This document discusses what makes stories important and powerful forms of communication. It notes that stories encapsulate information, knowledge, context, and emotion. The document also discusses the different elements that compose stories, such as characters, plot, setting, and themes. It explores how stories engage the senses and can be understood through sight, sound, smell, taste, and touch.

1. N!rr!"#v$ Wr#"#%& Daniel Flower

2. M#%#-'#()*((#+%
Why do we tell stories?
What makes a story great?
http://3oneseven.com/29/singin-in-the-rain/

3. enca,sulate
information, knowledge,
context, and emotion.
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danorbit.
Stories are important
cognitive events, for they

4. JD Hancock
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7. N!!" D!#$%&'? U!" #$" RENNS M%&"'
Yau Hoong Tang

8. R%$&!"& Why did something happen? Why did someone do
something?
E'$#()%& How did it happen? How did someone do something?
N$#%& Who was involved? Where did it happen?
N*#b%r& When did it happen? How many were involved?
S%"&%& hearing
(auditory)
sight
(visual)
smell
(olfactory)
touch
(tactile)
taste
(gustatory)
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10. S#&0"
light and dark, shades and hues,
visible shape and appearance
timitalia

11. Thomas Hawk
The restaurant was shaped like a big bottle, though squatter than a
real bottle, and on its cap was a revolving figure of a grinning
boy holding a hamburger aloft.
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12. S.$--
Often used metaphorically
Andrew Morrell Photography

13. ...I remembered clearest of all...how the bedroom smelled of
the lumber it was made of and of the wet woods whose scent
entered through the screen. --E.B. W./-%, “O",% M!r% -! -.% L$1%”
James Jordan

14. T!"#$
Gustatory, detecting flavor--related to smell
ani-bee

15. ...the walking boots that taste
of Atlantic and Pacific salt...
--R!b%r- Fr2-, “A R%,!r3 S-r/3%”
striatic

16. S+*%'
volume
word choice
tone
Vox Efx

17. ...there came to my ears a low,
dull, quick sound, such as a
watch makes when enveloped
in cotton.... It was the beating
of the old man's heart.
--E30$r A))$" P!%, “4% T%)) T$)% H%$r-”
alvaro tapia hidalgo

18. T!*,.
Tactile experience and
emotion (tension, reactions)
Shemer

19. You grasp the bark by a rugged pleat,
And look up small from the forest's feet.
--R!b%r- Fr2-, “O" G!/"0 U""!-/,%3”
ben matthews

20. Ir! G-!((: A S"+r/’( B*#-'#%& B-+)1(
713 Avenue

21. 2$ A%$)'+"$
...you can feel through its form [that it's] inherently like
being on a train that has a destination...and that
you're going to find something..." --Ira Glass
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23. Robert McKee’s
C+..!%'.$%"(
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practicalowl

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yozz!

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.,/ C&'#(*$,%*&/
Thuany Gabriela

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emma.c

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B Rosen

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My Melting Brain

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pj_vanf

34. becca.peterson26

35. Stories have the amazing dual power to
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