Music Video Pitch
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The document outlines a music video pitch for Beyoncé's song "Pretty Hurts". The proposed video would tell the story of a protagonist who tries various ways to change her appearance to fit societal standards of beauty. Scenes in the chorus would show people around the world holding signs describing their perceived flaws. In the end, the protagonist tries to escape the pressures to conform to unrealistic beauty ideals. Storyboards and lyrics were annotated to ensure the visuals fit the song.
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Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through flashbacks showing their relationship. It will appeal to both male and female audiences aged 16-25 and feature black and white filming to convey sadness. Inspiration will be drawn from other music videos using flashbacks and narrative storytelling. The video will be filmed using a Canon DSLR camera and edited with slow motion effects to match the song's melody.
My A2 Media Studies Idea/Plan
George joined a band called FIX and plans to make a music video for one of their songs to promote their upcoming EP in September. The song, "A Perfect Lie // The Perfect Lie", is about manifestations of fear and how people can be kept in the dark from serious issues. George plans for the video to have equal parts of band shots and a storyline involving a female main character and chase scene filmed at night, with the band incorporated into the storyline.
Ideas and Concepts
The document discusses four potential song choices and interpretations for a music video:
1) "Human" by Christina Perri - A video with girls expressing talents in a plain white room, conveying a theme of isolation. Shots would include silhouettes and transparency to link to the song's lyrics.
2) "You Found Me" by The Fray - A video revealing a hidden meaning through the lives of individuals, filmed using techniques like time-lapse and dissolves.
3) "I'll Be Good" by Jaymes Young - A video of a man reflecting on his relationship with his father, using flashbacks and handheld shots in black and white.
4) An unnamed song
unconditional
Peter Andre's music video for "Unconditional" tells a personal narrative through faded film in the background and shots of Andre alone in a cinema. The video uses close-ups of Andre to show emotion and subtle camera movements. Scenes of a faded film depicting Andre's life, as well as shots of him matching lyrics, help illustrate the song's message. While keeping a simple, lonely aesthetic, the video reveals the personal nature of the song through its storytelling and inclusion of Andre's step-son at the end.
Treatment
The music video will tell the story of "The Elephant Man" through a narrative and performance-based style. It will feature the band as characters set in countryside and cobbled streets styled after the early 20th century. Inspired by silent films, it will use exaggerated movements and expressions to follow one band member, Ronnie, as he is pursued but later accepted once his humanity is recognized. The video aims to match the band's vintage country style through location, costumes, and theatrical presentation.
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through a narrative that uses flashbacks. It will appeal to both male and female audiences aged 16-25 through its emotional depiction of sadness and use of indie/pop music genres. Key elements that will be used include filming entirely in black and white, using flashbacks to contrast past and present, and slow motion effects to match the song's melody and convey looking back in time.
Music video proposal powerpoint
The music video will tell a narrative of nostalgia through flashbacks. It will cut between footage of the artist's performance in the present and flashbacks to his childhood. Low camera angles will be used for the present scenes and high angles for the childhood flashbacks to convey vulnerability. Minimal props are needed, with locations being the artist's house and outdoors. Two actors are required - one for the artist and one child actor, with possibly another child. Filming will occur with low light for present scenes and bright light for childhood flashbacks.
Motifs in music videos
Modern music videos contain several common motifs or techniques:
1) They often show fragmented or close-up shots of the human body rather than presenting it in its entirety to direct attention to specific parts that capture emotion.
2) Frequently use fictional or fantastical settings created through CGI and visual effects rather than just depicting the real world.
3) Generally have lengths between 3 to 5 minutes to accommodate the song while still telling a narrative or story.
Recommended
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through flashbacks showing their relationship. It will appeal to both male and female audiences aged 16-25 and feature black and white filming to convey sadness. Inspiration will be drawn from other music videos using flashbacks and narrative storytelling. The video will be filmed using a Canon DSLR camera and edited with slow motion effects to match the song's melody.
My A2 Media Studies Idea/Plan
George joined a band called FIX and plans to make a music video for one of their songs to promote their upcoming EP in September. The song, "A Perfect Lie // The Perfect Lie", is about manifestations of fear and how people can be kept in the dark from serious issues. George plans for the video to have equal parts of band shots and a storyline involving a female main character and chase scene filmed at night, with the band incorporated into the storyline.
Ideas and Concepts
The document discusses four potential song choices and interpretations for a music video:
1) "Human" by Christina Perri - A video with girls expressing talents in a plain white room, conveying a theme of isolation. Shots would include silhouettes and transparency to link to the song's lyrics.
2) "You Found Me" by The Fray - A video revealing a hidden meaning through the lives of individuals, filmed using techniques like time-lapse and dissolves.
3) "I'll Be Good" by Jaymes Young - A video of a man reflecting on his relationship with his father, using flashbacks and handheld shots in black and white.
4) An unnamed song
unconditional
Peter Andre's music video for "Unconditional" tells a personal narrative through faded film in the background and shots of Andre alone in a cinema. The video uses close-ups of Andre to show emotion and subtle camera movements. Scenes of a faded film depicting Andre's life, as well as shots of him matching lyrics, help illustrate the song's message. While keeping a simple, lonely aesthetic, the video reveals the personal nature of the song through its storytelling and inclusion of Andre's step-son at the end.
Treatment
The music video will tell the story of "The Elephant Man" through a narrative and performance-based style. It will feature the band as characters set in countryside and cobbled streets styled after the early 20th century. Inspired by silent films, it will use exaggerated movements and expressions to follow one band member, Ronnie, as he is pursued but later accepted once his humanity is recognized. The video aims to match the band's vintage country style through location, costumes, and theatrical presentation.
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through a narrative that uses flashbacks. It will appeal to both male and female audiences aged 16-25 through its emotional depiction of sadness and use of indie/pop music genres. Key elements that will be used include filming entirely in black and white, using flashbacks to contrast past and present, and slow motion effects to match the song's melody and convey looking back in time.
Music video proposal powerpoint
The music video will tell a narrative of nostalgia through flashbacks. It will cut between footage of the artist's performance in the present and flashbacks to his childhood. Low camera angles will be used for the present scenes and high angles for the childhood flashbacks to convey vulnerability. Minimal props are needed, with locations being the artist's house and outdoors. Two actors are required - one for the artist and one child actor, with possibly another child. Filming will occur with low light for present scenes and bright light for childhood flashbacks.
Motifs in music videos
Modern music videos contain several common motifs or techniques:
1) They often show fragmented or close-up shots of the human body rather than presenting it in its entirety to direct attention to specific parts that capture emotion.
2) Frequently use fictional or fantastical settings created through CGI and visual effects rather than just depicting the real world.
3) Generally have lengths between 3 to 5 minutes to accommodate the song while still telling a narrative or story.
Common motifs of a music video
This document outlines common motifs used in music videos and provides examples. It discusses motifs such as ritual celebration, horror, intertexuality, impossible sequences, body fragmentation, mysterious themes, and other features. For example, it notes that Madonna's "Like a Prayer" shows a black choir celebrating in church, and Rihanna's "Disturbia" uses demonic gestures and blank eyes to depict being in a possessed state. It also analyzes examples like Usher seeing himself singing in a mirror, and Michael Jackson's "Earth Song" depicting a barren world at its end.
Proposal
The document discusses plans for a music video for the instrumental song "Crewcabanger" by Chelsea Grin. The filmmaker wants to base the video around the performance of the song and include elements that portray the experience of being in a band and making music with friends. He plans to dress the band members in stereotypical metal genre clothing like band merch, skinny jeans, and beanies to look authentic. The low-budget performance video will be filmed in the filmmaker's house to resemble a small local band playing before they make it big.
My music video presentation
The document proposes three music video ideas for the new single "Snap" by artist A-Dizzle. The chosen idea involves filming a live performance in front of screaming fans with flashing lights and backing dancers to create an exciting atmosphere. It then outlines the requirements, costs, and target audience for the music video. The target audience is ages 15-35 who enjoy upbeat music and current fashion trends. The total estimated cost of the project is £3,071.40.
Music Video Treatment
The music video treatment is for the song "R U Mine?" by the band November Rain. It will feature a live performance of the band in a run-down house to represent the psyche presented in the song. Black and white footage will be used to achieve a theme of nostalgia and looking back on the past, which is a common convention in indie rock music videos. Close-up shots of the lead singer will also be included, as he acts as the face of the band.
Music video Proposal
The document proposes a music video for the song "Heves Mi Kaldı" by Tupac Shakur and Cengiz Kurtoglu. It discusses choosing that song due to the artists' use of strong lyrical wordplay to express negative emotions like anger and pain from heartbreak. The document outlines plans for a dark, violent music video in a shadowy setting using effects like double exposure and x-rays to visually show pain and damage from love. It targets an audience of ages 16+ and discusses characters like the main character Musti experiencing a toxic breakup and his downward spiral. Inspiration is drawn from the music video "Umrumda Değil" for its portrayal of negative emotions from a
Music video initial ideas
The proposed music video would tell the story of a troubled teen dealing with substance abuse over the course of one evening. It would intercut scenes of the main character, played by the band's lead singer, with shots of the band performing in an abandoned warehouse with minimal lighting. The video takes inspiration from Sam Smith's "I'm Not the Only One" video for its emotional tone.
Music video proposal
This document proposes a music video for Post Malone's song "Sunflower". It discusses using the symbolism of sunflowers to represent a woman who has shown persistence despite lack of affection. The storyline would follow a guy going through his daily routine who is contemplating making his relationship official. It would cut between his day and him "performing" the song. The video takes inspiration from AJR's "Let The Game Begin" which alternates between a storyline and the band performing. It aims to be moderately easy to produce using editing software and camera techniques.
Proposal
The proposal is for a music video for the song "Latch" by Disclosure. The video will focus on a main character, Tom, performing BMX stunts at a skatepark to match the upbeat, fast-paced nature of the song. Scenes of the artist lip syncing the song will also be filmed in locations like busy London at night and a dark room with spotlights. The target audience is fans of dance music, like Disclosure, in their teens or people who love or have been in love. A similar Disclosure video, "White Noise" featuring AlunaGeorge, also features a performer and mixes bright and dark scenes.
Daughter still
The music video for Daughter's song "Still" tells a narrative story of a troubled relationship between a young couple. It uses conventions common to the indie folk genre, including dim lighting, slow camera movements, and a simple editing style. The video focuses on the facial expressions and body language of the two main characters to convey their tense and unhappy emotional states. It also draws from the melancholy lyrics describing a relationship in turmoil.
Initial ideas
The document provides initial ideas for creating a music video, including potential song choices, clothing options for the actor, color/filter techniques, and locations. It considers Ed Sheeran's "Small Bump", Sam Smith's "Latch", and James Bay's "Scars" as song options. Clothing options discussed include a suit, casual/smart attire, and casual clothes. Color techniques proposed are full color, black and white, and using filters. Locations mentioned are The Black Box, London at night, and London during the day. The document serves to outline early planning ideas before deciding on final choices for the music video.
Music video presentation final
The document provides details about Bethany Jones' music video project for the song "Standing in the Dark" by the band Lawson. It discusses the song, band, genre of pop rock, and relevant music videos that influenced the concept for her video. Her concept is a narrative-based video that alternates between the happy past and sad present of a teenage relationship breaking down, showing both the boy and girl's perspectives. It will include techniques like lyrics in steam and close-ups to convey emotion. The target audience is teens and young adults who can relate to a breakup.
Treatment
The music video will tell a narrative story through a series of scenes that juxtapose the protagonist's present and past. It will begin with the protagonist in a cluttered office to represent their present, then cut to scenes showing their childhood self happily playing that contrast with darker lyrics. Scenes will match lyrics visually, like showing the protagonist walking on concrete. Costumes, lighting, weather, and props will be used to convey different meanings - the office will feel stressful while the park empowering. The story is meant to explore holding onto one's inner child.
Proposal
The proposal is for a music video for James Bay's song "Scars." It intends to create a narrative that reflects the meaningful lyrics and shows the emotion of the song through a single character experiencing loneliness after losing his girlfriend. Scenes will be filmed in a black box room to depict his pain and while walking in London to show him trying to clear his head. Close-up shots will emphasize his emotion while singing. The video aims to connect with viewers by constantly showing his thoughts and feelings through each word sung.
Chosen locations
The document discusses locations and shots for a music video. It describes using a black box room to film the actor singing with red lighting to create silhouettes and convey emotion. Various close-up shots of the actor's face and mouth singing will be used. London is selected as a location to film the actor walking and 'finding himself' with close-ups, mid, and long shots. Shots at the document writer's house will show the actor's loneliness by living alone, including the actor singing on the kitchen floor and in the loft with dimmed lights.
Initial ideass
The document outlines a proposed pop music video featuring a female solo artist. It will include a lyric video with words appearing on clothing and locations. The artist will perform to camera and the number of people will gradually build up near the end to include a group dancing and holding lyrics. The video aims to have an upbeat atmosphere with bright, vibrant colors in clothing, makeup, editing and lighting.
Music video presentation
The song "Holocene" by Bon Iver was released in 2011 and was very successful. The music video features an Icelandic boy wandering the island's volcanic landscapes. This contrasts the small boy with the vast expanse of the landscape, mirroring the song's lyrics about feeling small yet part of something greater. The video uses the boy instead of the band to make the audience feel more sympathetic. It follows Goodwin's theory of relating the visuals to the lyrics to help the audience engage more with the song.
Proposal
The proposal is for a music video for the song "Latch" by Disclosure. The video will tell a narrative of a woman falling in love with a city rather than a man. It will feature one actress traveling through New York and London, using close-up shots to connect with the audience. The target audience is explorers and teenagers/young adults aged 16-25 who will understand the storyline. Inspiration is drawn from other music videos using shots that set mood through lights and locations.
Music video analysis one direction story of my life
The music video uses various camera techniques and editing to tell a story and appeal to its target audience of 5-19 year olds. It starts with close-up shots introducing each band member before cutting between their scenes. It then shows recreations of old photos of the band members, with them overlaying as adults. The video cuts between the photos and band members singing to recreate meaningful memories from their past. Overall it uses nostalgia and storytelling through photos to connect to its young target audience.
Leaf dog music video analysis (2)
The document analyzes the music video for the song "Some People Say" by Leaf Dog using Andrew Goodwin's five points of music video analysis. It examines the song structure, artist's voice and image, narrative elements, visual relationship to lyrics, and technical aspects of camerawork, editing, and effects. While the video focuses on the artist's performance and casual style, it lacks a clear narrative and uses basic technical elements to follow the artist and amplify the song's intensity.
Music video analysis
This document analyzes key music video features identified by Andrew Goodwin in his book "Dancing in the Distraction Factory". It summarizes Goodwin's theory that music videos demonstrate relationships between the lyrics and visuals, music and visuals, and genre characteristics. It also discusses common music video techniques like artist close-ups, star iconography, voyeurism, and intertextual references. The document then provides a detailed analysis of the Cold War Kids music video for "First", relating it to Goodwin's identified features.
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Система RealCase позволяет существенно повысить эффективность и удобство работы с электронными документами в любой компании.
Для получения бесплатной демо-версии пишите нам на contact@tegia.ru.
Linton, Patrick - Dissertation
The document discusses the international humanitarian response to the 2010 earthquake in Haiti. It argues that the response failed due to a lack of data collection and sharing between aid organizations. Media coverage of the disaster influenced aid distribution by focusing on logistical problems and speculation, rather than evidence-based needs. As a result, aid was not effectively coordinated and did not fully support the Haitian government or prioritize input from Haitians. The response highlights ongoing issues with international development aid and foreign involvement in Haiti since its independence.
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Common motifs of a music video
This document outlines common motifs used in music videos and provides examples. It discusses motifs such as ritual celebration, horror, intertexuality, impossible sequences, body fragmentation, mysterious themes, and other features. For example, it notes that Madonna's "Like a Prayer" shows a black choir celebrating in church, and Rihanna's "Disturbia" uses demonic gestures and blank eyes to depict being in a possessed state. It also analyzes examples like Usher seeing himself singing in a mirror, and Michael Jackson's "Earth Song" depicting a barren world at its end.
Proposal
The document discusses plans for a music video for the instrumental song "Crewcabanger" by Chelsea Grin. The filmmaker wants to base the video around the performance of the song and include elements that portray the experience of being in a band and making music with friends. He plans to dress the band members in stereotypical metal genre clothing like band merch, skinny jeans, and beanies to look authentic. The low-budget performance video will be filmed in the filmmaker's house to resemble a small local band playing before they make it big.
My music video presentation
The document proposes three music video ideas for the new single "Snap" by artist A-Dizzle. The chosen idea involves filming a live performance in front of screaming fans with flashing lights and backing dancers to create an exciting atmosphere. It then outlines the requirements, costs, and target audience for the music video. The target audience is ages 15-35 who enjoy upbeat music and current fashion trends. The total estimated cost of the project is £3,071.40.
Music Video Treatment
The music video treatment is for the song "R U Mine?" by the band November Rain. It will feature a live performance of the band in a run-down house to represent the psyche presented in the song. Black and white footage will be used to achieve a theme of nostalgia and looking back on the past, which is a common convention in indie rock music videos. Close-up shots of the lead singer will also be included, as he acts as the face of the band.
Music video Proposal
The document proposes a music video for the song "Heves Mi Kaldı" by Tupac Shakur and Cengiz Kurtoglu. It discusses choosing that song due to the artists' use of strong lyrical wordplay to express negative emotions like anger and pain from heartbreak. The document outlines plans for a dark, violent music video in a shadowy setting using effects like double exposure and x-rays to visually show pain and damage from love. It targets an audience of ages 16+ and discusses characters like the main character Musti experiencing a toxic breakup and his downward spiral. Inspiration is drawn from the music video "Umrumda Değil" for its portrayal of negative emotions from a
Music video initial ideas
The proposed music video would tell the story of a troubled teen dealing with substance abuse over the course of one evening. It would intercut scenes of the main character, played by the band's lead singer, with shots of the band performing in an abandoned warehouse with minimal lighting. The video takes inspiration from Sam Smith's "I'm Not the Only One" video for its emotional tone.
Music video proposal
This document proposes a music video for Post Malone's song "Sunflower". It discusses using the symbolism of sunflowers to represent a woman who has shown persistence despite lack of affection. The storyline would follow a guy going through his daily routine who is contemplating making his relationship official. It would cut between his day and him "performing" the song. The video takes inspiration from AJR's "Let The Game Begin" which alternates between a storyline and the band performing. It aims to be moderately easy to produce using editing software and camera techniques.
Proposal
The proposal is for a music video for the song "Latch" by Disclosure. The video will focus on a main character, Tom, performing BMX stunts at a skatepark to match the upbeat, fast-paced nature of the song. Scenes of the artist lip syncing the song will also be filmed in locations like busy London at night and a dark room with spotlights. The target audience is fans of dance music, like Disclosure, in their teens or people who love or have been in love. A similar Disclosure video, "White Noise" featuring AlunaGeorge, also features a performer and mixes bright and dark scenes.
Daughter still
The music video for Daughter's song "Still" tells a narrative story of a troubled relationship between a young couple. It uses conventions common to the indie folk genre, including dim lighting, slow camera movements, and a simple editing style. The video focuses on the facial expressions and body language of the two main characters to convey their tense and unhappy emotional states. It also draws from the melancholy lyrics describing a relationship in turmoil.
Initial ideas
The document provides initial ideas for creating a music video, including potential song choices, clothing options for the actor, color/filter techniques, and locations. It considers Ed Sheeran's "Small Bump", Sam Smith's "Latch", and James Bay's "Scars" as song options. Clothing options discussed include a suit, casual/smart attire, and casual clothes. Color techniques proposed are full color, black and white, and using filters. Locations mentioned are The Black Box, London at night, and London during the day. The document serves to outline early planning ideas before deciding on final choices for the music video.
Music video presentation final
The document provides details about Bethany Jones' music video project for the song "Standing in the Dark" by the band Lawson. It discusses the song, band, genre of pop rock, and relevant music videos that influenced the concept for her video. Her concept is a narrative-based video that alternates between the happy past and sad present of a teenage relationship breaking down, showing both the boy and girl's perspectives. It will include techniques like lyrics in steam and close-ups to convey emotion. The target audience is teens and young adults who can relate to a breakup.
Treatment
The music video will tell a narrative story through a series of scenes that juxtapose the protagonist's present and past. It will begin with the protagonist in a cluttered office to represent their present, then cut to scenes showing their childhood self happily playing that contrast with darker lyrics. Scenes will match lyrics visually, like showing the protagonist walking on concrete. Costumes, lighting, weather, and props will be used to convey different meanings - the office will feel stressful while the park empowering. The story is meant to explore holding onto one's inner child.
Proposal
The proposal is for a music video for James Bay's song "Scars." It intends to create a narrative that reflects the meaningful lyrics and shows the emotion of the song through a single character experiencing loneliness after losing his girlfriend. Scenes will be filmed in a black box room to depict his pain and while walking in London to show him trying to clear his head. Close-up shots will emphasize his emotion while singing. The video aims to connect with viewers by constantly showing his thoughts and feelings through each word sung.
Chosen locations
The document discusses locations and shots for a music video. It describes using a black box room to film the actor singing with red lighting to create silhouettes and convey emotion. Various close-up shots of the actor's face and mouth singing will be used. London is selected as a location to film the actor walking and 'finding himself' with close-ups, mid, and long shots. Shots at the document writer's house will show the actor's loneliness by living alone, including the actor singing on the kitchen floor and in the loft with dimmed lights.
Initial ideass
The document outlines a proposed pop music video featuring a female solo artist. It will include a lyric video with words appearing on clothing and locations. The artist will perform to camera and the number of people will gradually build up near the end to include a group dancing and holding lyrics. The video aims to have an upbeat atmosphere with bright, vibrant colors in clothing, makeup, editing and lighting.
Music video presentation
The song "Holocene" by Bon Iver was released in 2011 and was very successful. The music video features an Icelandic boy wandering the island's volcanic landscapes. This contrasts the small boy with the vast expanse of the landscape, mirroring the song's lyrics about feeling small yet part of something greater. The video uses the boy instead of the band to make the audience feel more sympathetic. It follows Goodwin's theory of relating the visuals to the lyrics to help the audience engage more with the song.
Proposal
The proposal is for a music video for the song "Latch" by Disclosure. The video will tell a narrative of a woman falling in love with a city rather than a man. It will feature one actress traveling through New York and London, using close-up shots to connect with the audience. The target audience is explorers and teenagers/young adults aged 16-25 who will understand the storyline. Inspiration is drawn from other music videos using shots that set mood through lights and locations.
Music video analysis one direction story of my life
The music video uses various camera techniques and editing to tell a story and appeal to its target audience of 5-19 year olds. It starts with close-up shots introducing each band member before cutting between their scenes. It then shows recreations of old photos of the band members, with them overlaying as adults. The video cuts between the photos and band members singing to recreate meaningful memories from their past. Overall it uses nostalgia and storytelling through photos to connect to its young target audience.
Leaf dog music video analysis (2)
The document analyzes the music video for the song "Some People Say" by Leaf Dog using Andrew Goodwin's five points of music video analysis. It examines the song structure, artist's voice and image, narrative elements, visual relationship to lyrics, and technical aspects of camerawork, editing, and effects. While the video focuses on the artist's performance and casual style, it lacks a clear narrative and uses basic technical elements to follow the artist and amplify the song's intensity.
Music video analysis
This document analyzes key music video features identified by Andrew Goodwin in his book "Dancing in the Distraction Factory". It summarizes Goodwin's theory that music videos demonstrate relationships between the lyrics and visuals, music and visuals, and genre characteristics. It also discusses common music video techniques like artist close-ups, star iconography, voyeurism, and intertextual references. The document then provides a detailed analysis of the Cold War Kids music video for "First", relating it to Goodwin's identified features.
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Для получения бесплатной демо-версии пишите нам на contact@tegia.ru.
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Similar to Music Video Pitch
Treatment Sheet
1. The concept of the video focuses on two men who have both fallen in love with and been hurt by the same girl. They will be shown separately dealing with their depression and sadness through actions and flashbacks to good times with their former lover.
2. The narrative and performance will show how the men relate to the lyrics of the song through lip syncing and portraying their heartbreak. It will be an emotional story left somewhat open-ended for the audience.
3. Contrasting lighting will portray the men's present sadness through dark tones versus happier flashbacks with high key lighting to represent love and past happiness with their shared ex-girlfriend.
Music vidoe pitch
The proposed music video is for the song "Lines of the Broken" by Droeleo and San Holo featuring CUT_. It will focus on an individual's inner struggle with unrealistic societal pressures of perfection and their journey of self-acceptance. The video aims to build awareness of the importance of imperfection through symbolism relating to the song lyrics and influences from photographers known for unique perspectives. It will start with a melancholy tone and transition to a vibrant, liberating mood as the individual lets go of restrictive norms.
Question 1 Evaluation
This document analyzes how the media producer's music video uses, develops, or challenges conventions of real media products. It discusses several ways the music video draws from conventions, such as using typical character archetypes, settings, and camera techniques for the pop music genre. However, it also challenges some conventions through its narrative focus on domestic abuse and ending that leaves interpretations open. Encoding themes of feminism and domestic abuse pushes boundaries somewhat from typical encoded topics. Overall, the analysis concludes the music video draws more from conventions than it challenges them, with some exceptions around its narrative elements.
Mv assignment (not theory) pro forma
The document provides guidance for a music video assignment. It includes sections for idea generation, research, potential songs, techniques, and conventions. For task 1 on idea generation, one group proposed a narrative idea about someone escaping an isolating tribe and being chased. A second idea involved a live performance in a run-down pub that transforms the mood. A third was simply lip syncing while walking around the city. Potential techniques discussed were using outfits, setting and color to change mood, editing to the beat, and a narrative.
Question 1 Evaluation
1) The music video for "Hey Brother" by Avicii uses and develops conventions of the genre more than challenging them. It follows typical narrative structures, settings, and camera techniques for a pop music video.
2) However, the central topic of domestic abuse does challenge conventions by focusing on a serious social issue rather than a typical romance.
3) While most elements conform to expectations, the narrative leaves the audience with an ambiguous resolution, allowing for different interpretations. This small challenge encourages reflection on the video's message.
Maps- Maroon 5
The music video for "Maps" by Maroon 5 tells a dark narrative story. It opens with Adam Levine's character running through a hospital to his injured girlfriend who was hit by a car. Through flashbacks, it is revealed that she crashed after leaving a party where Levine flirted with another woman. The video uses quick editing to match the song's pace and create tension as it jumps between the present and past. It effectively links the visual story to the lyrics and engages the audience in the relationship drama.
Andrew Goodwin’s theory and music videos
Andrew Goodwin is a professor who has published works analyzing music videos. He identified 6 key factors that define music videos: 1) Demonstrating genre characteristics 2) Relationships between lyrics and visuals 3) Relationships between music and visuals 4) Meeting record label demands 5) Frequent references to looking 6) Intertextual references. Goodwin explains that music videos link lyrics and visuals/song and artist to construct meaning as advertisements for the artist. He is interested in media aesthetics, cultural theory, popular music and how music videos can anchor meaning for consumers and companies.
Treatment for Maroon 5- "Misery"
Maroon 5's song "Misery" details the breakdown of a relationship. The songwriter, Adam Levine, intended to express the desperation of wanting someone in your life but struggling in the relationship. The student chose to analyze this song because she liked how the upbeat tempo contrasted with the sad theme of a failing relationship. She plans to create a music video that is both performance-based and contains a narrative. It will focus on a male artist in a studio setting using props to illustrate the lyrics, with brief interwoven scenes of him waiting for his girlfriend in a cafe.
Mv production assignment form 2019 thea
The document provides guidance for a music video assignment, including templates for pre-production tasks like generating song ideas, researching other music videos, and developing a final concept. It instructs students to customize the templates with their own work, such as selecting a song, developing multiple video ideas, and summarizing their chosen concept. The templates are meant to guide students through the pre-production phase to develop their music video project.
Taylor Swift Music Video Analysis
1) The music video depicts a love story set in the 1950s between Taylor Swift's character and her male costar on a film set.
2) It follows a typical narrative structure of establishing equilibrium between the characters, disrupting it when they realize their love isn't real, and failing to repair it when Taylor drives away alone at the end.
3) Cinematography aims to portray an authentic 1950s aesthetic through aerial shots, central close-ups, and lighting changes to match the mood.
Goodwin's Theory Analysis
The music video for "Peanut Butter Jelly" by Galantis shows characters in a supermarket dancing and having fun, matching the upbeat tone of the song. Though the lyrics don't match the visuals directly, the video depicts a party atmosphere through characters dancing in costumes that transform from mundane to bright party attire in time with the music. By the end, all the ordinary characters are dancing and enjoying themselves, linking to the party mood intended for the song.
Give me love- Ed Sheeran
This music video for Ed Sheeran's "Give Me Love" tells a narrative story about a girl acting as Cupid. She shoots arrows at strangers to make them fall in love, as she seems depressed and looking for love herself. Throughout the video, visuals enhance the song's message about a broken relationship and the desire to fix it. Shots include the girl with wings, people being shot with arrows and falling in love, and a twist ending revealing the girl has found her own love. The video breaks conventions of typical pop music videos by focusing on the story over the artist and including elements of realism.
Pitch media nea
The music video will tell the story of two female friends whose friendship develops into a romantic relationship with a male friend, portraying how unexpected relationships can form. It will show the progression of their friendship through various stages from the beginning of their friendship to arguing and reconciling, demonstrating how they learn to communicate effectively. The video aims to positively represent the black male character and challenge stereotypes. It will include scenes of the characters individually as well as together to move the narrative along to the development of their relationship.
Alt j, dissolve me
The document outlines a plan for a music video that will tell a narrative story through a mixture of emotions. It will start dark as a man has trouble sleeping, then transition to a dream state showing a coastal town where the man's relationship ends sadly. There will be a strong relationship between the lyrics and visuals. Camera work, lighting, editing and mise-en-scene details are provided to set the mood for each section. The target audience is young adults aged 18-26, and the video aims to engage them through relatable actors, maintaining a medium pace, and incorporating popular visual styles.
Applying Andrew Goodwin’s theory
This document analyzes Shinedown's music video for "Bully" using Andrew Goodwin's six key features of music videos. It finds that the video amplifies the lyrics through editing and visuals depicting bullying. Scenes illustrate specific lyrics of being hung and pushed to the dirt. The music and visuals are edited to amplify each other. Close-up shots of the lead singer engage the audience but also convey fear and hurt relating to the anti-bullying theme. The video lacks voyeurism and intertextual references, which is common for rock music videos.
Director research
This document discusses several music video directors and their works. It provides information on directors David Wilson, Alexandre Courtes, and Cameron Duddy. It discusses some of their most notable music videos and the concepts and styles used. It also discusses the Uses and Gratification theory and how it relates to interpreting media. Finally, it reflects on how studying these directors' works could provide inspiration for the author's own music video production on the song "Living in America."
2. final research mv 2018 (1) 6
The document provides guidance for stage 2 of a research and experiments project. It discusses researching potential production techniques and analyzing at least 3 related music videos or products. The document instructs the student to collect clips, images, guides, and get feedback from potential audiences. It also advises assessing whether techniques can be used or employed for the student's intentions and production.
The document then provides an analysis of 3 music video products. The first is analyzed to understand the artist's typical storylines and productions. The second is chosen for its illustrative style. Details are provided on shot types, scene changes, and literal interpretations of lyrics. The third video is analyzed for its realistic portrayal of a story through consistent close-up shots.
Evaluation #1
In what way does you media product use develop or challenge forms and conventions of real media products?
Music video analysis
This document provides directions and questions for analyzing music videos based on themes of gender roles, race, sexuality, materialism, and violence. Students are instructed to watch assigned music videos and answer detailed questions about the content, messages, and artistic elements related to the chosen theme. The questions probe how different groups are portrayed and represented in terms of behaviors, appearances, relationships, and power dynamics shown in the videos.
Evaluation 1
This music video for Tom Odell's "Can't Pretend" uses narrative to tell the story of a man struggling with depression and paralysis who finds purpose through wheelchair basketball. It draws inspiration from the 2012 Paralympics and the film Coach Carter to showcase the sport. Scenes alternate between depicting the character's loneliness and struggles with lighting and camerawork, and fast-paced gameplay sequences set to the beat of the song. The video aims to promote inclusion and inspire viewers by showing the character undergo a transformation as he finds new confidence and community through basketball.
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MixMap is an app that allows users to share, discover, and collaborate on music playlists. The app operates on a map format where users can (1) create and share playlists to their location, (2) view playlists created by friends or at locations, and (3) create group playlists when with others. The app aims to integrate with Spotify to provide the largest music library and allow users to view playlists from locations like events and clubs. Market validation shows a large potential user base of smartphone and Spotify users that are interested in monthly music subscriptions.
Set task 4 northern ruins tour
The band Northern Ruins is planning a UK tour to expand their fan base beyond Wales. The tour will consist of 10 shows at small venues that also serve food and drinks, helping to attract audiences. It aims to market the band as an authentic pop-rock act by having them perform covers of popular songs along with 2 originals. The documents provide details on the tour route, venues, equipment needed, estimated finances, marketing activities, and health and safety considerations.
Planning a UK Tour
The band Northern Ruins is planning a UK tour to expand their fan base beyond Wales by performing at small venues known for live music in several cities. The tour will involve the band traveling by van to 10 venues over 12 days, playing covers and original songs accompanied by all their instruments and vocals to market themselves as an authentic rock band and sell CDs. They have considered costs, logistics, health and safety, and marketing strategies to make the tour successful in gaining more fans and awareness.
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Question 3 Evaluation - A2 media
1) The author conducted market research early in the planning process through questionnaires, focus groups, and secondary research to better understand the audience and shape the music video concept.
2) Questionnaire responses showed that 58% of the audience supported music videos with themes/issues and rated the importance of the self-image theme highly. This encouraged pursuing the planned theme.
3) Focus group feedback emphasized making the artist seem relatable rather than idealized, to better connect with the audience on the self-image theme.
4) Secondary research profiled typical demographics, interests and media consumption of the target Beyoncé fan audience, which aligned well with the planned music video themes.
A2 Media Evaluation - Question 3
1) The author conducted market research early in the planning process through questionnaires, focus groups, and secondary research to better understand the target audience and shape the music video proposal.
2) Questionnaire responses showed that 58% of the audience supported music videos with themes/issues and rated the importance of the proposed topic of self-image pressures on young people as 8.1/10, reinforcing the proposed topic.
3) Focus group feedback suggested marketing the artist as relatable rather than idealized, in line with changing audience preferences compared to past decades.
Evaluation Question 5
The document discusses several ways the filmmakers attracted and addressed their audience. They made the actors relatable by focusing on the main character's hidden sexuality that he hasn't told friends and family about, showing a situation many people face. They used a popular song in the opening scene to draw audiences in. They also would market the film on social media given its popularity, and use billboards in cities and towns to advertise to a wide audience. Holding a premiere in London would generate significant press and publicity.
Evaluation Question 5: How did you attract/address your audience?
The document discusses how the filmmakers attracted and addressed their audience in several ways:
1) They made the actors relatable by portraying them with hidden identities and situations that some audience members could relate to, such as not openly disclosing their sexuality to friends and family.
2) They incorporated a popular song into the opening scene that most of the audience would recognize to draw them in.
3) They advertised the film on social media, knowing it was popular with their target demographic, to increase awareness of the film to a large number of potential viewers.
Rom-com Research
The genre of romantic comedies began in the early 1930s with films like Trouble in Paradise, building on conventions from Shakespearean comedies featuring romance plots. Typical rom-coms follow a "meet cute" structure where the future couple meets awkwardly or amusingly at the start and their romance develops over the film. In the 1990s, rom-coms took a new direction with films like When Harry Met Sally featuring more sexually charged narratives. Modern studios now experiment with sub-genres and complex topics while maintaining the typical happy ending.
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The document discusses common stereotypical character types in horror films, including the hero, victim, evil character, and non-believer. The hero is typically male but now can be either gender, while the victim is usually female. The evil character takes many forms but is always presented as inhuman. The non-believer doubts that any threat exists and often dies first, triggering more deaths.
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Music Video Pitch
- 1. Music Video Pitch Charlotte Dale Pretty Hurts by Beyoncé
- 4. Storyboards / Lyrics • A crucial stage of the planning process has been storyboarding and annotating the lyrics. After coming up with the ideas, I needed to make sure they would fit with the song and the lengths of the verses allowed enough time to explore the ideas. This will also help during production to make sure I have got enough footage during filming to cover the length of the song.
- 5. Narrative Summary • The idea behind my music video is based on the lyrics and theme of the song Pretty Hurts. • The song is based on the extent people go to fit society’s ‘perfect’ image but ultimately Beyonce is stating how we still never feel good enough, closing the song with repition of ‘are you happy with yourself?’ • My music video will continue this theme by showing the ways the protagonist tries to change the way she looks. The chorus however will focus on the line ‘perfection is a disease of a nation’ by including people from all around the country/world. The music video will end with the protagonist trying to get away from the pressures of society and how you are supposed to look.
- 6. Narrative Stages Begins with montage of footage showing how protagonist tries to change the way she looks. Chorus displays a montage of still images of people holding up signs infront of their face saying ‘too ……..’ depending on something they see as a flaw. The second verse will follow a similar theme as the first verse but what is on-screen will mirror the lyrics. The chorus will also remain the same. In the bridge, the tempo changes and so there will be images of the protagonist running mixed in with previous shots and images from the chorus. The ending will show how the protagonist – a representation of females – cant win, you cant escape the pressures of society.