The document provides information about traditional woven textiles from India, including muslin and jamdani fabrics. It discusses the origins, history, production process, and characteristics of dhaka muslin and jamdani textiles. It also provides details about chanderi fabric, including that it is made from silk/cotton or pure silk threads woven with traditional cotton yarn and gold zari to create a luxurious sheer texture. Motifs are handwoven using needles and often feature nature-inspired designs coated in gold, silver, or copper.
Jamdani sarees are a fine weave fabric known for their intricate hand-woven patterns and motifs. The name Jamdani originates from Persian and means "flower vase". It was popular during the Mughal period but declined under British rule. The creation of Jamdani involves supplementary weft technique where designs are manually woven using thin bamboo sticks and colored threads. Common motifs include flowers, peacocks, and geometric patterns. Jamdani sarees can take up to a year to produce and are considered one of the most prized fabrics in the world.
(1) Shawls from Kashmir occupy a prominent place in textiles due to their elaborate designs featuring the distinctive "cone" pattern and vibrant, long-lasting colors derived from the fine underwool of the pashmina goat found in Tibet.
(2) There are two main types of Kashmiri shawls - loom woven "tiliwalla" shawls and embroidered "amlikar" shawls worked with needlepoint designs over a plain pashmina ground.
(3) Pashmina shawls specifically refer to textiles made from the ultra-fine cashmere wool collected from the high-altitude pashmina goat of the Himalayas,
usefull for all home science students and for all competitive exams like NET/JRF for other knowledge visit our you tube channel anita singh clothing and textile classes
Kashmir shawls originated in the 15th century when weavers from Central Asia were brought to Kashmir by Sultan Zain-ul-Abidin to improve local weaving skills. Made from fine pashmina and cashmere, Kashmir shawls evolved greatly over the centuries, influenced by Mughal, Afghan, and Sikh rulers. Early designs featured simple floral motifs while later shawls had intricate embroidered patterns filling the entire shawl. By the 19th century, embroidered shawls became popular as they could be made more quickly at lower cost than woven shawls. Kashmir shawls gained renown in Europe and were collected by royalty and nobility.
Sanganer near Jaipur, Rajasthan is famous for its traditional block printing technique used to create intricate floral motifs on fabrics. The handmade wooden blocks are used to apply natural dyes to cotton and silk fabrics by pressing the blocks with carved designs onto the cloth. Some key aspects of Sanganeri printing include its delicate floral patterns printed on white fabric, use of multiple blocks to create layered colored designs, and motifs depicting flowers common to the region. The centuries-old techniques provide economic opportunities for local artisans and the distinctive prints are popular for clothing and home décor throughout India and internationally.
Muslin is a lightweight cotton fabric that originated in Bengal, Bangladesh. It was finely woven with threads so thin that six yards could pass through a ring. Bengal muslin was renowned for its transparency, softness, and quality. There were over 15 classifications of muslin based on fineness. The British suppressed the muslin industry through high taxes and torturing weavers, such as cutting off thumbs, to stop production and promote their own cotton goods. While the techniques were lost, jamdani weaving has helped preserve some muslin traditions in Bangladesh. Modern uses of muslin include clothing for babies, bandages, and quilting materials. Efforts are underway to revive production of traditional muslin fabrics.
The document provides information about traditional woven textiles from India, including muslin and jamdani fabrics. It discusses the origins, history, production process, and characteristics of dhaka muslin and jamdani textiles. It also provides details about chanderi fabric, including that it is made from silk/cotton or pure silk threads woven with traditional cotton yarn and gold zari to create a luxurious sheer texture. Motifs are handwoven using needles and often feature nature-inspired designs coated in gold, silver, or copper.
Jamdani sarees are a fine weave fabric known for their intricate hand-woven patterns and motifs. The name Jamdani originates from Persian and means "flower vase". It was popular during the Mughal period but declined under British rule. The creation of Jamdani involves supplementary weft technique where designs are manually woven using thin bamboo sticks and colored threads. Common motifs include flowers, peacocks, and geometric patterns. Jamdani sarees can take up to a year to produce and are considered one of the most prized fabrics in the world.
(1) Shawls from Kashmir occupy a prominent place in textiles due to their elaborate designs featuring the distinctive "cone" pattern and vibrant, long-lasting colors derived from the fine underwool of the pashmina goat found in Tibet.
(2) There are two main types of Kashmiri shawls - loom woven "tiliwalla" shawls and embroidered "amlikar" shawls worked with needlepoint designs over a plain pashmina ground.
(3) Pashmina shawls specifically refer to textiles made from the ultra-fine cashmere wool collected from the high-altitude pashmina goat of the Himalayas,
usefull for all home science students and for all competitive exams like NET/JRF for other knowledge visit our you tube channel anita singh clothing and textile classes
Kashmir shawls originated in the 15th century when weavers from Central Asia were brought to Kashmir by Sultan Zain-ul-Abidin to improve local weaving skills. Made from fine pashmina and cashmere, Kashmir shawls evolved greatly over the centuries, influenced by Mughal, Afghan, and Sikh rulers. Early designs featured simple floral motifs while later shawls had intricate embroidered patterns filling the entire shawl. By the 19th century, embroidered shawls became popular as they could be made more quickly at lower cost than woven shawls. Kashmir shawls gained renown in Europe and were collected by royalty and nobility.
Sanganer near Jaipur, Rajasthan is famous for its traditional block printing technique used to create intricate floral motifs on fabrics. The handmade wooden blocks are used to apply natural dyes to cotton and silk fabrics by pressing the blocks with carved designs onto the cloth. Some key aspects of Sanganeri printing include its delicate floral patterns printed on white fabric, use of multiple blocks to create layered colored designs, and motifs depicting flowers common to the region. The centuries-old techniques provide economic opportunities for local artisans and the distinctive prints are popular for clothing and home décor throughout India and internationally.
Muslin is a lightweight cotton fabric that originated in Bengal, Bangladesh. It was finely woven with threads so thin that six yards could pass through a ring. Bengal muslin was renowned for its transparency, softness, and quality. There were over 15 classifications of muslin based on fineness. The British suppressed the muslin industry through high taxes and torturing weavers, such as cutting off thumbs, to stop production and promote their own cotton goods. While the techniques were lost, jamdani weaving has helped preserve some muslin traditions in Bangladesh. Modern uses of muslin include clothing for babies, bandages, and quilting materials. Efforts are underway to revive production of traditional muslin fabrics.
The document summarizes the history and production of traditional shawls from the Kullu Valley region of Himachal Pradesh, India. It describes how early shawls were made of locally produced wool on simple looms. In the 1940s, designs and production techniques were influenced by weavers from other regions. Over time, synthetic yarns were introduced and a wider variety of patterns were produced. It also provides details on raw materials, weaving processes, regional variations in Kinnauri shawl patterns, and styles of wearing the shawls.
Bandhani is a tie-dye technique used to create patterned fabrics in Gujarat and Rajasthan, India. The technique involves tying parts of the fabric prior to dyeing to create resist-dyed patterns. It has a long history in India dating back to at least the 5th century AD. Traditional bandhani fabrics were made of cotton, silk, or wool and featured patterns like spots, stripes, or geometric motifs. Important centers of bandhani production include Jamnagar, Bhuj, and Ahmedabad in Gujarat as well as cities in Rajasthan. Traditional bandhani fabrics were worn by women of all castes and religions and featured natural dyes in colors like
Traditional printed and dyed textiles use several techniques. Textile printing involves applying color to fabric in patterns using blocks, screens, or rollers. Common methods include direct printing, mordant printing, discharge dyeing, and resist dyeing. Specific techniques discussed include kalamkari printing from India, which uses pen drawings and natural dyes to depict myths. Block printing involves carving designs into wood or other blocks to transfer pigment to fabric. Rogan painting from Gujarat uses boiled oil paint and vegetable dyes applied with blocks or brushes. Other techniques include Mata ni Pachedi sacred textiles from Gujarat which combine block printing and freehand painting with natural dyes.
The document discusses the handicraft industry in Jammu and Kashmir. It notes that the handicraft sector provides employment for about 3.78 lakh workers and had production of Rs. 1650.30 crores in 2012-13. A major export, handicraft goods worth Rs. 1080.80 crore were exported in 2012-13. Shawl making is a prominent handicraft in the region, with the traditional process involving harvesting, sorting, spinning, weaving, and finishing. The industry has potential for employment and exports but faces challenges like underdeveloped infrastructure, lack of modernization, and impact of political instability on production.
Kinkhwab sarees are heavy, multilayered silk brocade fabrics produced in Varanasi, India. They have elaborate patterns woven with silk, gold, and silver threads using traditional jacquard looms. The production process involves twisting and processing silk yarn, removing the gum, dyeing, and meticulously weaving intricate designs using badla zari. Kinkhwab sarees are known for their luxury and use of over 50% precious metal threads, making them works of art worn on special occasions.
Home textiles are textile products used in households for both functional and aesthetic purposes. They include sheets, pillowcases, blankets, terry towels, table cloths, and carpets/rugs. These products are made from various natural and synthetic fabrics like cotton, polyester, linen, and wool. They serve important functions like absorbing moisture, providing warmth, decorating interior spaces, and insulating from heat and sound. Manufacturers aim to make these durable and easy to care for through properties like stain resistance, flame retardancy, and resistance to pilling and snagging.
Kanchipuram, India is famous as the Silk City for its hand-woven silk saris. The town has a long tradition of silk weaving, with over 75% of the population involved in the silk sari industry. Kanchipuram saris are known for their high quality silk fabric woven together with zari threads made of silver and gold. The intricate weaving process can take 10-20 days to complete a single sari. Kanchipuram saris are celebrated for their traditional patterns, motifs and vibrant colors that represent the cultural heritage and craftsmanship of the region.
This ppt will be helpful for gaining the basic knowledge of Indian traditional textile from various states and regions. I will definitely try to add more slides in it.
Block printing is a traditional method of printing patterns on fabric using carved wooden blocks. It is a slow process but can produce highly artistic results. Different regions in Rajasthan, India are known for specific block printing styles that use distinctive techniques, motifs, and natural dyes. However, the craft is facing challenges of low production volumes, preservation of traditional designs, and pollution issues.
The document provides information about Chanderi sarees, a famous handloom fabric from Chanderi, Madhya Pradesh, India. Some key points:
- Chanderi sarees are known for their light weight, glossy texture and richness. They can be made of pure silk, cotton-silk blends.
- The weaving tradition dates back to the Vedic period. Motifs have evolved from traditional designs like peacocks to modern geometrics.
- Production is protected via a Geographic Indication and the handloom tradition employs over 18,000 people. Proper care involves dry cleaning or mild washing and avoiding direct sunlight.
This document summarizes the key details about linen, including its production from flax plants, physical and chemical properties, and common uses. Linen fibers are extracted from the stem of the flax plant through retting and scutching. The fibers are then spun into yarns and woven or knitted into fabrics. Linen has good strength but low elasticity. It is resistant to acids, alkalis, and bleaching agents. Common applications of linen include clothing, curtains, bed linens, and tablecloths due to its strength and comfort.
Jamdani is a traditional muslin textile produced in Dhaka, Bangladesh using intricate hand weaving techniques. The word Jamdani comes from Persian and means "flower vase." It is known for its fine texture and elaborate floral motifs woven into the fabric. Jamdani weaving is a complex and time-intensive process that involves using different colored supplemental weft threads to embroider intricate patterns into the base fabric. There are several regional varieties of Jamdani produced in Bangladesh including Dhakai Jamdani, Tangail Jamdani, and Dhaniakhali Jamdani, which differ in techniques, motifs, and base fabrics used. Efforts are underway to revive this traditional textile
Muslin is a soft, plain-woven cotton fabric that originated in Iraq and was later produced widely in India and France. It is lightweight, smooth, cool, and comfortable but also wrinkles easily. Muslin has a low thread count of less than 160 threads per square inch and generally ranges from 128 to 310 counts. It is commonly an off-white color and washes well in cool water with cool ironing. Muslin was first used in England in the 17th century and originated in production in Dhaka, Bangladesh where it remains an important textile.
This document provides information on various traditional textiles from different regions of India, including Sindhi embroidery from Gujarat, Kashmiri shawls, Phulkari embroidery from Punjab, Kalamkari printing from Andhra Pradesh, Mudhubani painting from Bihar, Bandhani tie-dye from Rajasthan and Gujarat, Chikankari embroidery from Uttar Pradesh, Kasuti embroidery from Karnataka, Kantha quilting from Bengal, and Baluchari, Jamdani, Ikat, Patola and Pochampally woven textiles. For each style, the document outlines the base fabrics, threads, stitches, motifs and products typically featuring each textile
This document provides instructions for creating a traditional Kasuti embroidery pattern using basic Kasuti stitches. It includes 14 figures that demonstrate how to trace the pattern onto fabric, always return to the starting point, finish patterns on the left side before moving right, and complete the design by finishing diamonds on the return journey. The goal is to follow a simple logical process to avoid confusion and completely fill in the patterned design.
This presentation is about evolution of Textile Industry from animan skin to most modern performance clothing. It gives overview of past, present & future innovations in Textile Industry.
This document provides information about different types of fibers, yarns and fabrics. It discusses natural fibers like cotton, linen, wool and silk. It describes their properties, advantages and disadvantages. It also covers various man-made fibers including rayon, polyester, nylon, acrylic and spandex. Details are given about their production processes and end uses. Different types of basic and fancy yarns are also outlined. The document aims to educate about fiber, yarn and fabric classification.
Paris has been the center of the global fashion industry since the 17th century. Haute couture, defined as the creation of exclusive custom-fitted clothing, originated in Paris in the mid-19th century and remains a protected designation regulated by French law. Houses must employ a minimum of 15 full-time craftspeople, hold two fashion shows annually displaying at least 35 outfits each, and create custom designs for private clients to earn the right to label their creations haute couture. While only serving around 2000 wealthy clients worldwide, haute couture houses drive over $1 billion in annual sales and influence ready-to-wear and other commercial fashion lines.
Kashmiri embroidery is a beautiful style known for its floral designs. It uses various stitches like the Kashmiri stitch, chain stitch, satin stitch, and herringbone stitch. One intricate stitch is Roumanian Couching, which involves bringing the threaded needle up from the back to make a small straight stitch across the outline, then bringing it up in the center on top to insert it under the straight stitch and come back up near the starting point. Kashmiri embroidery features motifs like flowers, leaves, birds, and traditional designs like the samovar. It is primarily done on fabrics like canvas and pashmina and is used for clothing as well as home furnishings.
We should connect Bangladesh textile and apparel history to our past, heritage, culture & origin otherwise our generation will forget our glorious textile history & out root. Now a days Bangladesh total textiles & apparel export reached to 88% but it’s slightly behind our historical benchmark 93%. Bangladesh is doing good to better in textile and apparel industry. It’s not suddenly happening. We have a long history behind
Most people says our 1st garments factory is Reaz garments. But I have different observation.
We should not start our textile & garment history from 1960 or 1977 forgetting our 4000 years of glorious performance in textile. Pandit Jawaharlal Nehru wrote about this fabric in his book “Glimpses of World History”, “Four thousand years old mummies of Egypt were wrapped in fine Bengal muslin”.
# Bengal was still a major exporter of cotton cloth to the Americas and the Indian Ocean. However, Bengali exports declined over the course of the early 19th century, as British imports to Bengal increased, from 25% in 1811 to 93% in 1840. Ancient Garment Factory located in the lost city Panam Nagar, Sonargaon, the 1st Capital of Bengal, EST in 15th Century by Bengal ruler Isa Khan, the city was once an important trading and political center. It is one of the earliest cities in Bangladesh that is still standing.
# Bengal Muslin changed the fashion tastes in the West. Empress Josephine, the first wife of Napoleon & first Empress of French. She was the great lover of Muslin. The most popular brand name was Arong.
# There is the story, written down in 1770 by William Bolt, in his book “Consideration on Indian Affairs”, that Arongojeb, an Emperor of Bengal, once teased his daughter for being naked. The princess however, protested, as she was in fact wearing 7 layers of fine Ab-e-Rown muslin cloth, with these simply being so fine and sheer that she appeared to be nude.
The Roman authors recorded that 'Generic Muslin' was the most coveted of luxury goods in the ancient civilized world
The British cut off the hands or thumbs and tongues of Bengal weavers in order to stop & destroy the production of Muslin, the famous textiles of Bengal
Torturing was designed to prevent weavers from undertaking weaving and the cutting of tongues said have been for the purpose of preventing the weavers from passing on the knowledge of weaving through words of mouth
Bangladesh researchers produced exact genus of cotton used in producing the fabled muslin cloth. It was the very special and priority project of our honorable Prime Minister Sheikh Hasina to recover our ancient heritage of textile. In an effort helps to revive the production of muslin by using source cotton and redeveloping spinning techniques.
Bangladesh apparel export earnings growth achieved new heights in March 2022. Witnessing a staggering 60.15% year-on-year growth.
We should focus on QE & efficiency improvement & adapt modern technology and manufacturing method for sustainable growth.
Traditional handicrafts of brunei darussalamLitz Rebmetse
1. Weaving has been an important tradition in Brunei Darussalam for many centuries, with intricate designs made using fine threads.
2. The tradition of weaving is carried out mostly by women using traditional hand looms and techniques passed down through generations. Notable weaving patterns include Jongsarat, which is commonly used in royal ceremonies.
3. In the 1970s, the tradition of weaving was declining as many pursued other jobs. In 1975, the Brunei Arts and Handicrafts Training Centre was established to preserve traditional crafts like weaving and pass the skills to new generations.
The document summarizes the history and production of traditional shawls from the Kullu Valley region of Himachal Pradesh, India. It describes how early shawls were made of locally produced wool on simple looms. In the 1940s, designs and production techniques were influenced by weavers from other regions. Over time, synthetic yarns were introduced and a wider variety of patterns were produced. It also provides details on raw materials, weaving processes, regional variations in Kinnauri shawl patterns, and styles of wearing the shawls.
Bandhani is a tie-dye technique used to create patterned fabrics in Gujarat and Rajasthan, India. The technique involves tying parts of the fabric prior to dyeing to create resist-dyed patterns. It has a long history in India dating back to at least the 5th century AD. Traditional bandhani fabrics were made of cotton, silk, or wool and featured patterns like spots, stripes, or geometric motifs. Important centers of bandhani production include Jamnagar, Bhuj, and Ahmedabad in Gujarat as well as cities in Rajasthan. Traditional bandhani fabrics were worn by women of all castes and religions and featured natural dyes in colors like
Traditional printed and dyed textiles use several techniques. Textile printing involves applying color to fabric in patterns using blocks, screens, or rollers. Common methods include direct printing, mordant printing, discharge dyeing, and resist dyeing. Specific techniques discussed include kalamkari printing from India, which uses pen drawings and natural dyes to depict myths. Block printing involves carving designs into wood or other blocks to transfer pigment to fabric. Rogan painting from Gujarat uses boiled oil paint and vegetable dyes applied with blocks or brushes. Other techniques include Mata ni Pachedi sacred textiles from Gujarat which combine block printing and freehand painting with natural dyes.
The document discusses the handicraft industry in Jammu and Kashmir. It notes that the handicraft sector provides employment for about 3.78 lakh workers and had production of Rs. 1650.30 crores in 2012-13. A major export, handicraft goods worth Rs. 1080.80 crore were exported in 2012-13. Shawl making is a prominent handicraft in the region, with the traditional process involving harvesting, sorting, spinning, weaving, and finishing. The industry has potential for employment and exports but faces challenges like underdeveloped infrastructure, lack of modernization, and impact of political instability on production.
Kinkhwab sarees are heavy, multilayered silk brocade fabrics produced in Varanasi, India. They have elaborate patterns woven with silk, gold, and silver threads using traditional jacquard looms. The production process involves twisting and processing silk yarn, removing the gum, dyeing, and meticulously weaving intricate designs using badla zari. Kinkhwab sarees are known for their luxury and use of over 50% precious metal threads, making them works of art worn on special occasions.
Home textiles are textile products used in households for both functional and aesthetic purposes. They include sheets, pillowcases, blankets, terry towels, table cloths, and carpets/rugs. These products are made from various natural and synthetic fabrics like cotton, polyester, linen, and wool. They serve important functions like absorbing moisture, providing warmth, decorating interior spaces, and insulating from heat and sound. Manufacturers aim to make these durable and easy to care for through properties like stain resistance, flame retardancy, and resistance to pilling and snagging.
Kanchipuram, India is famous as the Silk City for its hand-woven silk saris. The town has a long tradition of silk weaving, with over 75% of the population involved in the silk sari industry. Kanchipuram saris are known for their high quality silk fabric woven together with zari threads made of silver and gold. The intricate weaving process can take 10-20 days to complete a single sari. Kanchipuram saris are celebrated for their traditional patterns, motifs and vibrant colors that represent the cultural heritage and craftsmanship of the region.
This ppt will be helpful for gaining the basic knowledge of Indian traditional textile from various states and regions. I will definitely try to add more slides in it.
Block printing is a traditional method of printing patterns on fabric using carved wooden blocks. It is a slow process but can produce highly artistic results. Different regions in Rajasthan, India are known for specific block printing styles that use distinctive techniques, motifs, and natural dyes. However, the craft is facing challenges of low production volumes, preservation of traditional designs, and pollution issues.
The document provides information about Chanderi sarees, a famous handloom fabric from Chanderi, Madhya Pradesh, India. Some key points:
- Chanderi sarees are known for their light weight, glossy texture and richness. They can be made of pure silk, cotton-silk blends.
- The weaving tradition dates back to the Vedic period. Motifs have evolved from traditional designs like peacocks to modern geometrics.
- Production is protected via a Geographic Indication and the handloom tradition employs over 18,000 people. Proper care involves dry cleaning or mild washing and avoiding direct sunlight.
This document summarizes the key details about linen, including its production from flax plants, physical and chemical properties, and common uses. Linen fibers are extracted from the stem of the flax plant through retting and scutching. The fibers are then spun into yarns and woven or knitted into fabrics. Linen has good strength but low elasticity. It is resistant to acids, alkalis, and bleaching agents. Common applications of linen include clothing, curtains, bed linens, and tablecloths due to its strength and comfort.
Jamdani is a traditional muslin textile produced in Dhaka, Bangladesh using intricate hand weaving techniques. The word Jamdani comes from Persian and means "flower vase." It is known for its fine texture and elaborate floral motifs woven into the fabric. Jamdani weaving is a complex and time-intensive process that involves using different colored supplemental weft threads to embroider intricate patterns into the base fabric. There are several regional varieties of Jamdani produced in Bangladesh including Dhakai Jamdani, Tangail Jamdani, and Dhaniakhali Jamdani, which differ in techniques, motifs, and base fabrics used. Efforts are underway to revive this traditional textile
Muslin is a soft, plain-woven cotton fabric that originated in Iraq and was later produced widely in India and France. It is lightweight, smooth, cool, and comfortable but also wrinkles easily. Muslin has a low thread count of less than 160 threads per square inch and generally ranges from 128 to 310 counts. It is commonly an off-white color and washes well in cool water with cool ironing. Muslin was first used in England in the 17th century and originated in production in Dhaka, Bangladesh where it remains an important textile.
This document provides information on various traditional textiles from different regions of India, including Sindhi embroidery from Gujarat, Kashmiri shawls, Phulkari embroidery from Punjab, Kalamkari printing from Andhra Pradesh, Mudhubani painting from Bihar, Bandhani tie-dye from Rajasthan and Gujarat, Chikankari embroidery from Uttar Pradesh, Kasuti embroidery from Karnataka, Kantha quilting from Bengal, and Baluchari, Jamdani, Ikat, Patola and Pochampally woven textiles. For each style, the document outlines the base fabrics, threads, stitches, motifs and products typically featuring each textile
This document provides instructions for creating a traditional Kasuti embroidery pattern using basic Kasuti stitches. It includes 14 figures that demonstrate how to trace the pattern onto fabric, always return to the starting point, finish patterns on the left side before moving right, and complete the design by finishing diamonds on the return journey. The goal is to follow a simple logical process to avoid confusion and completely fill in the patterned design.
This presentation is about evolution of Textile Industry from animan skin to most modern performance clothing. It gives overview of past, present & future innovations in Textile Industry.
This document provides information about different types of fibers, yarns and fabrics. It discusses natural fibers like cotton, linen, wool and silk. It describes their properties, advantages and disadvantages. It also covers various man-made fibers including rayon, polyester, nylon, acrylic and spandex. Details are given about their production processes and end uses. Different types of basic and fancy yarns are also outlined. The document aims to educate about fiber, yarn and fabric classification.
Paris has been the center of the global fashion industry since the 17th century. Haute couture, defined as the creation of exclusive custom-fitted clothing, originated in Paris in the mid-19th century and remains a protected designation regulated by French law. Houses must employ a minimum of 15 full-time craftspeople, hold two fashion shows annually displaying at least 35 outfits each, and create custom designs for private clients to earn the right to label their creations haute couture. While only serving around 2000 wealthy clients worldwide, haute couture houses drive over $1 billion in annual sales and influence ready-to-wear and other commercial fashion lines.
Kashmiri embroidery is a beautiful style known for its floral designs. It uses various stitches like the Kashmiri stitch, chain stitch, satin stitch, and herringbone stitch. One intricate stitch is Roumanian Couching, which involves bringing the threaded needle up from the back to make a small straight stitch across the outline, then bringing it up in the center on top to insert it under the straight stitch and come back up near the starting point. Kashmiri embroidery features motifs like flowers, leaves, birds, and traditional designs like the samovar. It is primarily done on fabrics like canvas and pashmina and is used for clothing as well as home furnishings.
We should connect Bangladesh textile and apparel history to our past, heritage, culture & origin otherwise our generation will forget our glorious textile history & out root. Now a days Bangladesh total textiles & apparel export reached to 88% but it’s slightly behind our historical benchmark 93%. Bangladesh is doing good to better in textile and apparel industry. It’s not suddenly happening. We have a long history behind
Most people says our 1st garments factory is Reaz garments. But I have different observation.
We should not start our textile & garment history from 1960 or 1977 forgetting our 4000 years of glorious performance in textile. Pandit Jawaharlal Nehru wrote about this fabric in his book “Glimpses of World History”, “Four thousand years old mummies of Egypt were wrapped in fine Bengal muslin”.
# Bengal was still a major exporter of cotton cloth to the Americas and the Indian Ocean. However, Bengali exports declined over the course of the early 19th century, as British imports to Bengal increased, from 25% in 1811 to 93% in 1840. Ancient Garment Factory located in the lost city Panam Nagar, Sonargaon, the 1st Capital of Bengal, EST in 15th Century by Bengal ruler Isa Khan, the city was once an important trading and political center. It is one of the earliest cities in Bangladesh that is still standing.
# Bengal Muslin changed the fashion tastes in the West. Empress Josephine, the first wife of Napoleon & first Empress of French. She was the great lover of Muslin. The most popular brand name was Arong.
# There is the story, written down in 1770 by William Bolt, in his book “Consideration on Indian Affairs”, that Arongojeb, an Emperor of Bengal, once teased his daughter for being naked. The princess however, protested, as she was in fact wearing 7 layers of fine Ab-e-Rown muslin cloth, with these simply being so fine and sheer that she appeared to be nude.
The Roman authors recorded that 'Generic Muslin' was the most coveted of luxury goods in the ancient civilized world
The British cut off the hands or thumbs and tongues of Bengal weavers in order to stop & destroy the production of Muslin, the famous textiles of Bengal
Torturing was designed to prevent weavers from undertaking weaving and the cutting of tongues said have been for the purpose of preventing the weavers from passing on the knowledge of weaving through words of mouth
Bangladesh researchers produced exact genus of cotton used in producing the fabled muslin cloth. It was the very special and priority project of our honorable Prime Minister Sheikh Hasina to recover our ancient heritage of textile. In an effort helps to revive the production of muslin by using source cotton and redeveloping spinning techniques.
Bangladesh apparel export earnings growth achieved new heights in March 2022. Witnessing a staggering 60.15% year-on-year growth.
We should focus on QE & efficiency improvement & adapt modern technology and manufacturing method for sustainable growth.
Traditional handicrafts of brunei darussalamLitz Rebmetse
1. Weaving has been an important tradition in Brunei Darussalam for many centuries, with intricate designs made using fine threads.
2. The tradition of weaving is carried out mostly by women using traditional hand looms and techniques passed down through generations. Notable weaving patterns include Jongsarat, which is commonly used in royal ceremonies.
3. In the 1970s, the tradition of weaving was declining as many pursued other jobs. In 1975, the Brunei Arts and Handicrafts Training Centre was established to preserve traditional crafts like weaving and pass the skills to new generations.
Muslin - An ancient fabric that no one knows how to make.pptxBelal Ahmed sb
Muslin a brand name of pre-colonial Bengal textile, especially of Dhaka origins. Muslin was manufactured in the city of Dhaka and in some surrounding stations, by local skill with locally produced cotton and attained world-wide fame as the Dhaka Muslin.
After 170 years, researchers and scientists have been able to give rebirth to the precious Dhaka Muslin fabric. Muslin – considered one of the great treasures of the age– has not only been a type of fabric for the Bengali people but also a part of the rich heritage that was long lost in the hand of British exploitation.
The document discusses several types of fabric innovations:
1. Fake fur, also known as imitation fur, is made from synthetic fibers designed to resemble animal fur. Major advances have made fake fur nearly indistinguishable from real fur.
2. Chamba Rumal is a traditional embroidery art from Himachal Pradesh being revived through government training programs. Known for intricate designs depicting mythology and nature.
3. Organza is a lightweight, crisp silk fabric known for its sheer properties. It is often used for accents like puffy sleeves or trims on formal dresses.
Pashmina wool comes from the soft undercoat of Himalayan goats that live at high altitudes in Nepal, Tibet, and Central Asia. It is finer than cashmere and considered the highest quality wool. For centuries, pashmina shawls and garments have been prized for their softness, warmth, and luxury. The tradition of hand-weaving pashmina in the Kathmandu valley of Nepal has been passed down through generations. Pashmina is known for its light weight while still being very warm.
Banaras brocade weaving is an ancient Indian textile art involving warp and weft threads on a loom. There are two types of brocades - those made of pure silk or silk/cotton blends, and zari brocades containing gold and silver threads. Banaras emerged as a center for brocade weaving during the Mughal period. Traditional motifs included flowers, fruits, animals and birds. The intricate designs were created through the naksha (design) process before weaving on pit looms. Brocade weaving remains an important craft, though now also produced on mechanical looms.
Jamdani is a type of fine muslin fabric that originated in Bangladesh and was historically woven in Dhaka. It reached the peak of its reputation during Mughal rule in the 16th-18th centuries when it was praised for its fineness. However, British colonization led to the decline of the Jamdani industry as artisans faced torture and many abandoned the profession. In recent decades, the Bangladesh government and organizations have worked to revive Jamdani production through support for weavers, preserving designs, and marketing assistance. The future of Jamdani depends on training new weavers and increasing demand for the heritage textile.
Group 2 presented on the history and techniques of weaving. Weaving has existed since at least 3000 BC in the Indus Valley civilization. The main materials used are jute and cotton. Weaving was used politically by Gandhi to promote khadi as part of the independence movement. Technological advances like synthetic materials have impacted weaving. Weaving involves interlacing threads under and over each other on a loom. It has evolved from simple tree looms to modern power looms. Weaving is used in education, science, and social sciences to develop skills like creative thinking. Traditional weaving is prominent across cultures like India, Persia, Oceania, and others.
The document provides information on crafts, accessories, and body ornaments from Mindanao in the Philippines. It describes weaving and dyeing techniques like ikat and taknum. It outlines traditional dances like the kapamalong that demonstrate wearing a malong cloth. It details ceremonial cloths like t'nalak exchanged during marriages. It explains ornate accessories like maniktegiyas bead necklaces, triangular amulet charms, and belts made from snake bones or brass. Musical instruments like the kulintang gong set are also mentioned.
This document provides definitions and background information on various textile terms. It begins with an introduction to textiles and defines key terms like fiber, filament, yarn and fabric. It then discusses the history of natural fibers like cotton, wool and silk. The document also summarizes the development of various man-made fibers like rayon, nylon, acrylic and polyester. It provides timelines of when these fibers were first invented and commercialized. The document is intended to serve as a reference for textile engineering students.
Sericulture: History,silk route & types of silkTintu Johnson
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The Presentation presented above tells about civilization and the stages it has reached. It educates about Indus valley Civilization and its works, Kathak, History of Clothing, Fibres and Fabrics, Shiv Kavitt and many more...
Shawls originated in Persia in the 14th century and were traditionally made from Kashmiri goat wool. Over time, different regions developed their own shawl-making traditions using various materials like silk, pashmina, and shahtoosh wool from the rare Tibetan antelope. The iconic paisley design evolved from Persian motifs and became globally popular after being widely produced on Kashmiri wool shawls in the late 18th century. Today, handmade traditional shawls continue to be an important part of various cultures and serve purposes of warmth, fashion, and religious symbolism.
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Sualkuchi is a village in Assam known for its traditional silk weaving industry, which provides livelihoods for 50,000 people. The village is a major producer of mulberry, muga, and eri silks, with approximately 17,000 looms weaving 31 lakh linear meters of fabric annually. However, the industry faces threats such as a lack of raw materials, testing facilities, and infrastructure support. It also struggles with competition from cheaper power loom fabrics and a shortage of weavers due to migration.
According to Chinese tradition, silk production began in 27th century BCE in China. For over 1000 years, China maintained a monopoly on silk production until the Silk Road opened in the 1st millennium BCE, spreading silk cultivation to Japan in 300 CE and the Byzantine Empire in 522 CE. The Crusades brought silk production to Western Europe in the 12th-13th centuries. Today, China and India are the largest silk producers, with China responsible for 54% of global production.
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9
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1. History of Bengal Muslin
By
Rupak Barua
ID-17101260
Date:13th March 2017
Ex MBA in Apparel Merchandising
CFTM (College of Fashion Technology & Management)
2. This Report Presented in Partial Fulfillment of
the Requirements for the Degree of
EMBA in Apparel Merchandising
Course Code: CC101
Course Title: Textile Science
Prepared under the supervision & inspiration of
Mr. Musfiqur Rahman Sadiq
Lecturer, CFTM
“BY THE NAME OF ALMIGHTY BUDDHA”
3. What is Bengal/Dhakai Muslin?
-Bengal Muslin is a light cotton fabric of plain weave, finely woven and typically white in
color
-Other name of Muslin is wind silk, woven of Air
-It is natural and hand made
-it is ultra light, glossy and fine that one yard of the fabric weight only 10 grams
-six yard of fabric could pass through in a ring of the index finger.
4. The history of Muslin is very old.
Durgadas Lahiri has mentioned in Bharatbarsher Itihas that in 1462 BC most mummies of
Egypt were covered in muslins.
The thread count was thick.
Another earliest known reference to the muslin fabric is in Chanakya’s Arthashastra from
the 4th century BC.
5. Classificationof BENGALMuslin
Muslin fabric quality ranging from the finest texture used by the highly aristocratic
people, the emperor, nawabs and so on,
- down to the coarse thick wrapper used by the poor people.
Muslins were designated by names denoting either fineness or transparency of texture,
or the place of manufacture or the uses to which they were applied as articles of dress.
There are 13 name of Muslin -
1. Malmal : The finest sort of Muslin was called Malmal/Malmal Shahi or Malbul Khas.
It was costly, and the weavers spent a long time, sometimes six months, to make a
piece. It was used by emperors, nawabs etc.
2. Jhuna ’ was used by native dancers.
3. Rang ’ was very transparent and net-like texture.
6. 4. Abirawan ’ was fancifully compared with running water.
5. Khassa ’ was special quality, fine or elegant.
6. Shabnam ’ was as morning dew.
7. Alaballee ’ was very fine.
8. Tanzib ’ was as the adorning the body.
9. Nayansukh ’ was as pleasing to the eye.
10. Buddan khas ’ was a special sort of cloth.
11. Seerbund ’ used for turbans.
12. Kumees ’ used for making shirts.
13. Doorea ’ was striped.
14. Charkona ’ was chequered cloth.
15. Jamdanee ’ was figured cloth.
7. There are many stories about the
transparent quality of the mulmul khas.
One of the most enduring is that of
Emperor Aurangzeb blaming his
daughter princess Zeb-un-Nisa, for
appearing in transparent dress in court.
She replied, to the wondering her father,
that her dress, in fact, consisted of seven
separate layers of muslin.
8. What is thread count (TC)?
-Technically, thread count or “TC” refers to the total number of threads in every square inch
of a fabric.
-400 above thread count used for Muslin cloth
-Cotton with a thread count of 150 to be normal quality fabric,
-higher thread count makes softer/finer cloth
11. The Approximate Technology -
Muslin thread was spun in intensely humid conditions, usually in the morning and evening,
and then only by young women, whose soft fingers worked with water bowls around them
to moisten the air, or else beside riverbanks or on local boats.
They often sang as they spun, and if the river was shrouded in fog, passing travelers
brought back tales of muslin being made by mermaids singing in the mist.
Even the seeds for the next planting season were specially treated to keep them ready to
germinate.
After being carefully selected and dried in the sun, they were put in an earthen pot in
which ghee (clarified butter) had been kept. Its mouth was sealed airtight, then it was hung
from the ceiling of the hut at the height of an average individual over the kitchen fire to
keep it moderately warm.
12. The most delicate, the very lightest of fibers were spun into muslin thread, and this was
obtained by using a dhunkar, a bamboo bow tautly strung with catgut.
The special bow for muslin cotton was small, and only women did the work—presumably
because a light touch was needed. When it was strummed (dhun also means a light raga in
classical Indian music) in a distinctive way,
The lightest fleece from the cotton pile separated from the heavier fibers and rose into
the air.
One theory is that the strumming, by vibrating the air over the cotton pile, reduced its
pressure enough to allow the very lightest fibers to be pulled upward.
It was these finest of fibers—a mere eight percent of the total cotton harvest—that went
into the making of the finest muslin.
Indeed, Dhaka muslin was woven out of air
13. Thriving only along riverbanks near
Dhaka and to its south, Gossypium
arboreum var. neglecta, known locally as
phuti karpas, was spun to create threads
that maintained tensile strength at
counts higher than any other cotton
species.
14. Is Muslin lost?
-Dhakai Muslin was one of the purest, simplest, most gentle and most perfect fabrics in
the world, which is lost.
-weather and cotton were the most important factor to make the Muslin-no more
-the skilled worker and women –no more
-Brahmaputra/Shitalakkha river (environment) and white (Phuti)Corpus cotton –no more
This is happened after the defeat in Battle of Palashi:1757
15. How the Muslin technology forgotten?
In one word we can say –yes. after the defeat of Siraj Ud Daulla 1757.
In eighteenth century, the Bengali muslin industry was ruthlessly suppressed by various
colonial policies,
The East India Company policy, which favored imports of industrially manufactured
textiles from Britain.
Then the brutality to muslin weavers was intense.
William Bolts, a legendary merchant noted in 1772 that there were instances where
“thumbs were cut off” in order to stop the production of wind silk (Muslin).
16. Since young I have been hearing from people – family members, teachers, etc. –
talk about how the British cut off the hands or thumbs and tongues of Bengal
weavers in order to stop and destroy the production of Muslin, the famous
textiles of Bengal.
The torturing was designed to prevent weavers from undertaking weaving and
the cutting off of tongues were said to have been for the purpose of preventing
the weavers from passing on the knowledge of weaving through words of
mouth.
17. The E.I.C appointed local spy – Gomosta, they worked like Mirzafor for getting the prize
from ECI. They played crucial role for torturing the local weavers
Also the British systematically destroyed the muslin production by levying a 70–80% tax
on domestic muslin fabrics.
The East India Company also destroys – the white (Phuti)Corpus cotton tree
The East India Company wanted to sell their own cotton goods, and they destroyed the
local industry.
As a result, the quality of muslin suffered greatly and its finesse was nearly lost in two
centuries.
18. The new age Muslin: Jamdani
Only jamdani, known as “figured muslin” due to the flower and abstract motifs woven
on it, survived to the present times.
Its breathability, the open weave and lightweight fabric of muslin allows for airflow,
reducing the risk of overheating.
19. In our culture, Jamdani still famous and used in traditional occasion's like marriage
20. The use of Muslin in modern edge
-for Baby cloth
-for Bandage / medicine
-backing of cloth
-filtering etc
That’s all for the Muslin
21. Surprisingly still no Drama or Film made on Bengal Muslin history!!!!
300 years back
31. The Muslin festival 2016, Dhaka National Museum
How did they do it? How did they make a storied cloth that, when wet
with evening dew, became invisible against the grass below?
German scholar Annemarie Schimmel put it well when she wrote of
their “Supreme ability to create amazing works of art with tools
which appear extremely primitive today.… Who today could weave
the fabric described as ‘woven air’?”
32. I believe that Muslin &
Jute - The Golden Fiber of Bangladesh
Will return back with upgrade technology and will play a vital role in our economy.
Additional: