George Williams proposes a major solo project of an orchestral and cinematic soundtrack album focusing on contemporary classical genres and experimental vocal techniques. The album aims to combine traditional orchestral music with modern technology and samples to develop a unique sound. Previous works provide examples of Williams' string compositions and demonstrations of vocal inclusion. References are cited for inspiration regarding piano-focused pieces, fusion of orchestral and electronic styles, and effective use of vocals in soundtracks. The project intends to showcase Williams' compositional skills and develop his portfolio for future professional opportunities in film and television scoring.

1. MY MAJOR PROJECT
BY GEORGE WILLIAMS

2. OVERVIEW OF THE PROJECT :
• A standalone soundtrack album, focusing on the themes/genres of contemporary classical and
cinematic composition.
• Piano & Orchestral focused, with a mixture of studio recordings for authenticity, and sample libraries for
added grandeur
• Possible vocals on some tracks- sticking within the cinematic theme of the album. Experimenting with
vocal techniques & effects – reverse reverb, possibilities within Melodyne etc.
• Mixing new with the old- one of the main goals of the project is to make the traditional feel new again-
My own spin on traditional orchestral music with incorporated technology & live recordings. Not
focusing on combining two genres as such, but more to do with combining multiple worlds of sounds, in
an attempt to find my own sound as a composer

3. PREVIOUS WORK TO MOVE FORWARD FROM
• String Quartet Piece I composed & live recorded:
• https://www.youtube.com/watch?v=i1MCXB-kecY
• String piece using Spitfire Audio:
• https://soundcloud.com/user-604023515/awakening
• Vocal & Orchestral potential within the album:
• https://soundcloud.com/user-604023515/your-song-elton-john-ella-cotsford-george-williams-draft-1/s-nFVRS
• https://soundcloud.com/user-604023515/your-song-ella-costford-george-williams-cover-draft-2/s-Hcg6K

4. REFERENCES:
Rubod and Stroudinski- Hampstead Part 1: (piano & strings
contemporary fusion):
https://www.youtube.com/watch?v=7oUIytkEEIo
Thomas Newman (Film Composer):
https://www.youtube.com/watch?v=Kd6PaHnqFdQ
Debussy: La Fille aux cheveux de lin
https://www.youtube.com/watch?v=jGSZPRk6aXA
Gareth Coker: Vocalist inclusion within soundtrack
https://www.youtube.com/watch?v=j-Fhx2IEztw
Joe Hisaishi: Inspiration for piano focused pieces
https://www.youtube.com/watch?v=XrTvMDAiEdg
Ursine Vulpine: Fusion of orchestral/cinematic pop
https://www.youtube.com/watch?v=7PoIisbJ7HI

5. CONTEXT
Why I want to make this & the cultural/social relevance:
• Composing has always been my passion
• I want to test myself and discover my potential
• I want to make people feel things- evoking emotion through music
• A packaged box of what I’m capable of to showcase in future professional interactions
• 20/20 vision: the idea of incorporating new with the old, forgetting genres and focusing on sound
worlds

6. AUDIENCES:
• Focusing on a wide demographic
• Younger audiences – drawn in with newer sound worlds- unique synths etc
• Mature audiences- drawn in with contemporary classical
• Soundtracks are a widely played and listened to by all age groups:
• E.g Students for concentration enhancement, & elders more so just for pleasure and relaxation etc
• Possible Spotify release? – playlist listens are the future
• YouTube- possible visual aspect to the album
• Social Media & Apps- an app called Calm: helps people sleep (?)

7. ECONOMIC / PROFESSIONAL FOCUS:
How is it going to help me in your career and support a portfolio of work for post-University?
• An all in one package- show-reel
• Showcase of my style & unique sound as a composer
• If released & marketed properly- possible streaming income- getting on playlists is key
• Potential of future professional encounters and opportunities for Film & TV scoring following this album