemented and transformed the way people view, danced and
perceived ballet in the early 20th century. Several ideas for these innovations were from Michel Fokine. In 1914, he wrote a letter to the London Times,
stating the five principles of ballet that befitted the 20th century ballet:
1.Each dance should use new forms of movement suitable to its subject and period.
2.Dance and mime should be used to express dramatic action.
3.Mime should be used only when the ballet's style dictates it, in other cases the dancer's whole body, not only the hands, should be used to
communicate.
4.The corps de ballet should be used for plot development and as a means of expression.
5.

Stripping The Emperor Poem Analysis
"Stripping the Emperor: The Africanist Presence in American Concert Dance", an excerpt from Moving History/Dancing Cultures: A Dance History
Reader, was written by Brenda Dixon Gottschild. Gottschild is a well–known author, dance historian, performer, and choreographer as well as a
professor of dance studies at Temple University. She has also written multiple books including The Black Dancer Body, Waltzing in the Dark, and
Digging. In her article "Stripping the Emperor: The Africanist Presence in American ConcertDance", Gottschild explores the similarities and
differences in the characteristics of Africanist and European technique, and how they draw from each other. In "Stripping the Emperor: The Africanist
Presence in American Concert Dance", Gottschild begins by introducing unique aspects of the Africanist aesthetic including how it embraces
differences and instead of the traditional European idea of resolving conflict, Africanist aesthetic presents a question and demonstrates the beauty in
accepting conflict. One way in which the Africanist aesthetic differs from European ballet is how they utilize polycentrism, having multiple centers of
movement, and polyrhythm, when different body parts keep multiple rhythms. Other ways include the high–affect juxtaposition, changes in mood,
movement, or tempo, to the drastically contrasting sharpness and intensity in the movements. Gottschild's main point in her article is to describe how
the Africanist aesthetic is much less strict

Essay about Alonzo King and a New Style of Dance
Renowned choreographer Alonzo King is the Balanchine of a new style of dance, his style of dance, a style shying away from the expected and
catapulting its audience into a state of wonderment. Alonzo King uses sharp lines intertwined with severe movements all engaging a classical
technique in order to create movements, unseen to the dance world. King's impressive rГ©sumГ© includes having trained with a number of
world–renowned ballet companies, and setting works on an even more substantial number of companies, along with establishing his own celebrated
company: Alonzo King's LINES Ballet in San Francisco, California. Alonzo King began dancing at a young age in Santa Barbara, California. He
continued his training in New York at the Harkness... Show more content on Helpwriting.net ...
King's work with the Shaolin Monks "is renowned for its ability to connect audiences to a profound sense of shared humanity–of vulnerability and
tenderness, but also of furious abandon and exhilarating freedom–and for its unique capacity to imbue classical ballet with new expressive potential"
(Linesballet.org). King has already made an impact on the world of dance that will surely expand a great deal more in his career, and will
undoubtedly continue beyond his lifetime. Every choreographer presents material in an individual manner, just as a painter paints, or a
photographer snaps a picture. Alonzo King is a choreographer of collaboration, meaning he likes to collaborate with his dancers to witness their
transformation of a movement and formation of it into something altogether new. Laurel Keen, a company LINES company member for nine years,
until 2011, said of King's process "after he demonstrates a phrase to us he wants to see our interpretations of it. There are nine dancers in the
company so he wants to see nine completely unique versions of the same phrase. He allows us the freedom to interpret the movement in our own
way and that way he can work with all the different voices and assemble them the way he wants to. It is an equal conversation between dancer and
choreographer". To develop his pieces King also gives the dancers phrases and then instructs each of them to reshape the phrases in a specific way.
Laurel Keen

Talley Beatty: The Stack Up
Talley Beatty the Extraordinar Life as an African American has never been easy, especially in early decades. A person of color encountered many
trials and tribulations. Expressing one's thoughts and feelings was challenging for the colored due to societies lack of interest and unjust
discrimination. Talley Beatty was an expressive choreographer known for his unique jazz and ballet dance styles that was centered on the harshness
of life. Talley Beatty was born in Cedar, Louisana on December 22, 1918. He moved with his family to Chicago, where he was encouraged to study
dance by the famous and inspiring teacher, Katherine Dunham. At the age of 16, he studied her work which was based on African and Caribbean
dance. In 1946 he... Show more content on Helpwriting.net ...
His work was very emotional yet spiritual, portraying real life hardships. He was known for his modern dance, smooth jazz and ballet. Based on his
education, his style mirrored a mixture Grahams steps, Dunham's polyrhythmic dance styles and ballet. His choreography was fast and energetic. His
work demonstrated arm and leg extensions and back arches. According to the NEA Arts Magazine, " As Chaya explained "Classical ballet is about
stretch and balance; modern dance is about going deeper to the ground, weight–wise; and jazz dance is sassy and sharp with a little bit more of an
entertainment flavor to it. Talley is amazing in that his ideas about movement were always based on those three elements. (http://arts.gov/NEARTS
/2007v2–american–masterpieces–three–centuries–artistic–genius/talley–beattys–road–phoebe–snow)." Living in a world of segregation and
discriminations is difficult, especially as an African American. But a man of talent and bravery like Beatty didn't let the downfalls of ignorance
interfere in his work. Instead he helped define black tradition through dance. Beatty themes were focused on the daily struggles of African Americans.
Through is work, he helped the audiences relate to what it was like to be black in the United States. On April 29, 1995, at the age of 76 Beatty died
from complications of diabetes. Talley Beatty is one of

Balanchine Biography
In 1904 when Georgi Melitonovitch Balanchivadze was born in Saint Petersburg, Russia, the world had no idea of the ballet master mind that was
going to be introduced 10 years later. Balanchine started dancing at the Imperial School of Theater and Ballet (Or as it is more well known, the
Kirov Academy) in 1914, much to his dismay. As a young boy Balanchine had wished to become a naval officer or a priest, it had not been his wish to
dance, he ended up in the school by mere chance. His sister, however, did not get accepted. Alone in the school Balanchine had to pick up skills
quickly, early on in his life he had grown accustomed to listening and playing music. Other students would often ask him to accompany their
choreography as he was incredibly ... Show more content on Helpwriting.net ...
However, his costumes continued to be on the side of basic, mostly just bedazzled practice gear if you must. He liked simplicity and would often
be happy with the dancers in their basic black leotards with a skirt, which is still shown in many of his pieces today. However, one vital piece of
information that is still seen with in his dances today is that he truly focused on the female dancers. He believed that ballet should be focused
almost inclusively on the female dancers. While he wanted his male dancers to be strong and vocal points at times he would often put more
emphasis on the female dancers, requiring them to have high levels of stamina and tolerance for pain. At age 79, 4 wives and over 400 pieces of
choreography later, Balanchine left us as legacy in 1983. When he died, he did not think that his dances would last, he thought they would be fleeting
and short lived, however, 33 years later, I do believe we had proved that wrong. With the assistance of videos, the Balanchine Trust and his former
dancers dozens of his dances carry on

Mao's Last Dancer Critique
Ballet prince Li Cunxin English autobiography called "Mao's last dancer". The name was coupled with the cover design is very Western mind. It's
the Chinese translation was turned into "dance all over the world", although the name is also appropriate for a loud, but I still prefer to call it close
to the original intent of "The Last Dancer." Today saw the movie based on his autobiography made into. I have never written a film critic, so
completely do not understand organization of writing. I only know that he is susceptible of this, so watching the process, inevitable tears. After
reading the story of the residual sound surrounded me around for a long time. The plot is not complicated, Lee kept the letter from a poor rural family
in Shandong... Show more content on Helpwriting.net ...
There, he saw progress in the West, but also captured first love. For personal development, after the expiry of the study, he chose to marry and stay in
the United States. Although life has not been easy, but he relied on his talent and hard work, and eventually became world–renowned ballet prince. His
behavior was seen as a betrayal of the motherland and the people, but Bush and his wife's help, not only to the United States his parents to watch his
show, he was the 90 wives and coming down the home, and have the opportunity to stage an exhibition of China's glory. Because of the limitations of
the screen, the film can not show the entire contents of the autobiography came out, so play to his return to the motherland will be abruptly put on
hold. The audience does not know is that Lee kept the letter was from the United States moved to the home of Australia's second wife. In order for his
wife and three children live a happy life, after the cessation of the ballet, and successfully transformed into a stockbroker, and became Australia's senior
manager of a securities company. Last year, he also fortunate to be named Australia's best

Balanchine Dance
American dancer Isadora Duncan once said, "The real American type can never be a ballet dancer. The legs are too long, the body too supple and
the spirit too free for this school of affected grace..." (Needham, 2002, p. 199). Contrary to her belief, after more than 80 years later, today ballet has
flourished and become a important part of Americaan dance culture. It is no longer a foreign image to see American girls in tutus and leotards taking
ballet lessons at a young age. However, ballet was not always seen in a positive light in the United States. As a country that highly encouraged
independent thinking, early Americans wanted to distinguish itself from European arts to be recognized as a culture of its own. Yet, today ballet is
seen everywhere ... Show more content on Helpwriting.net ...
With its origins as a court dance, ballet dancers wore the most lavish costumes, the set was designed with complexity, and its purpose was to
entertain by telling stories. However, Balanchine dancers were striped of their beautiful costumes and settled for simple leotards to allow greater ease
with movement. In addition, decorations on the set were simplified to remove visual distractions and his performances no longer told stories or fairy
tales. This was the complete opposite of what ballet was known for and ballet technique was not left out of Balanchine's revolution. A greater emphasis
was instead focus on musical timing and what developed was a technique that utilized space in a short amount of time (Brandt). Arms were more
stretched out with visible influences from jazz and the hips opened forward as the dancers moved in different position. Due to the quicker pace, foot
placement was modified to decrease transition time between each movement. The heels of the dancers hardly ever touched the ground during landing
and all the weight is place the toes and balls of the feet. To add an element of surprise, Balanchine dancers would stretch out their back foot before
doing a pirouette, which is usually done in the fourth position with two bent feet (Brandt). The accumulation of these stylistic changes lead to the
creation of Balanchine's own distinct ballet technique that became known as American style

George Balanchine: Revolutionary Choreographer
1
Rachel Cubbler
Mrs. Hamilton
English 12
April 28, 2016
Mr. Balanchine: Revolutionary Choreographer Without George Balanchine the dance world might not be what it is today. He combined the technique
of classical ballet and his modern movements to shape and mold the many styles of dance. He is remembered as the foremost contemporary
choreographer in the world. George Balanchine choreographed over four hundred ballets. George Balanchine, a revolutionary ballet choreographer,
began his career in Russia, continued in the United States, and left a memorable legacy worldwide. George Balanchine began his early career in
Russia. As the son of a composer, George began taking piano lessons at just age five. Only four years later, he was accepted... Show more content on
Helpwriting.net ...
All heads are gently tilted to the right. This dance portrays the geometric shapes classical ballet formed, but Balanchine tells a story in the madness of
the movement. Tony Bentley, who danced for the New York City Ballet for ten years, writes The Ballet That Changed Everything online at The Wall
Street Journal. In his piece, Serenade, Balanchine incorporated the history of classical dance before him into thirty–two minutes. Although he is most
known for his ballets, Balanchine choreographed musical theater dances on Broadway. Online at The George Balanchine Foundation they have written
a biography on George Balanchine. In this biography they have a quote of George Balanchine, "We must first realize that dancing is an absolutely
independent art, not merely a secondary accompanying one. I believe that it is one of the great arts... The important thing in ballet is the movement
itself. A ballet may contain a story, but the visual spectacle... is the essential element. The choreographer and the dancer must remember that they reach
the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician (George Balanchine

Essay On The Nutcracker
In modern times, Pyotr Ilyich Tchaikovsky's ballet, The Nutcracker, is a Christmas classic. With memorable songs and beautiful instrumentation, many
cannot imagine Christmas without it. Dance companies perform the ballet year after year with spectators coming to watch annually. There have even
been LGBT, hip hop, and Jewish adaptations to the popular ballet (Begley). Thousands of musicians and dancers all over the world perform it to add
to the excitement and cheer of the holidays. The original story of The Nutcracker started with ETA. Hoffmann's 1816 tale The Nutcracker and the
Mouse King that had been adapted by Alexandre Dumas in 1844 about a girl who befriends a nutcracker on Christmas Eve and battles against the evil
Mouse King (Schwarm). In 1892, the director of the Russian Imperial Theatre, following the success of Tchaikovsky's Sleeping Beauty, devised the
ballet, setting ito Tchaikovsky's music with choreography by Marius Petipa, and premiering it a week before Christmas (Burton–Hill). Tchaikovsky first
accepted the task to write the music from the director of Moscow's Imperial Theatres, Ivan Vsevolozhsky (History of The Nutcracker). He began to
work while on an American tour for the opening of Carnegie Hall. His tour took him through Paris, where he discovered a new instrument: the celesta.
It had a clear, bell–like tone that was perfectly fitted to be the "voice" of his Sugar Plum Fairy. He immediately wrote to his publisher, asking that the
instrument be

Dance Injuries In The United States
Dance injuries are a harmful and increasingly prevalent concern for dancers in the United States. According to Rachael Rettner (2013), "Over a 17
year period, the number of dance related injuries that sent U.S. children ages 3 to 19 to emergency rooms increased 37 percent, from 6." Since ballet
is the foundation of all dance techniques, ballet dance schools should be required to provide injury prevention classes so that injuries are prevented,
dancers' careers can be prolonged, and dancers can perform better. Dance Injuries First, injury prevention courses are needed in ballet schools because
ballet dancers can easily injure themselves during a class, rehearsal, or performance. Joel Schwarz (2000), asserts "Ronald Smith, a University of
Washington... Show more content on Helpwriting.net ...
Additionally, if a dancer gets injured, they could lose their ranking in a ballet company. In the professional world of ballet there is ranking for the
one of the three levels a ballet dancer can be on. The lowest level is a ballerina, the middle level is a soloist, and the highest level is a principal
ballet dancer. Although every ballet dancer dreams of and works extremely hard to become a principal dancer, almost every dancers does not make it
to principal because the principal must be the best out of all of the rest of the dancers. This creates jealousy and envy that cannot be seen on the stage.
Injuries can even effect a dancer's mental state. Performing with an injury or the thought of getting an injury can put a dancer under extreme stress and

Alvin Ailey 's Influence On The Landscape Of Modern Dance
Alvin Ailey was an accomplished dancer and choreographer whose African–American heritage influenced his works in the 20th century. His successful
dance career has gained international recognition and acclaim thus rendering a significant legacy. Ailey's background as a dancer and choreographer
had many strong influences from social, cultural, economic and political aspects during his early life. His African–American heritage has greatly
influenced his works. Alvin was the founder of the Alvin Ailey American Dance Theater (1958–), galvanized and stabilized an African American
presence in theatrical dance. An outstanding performer, choreographer, company director, and mentor to scores of dance artists, Ailey oversaw the
growth of his small, pick–up group of seven dancers into a large, carefully managed, internationally–renowned enterprise including several ensembles
of dancers and a thriving school in New York City housed in the largest building devoted to dance in the United States. Along the way, Ailey changed
the landscape of modern dance by developing new audiences for its performance through a consistent combination of exceptional artistry and
wellcoordinated community outreach programs. In all, Ailey invigorated the art of dance with his distinctive creative imagination, his "blood
memories" of cultural formations he witnessed as a child–– including the jook joint and the black church ––and the strong survivalist ethic he learned
as an African American man born in the

The Five Principles Of Ballet In The 20th Century Ballet
Dance is a major part of culture; in all culture dance can be found. For the longest time, ballet was considered a Russian specialty. The highly
qualified and sought after dance companies would tour the world performing in front of those who had never experienced ballet before. By exposing
ballet to the United States of America, the Russians inspired and sparked a demand for legitimate ballet in America. This event took place in the 20th
century. It is currently known as the Russo–American Era. During Russo–American Era, the Russian choreographers took an advantage of the
American audience and started to make dramatic changes to the classical ballet. Every single one of these choreographers implemented and
transformed the way people view, danced and perceived ballet in the 20th century. An example of this is Michel Fokine, when in 1914 wrote a letter to
London Times, stating the five principles for ballet that befitted the 20th century ballet:
communicate.
5.Ballet reflects the alliance of all the arts involved in it, including music, scenery, dancing, and costuming. Music should be a unified

How Carlos Blasis And Arthur Mitchell's Role In The...
Carlos Blasis and Arthur Mitchell, two brilliant dancers, masters, and teachers in their own rights, played a vital role in the evolution of ballet.
Blasis, who was born in 1797's Italy, used his strong mind and understanding of the craft to construct and raise the bar of ballet techniques worldwide.
Mitchell, an African American born in 1934's Harlem, spent his whole career breaking stereotypical barriers on the presence of black people inballet.
Their Ballet Tree
Growing up, Carlos Blasis studied in Bordeaux, France under Jean Dauberval (an alias for Jean Bercher). Dauberval, famous for his comedy ballet,
studied under French ballet master, Jean–Georges Noverre. Noverre created and pioneered "ballet d'action" which is a movement of transferring the
emotions originally conveyed from the costumes, scenery, and props to the emotions of a dancer's body and facial expression. At this point the focus,
in Noverre's eyes, were too much on the technical precision than the actual dance itself. (Crain, 2010) Noverre influenced Blasis as he too was praised
for his expressiveness as a professional dancer (Cohen, 1998).
For Arthur Mitchell, ballet wasn't his first choice in the style of dance. A guidance counselor convinced the young Mitchell to audition for the High
School of the Arts where he was more interested in Modern dance. During high school, Karel Shook, who also taught other dance legends like Alvin
Ailey, Carmen de Lavallade, and Geoffrey Holder (Grant, 1985), was

Analysis Of The Movie ' Madame Butterfly ' Essay
Madame Butterfly On October 1st 2016, the Houston Ballet revives famous choreographer, Stanton Welch's signature "Madame Butterfly". The dance
performance takes at place at the Houston ballet at Wortham Theater Center, Downton Houston Texas. The Houston Ballet Company, established in
1955, is the fourth largest ballet company is the United States which produces more than 70 dance performances in a year. The company's artistic
director, Stanton Welch is an acclaimed Australian choreographer who has revitalized the ballet company by bringing in fresh dancers, commissioning
new works, and attracting top flight artistic staff to the city of Houston. He has also created works for prestigious international companies like the San
Francisco Ballet and the Birmingham Royal Ballet. To start with, the mood in any dance can sometimes become the most important facet of the
performance. Also, certain elements must combine to create the desired mood to strike the right connection between the audience and the
choreographer. Madame Butterfly, dramatically chronicles the love story of the beautiful, geisha Cio–Cio San who is betrothed to marry an American
lieutenant, Pinkerton. The production unfolds on Peter Farmer's picturesque sets, which beautifully evoke the mystery and apathy of the 19th century
Japan. The appearance of the dancers on stage is quite thrilling with each choreographer displaying very

Stripping The Emperor Poem Analysis
Stripping the Emperor: The Africanist Presence in American Concert Dance "Stripping the Emperor: The Africanist Presence in American Concert
Dance", and excerpt from Moving History/Dancing Cultures: A Dance History Reader, was written by Brenda Dixon Gottschild. Gottschild is a
well–known author, dance historian, performer, and choreographer as well as a professor ofdance studies at Temple University. She has also written
multiple books including The Black Dancer Body, Waltzing in the Dark, and Digging. In her article "Stripping the Emperor: The Africanist Presence in
American Concert Dance", Gottschild explores the similarities and differences in the characteristics of Africanist and European technique, and how
they draw from each other. In "Stripping the Emperor: The Africanist Presence in American Concert Dance", Gottschild begins by introducing unique
aspects of the Africanist aesthetic including how it embraces differences and instead of the tradition European idea of resolving conflict, Africanist
aesthetic presents a question and demonstrates the beauty in accepting conflict. One way in which the Africanist aesthetic differs from European ballet
is how they utilize polycentrism, having multiple centers of movement, and polyrhythm, when different body parts keep multiple rhythms. Other ways
include the high–affect juxtaposition, changes in mood, movement, or tempo, to the drastically contrasting sharpness and intensity in the movements.
Gottschild's main point in

Alvin Ailey: Pioneer Of Modern Dance
Besides Isadora Duncan, there were other pioneers of modern dance such as Alvin Ailey who was born in Rogers, Texas on January 5, 1931 to Alvin
Ailey Sr. and Lula Elizabeth Ailey. It wasn't until he moved to Los Angeles at age 12 that he was exposed to dance. He fell in love with dance after
witnessing a series of performances, specifically by the Katherine Dunham Dance Company and the Ballet Musse de Monte Carlo, being inspired by a
series of dance performances. He then began taking dances lesson with another pioneer of modern dance, Lester Horton, who had founded the first
racially integrated dance company in the United States. It was Horton who also became Alvin's mentor at the beginning and throughout his career in
dance. However, when

The Five Principles Of Dance In The Russo-American Era
Dance is found in all cultures, it was considered a way to communicate without talking. During the Renaissance period, ballet was considered a Russian
specialty. The highly qualified and sought after dance companies would tour the world performing in front of those who had never experienced ballet
before. By exposing ballet to the United States of America, the Russians inspired and sparked a demand for legitimate ballet in America. It took place
throughout the 20th century, currently known as the Russo–American Era. During the Russo–American Era, the Russian choreographers, such as,
Michel Fokine, Anna Pavlova, Vaslav Nijinsky, LГ©onide Massine, and Bronislava Nijinska; they benefited from its American audience and started to
make dramatic changes to the classical ballet. Every single one of these choreographers implemented and transformed the way people view, danced
and perceived ballet in the early 20th century. Several ideas for these innovations were from Michel Fokine, when in 1914 wrote a letter to the London
Times, stating the five principles of ballet that befitted the 20th century ballet:
communicate.
4.The corps de ballet should be used for plot development and as a means of

George Balanchine Influence
George Balanchine was born in Saint Petersburg, Russian; he was the chief chorographer of the twentieth century. With invitation of Lincoln Kirstein,
George Balanchine moved to America and then became designer and most influential chorographer of classical ballet in America. Choreographically,
we live in the age of Balanchine because he significantly changed our ideas of ballet, and his influence continues to be felt by other choreographers.
Many recent ballets might not have existed at all if Balanchine had not provided practices for them. The choreographers of the New York City Ballet,
Balanchine's company, and many others all around the world are carrying on his tradition. He brought educational brilliance and quality performance
to the American ballet therefore he was the one who gave significance to American ballet. After his death his school, The School of American ballet,
remains in operation to this day, training dancers for the New York City Ballet and companies global. The first... Show more content on Helpwriting.net
...
His company, the New York City Ballet, is the leading dance group of the United States and one of the great companies of the world. An essential
part of the success of Balanchine has been the training of dancers, which he has supervised since the founding of his School of American Ballet in
1934. Balanchine chose to shape talent locally, and he has said that the basic structure of the American dancer was responsible for inspiring some of
the striking lines of his compositions. Balanchine is not only gifted in creating entirely new productions, his choreography for classical works has
been equally fresh and inventive. He has made American dance the most advanced and richest in choreographic development in the world today.
Gratitude and joy must be our feeling for what he gave us, and determination that his work and ideals be honored and preserved and used to illuminate
the future of

Evolution Of Ballet Research Paper
The Evolution of Ballet
How has ballet evolved since popularized during the Italian Renaissance? Going back to preschool, I have loved to dance. Ballet was the first style I
learned, and it made me fall in love with dance. My instructor this year often talks about what ballet was like when he danced (in the 1970s,) and also
before then. One day, he explained to my class how girls used to dance on their toes before pointe shoes were invented. I found it fascinating, so I
decided to research more about it after class. As I was looking up the history of the pointe shoe, I came across some websites that explained the history
of ballet and where it originated. Even after having danced for eleven years, I realized there is so much that I do not know about it. There is more to
ballet than going to class and doing performances. Just as in any sport or hobby, it helps to know how it first started and how it has evolved. To
improve at anything, one must understand the fundamentals. By doing this research, I can gain ... Show more content on Helpwriting.net ...
Any artist would agree with me in saying that experiencing art is of value to, and almost necessary to achieve, a well cultured life. This research
should give a non–dancer a great idea of why dancers love what they do.
This research is basic and qualitative. Its primary goal is to explore the evolution of ballet. No data had to be collected, and the research involved no
experiment.
Catherine de Medici was born in Italy during the Italian Renaissance. Her family was a patron of the arts, which is how she became acquainted with
ballet. The ballet at this time was called Ballet de Cour, or court ballet. During this time only boys danced, but Medici still loved to watch. When she
moved to France to marry King Henry II, she brought her love of dance with her. In 1581 the first ballet, Ballet Royal de la Reine, was performed in
the Medici

Cold War Dbq Essay
The cold War is over but the influence of the Soviet Union is not and soviet union was a communist. The Soviet Union grew out of the Bolshevik
revolution and civil war in 1917. Therefore it started after the Russian revolution in the early 1920s and lasted until 1991. However, three areas are
most necessary to understand its cultural achievements. Its military strength and its political oppression. The first area that textbook authors should
emphasize is cultural achievements. This includes Russia's success in the Olympic for getting the most gold medals between 1952 and 1988. Also its
incredible ballet, the soviet admired the companies of ballet. Includuding I a cultural exchange to help ease relations between these two nations to those
that came to the united states. in document H the author explains that the already popular ballet expanded during the soviet era. not only did talent
scouts find and train younger... Show more content on Helpwriting.net ...
Particularly during the Great Terror under Stalin, the oppression and its effects were truly awful. People could be arrested and even killed just for
suspicion of opposing the government. This of course made the people extremely fearful. Millions of others died due to famine and disease.
Eventually, the Great Terror led to the execution of more than 700,000 soviet citizens. The soviet political system was not only brutal, it was
rigged. The political elite feared democracy and arranged elections in which the people were given no real choice. The fact that leonid Brezhnev
received 99.99% of the vote tells a thinly veiled story of political corruption. it is crucial to emphasize this political charade if one is to understand
the degree of oppression and regulation that the government imposed on its people, whether it was moving them to a camp in Siberia or a ballet
school in Moscow. soviet society was not a free

Diaghilev's Influence On George Ballanchine
Soon after hiring Balanchine and his comrades, Diaghilev realized that Balanchine had great choreographic potential and proceeded to promote him to
the rank of ballet master and principal choreographer. It was at Diaghilev's instance that the surname Balanchivadze was shortened to Balanchine
("George Balanchine Biography" 2014). As the Ballet Russes's resident choreographer, Balanchine would create eleven full–length works, among them
the L'Enfant et les SortilГЁges to the music of French composer Maurice Ravel and Le Chant du Rossignol, accompanied by a Stravinsky score. Other
notable ballets choreographed exclusively for the Ballet Russes include Apollon MusagГЁte and Prodigal Son. During this period, Balanchine suffered
a serious knee injury, ... Show more content on Helpwriting.net ...
While with the Ballet Russes de Monte Carlo, Balanchine choreographed three ballets, Cotillon, La Concurrence, and Le Bourgeois Gentilhomme, all
of which were centered around principal dancer Tamara Toumanova ("Biography" 2002). He later created the company Les Ballets in 1933 with Boris
Kochno, a former private secretary of Diaghilev's, as artistic director ("George Balanchine Biography" 2014). For the troupe's opening season,
Balanchine choreographed six works, collaborating with Bertolt Brecht and Kurt Weill for The Seven Deadly Sins, Pavel Tchelitchew for Errante, and
composers Darius Milhaud for Les Songes and Henri Sauget for Fastes. Unfortunately, the company dissolved within a few months of its inception. As
devastating as this was for Balanchine, the company's sudden collapse would result in one of the most revolutionary meetings in the history of
20th–century dance ("Biography"

George Balanchine Essay
George Balanchine
Ballet is one of the world's oldest and newest forms of dance. One man that created new audiences for ballet and mastered the dance to its fullest was
none other than George Balanchine. He brought the standard ballet to levels no one has ever seen before. In the world of dance, there have been
many wonderful and talented choreographers but Balanchine's work affected the dance world so much that he was a legend long before his death. Not
only was he legendary worldwide but also his influenced American Ballet. George Balanchine's unique style of dance created the "American style" of
Ballet.
Georgi Melitonovich Balnchivadze, George Balanchine, was born on January 22, 1904 in St. Petersburg. He was born into a highly ... Show more
content on Helpwriting.net ...
About three years later, Balanchine formed a group of four dancers, "Soviet State Dancers," that toured outside of the Soviet Union. His
choreography for his dancers upset the traditional minded audiences during his tour, so his tour was not of the greatest success. On the tour, he
met a man named Diaghilev, who immediately offered him a job that gave him a great deal of exposure. After three years of amazing experience,
Diaghilev promoted Balanchine as a choreographer and made him master for his company. Balanchine was only at the age of 25. His unique style
of dance was too advanced for the Soviets to handle. So Balanchine moved to Europe to start his own ballet company. He was not there long, Lincoln
Kirstein, one of his fans who encouraged Balanchine to go to the United States to help establish a school of Ballet equivalent to those found in Europe
and Russia. Little did Lincoln know that those words of wisdom were the start to a whole in Ballet world in the U.S.
When Balanchine first arrived in the U.S. in 1932, he made a name for himself by choreographing for musical comedies. Just a few years later in
1934 Balanchine helped found the School of American Ballet. It opened on January 1, 1934, with a class size of 25. Balanchine's training was very
technical yet traditional. He wanted his students to perform at his level. This school was the start to Balanchine's American success.

George Balanchine 's The Nutcracker
Tiffani Fink
Professor Christopher Connelly
Humanities 101
6 December 2016
George Balanchine and The Nutcracker
George Balanchine himself said, "The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion
created which convinces the audience, much as it is with the work of a magician." Ві Balanchine could be considered just that of a magician in the
way that he brought his ballets to life. George Balanchine's The Nutcracker, could truly be described as an illustration of Christmas magic. The
Nutcracker would be of his most famous works, expanding worldwide and withstanding the true test of time. Recognized as a 20th century masterВІ,
Balanchine made history as the incredible choreographer of many works including that of a Christmas tradition.
Although a legend in the United States, George Balanchine did not begin life here until age twenty–nine. He was born in Russia on January 22 of
1904В№. Balanchine's father was a composerВ№, so music was no mystery to him growing up. In fact, he began his music career at the age of five
when he began to play the piano.Ві Not long after, George started his studies of dance at the age of nineВ№. He made his dancing debut at the age of
ten in the Maryinsky Theatre Ballet company production of The Sleeping Beauty with the role of a cupid. ВіHe would also dance the role of the Prince
in The Nutcracker at the age of fifteen. вЃµBalanchine graduated from the Maryinsky Theatre Ballet School in 1921В№.

The Evolution Of Ballet And The Human Body
Emma Weber
Instructor Miller
Speech 96–111
April 7, 2015
The Evolution of Ballet
Influential philosopher Ludwig Wittgenstein, stated that "the human body is the best picture of the human soul." A great example of the human body
portraying the soul is through the art of ballet. From the Cambridge Dictionary Online, ballet can be defined as "a type of dancing in which controlled
movements of the body are designed to express the beauty of physical motion, often while telling a story, or a piece of music for such dancing." With
ballet's long history, it has shifted through various eras of time, including Ballet de Cour, Opera Ballet, Romanticism, Classical, Russian Imperialism,
and the current modern era. All of which are characterized by particular ballets, prominent people, and various other theatrical elements. However, as
the art of ballet evolved through the different eras, the emotions, messages, and nonverbal cues of each ballet changed to fit the societal norms and
standards.
BALLET DE COUR Ballet de Cour originated in the 1400s in Italy during the Italian Renaissance. Eventually, ballet moved to the country of France
when Catherine de MГ©dicis, who belonged to one of the ruling families of Florence, married King Henry II in 1547. Catherine then began to
introduce curt ballet to her new French court. She strikes me as the overall instigator of the ballet movement that allowed ballet to become as big as it
has. A major ballet during this time was the Ballet Comique de

Research Paper On Ballet Latinoo
On Sunday, October 29, 2017 at 2:30 P.M. I attended Ballet Hispanico at the Detroit Opera House. Ballet Hispanico was founded in 1970 by
Venezuelan born dancer, Tina Ramiez after identifying the need to provide Latino dancers with access to training and performance opportunities. Ballet
Hispanico is recognized as one of the country's top Latino dance organizations. Over the past 40+ years, it has provided dance education and outreach
programs to New York communities to engage interested residents in a guided exploration of dance and Latino cultures by expanding their knowledge
in aesthetic awareness, cultural appreciation, and self–expression.
Today, it is under the artistic direction of Eduardo Vilaro. Ballet Hispanico is a very tailored

Essay on Body Image and Eating Disorders Among Young...
Ballet is a beautiful and romantic type of performance art. It originated in the Italian court systems in the 15th century (Jonas). Since its origination,
ballet has undergone many changes and gained worldwide recognition. Filled with elaborate costumes, cheering audiences, lights, weightless
movements and beauty; ballet is admired by many. On the magical stage ballerinas can become whoever they wan to be, and perform in a world of
fantasy. For these reasons, children, especially little girls, all over the world dream of becoming ballerinas when they grow up. However, becoming
a professional ballerina is an extremely difficult accomplishment, in which few will achieve (Kelso 1). The world of ballet may seem to be filled with
glitz and ... Show more content on Helpwriting.net ...
Dance is a "highly competitive, high–pressure and physically demanding profession" (Dunning). Ballet students are constantly monitored on their body
weight. Most dance companies have what is called an "appearance clause" written into their contracts. This clause specifies that if a dancer gains an
excessive amount of weight she could be released from the company (Kelso 2). For this, many dance companies and schools require that their students
participate in frequent weigh–ins (Price and Pettijohn 991). Often times these weigh–ins are unannounced and the dancers are unaware of them. Their
weight is recorded and even announced in front of other dancers in the class (Kelso). Through these weigh–ins, dance company directors and teachers
constantly push their dancers to be extremely thin. If their weight is too high they will be pressured to loose it. Dancers can be both rewarded or
punished based on their weight. A dancer could be rewarded by gaining a role in a ballet, and praised by the directors. On the other hand, if she did
not loose the weight she could risk not being cast at all (Kelso). This constant monitoring, embarrassment and scrutiny of there weight cause the
dancers to be even more cautious about their weight. The reason that these dancers have to maintain such a low weight is due to the standards set by
one individual. George Balanchine is a world renowned dancer and choreographer. One of the major

All Art, Including Music, Is Directly Influenced By The
All art, including music, is directly influenced by the environment in which the artist lives. It is impossible to create art in a vacuum, unaffected by
the society and events surrounding you. The time period, location, and social changes and innovations can have a direct effect on the art produced.
Political events, especially wars, can have a strong influence on the music and art produced at that time. For example, music may become more
patriotic during a time of war as the composers strive to publicize their national pride. I will explore this idea through the composer Igor Stravinsky and
his three most famous ballets in terms of music and choreography. Since I have a retrospective perspective, I will be able to analyze the situation...
Show more content on Helpwriting.net ...
His wide range of locations creates an expansive social and political influence on his works and their choreography. Similar to many famous
composers, Stravinsky did not study music from the time he was a small child, but studied law and philosophy at St Petersburg University (Taruskin,
White). Throughout the course of his life, Stravinsky composed almost 100 works, ranging in genres. He began to be commissioned by the Ballet
Russes in 1909 and by the following year was asked by Serge Diaghilev to produce The Firebird (Taruskin, White). The Ballet Russes was a Paris
ballet company run by Serge Diaghilev that was known for its creative and inventive performances. Many people did not like the Ballet Russes
innovative style and chose to watch classic ballet companies instead in order to continue the classical style that many believed ballet should express.
However, Diaghilev was determined to do something unique with his ballet company and they made their performances extremely modern
(Lockspeiser). The Firebird was the work that set Stravinsky's career on fire, and allowed his name to become spoken with respect and fame. It
premiered at the Paris Opera on June 25, 1910. It may have been fate that this commission was offered to Stravinsky because it is said that the Ballet
Russes originally commissioned another composer for this piece, but that his slow progress forced them to offer it to

George Balanchine Essay
George Balanchine
If composers are the masters of time, then the choreographer George Balanchine is the master of visual realization of that time in human terms. A
master in both the kinesthetic and musical frames of creativity, he did not devote his energies to music visualization by assigning a certain number of
dancers to represent strings, others the brass, and still others woodwinds or percussion but by creating a visual analogy in space that restates the musical
structure with the trained dancer's body. He claimed that "Ballet... should not be an illustrator of even...the most substantive of literary sources. It will
speak for itself. The ballet is flowers, beauty, poetry...I am, if you please, an advocate of pure art."... Show more content on Helpwriting.net ...
While waiting though, an acquaintance of the family suggested it would do no harm if Georgi auditioned since he was there. He was accepted and
Tamara was not. After some initial homesickness Georgi loved the school and thrived in its atmosphere.
In addition to developing his kinesthetic proficiency, he had retained his musical gift and Vera Kostrovitskaya, a fellow student, said that "He could
never pass with indifference any musical instrument. The minute he came down to our floor of the school the sounds of a piano would be
heard...Sometimes, in the evening, we would secretly climb the stairs to listen to Balanchivadze playing Liszt, Chopin or Beethoven in the boy's
quarters..." In 1919 Balanchivadze applied to the Conservatory of Music and was accepted, but as an undernourished dancer (this was during the
Bolshevik revolution and everyone was hungry, especially those involved in the arts, which were considered to be counter–revolutionary) he could not
work simultaneously at the school and the conservatory, and never completed his music course. There can be little doubt that his concentration on both
dance and music was the foundation of his later excellence in choreography.
In 1920, at the age of 16, Balanchivadze arranged a dance for the annual school performance. He choreographed the pas de deux "La Nuit" to music by
Anton Rubenstein (Mikhail Barishnikov claims that this ballet is still

Joffrey Dance Essay
Joffrey: Mavericks of American Dance, recounts the tale of the revolutionized American dance by consolidating advanced customary dance to make
another brave work of art. The Joffrey Ballet was an group that effectively went out on a limb that changed the dance form for eternity. As the title
indicates, the film depicts the organization as a nonconformist – the principal Americandance company to coordinate current dance moves into its
traditional expressive dance base, and one that was so associated with political and societal occasions of the time. Established in 1956 by Robert
Joffrey and Gerald Arpino, the progressions were little at in the first place, expanding the significance of male artists in the gathering with and
choreographing less constrained development. At that point when the 1960s hit everything changed. Strong works like the dull, hostile to war
demonstrate The Green Table and the hallucinogenic hippy freakout Astarte politicized the artistic expression and melded it with a cutting edge
sensibility without losing the traditionally prepared roots. Acclaim, attention, and Time Magazine covers (back in the blameless days when a wonder
such as this was still viewed as essential) took after, and the free thinker medicines of the specialty were reflected in ... Show more content on
Helpwriting.net ...
In a couple of years that mantle would move to Europe yet it was Robert Joffrey's effective little organization that pushed those progressions and open
new boondocks for ballet. American specialists who changed their artistic expression, as well as found a crowd of people. Joffrey: Mavericks of
American Dance, a genuine history of the Joffrey Ballet, might be a nostalgic love letter to organizers Robert Joffrey and Gerald Arpino, yet it
saturated me with an enthusiasm and motivation any

Informative Essay On Ballet
Hence, by looking back to the beginning of ballet, it is safe to say that ballet has come a long way from being a foreign art to a dance embraced and
loved by Americans. It began with only a few companies in New York, but today there are more than "65 professional, million–dollar–budget ballet
companies" in the United States (Legro). Many American girls as young as three years old are taking ballet lessons and dreaming of one day becoming
a ballerina in the nation's top ballet companies. As to why these little girls are deciding to learn this art, a 14 year from California replies, " I just
think it is fun and my mom and my sister also danced ballet when she was younger, so I guess it is just part our family " (C. Chen, personal
communication,

The Five Principles Of Dance In The Russo-American Era
Dance is a major part of culture, which is why in all cultures dance can be found. For the longest time, ballet was considered a Russian specialty. The
highly qualified and sought after dance companies would tour the world performing in front of those who had never experienced ballet before. By
exposing ballet to the United States of America, the Russians inspired and sparked a demand for legitimate ballet in America. This event took place in
throughout the 20th century. It is currently known as the Russo–American Era. During the Russo–American Era, the Russian choreographers, such as,
Michel Fokine, Anna Pavlova, Vaslav Nijisky, LГ©onide Massine, Sergei Diaghilev, and Bronislava Nijinska; they benefited from its American
audience and started to make dramatic changes to the classical ballet. Every single one of these choreographers implemented and transformed the way
people view, danced and perceived ballet in the 20th century. An example of this is Michel Fokine, when in 1914 wrote a letter to the London Times,
stating the five principles of ballet that befitted the 20th century ballet:
communicate.
5.

New York City Ballet Research Paper

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