Narrative therory.
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The document outlines several narrative theories proposed by different theorists. Tzvetan Todorov and Syd Field suggest narratives follow a three-part structure with an initial equilibrium, a disruption, and a resolution. Vladimir Propp's theory focuses on character roles and their functions. Levi-Strauss proposes narratives rely on binary oppositions between characters. Roland Barthes identifies different codes used to structure narratives. Stanley Kubrick analyzed film narratives as composed of discrete story units. The document concludes by noting it will likely use binary oppositions to contrast how different age groups use technology in a documentary.
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Narrative therory.
The document discusses several narrative theories proposed by thinkers such as Todorov, Propp, Levi-Strauss, Barthes, Field, and Kubrick. Todorov suggested narratives follow an equilibrium-disruption-resolution structure. Propp identified character roles and narrative functions. Levi-Strauss saw narratives as relying on binary oppositions. Barthes identified codes that control information for audiences. Field outlined a three-act structure. Kubrick saw films constructed from six to eight fundamental story sequences. The document concludes by stating the documentary will likely use binary oppositions to show technological differences between age groups.
Narrative theorists post 5
Narrative theorists Tzvetan Todorov, Vladimir Propp, Claude Levi-Strauss, and Roland Barthes developed theories about the structure of narratives in films and documentaries. Todorov theorized that narratives follow a pattern of equilibrium, disruption of equilibrium, and restoration of equilibrium. Propp identified eight character roles that commonly appear. Levi-Strauss said narratives are built from binary oppositions such as good vs evil. Barthes saw narratives as consisting of codes that control what the audience sees and present puzzles for them to solve.
Narrative theory
This document introduces several theorists of narrative structure, including Tzvetan Todorov, Vladimir Propp, Roland Barthes, and Claude Levi-Strauss. It summarizes some of their main contributions: Todorov proposed narratives follow a structure of equilibrium, disequilibrium, and new equilibrium. Propp identified 31 narrative functions that follow a sequential order. Barthes described codes like the hermeneutic code that establish narrative mysteries. And Levi-Strauss viewed narratives as based on binary oppositions that reveal deeper ideological meanings.
Narrative theory
The document discusses several narrative theories including Todorov's theory of the five elements of drama in television and film, Propp's identification of 31 character functions that commonly appear in Russian fairy tales, and Levi-Strauss's concept of binary oppositions that create conflict and drive the narrative. Propp discovered that certain character types like the hero, villain and victim regularly occur in folktales. Levi-Strauss believed narratives are shaped by opposing forces like good vs evil, men vs women, and light vs dark that must be resolved by the end.
Film theories research for the genre asignment 9ii
This document summarizes several film theory concepts and how they relate to analyzing horror films. It discusses Tzvetan Todorov's concepts of equilibrium, disequilibrium, and new equilibrium in narratives. It also mentions Claude Levi-Strauss's theory of binary opposition and Vladimir Propp's characterization of character archetypes like the villain, donor, and hero. Specific horror films like The Shining, Texas Chainsaw Massacre, and Misery are used as examples to demonstrate these theoretical concepts in action. The document concludes that these theories are useful for understanding the themes, decisions, suspense, and emotions created in the horror genre.
Narrative theory
The document summarizes several narrative theories and how they relate to a music video project. It discusses Todorov's five stages of narrative structure, Propp's character archetypes, Levi-Strauss' concept of binary opposites driving conflict, and Barthes' five narrative codes including enigma, action, semantic, symbolic, and referential codes. Examples are given of how elements from the theories can be seen in the music video, such as the disruption/resolution structure, limited character types, and tensions created through racial binary opposites.
Narrative theorists
The document discusses several narrative and textual analysis theories. It describes Roland Barthes' idea that a text can have multiple meanings and his definition of narrative codes like action and enigma. It also outlines Jacques Derrida's expansion on Barthes and Levi-Strauss' concept of binary oppositions in texts, and Vladimir Propp's analysis of elements in fairy tales. Additionally, it summarizes Tzvetan Todorov's five-step model of narrative structure involving equilibrium, disruption, recognition, attempt to repair, and new equilibrium.
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The document discusses various narrative theory concepts like Todorov's 5 stages of narrative structure, Propp's 7 character archetypes, and Levi-Strauss' concept of binary oppositions. It also covers Barthes' idea of codes used in narratives and concludes by outlining an assignment to perform a semiotic analysis of a print advertisement.
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Narrative therory.
The document discusses several narrative theories proposed by thinkers such as Todorov, Propp, Levi-Strauss, Barthes, Field, and Kubrick. Todorov suggested narratives follow an equilibrium-disruption-resolution structure. Propp identified character roles and narrative functions. Levi-Strauss saw narratives as relying on binary oppositions. Barthes identified codes that control information for audiences. Field outlined a three-act structure. Kubrick saw films constructed from six to eight fundamental story sequences. The document concludes by stating the documentary will likely use binary oppositions to show technological differences between age groups.
Narrative theorists post 5
Narrative theorists Tzvetan Todorov, Vladimir Propp, Claude Levi-Strauss, and Roland Barthes developed theories about the structure of narratives in films and documentaries. Todorov theorized that narratives follow a pattern of equilibrium, disruption of equilibrium, and restoration of equilibrium. Propp identified eight character roles that commonly appear. Levi-Strauss said narratives are built from binary oppositions such as good vs evil. Barthes saw narratives as consisting of codes that control what the audience sees and present puzzles for them to solve.
Narrative theory
This document introduces several theorists of narrative structure, including Tzvetan Todorov, Vladimir Propp, Roland Barthes, and Claude Levi-Strauss. It summarizes some of their main contributions: Todorov proposed narratives follow a structure of equilibrium, disequilibrium, and new equilibrium. Propp identified 31 narrative functions that follow a sequential order. Barthes described codes like the hermeneutic code that establish narrative mysteries. And Levi-Strauss viewed narratives as based on binary oppositions that reveal deeper ideological meanings.
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The document discusses several narrative theories including Todorov's theory of the five elements of drama in television and film, Propp's identification of 31 character functions that commonly appear in Russian fairy tales, and Levi-Strauss's concept of binary oppositions that create conflict and drive the narrative. Propp discovered that certain character types like the hero, villain and victim regularly occur in folktales. Levi-Strauss believed narratives are shaped by opposing forces like good vs evil, men vs women, and light vs dark that must be resolved by the end.
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This document summarizes several film theory concepts and how they relate to analyzing horror films. It discusses Tzvetan Todorov's concepts of equilibrium, disequilibrium, and new equilibrium in narratives. It also mentions Claude Levi-Strauss's theory of binary opposition and Vladimir Propp's characterization of character archetypes like the villain, donor, and hero. Specific horror films like The Shining, Texas Chainsaw Massacre, and Misery are used as examples to demonstrate these theoretical concepts in action. The document concludes that these theories are useful for understanding the themes, decisions, suspense, and emotions created in the horror genre.
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The document discusses several narrative and textual analysis theories. It describes Roland Barthes' idea that a text can have multiple meanings and his definition of narrative codes like action and enigma. It also outlines Jacques Derrida's expansion on Barthes and Levi-Strauss' concept of binary oppositions in texts, and Vladimir Propp's analysis of elements in fairy tales. Additionally, it summarizes Tzvetan Todorov's five-step model of narrative structure involving equilibrium, disruption, recognition, attempt to repair, and new equilibrium.
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The document discusses various narrative theory concepts like Todorov's 5 stages of narrative structure, Propp's 7 character archetypes, and Levi-Strauss' concept of binary oppositions. It also covers Barthes' idea of codes used in narratives and concludes by outlining an assignment to perform a semiotic analysis of a print advertisement.
Narrative structures
Vladimir Propp analyzed Russian folktales and identified recurring character roles and plot functions. He found tales shared eight character roles and a structure of thirty-one functions that developed the plot. Tzvetan Todorov suggested narratives move from an initial equilibrium, through disequilibrium caused by an event, to a new resolution equilibrium. He outlined narrative structure as normality disrupted by an event leading to closure. Claude Levi-Strauss viewed structure through binary oppositions of themes such as innocence versus corruption. Bordwell and Thompson defined structure as the audience linking events in time and space, which filmmakers can manipulate through techniques like flashbacks.
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This document discusses various theories of narrative analysis that can be applied to different media. It defines narrative as a chain of causally linked events with a beginning, middle, and end. Narrative theory analyzes how media texts communicate events. Several theorists are discussed, including Propp, who identified common character archetypes in folk stories, and Todorov, who proposed a 5-stage model of narrative structure. Other theorists mentioned are Barthes, Levi-Strauss, and Cameron. The document also discusses postmodern narratives and how narrative analysis considers elements like editing and sound to create meaning for audiences.
Narrative theory
This document discusses several narrative theorists and their contributions to understanding narrative structure. Vladimir Propp analyzed Russian fairytales and proposed that narratives can be classified based on character roles such as hero, villain, and princess. Tzvetan Todorov suggested that most narratives follow a disruption-fight-return to equilibrium structure. Roland Barthes identified five codes that enable readers to make sense of narratives, including action and enigma devices. Claude Levi-Strauss examined how stories unconsciously reflect the culture they come from through symbolic oppositions.
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This PowerPoint is part of my A2 Media Studies coursework. It briefly explains narrative theory, before going on to talk about different narrative theorists, and how their theories are relevant to my work.
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This document provides instructions and information for an assignment on narrative theory. It outlines several key narrative theorists that students are expected to understand, including Todorov, Strauss, Barthes, Propp, and Cameron. For the assignment, students must create a PowerPoint explaining these theorists' concepts and providing examples from films. It provides details on the theorists' ideas, such as Todorov's 5 stages of narrative, Strauss' concept of binary oppositions, Barthes' narrative codes, Propp's character spheres and narrative functions, and Cameron's terms like diegesis and narrative range/depth. Students are instructed to analyze films using these concepts and include examples in their PowerPoint.
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This document discusses three theories of media narrative:
1. Propp's theory argues that all stories share the same internal structure of 8 character roles and 31 functions.
2. Levi-Strauss studied how primitive societies functioned and argued they shared elements with advanced societies. He looked at binary oppositions between groups.
3. Equilibrium theory says all stories are about returning to normality after an event disrupts the equilibrium. It examines what event caused the disruption and how the narrative works to restore balance.
Narrative Theory
-Propp character theory
-Todorov stages theory
-Barthes enigma theory
-Strauss binary oppositions theory
Narrative theories
Tzvetan Todorov's narrative theory states that all narratives follow three stages of equilibrium: 1) the initial equilibrium, 2) a disruption of the equilibrium (disequilibrium), and 3) a return to the new equilibrium. Vladimir Propp's character theory suggests there are recognizable character types in narratives, such as heroes, villains, helpers. Claude Levi-Strauss's binary opposition theory says narratives contain opposites like protagonists vs. antagonists that create conflict. Roland Barthes identified five narrative codes that structure how audiences understand stories: action, enigma, semic, symbolic, and cultural.
Narrative theories
Narrative theory examines how stories are structured and told in both fictional and non-fictional media. Several theorists have identified common patterns and structures in narratives, including binary oppositions that reflect cultural beliefs, equilibrium being disrupted and restored, and character archetypes. Roland Barthes identified five codes that help readers make sense of narratives: action, enigma, symbolic, semic, and cultural.
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Narrative explores conventions like genre, character, form, and time through how the story is told as events unfold. There are different narrative structures like linear (beginning, middle, end), circular (beginning at the end/middle), open (leaves questions), and closed (definite conclusion). More complex narratives contain plot twists and surprises. Restricted narratives withhold information from audiences while unrestricted narratives assume what audiences know. Narrative theorists like Todorov, Levi-Strauss, and Barthes provide ways to analyze narratives, focusing on equilibrium shifts, binary oppositions, and interpretive codes, respectively. Propp's functions drive narratives through character types and narrative events.
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This document provides an overview of narrative theory and several influential theorists. It discusses what narratives are, how they are used in different media forms, and some common narrative structures and techniques. Several theorists are summarized, including Vladimir Propp's character archetypes, Tzvetan Todorov's model of narrative equilibrium and disruption, Roland Barthes' narrative codes, and Claude Levi-Strauss' concept of binary oppositions in establishing meaning. Overall, the document serves as an introduction to foundational concepts in narrative theory and analysis.
Narrative theorists
Vladimir Propp analyzed Russian folk tales and identified common character types such as the hero, villain, princess, and sidekick. Roland Barthes identified narrative codes like the action code, enigma code, semantic code, and cultural code that are used to construct stories. Tzvetan Todorov suggested narratives follow a three part structure of equilibrium, disruption of equilibrium, and restoration of equilibrium. Claude Levi-Strauss observed that narratives can be reduced down to binary oppositions that represent underlying conflicts.
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Narratives across different cultures generally follow common structural patterns involving disruption of equilibrium, action in response, and restoration of a new equilibrium, with theorists like Propp and Campbell identifying universal narrative archetypes like The Hero's Journey. Narrative theory examines how stories are constructed through elements like characters, events, themes, and the relationship between the story and its telling. Understanding narrative conventions and how they shape meaning is important for analyzing how media texts engage audiences.
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This document summarizes several narrative theorists and their approaches to analyzing stories. It discusses Vladimir Propp's identification of character archetypes in fairy tales, Tzvetan Todorov's model of narrative equilibrium being disrupted and restored, Roland Barthes' five codes for making sense of narratives, and Claude Levi-Strauss' concept of binary oppositions revealing underlying themes in myths and stories.
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Narrative explores how stories are told across different media like speech, writing, film, etc. Conventions are used to tell the story in a recognizable way for the intended audience. Several theorists developed theories about narrative structures. Tzvetan Todorov suggested stories begin with equilibrium, are disrupted by an event, then problems are solved restoring order. Roland Barthes identified 5 narrative codes that engage audiences: action, enigma, symbolic, semic, and cultural. Claude Levi-Strauss examined how stories unconsciously reflect a culture's values and myths. Vladmir Propp classified character roles like hero, villain, donor. Barthes' and Todorov's theories align well with conventions of the horror genre,
Narrative Theory in Brief
Tzvetan Todorov proposed that narratives follow a pattern of equilibrium, disruption of equilibrium by an outside force, and a return to a new equilibrium. He later refined this into five stages: initial equilibrium, disruption, recognition, attempt to reinstate equilibrium, and return to a new equilibrium. Claude Levi-Strauss argued that narratives are structured around conflicts between binary opposites. Roland Barthes identified five narrative codes that unlock meaning in texts: the enigma code, action code, semantic code, symbolic code, and referential code. Vladimir Propp isolated seven character types and numerous narrative functions that are often present in fairy tales, such as preparation, complication, transference, struggle, return, and recognition.
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The document discusses several theorists' perspectives on narrative theories:
- Tzetvan Todorov theorized that all stories follow the same pattern of equilibrium, disruption of equilibrium, and return to equilibrium.
- Vladimir Propp identified common character types that appear across narratives, including villains, donors, helpers, princesses, false heroes, dispatchers, heroes, and fathers.
- Claude Levi-Strauss saw narratives as using binary oppositions and codes to convey meaning and opinions to audiences.
- Roland Barthes said narratives are told through codes that control how information is provided, such as an enigma code to set up and resolve mysteries or an action code that advances the plot through action.
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This document provides an overview of narrative theory and how it relates to storytelling in film. It defines key concepts like plot, which is the chronological sequence of events, and narrative, which is how those events are organized and presented. Various theorists are discussed who have proposed models for narrative structure, such as Todorov's 5 stages and Propp's 8 character types. Examples are given of how goal-oriented plots can drive narratives forward. The document aims to help readers critically analyze films using concepts from narrative theory.
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The document discusses various theories of narrative structure, including:
- Plot vs narrative and how they differ
- Time and location manipulation techniques used in narratives
- Todorov's 5 stages of narrative structure
- Propp's analysis of 7 character roles and 31 possible narrative functions
- Levi-Strauss' concept of narratives being structured around binary opposites
- Barthes' codes of action, enigma, and other techniques used in narratives
It provides examples and discusses applying these concepts to analyzing one's own creative works.
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Narrative structures
Vladimir Propp analyzed Russian folktales and identified recurring character roles and plot functions. He found tales shared eight character roles and a structure of thirty-one functions that developed the plot. Tzvetan Todorov suggested narratives move from an initial equilibrium, through disequilibrium caused by an event, to a new resolution equilibrium. He outlined narrative structure as normality disrupted by an event leading to closure. Claude Levi-Strauss viewed structure through binary oppositions of themes such as innocence versus corruption. Bordwell and Thompson defined structure as the audience linking events in time and space, which filmmakers can manipulate through techniques like flashbacks.
Narrative theory
This document discusses various theories of narrative analysis that can be applied to different media. It defines narrative as a chain of causally linked events with a beginning, middle, and end. Narrative theory analyzes how media texts communicate events. Several theorists are discussed, including Propp, who identified common character archetypes in folk stories, and Todorov, who proposed a 5-stage model of narrative structure. Other theorists mentioned are Barthes, Levi-Strauss, and Cameron. The document also discusses postmodern narratives and how narrative analysis considers elements like editing and sound to create meaning for audiences.
Narrative theory
This document discusses several narrative theorists and their contributions to understanding narrative structure. Vladimir Propp analyzed Russian fairytales and proposed that narratives can be classified based on character roles such as hero, villain, and princess. Tzvetan Todorov suggested that most narratives follow a disruption-fight-return to equilibrium structure. Roland Barthes identified five codes that enable readers to make sense of narratives, including action and enigma devices. Claude Levi-Strauss examined how stories unconsciously reflect the culture they come from through symbolic oppositions.
Narrative Theory
This PowerPoint is part of my A2 Media Studies coursework. It briefly explains narrative theory, before going on to talk about different narrative theorists, and how their theories are relevant to my work.
Narrative theory
This document provides instructions and information for an assignment on narrative theory. It outlines several key narrative theorists that students are expected to understand, including Todorov, Strauss, Barthes, Propp, and Cameron. For the assignment, students must create a PowerPoint explaining these theorists' concepts and providing examples from films. It provides details on the theorists' ideas, such as Todorov's 5 stages of narrative, Strauss' concept of binary oppositions, Barthes' narrative codes, Propp's character spheres and narrative functions, and Cameron's terms like diegesis and narrative range/depth. Students are instructed to analyze films using these concepts and include examples in their PowerPoint.
Eden lake
The document discusses film theorist Robin Wood's argument that horror films typically involve normality being threatened by a monster. The monster represents society's changing fears, while normality usually involves heterosexual couples or families protected by institutions. It then asks how the monsters in Dracula, The Descent, and Eden Lake reflect changing British fears and how the theories of "Final Girl", "Monstrous Feminine", and others can be applied to Eden Lake.
Media narrative theory
This document discusses three theories of media narrative:
1. Propp's theory argues that all stories share the same internal structure of 8 character roles and 31 functions.
2. Levi-Strauss studied how primitive societies functioned and argued they shared elements with advanced societies. He looked at binary oppositions between groups.
3. Equilibrium theory says all stories are about returning to normality after an event disrupts the equilibrium. It examines what event caused the disruption and how the narrative works to restore balance.
Narrative Theory
-Propp character theory
-Todorov stages theory
-Barthes enigma theory
-Strauss binary oppositions theory
Narrative theories
Tzvetan Todorov's narrative theory states that all narratives follow three stages of equilibrium: 1) the initial equilibrium, 2) a disruption of the equilibrium (disequilibrium), and 3) a return to the new equilibrium. Vladimir Propp's character theory suggests there are recognizable character types in narratives, such as heroes, villains, helpers. Claude Levi-Strauss's binary opposition theory says narratives contain opposites like protagonists vs. antagonists that create conflict. Roland Barthes identified five narrative codes that structure how audiences understand stories: action, enigma, semic, symbolic, and cultural.
Narrative theories
Narrative theory examines how stories are structured and told in both fictional and non-fictional media. Several theorists have identified common patterns and structures in narratives, including binary oppositions that reflect cultural beliefs, equilibrium being disrupted and restored, and character archetypes. Roland Barthes identified five codes that help readers make sense of narratives: action, enigma, symbolic, semic, and cultural.
Film narrative theory
This document discusses various concepts and theories related to narrative structure in films. It begins by defining narrative as "the way in which a story is told". It then discusses common linear narrative structures in Hollywood films and some films that break these conventions using non-linear narratives. Several theorists are discussed, including Levi-Strauss who analyzed how binary oppositions create meaning and propel narratives. Propp identified common character archetypes. Todorov outlined a conventional 5-stage narrative structure that can be simplified to 3 stages - beginning, middle, end. Barthes discussed narrative codes that engage audiences like enigma codes and action codes.
Narrative theorists
Narrative explores conventions like genre, character, form, and time through how the story is told as events unfold. There are different narrative structures like linear (beginning, middle, end), circular (beginning at the end/middle), open (leaves questions), and closed (definite conclusion). More complex narratives contain plot twists and surprises. Restricted narratives withhold information from audiences while unrestricted narratives assume what audiences know. Narrative theorists like Todorov, Levi-Strauss, and Barthes provide ways to analyze narratives, focusing on equilibrium shifts, binary oppositions, and interpretive codes, respectively. Propp's functions drive narratives through character types and narrative events.
Narrative theory presentation
This document provides an overview of narrative theory and several influential theorists. It discusses what narratives are, how they are used in different media forms, and some common narrative structures and techniques. Several theorists are summarized, including Vladimir Propp's character archetypes, Tzvetan Todorov's model of narrative equilibrium and disruption, Roland Barthes' narrative codes, and Claude Levi-Strauss' concept of binary oppositions in establishing meaning. Overall, the document serves as an introduction to foundational concepts in narrative theory and analysis.
Narrative theorists
Vladimir Propp analyzed Russian folk tales and identified common character types such as the hero, villain, princess, and sidekick. Roland Barthes identified narrative codes like the action code, enigma code, semantic code, and cultural code that are used to construct stories. Tzvetan Todorov suggested narratives follow a three part structure of equilibrium, disruption of equilibrium, and restoration of equilibrium. Claude Levi-Strauss observed that narratives can be reduced down to binary oppositions that represent underlying conflicts.
Narrative powerpoint
Narratives across different cultures generally follow common structural patterns involving disruption of equilibrium, action in response, and restoration of a new equilibrium, with theorists like Propp and Campbell identifying universal narrative archetypes like The Hero's Journey. Narrative theory examines how stories are constructed through elements like characters, events, themes, and the relationship between the story and its telling. Understanding narrative conventions and how they shape meaning is important for analyzing how media texts engage audiences.
Narrative theory - Media Studies
This document discusses several narrative theories, beginning with a definition of narrative as a sequence of fictional or non-fictional events presented to an audience. It then examines Tzvetan Todorov's theory that narratives follow five steps: equilibrium is disrupted, the disruption is recognized, an attempt is made to fix the damage, and a new resolution or equilibrium is reached. However, some narratives like the film "Se7en" deliberately avoid resolution. Vladimir Propp's theory identified common character archetypes in narratives like villains, helpers, and heroes. Claude Levi-Strauss's theory was that narratives rely on binary oppositions like strong vs. weak and good vs. evil.
Narrative Theorists
This document summarizes several narrative theorists and their approaches to analyzing stories. It discusses Vladimir Propp's identification of character archetypes in fairy tales, Tzvetan Todorov's model of narrative equilibrium being disrupted and restored, Roland Barthes' five codes for making sense of narratives, and Claude Levi-Strauss' concept of binary oppositions revealing underlying themes in myths and stories.
Narrative Investigation
Narrative explores how stories are told across different media like speech, writing, film, etc. Conventions are used to tell the story in a recognizable way for the intended audience. Several theorists developed theories about narrative structures. Tzvetan Todorov suggested stories begin with equilibrium, are disrupted by an event, then problems are solved restoring order. Roland Barthes identified 5 narrative codes that engage audiences: action, enigma, symbolic, semic, and cultural. Claude Levi-Strauss examined how stories unconsciously reflect a culture's values and myths. Vladmir Propp classified character roles like hero, villain, donor. Barthes' and Todorov's theories align well with conventions of the horror genre,
Narrative Theory in Brief
Tzvetan Todorov proposed that narratives follow a pattern of equilibrium, disruption of equilibrium by an outside force, and a return to a new equilibrium. He later refined this into five stages: initial equilibrium, disruption, recognition, attempt to reinstate equilibrium, and return to a new equilibrium. Claude Levi-Strauss argued that narratives are structured around conflicts between binary opposites. Roland Barthes identified five narrative codes that unlock meaning in texts: the enigma code, action code, semantic code, symbolic code, and referential code. Vladimir Propp isolated seven character types and numerous narrative functions that are often present in fairy tales, such as preparation, complication, transference, struggle, return, and recognition.
Narrative Theories
The document discusses several theorists' perspectives on narrative theories:
- Tzetvan Todorov theorized that all stories follow the same pattern of equilibrium, disruption of equilibrium, and return to equilibrium.
- Vladimir Propp identified common character types that appear across narratives, including villains, donors, helpers, princesses, false heroes, dispatchers, heroes, and fathers.
- Claude Levi-Strauss saw narratives as using binary oppositions and codes to convey meaning and opinions to audiences.
- Roland Barthes said narratives are told through codes that control how information is provided, such as an enigma code to set up and resolve mysteries or an action code that advances the plot through action.
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This document provides an overview of narrative theory and how it relates to storytelling in film. It defines key concepts like plot, which is the chronological sequence of events, and narrative, which is how those events are organized and presented. Various theorists are discussed who have proposed models for narrative structure, such as Todorov's 5 stages and Propp's 8 character types. Examples are given of how goal-oriented plots can drive narratives forward. The document aims to help readers critically analyze films using concepts from narrative theory.
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The document discusses various theories of narrative structure, including:
- Plot vs narrative and how they differ
- Time and location manipulation techniques used in narratives
- Todorov's 5 stages of narrative structure
- Propp's analysis of 7 character roles and 31 possible narrative functions
- Levi-Strauss' concept of narratives being structured around binary opposites
- Barthes' codes of action, enigma, and other techniques used in narratives
It provides examples and discusses applying these concepts to analyzing one's own creative works.
Narrative theories
Narrative theory examines the structure and elements of narratives. Narratives are defined as a chain of causally linked events that unfold over time, having a beginning, middle, and end. Vladimir Propp identified common character archetypes that frequently appear in folk stories, such as heroes, villains, helpers, and princesses. Tzvetan Todorov viewed narratives as progressing from an initial state of equilibrium, through disequilibrium, to a new resolution or equilibrium. Roland Barthes proposed that narratives can be broken down into codes like action, enigma, semantic, referential, and symbolic elements. Claude Levi-Strauss analyzed how myths reflect the cultural values of the societies that produce them, often
Narrative theory
This document discusses narrative theory and provides examples of several influential narrative theorists. It defines narrative as a chain of events organized in a cause-and-effect relationship that occurs over time and involves a beginning, middle, and end. Several major theorists are outlined, including Propp's identification of recurring character archetypes, Todorov's model of narrative phases, Barthes' narrative codes, and Levi-Strauss' examination of how stories reflect cultural myths and beliefs. More recent trends in complex and nonlinear narratives are also mentioned.
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1) The document discusses several theories of narrative structure, including Todorov's theory of a beginning, middle, and end with a disruption and resolution of equilibrium. It analyzes how The Blair Witch Project breaks conventions by starting in a state of already disrupted equilibrium.
2) It also discusses Levi-Strauss' theory of binary opposites like good vs evil and light vs dark that help audiences recognize characters. Cloverfield is used as an example showing the good party scene with soft light vs the dark ominous explosion.
3) Finally, it discusses Propp's theory that narratives require certain character archetypes like heroes, villains, and princesses to provide narrative structure and make sense for audiences
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Narrative theories help understand narrative structure by identifying patterns and elements within stories. Propp's theory breaks down characters into roles like hero, villain, princess that serve functions in the narrative. Star Wars and Léon apply Propp's roles. Todorov sees narratives following five steps from equilibrium to resolution. Léon fits this pattern. Lévi-Strauss argues narratives use binary oppositions like good vs evil that thicken the plot. Theories have limitations but analyze choices that reveal a narrative's underlying structure.
Narrative theory
This document outlines key concepts in narrative theory, including narrative structures, forms, theorists, and their theories. It discusses Vladimir Propp's identification of 8 character roles and 31 narrative functions in folk tales. It also summarizes Tzvetan Todorov's theory of disrupted equilibrium, Roland Barthes' 5 action codes, Claude Levi-Strauss' theory of binary oppositions, Victor Shklovsky's distinction between plot and story, and theories by David Bordwell/Kristin Thompson and Gill Branston/Roy Stafford. The document provides examples and activities for students to apply these narrative theories.
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This document introduces four key narrative theories:
1. Propp's 7 character archetypes including hero, villain, donor, etc. Examples from Star Wars are given.
2. Todorov's 5-stage narrative structure of equilibrium, disruption, recognition, attempt to repair, new equilibrium. An example film is requested.
3. Levi-Strauss' concept of binary oppositions creating tension, with examples of social classes and sexuality.
4. Barthes' idea of the narrative enigma that creates puzzles driving the story.
The document asks the reader to apply these theories to their own fictional narrative and provides information and examples to help understand each concept.
Narrative theory
The document discusses various narrative theories that are relevant to understanding stories and media. It covers Aristotle's three unities of drama, Freytag's dramatic arc model consisting of five acts, Todorov's theory of narrative equilibrium being disrupted and then restored, Propp's character archetypes in folktales, Barthes' concept of narratives establishing and solving enigmas, Levi-Strauss' idea of binary oppositions creating meaning, and provides examples of how these theories are applied in analyzing the TV show "24."
Narrative theorists
The document discusses several narrative theorists and their theories. Vladimir Propp analyzed Russian folk tales and identified common character types like the hero, villain, and donor. Roland Barthes identified narrative codes that structure texts, such as the action code, enigma code, and cultural code. Tzvetan Todorov suggested narratives follow a three-part structure of equilibrium, disruption, and restoration of equilibrium. Claude Levi-Strauss stated that all narratives are organized around binary oppositions like good vs evil. The document provides examples of how these theories can be applied, such as to the film The Incredibles for Propp's characters and Toy Story for Todorov's structure.
Media theories
The document discusses several media theories:
- Structuralism explores how meaning is formulated within a culture through systems of signs and paradigms.
- Post-structuralism critiques structuralism by arguing there is no inherent structure in texts.
- Modernism moves away from structure and embraces discontinuity and disruption of conventions.
- Postmodernism knowingly plays with and subverts conventions through techniques like bricolage.
- Psychoanalytic theories like the male gaze and identifying with the final girl were applied to horror genres.
Narrative theory
This document summarizes key concepts and theorists related to narrative theory. It discusses how narrative theory analyzes how media texts communicate meaning through storytelling and explains common narrative structures including a beginning, middle, and end. Several influential narrative theorists are outlined, such as Propp's characterization archetypes, Todorov's structural phases, Barthes' five codes, Levi-Strauss' focus on cultural values/myths, and postmodern concepts like nonlinearity, intertextuality, and self-reflexivity. The document also provides an example analysis of a Taylor Swift song through different theoretical lenses.
Media theories
The document provides information about several theorists and their approaches to analyzing narratives, including Vladimir Propp, Tzvetan Todorov, Roland Barthes, and Claude Levi-Strauss. Propp analyzed folk tales and identified common character archetypes. Todorov proposed narratives follow five fundamental stages: equilibrium, disruption, recognition, attempt to repair, new equilibrium. Barthes described texts as having multiple meanings accessed through different codes. Levi-Strauss found narratives are structured around conflicts between binary opposites. The document discusses how these theories can be applied to modern narratives like films.
Media theories
The document provides information about several theorists and their approaches to analyzing narratives, including Vladimir Propp, Tzvetan Todorov, Roland Barthes, and Claude Levi-Strauss. Propp analyzed folk tales and identified common character archetypes. Todorov proposed narratives follow five fundamental stages: equilibrium, disruption, recognition, attempt to repair, new equilibrium. Barthes described texts as having multiple meanings accessed through different codes. Levi-Strauss found narratives are structured around conflicts between binary opposites. The document discusses how these theories can be applied to modern narratives like films.
Media theories
The document discusses several media theories:
- Structuralism states that culture can be understood through systems of signs and meanings are formulated within a culture.
- Post-structuralism critiques structuralism and argues there is no inherent structure in texts.
- Modernism moves away from structure and embraces discontinuity and disruption of conventions.
- Postmodernism knowingly plays with and subverts conventions through techniques like bricolage.
- Psychoanalytic theories like the male gaze and identifying with the final girl character were applied to horror genres.
Media theories
Structuralism states that culture can be understood as a system of signs and that structuralists believe everything has rules that must be followed. Structuralist film theory emphasizes how films convey meaning through codes and conventions similar to how languages construct meaning. Todorov's theory of narrative consists of equilibrium, disequilibrium, and new equilibrium as different stages of a story. Freud's theory includes the id, ego, and superego and the Oedipus complex. Propp identified eight character types that are commonly repeated in stories.
Narrative Theory
The document discusses several influential narrative theorists and their contributions:
1) Vladimir Propp analyzed Russian fairytales and identified character archetypes like the hero, villain, donor.
2) Tzvetan Todorov proposed most narratives have an initial state of equilibrium, a disruption, then resolution to a new equilibrium.
3) Roland Barthes identified five codes that structure narratives: action, enigma, symbolic, semic, cultural.
4) Claude Levi-Strauss studied how myths unconsciously reflect a culture's beliefs through binary oppositions like civilized/savage.
Narrative Theory
The document discusses several influential narrative theorists and their contributions:
1) Vladimir Propp analyzed Russian fairytales and identified character archetypes like the hero, villain, donor.
2) Tzvetan Todorov proposed most narratives have an initial state of equilibrium, a disruption, then resolution to a new equilibrium.
3) Roland Barthes identified five codes that structure narratives: action, enigma, symbolic, semic, cultural.
4) Claude Levi-Strauss studied how myths unconsciously reflect a culture's beliefs through binary oppositions like civilized/savage.
Narrative theories
Narrative theory examines storytelling across different media like television, film, and literature. It distinguishes between the plot, or visible events presented in order, and the story, which includes both visible and inferred events. Some genres reorder plots to surprise viewers by revealing parts of the story unexpectedly. Vladimir Propp identified common character roles that advance folk tales, like villains, heroes, donors, and helpers. Levi Strauss found that narratives often rely on binary opposites like good vs evil, young vs old, and man vs nature. Conflict stems from these opposites, which are also central to narrative structure. Tzvetan Todorov simplified narrative theory while allowing a more complex interpretation of films, proposing a structure of equilibrium
Narrative theory
Narrative theory examines how stories are communicated through media to convey meaning. There are several approaches to analyzing narratives. Vladimir Propp identified common character archetypes that often appear in stories, including heroes, villains, helpers, and false heroes. Tzvetan Todorov described a typical narrative structure as moving from equilibrium, to disruption, attempts to repair the disruption, and back to a new equilibrium. Roland Barthes identified five codes used in narratives: action, referential, semantic, enigma, and symbolic. Claude Levie-Strauss analyzed narratives in terms of binary oppositions between opposing concepts.
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Doc codes and conventions
This document discusses the use of conventions in documentaries. It analyzes how the documentary being discussed employed standard documentary conventions such as using expert interviews, graphics to convey information rather than just statistics, and an on-screen presenter. It also notes how some conventions were followed, such as using vox pops and statistics with text and voiceover. While most conventions were employed without being challenged, the documentary did develop the convention of using graphics to provide information other than just statistics. Overall, the document concludes that conventions were mostly followed as it made the documentary more engaging and effective without needing to challenge expectations.
Codes and conventions evaluation
This document discusses the conventions followed in the design of a double page magazine spread. It features a main headline at the top to grab attention, along with images, bylines and branding consistent with the magazine's style. While only two main images are used rather than multiple like most spreads, the images interact in a way that can be viewed as one image, still conforming to conventions. Additional elements like pull quotes, standfirsts and page numbers also match the magazine's typical layout. Sticking to conventions helps the spread feel authentic and part of the established publication.
Alchohol doc idea pp
The documentary would take an investigative approach to explore the impacts of alcohol in society and raise awareness of options for help. It would use a fly-on-the-wall style to give a complete understanding of drinking habits. An observational mode would be used to capture reality while following subjects. Codes and conventions would include background music, titles, and potentially expert interviews or recreations. A non-linear narrative spanning different areas would be difficult to follow chronologically. The intended target audience is 16-25 year olds to educate them before harmful behaviors set in.
Alchohol doc idea pp
The documentary proposes investigating the impacts of alcohol in society through a fly-on-the-wall style. It would use observation to understand people's drinking habits and raise awareness of help options. Interviews with doctors and experts could provide information on health effects. A non-linear narrative would cover different opinions through a multi-strand approach, representing alcohol as the villain impacting lives. The target audience would be 16-25 year olds to educate them before bad habits form.
Radio script
A father expresses frustration with constantly having new phones and laptops introduced that he struggles to use. His daughter tries to reassure him that the new tech is not difficult to use and offers to borrow his record player and vinyls for her friends to show how cool vintage technology remains. She also asks if she can borrow her mother's old polaroid camera, which have become trendy again. The radio script then promotes an upcoming BBC documentary called "Generation Gap" that will examine why technology is evolving so rapidly and whether people are choosing to use older tech like record players and polaroids despite new options being available.
Radio history
Radio 2 was launched in 1967 to provide a lighter alternative to Radio 1, playing laid-back pop, rock, folk, and jazz. In the early years, notable presenters included Roy Moore, Terry Wogan, David Hamilton, and John Dunn. By the late 1960s, the previous Light Programme had become outdated, so Radio 2 was developed to appeal to older audiences with a wider variety of "light" music genres. Terry Wogan hosted Radio 2's breakfast show from 1972 to 1984 and 1993 to 2009, building a large audience. The station also featured daily dramas and sports coverage to broaden its appeal during this time.
Dps construction
Magda Rak describes the steps taken to design a double page spread for a magazine, including adding a background color and page numbers, inserting the title and byline using the text tool and changing fonts and colors, importing the article text and images and wrapping text around the images, and adding branding elements consistent with magazine conventions like pull quotes, dotted lines, and additional text to fill whitespace.
Generation Gap article final
A documentary titled "Generation Gap" explores the differences in how older and younger generations use technology. It follows a group of students from Solihull Sixth Form College as they investigate perceptions around this issue. The documentary interviews both teenagers and adults to get different perspectives on topics like teenage obsession with technology and adult disillusionment. It also features statistics that surprise both the filmmakers and viewers. Media expert Nick Waring provides insights that help audiences understand some of the root causes around the technology gap between generations. The documentary uses a variety of techniques like animation and graphics to explore this topic in an entertaining way.
Expert questions
The document discusses questions that will be asked of experts for a documentary about how technology has changed their work. It analyzes whether each question will provide a positive or negative representation of technology. The questions range from how technology has changed over time, whether its progress is seen as positive or negative, and if experts feel pressure to keep up or find their work has been made easier by technology. The document concludes that answers to the questions will be edited and presented in a balanced way to neither overly praise nor criticize technology.
Socially smoking
This document outlines a proposed documentary about socially smoking. It would take an expository approach to educate viewers on the dangers of smoking and discourage young people from taking it up. Experts like doctors could provide information, while filming would occur at smoking spots and include interviews with smokers about how they started. The goal is to prevent smoking through a straightforward narrative that presents the negative consequences and ways to avoid smoking.
Codes and conventions [gg
The document discusses various codes and conventions used in documentaries such as interviews, locations, evidence, reconstructions, archived footage, vox pops, background footage, and music. It explains how these techniques will be employed in a student documentary project to make the documentary seem well-informed, reliable, interesting, and entertaining for viewers while effectively communicating information and arguments.
Mediation
This document discusses mediation, gatekeeping, and representation in documentaries. It notes that documentaries manipulate viewers through selective editing, music, and other techniques. As gatekeepers, documentary makers must filter hours of footage down to a short runtime, including only the most relevant material. For their documentary on technology use across generations, the authors plan to edit interviews quickly, dress experts professionally, and present both youth and older adults in a balanced way to avoid biased portrayals or stereotypes. While selective editing amounts to manipulating viewers, it is a necessary part of documentary filmmaking to keep the audience engaged and convey information objectively.
Mediation
This document discusses mediation, gatekeeping, and representation in documentaries. It explains that mediation involves manipulating footage and editing to make the audience feel certain emotions. Gatekeeping refers to filtering information for the audience by only including some footage and sources. When making their documentary, the producers will edit interviews to be fast-paced, only include relevant footage, and depict experts professionally to gain audience trust. They acknowledge this mediation could provide a biased view but feel it is necessary to remain objective.
Script
This document is a transcript from a presentation discussing the generation gap in technology usage. The presenter introduces the topic of whether older generations are being left behind by rapidly changing technology or if they are adapting to new devices. Statistics are provided showing that while younger people overwhelmingly own cell phones, ownership only drops slightly among older age groups. Experts in media and computing from different generations are interviewed about how technology has changed over their careers and lives. After a break, the presenter will discuss why some younger people are returning to older technologies.
Vox pops questions
This document outlines the questions that will be asked in a documentary about a potential technology age gap. The opening question "Do you think there’s a technology age gap?" aims to get perspectives on the topic to guide further questions. Subsequent questions ask whether older generations are adapting to technology, the differences in how generations use technology, and the specific technologies each group uses. The purpose is to represent both younger and older viewpoints equally, though editing may emphasize more extreme differences for entertainment. By focusing on differences, the questions risk portraying the groups as binary opposites rather than showing commonalities.
Codes and Conventions Radio
The document discusses codes and conventions for using tone of voice, sound effects, ambient sounds, music, tracks, and sound levels in advertisements. The tone of voice depends on the genre and is usually excited to engage buyers. Sound effects are genre-specific and louder than music but not dialogue. Ambient sounds provide context like outdoor noises. Music matches the genre to set the mood. Adverts typically have dialogue, music, and sound effect tracks, and sound levels prioritize dialogue volume.
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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Innovation Management Frameworks: Your Guide to Creativity & Innovation
Anny Serafina Love - Letter of Recommendation by Kellen Harkins, MS.
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Taurus Zodiac Sign: Unveiling the Traits, Dates, and Horoscope Insights of th...
Taurus Zodiac Sign: Unveiling the Traits, Dates, and Horoscope Insights of th...
Narrative therory.
- 1. Narrative Theory BY MAGDA RAK
- 2. Tzvetan Todorov Todorov suggested that all narratives follow a three part structure. They start with an equilibrium, where everything is okay and balanced. Something comes to disrupt the equilibrium. A resolution is reached, when an equilibrium is reached once again. Example: The Hunger Games Everything is calm and how it usually is. Prim is picked and Katniss volunteers to take her place. Katniss wins and goes back to District12
- 3. Vladimir Propp Propp’s narrative structure is determined by roles in the story. Character roles help us understand the constructed nature of the narrative. There are 8 character roles and 31 functions to the characters. This helps us understands that each character role has progress within the narrative and audience identification. The villain The hero The dispatcher The false hero The donor The helper The princess The father
- 4. Levi-Strauss He suggests that the production of meaning depends on the concept of binary oppositions. This suggests that the majority of narratives in media have opposing main characters. This thickens the plot and furthers the narratives and introduces contrast. A problem with this theory may perpetuate negative stereotypes. Binary opposites aren’t always clear cut and may have multiple binary opposites between two characters.
- 5. Roland Barthes Roland Barthes argues that narrative is told through a series of codes that are used to control the way in which information is given to the audience. The enigma code – a mystery to be solved The action code – used for escapism to entertain and immerse the audience. The semantic code – connote extra meaning aside from the literal meaning. The symbolic code – symbols that can be found in media texts, they convey meaning through symbolism. The referential code – deals with references within a media text to an external context.
- 6. Syd Field According to Field, narratives follow a three-act structure. The set up, confrontation and the resolution. Act 1 – Exposition, introduction to the main character and plot point 1 is introduced. Act 2 – Obstacles, first culmination and the midpoint. Act 3 – The climax and denouement.
- 7. Stanley Kubrick Insisted that a film can be constructed from six to eight ‘non-submersible units’. A non submersible unit is a fundamental story sequence where everything else is stripped away. He uses these in his film 2001: A Space Oddesey. The monolith visits humankind in its infancy. An early man discovers technology. The monolith is excavated on the moon by astronauts and sends a message to Jupiter. Humankind send a manned mission to Jupiter to investigate. Advanced technology (Hal) endangers the mission crew. Technology is defeated and the surviving crew member rendezvous with the aliens. The Starchild is born.
- 8. What we are going to use As our documentary is about the age gap between young people and older people we will most likely use binary opposites to show the difference in how people of difference ages use technology.