Music vid ideas
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The document contains three ideas for music videos. The first follows a recently broken up boy and girl as they try to get over each other through deleting memories but still have feelings for each other. The second shows an older woman looking through a photo album which prompts flashbacks to her youth. The third depicts a boy who sees a girl and chases her through London as she leaves clues to her whereabouts but keeps disappearing.
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Sam smith
The music video is about a one night stand and the inner conflict Sam Smith experiences afterwards as he leaves the woman's house. It shows Smith walking alone down the street, disconnected from the world and caught up in his troubled mind over his choices. Throughout the video, close-ups of his facial expressions convey his deep empathy and vulnerability. By the end, in a chapel surrounded by light and a gospel choir, it seems his mind is freed from guilt as he finds release through singing.
Sam smith
The music video for "Stay with Me" by Sam Smith features slow, steady editing that reflects the rhythm of the song. Camera shots include an establishing shot of London, close-ups of a bed and clothes implying a one-night stand, and extreme long shots showing the singer leaving the house regretfully. There are also tracking shots of the singer walking down the road caught up in his emotions, and close-ups of his facial expressions showing how troubled he is. By the end of the video, shots show the singer standing in a chapel under a beam of light, signing with a choir, suggesting his mind is now freed from guilt through expressing his emotions through music.
James blunt music video analysis
The video begins with a long shot of an empty room with the performer in the center, establishing the simplicity of the indie/rock genre. Various shots are used throughout - long shots, close ups, and aerial shots - to tell the story and connect with the lyrics about loneliness, loss, and finding freedom. The lighting and minimal props enhance the empty, melancholy feelings. Toward the end, the shots become more positive with bright lighting and wide landscape shots, implying the performer has found happiness again.
Florence and the machine - Cosmic Love
Florence Welch creates a music video about falling in love with someone who doesn't love her back. The video uses close-up shots of Welch to connect with viewers and depict her quirky indie style through vintage accessories and masculine outfits. Symbolism like a flashing light bulb and falling leaves represents lingering love and emotions. Editing techniques like cross-cutting and eye lines help viewers relate to Welch's passionate expression of feelings around a failed romance.
Say something
The music video for "Say Something" by A Great Big World uses a narrative structure and various shots to portray different audiences that could relate to the lyrics. It begins with a pan up that conveys the audience looking up to the artist. There are also shots of a young couple going through negative emotions and a child hiding under a dirty bed to feel vulnerable. These visuals highlight the sad emotions of the lyrics and allow different audiences to relate from their own experiences with loss or difficult relationships.
Music video analysis
This document analyzes several music videos and discusses strategies for developing a narrative music video. It summarizes The 1975's "Somebody Else" video as portraying heartbreak through dark lighting and neon signs. It also discusses Troye Sivan's "Blue Neighborhood Trilogy" as using different filters to emphasize its narrative of past and present. The document concludes by stating the author's intent to create a relatable narrative music video that segregates timelines through changing mise-en-scene, address, and costume rather than using filters.
Birdy skinny love indie folk analysis
This document analyzes the music video for "Skinny Love" by Birdy. It summarizes the various shots and how they set the mood through lighting, camera angles, and imagery. Close-up shots of the artist singing are intercut with shots of her walking through an old house like a shadow, fitting with the folk genre's use of imagery over direct narrative. Effects like slow motion are also used conventionally in indie/folk music videos to portray objects and scenes that contradict the lyrics. The ending fades the piano and transitions to black with the camera on the left rather than the right, seeming to reverse the story.
John legend all of me
This music video tells a narrative story through its imagery and lyrics. It is filmed in black and white, with long shots and medium shots showing the artist singing and playing piano. He expresses his passion for his love, who is separated from him by a window. Elements like the piano represent his musical skills and love of music and his partner. The window and her swimming costume convey his infatuation with her and desire for intimacy. The gloomy, black and white atmosphere sets a serious tone about the depth of their mature relationship.
Recommended
Sam smith
The music video is about a one night stand and the inner conflict Sam Smith experiences afterwards as he leaves the woman's house. It shows Smith walking alone down the street, disconnected from the world and caught up in his troubled mind over his choices. Throughout the video, close-ups of his facial expressions convey his deep empathy and vulnerability. By the end, in a chapel surrounded by light and a gospel choir, it seems his mind is freed from guilt as he finds release through singing.
Sam smith
The music video for "Stay with Me" by Sam Smith features slow, steady editing that reflects the rhythm of the song. Camera shots include an establishing shot of London, close-ups of a bed and clothes implying a one-night stand, and extreme long shots showing the singer leaving the house regretfully. There are also tracking shots of the singer walking down the road caught up in his emotions, and close-ups of his facial expressions showing how troubled he is. By the end of the video, shots show the singer standing in a chapel under a beam of light, signing with a choir, suggesting his mind is now freed from guilt through expressing his emotions through music.
James blunt music video analysis
The video begins with a long shot of an empty room with the performer in the center, establishing the simplicity of the indie/rock genre. Various shots are used throughout - long shots, close ups, and aerial shots - to tell the story and connect with the lyrics about loneliness, loss, and finding freedom. The lighting and minimal props enhance the empty, melancholy feelings. Toward the end, the shots become more positive with bright lighting and wide landscape shots, implying the performer has found happiness again.
Florence and the machine - Cosmic Love
Florence Welch creates a music video about falling in love with someone who doesn't love her back. The video uses close-up shots of Welch to connect with viewers and depict her quirky indie style through vintage accessories and masculine outfits. Symbolism like a flashing light bulb and falling leaves represents lingering love and emotions. Editing techniques like cross-cutting and eye lines help viewers relate to Welch's passionate expression of feelings around a failed romance.
Say something
The music video for "Say Something" by A Great Big World uses a narrative structure and various shots to portray different audiences that could relate to the lyrics. It begins with a pan up that conveys the audience looking up to the artist. There are also shots of a young couple going through negative emotions and a child hiding under a dirty bed to feel vulnerable. These visuals highlight the sad emotions of the lyrics and allow different audiences to relate from their own experiences with loss or difficult relationships.
Music video analysis
This document analyzes several music videos and discusses strategies for developing a narrative music video. It summarizes The 1975's "Somebody Else" video as portraying heartbreak through dark lighting and neon signs. It also discusses Troye Sivan's "Blue Neighborhood Trilogy" as using different filters to emphasize its narrative of past and present. The document concludes by stating the author's intent to create a relatable narrative music video that segregates timelines through changing mise-en-scene, address, and costume rather than using filters.
Birdy skinny love indie folk analysis
This document analyzes the music video for "Skinny Love" by Birdy. It summarizes the various shots and how they set the mood through lighting, camera angles, and imagery. Close-up shots of the artist singing are intercut with shots of her walking through an old house like a shadow, fitting with the folk genre's use of imagery over direct narrative. Effects like slow motion are also used conventionally in indie/folk music videos to portray objects and scenes that contradict the lyrics. The ending fades the piano and transitions to black with the camera on the left rather than the right, seeming to reverse the story.
John legend all of me
This music video tells a narrative story through its imagery and lyrics. It is filmed in black and white, with long shots and medium shots showing the artist singing and playing piano. He expresses his passion for his love, who is separated from him by a window. Elements like the piano represent his musical skills and love of music and his partner. The window and her swimming costume convey his infatuation with her and desire for intimacy. The gloomy, black and white atmosphere sets a serious tone about the depth of their mature relationship.
9 shot analysis - Taylor Swift (Safe & Sound)
This document analyzes the 9 shots in Taylor Swift's music video for "Safe and Sound" through their visual elements and symbolism. The shots establish a misty, empty forest setting through wide shots of trees. Medium shots show the artist moving through the woods to illustrate the music. Close-ups express her facial emotions of despair and emphasize lyrics at the end. Visuals like bare trees, white sky, and the artist's plain dress convey a sense of purity, coldness and emptiness, reflecting the song's message.
Video Analysis Eamon
This music video by American R&B singer Eamon tells the story of a man who discovers his girlfriend has been cheating on him. Through flashbacks in black and white, the video contrasts the couple's past happy memories together with their tense present interaction. Shots emphasize the physical and emotional distance now between them, as the man refuses her pleas and walks away, finally moving on from the relationship and those memories.
Analysing a pop music video
This document analyzes and summarizes key elements of the music video for Ellie Goulding's "I Need Your Love" featuring Calvin Harris. It discusses the camerawork including shots that set the mood, emphasize the relationship, and pull focus to the artist. Editing techniques like fast-paced cuts are used to create excitement and demonstrate the carefree relationship between the two. Mise-en-scene elements like the male artist dressed in black and female wrapped in white show he has dominance over her innocent and untouchable character.
Music video overview
Tom Holmes-Wright (17) will perform the song in the music video playing guitar and singing, looking sad over a breakup with his girlfriend Elleah Stanton (17). Elleah (17) will appear in home video clips from when they were together, while Tom performs separately in black and white to show his depression over the breakup. The video will cut between Tom's somber performance and happy home video clips to contrast their current separation with memories of their relationship.
A Fine Frenzy - Almost Lover (Analysis One)
The video for "Almost Lover" by A Fine Frenzy uses camerawork and editing techniques to tell the story of lost love through flashbacks. Cross cuts between shots of the artist singing sadly and shots from happy memories with her "almost lover" show the contrast between her current lonely state and past happiness. Zooms and close-ups are used to emphasize emotions like joy in the flashbacks and isolation in the present scenes. While the song failed to chart highly in most places, its emotional narrative of love and loss, told through flashbacks, resonated strongly with listeners and followed conventions set by other popular music videos.
Heartbeat by nneka annotated lyrics
Nneka is a Nigerian singer-songwriter who moved to Germany at age 18. Many of her songs, including her song "Heartbeat", address the corruption in her home country of Nigeria and the impact it has had on her. The song explores themes of feeling let down by one's government and country through its lyrics about needing a friend during troubled times but seeing that friend change and take "heartless" paths abroad. It questions if those in power can feel the human suffering and lives lost due to their actions.
Work treatment
The document summarizes a proposed music video narrative and plan. The narrative involves a man dealing with a breakup across seven scenes. Feedback was provided requesting a change in song to Bryson Tiller's "Been That Way" to better suit the heartbreak theme. Details of inspiration, casting, locations, considerations and broadcast channels are provided.
Music Video Analysis
Andrew Goodwin's music video theory outlines several elements that are commonly seen in music videos. These include: 1) A relationship between the lyrics and visuals where the themes, scenes, and events of the video match the song's message. 2) A relationship between the music and visuals where cuts and edits sync with the rhythm and beats. 3) Demonstration of genre characteristics through expected features. 4) Reference to notions of the male gaze and treatment of the female body. 5) Demands from record labels to showcase the artist through close-ups. 6) Intertextual references to other media.
The Michael Jackson "Billie Jean" video reflects these elements through quick cuts that align with the song's
A fine frenzy
The video for "Almost Lover" by A Fine Frenzy uses flashbacks and contrasting camerawork to tell the story of lost love. Scenes of the artist alone singing sadly are interrupted by crosscuts to handheld footage showing her happy with her "almost lover" in the past. Zooms and close-ups are used to highlight emotions. By the end, the final flashback is blurred, symbolizing the lost relationship is now just a dream.
Opening sequence
The document discusses key elements of drama films including realistic themes, emotional content, and exaggerated acting. It provides examples of drama films that deal with issues like religion, addiction, and domestic violence. Techniques used in drama films are described like flashbacks, dramatic music, close-ups of characters, and lighting/camera angles to convey emotion and tension.
Representation of age
The document discusses different camera shots used in a video to portray a teenage house party scene. An extreme long shot is used at the start to show partygoers struggling to walk outside. Inside, a long shot shows most holding alcohol, while a close up captures a boy stealing phones, showing his drunken state. A panning shot transitions between the party inside and two jumping on a trampoline, representing the diversity of teenager experiences. A high angle shot depicts a girl on the trampoline as vulnerable due to drug and alcohol use.
Madonna
The document analyzes Madonna's music video for "Like a Virgin" in three paragraphs. It discusses the lyrics and how the images in the video relate to them, showing Madonna's transition from innocence to passion. It also analyzes how the video reflects the pop genre through its focus on Madonna, dancing, costumes, and fast pace. Finally, it examines how Madonna is presented voyeuristically through close-ups and dancing to sell herself as the artist.
The Vaccines - Music Video Analysis
The music video for "Post Break-up Sex" by The Vaccines follows typical conventions of the indie pop/rock genre through its low-budget production, familiar setting of a house, and focus on live musical performance over commercial success. It amplifies the song's lyrics of regret after a breakup through a narrative of a woman experiencing this and imagery like her crying. Frequent close-ups on faces convey emotion, while the overall tone matches the dingy color palette and melancholy lyrics. The video relies on a linear narrative structure to illustrate the song's meaning without additional intertextual references.
FINAL TWO IDEAS
The document discusses two songs, "Skinny Love" by Bon Iver and "Sweet Disposition" by Temper Trap. For "Skinny Love", the message is about a man and woman in love but with nothing in common, so love is not enough. The treatment for the music video would start dark and get lighter to show a change from negative to positive thoughts. It would show a boy watching a girl through a screen in the woods. For "Sweet Disposition", the message is about living in the moment. The treatment for the music video would begin with silhouetted faces and shots of a horse and fields, with lights in the trees as the characters run through the woods, switching between narrative and
Music video[1]
The document proposes two video concepts. The first follows a boy and girl who take pills at Brighton beach and experience trippy, psychedelic effects as the drugs take hold. Shots would zoom and use fisheye lenses to convey the drug experience. Scenes would cut between the beach and a band in the studio. The second concept takes place at a messy, hedonistic house party where the boy and girl meet and spend the night together amid chaotic scenes on the walls and floors. Songs by Klaxons, Justice and Passion Pit are suggested for either concept. The target audience is described as teenagers aged 16 to early 20s.
House music video lucas sneddon
The document summarizes and compares three house music videos:
1) ZHU - Faded features black and white shots of a person walking up stairs and scenes of a nightclub with DJs and silhouettes.
2) Calvin Harris & Disciples – How Deep Is Your Love follows a girl as she enters unfamiliar locations like a club, boat, and car park looking confused.
3) Duke Dumont – The Giver shows a man leaving the sea and giving people what they want, like making an ATM dispense money and causing chaos, before ending by pushing the camera away.
Lucy rose analysis
Lucy Rose is a British folk/singer-songwriter active since 2009. She plays guitar, piano, keyboard, and percussion and is signed to Columbia Records. This music video portrays Lucy Rose in an intimate, natural style to appeal to her core audience of 16-25 year old females. It uses close-up shots of her emotions, low angles to portray her as a role model, and mid shots of her everyday life to allow audiences to connect with her down-to-earth persona. The video's minimalistic mise-en-scene in everyday locations with relaxed costumes aims to portray Lucy Rose as a real, innocent artist rather than an untouchable star.
Lyric Breakdown
The document provides notes for creating a music video for the song "Home" by Edward Sharpe and the Magnetic Zeros. It outlines showing a couple singing to each other in bed to illustrate the lyrics expressing their love. Scenes of teenagers running around and laughing together would also be included to amplify themes of friendship and communal love. Throughout the video, a variety of shots like close-ups, medium shots, and wide shots would capture the performances and convey the emotions and meanings of the lyrics.
The city and horses 17
This music video tells a narrative about an outsider artist who tries to fit in at a party but is rejected. It uses various cinematic and musical techniques to convey this story. During the party scenes, the artist is ignored and faces gestures that show he is unwelcome. When performing music, he finds confidence and belonging. In the final shot, alone with a woman, he accepts his inability to conform and difference from others. The video references classic American teen films but subverts expectations of acceptance, instead portraying the reality of remaining an outsider.
You belong to me
This video tells the story of an artist singing to the boy next door that she desires. The analysis summarizes key shots in the video. Shots at the beginning establish the two houses as being separate and the artist as modest. Subsequent shots show the artist dancing and singing in her room to express herself and show her fun personality. Later shots depict barriers like windows separating the artist and boy, showing their distance. The final shot features the artist in a white dress, now being presented as an image in addition to her music, bringing the story to a close.
Music video analysis ffaf roses for the dead
The music video follows a young school boy through his journey and depicts his loneliness and isolation. It shows him being bullied along the way. The video also shows the boy's mother mourning and watching home videos to escape reality. At the end of the video, the mother gets increasingly upset while pulling down the boy's posters, mirroring the increasing pace of the song. The video focuses on the emotions of both the character and song but does not include typical performance shots of the band.
Music video analysis ffaf roses for the dead
The music video for "Roses For the Dead" by Funeral For A Friend follows a young school boy through a non-linear narrative. Scenes show him being bullied as he walks alone, emphasizing his loneliness. His mother is shown mourning and watching home videos to escape reality. In the climax, the mother gets increasingly upset while pulling down the boy's posters as the song's pace increases, building tension. The video focuses on depicting depression and emotion through the characters and song.
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9 shot analysis - Taylor Swift (Safe & Sound)
This document analyzes the 9 shots in Taylor Swift's music video for "Safe and Sound" through their visual elements and symbolism. The shots establish a misty, empty forest setting through wide shots of trees. Medium shots show the artist moving through the woods to illustrate the music. Close-ups express her facial emotions of despair and emphasize lyrics at the end. Visuals like bare trees, white sky, and the artist's plain dress convey a sense of purity, coldness and emptiness, reflecting the song's message.
Video Analysis Eamon
This music video by American R&B singer Eamon tells the story of a man who discovers his girlfriend has been cheating on him. Through flashbacks in black and white, the video contrasts the couple's past happy memories together with their tense present interaction. Shots emphasize the physical and emotional distance now between them, as the man refuses her pleas and walks away, finally moving on from the relationship and those memories.
Analysing a pop music video
This document analyzes and summarizes key elements of the music video for Ellie Goulding's "I Need Your Love" featuring Calvin Harris. It discusses the camerawork including shots that set the mood, emphasize the relationship, and pull focus to the artist. Editing techniques like fast-paced cuts are used to create excitement and demonstrate the carefree relationship between the two. Mise-en-scene elements like the male artist dressed in black and female wrapped in white show he has dominance over her innocent and untouchable character.
Music video overview
Tom Holmes-Wright (17) will perform the song in the music video playing guitar and singing, looking sad over a breakup with his girlfriend Elleah Stanton (17). Elleah (17) will appear in home video clips from when they were together, while Tom performs separately in black and white to show his depression over the breakup. The video will cut between Tom's somber performance and happy home video clips to contrast their current separation with memories of their relationship.
A Fine Frenzy - Almost Lover (Analysis One)
The video for "Almost Lover" by A Fine Frenzy uses camerawork and editing techniques to tell the story of lost love through flashbacks. Cross cuts between shots of the artist singing sadly and shots from happy memories with her "almost lover" show the contrast between her current lonely state and past happiness. Zooms and close-ups are used to emphasize emotions like joy in the flashbacks and isolation in the present scenes. While the song failed to chart highly in most places, its emotional narrative of love and loss, told through flashbacks, resonated strongly with listeners and followed conventions set by other popular music videos.
Heartbeat by nneka annotated lyrics
Nneka is a Nigerian singer-songwriter who moved to Germany at age 18. Many of her songs, including her song "Heartbeat", address the corruption in her home country of Nigeria and the impact it has had on her. The song explores themes of feeling let down by one's government and country through its lyrics about needing a friend during troubled times but seeing that friend change and take "heartless" paths abroad. It questions if those in power can feel the human suffering and lives lost due to their actions.
Work treatment
The document summarizes a proposed music video narrative and plan. The narrative involves a man dealing with a breakup across seven scenes. Feedback was provided requesting a change in song to Bryson Tiller's "Been That Way" to better suit the heartbreak theme. Details of inspiration, casting, locations, considerations and broadcast channels are provided.
Music Video Analysis
Andrew Goodwin's music video theory outlines several elements that are commonly seen in music videos. These include: 1) A relationship between the lyrics and visuals where the themes, scenes, and events of the video match the song's message. 2) A relationship between the music and visuals where cuts and edits sync with the rhythm and beats. 3) Demonstration of genre characteristics through expected features. 4) Reference to notions of the male gaze and treatment of the female body. 5) Demands from record labels to showcase the artist through close-ups. 6) Intertextual references to other media.
The Michael Jackson "Billie Jean" video reflects these elements through quick cuts that align with the song's
A fine frenzy
The video for "Almost Lover" by A Fine Frenzy uses flashbacks and contrasting camerawork to tell the story of lost love. Scenes of the artist alone singing sadly are interrupted by crosscuts to handheld footage showing her happy with her "almost lover" in the past. Zooms and close-ups are used to highlight emotions. By the end, the final flashback is blurred, symbolizing the lost relationship is now just a dream.
Opening sequence
The document discusses key elements of drama films including realistic themes, emotional content, and exaggerated acting. It provides examples of drama films that deal with issues like religion, addiction, and domestic violence. Techniques used in drama films are described like flashbacks, dramatic music, close-ups of characters, and lighting/camera angles to convey emotion and tension.
Representation of age
The document discusses different camera shots used in a video to portray a teenage house party scene. An extreme long shot is used at the start to show partygoers struggling to walk outside. Inside, a long shot shows most holding alcohol, while a close up captures a boy stealing phones, showing his drunken state. A panning shot transitions between the party inside and two jumping on a trampoline, representing the diversity of teenager experiences. A high angle shot depicts a girl on the trampoline as vulnerable due to drug and alcohol use.
Madonna
The document analyzes Madonna's music video for "Like a Virgin" in three paragraphs. It discusses the lyrics and how the images in the video relate to them, showing Madonna's transition from innocence to passion. It also analyzes how the video reflects the pop genre through its focus on Madonna, dancing, costumes, and fast pace. Finally, it examines how Madonna is presented voyeuristically through close-ups and dancing to sell herself as the artist.
The Vaccines - Music Video Analysis
The music video for "Post Break-up Sex" by The Vaccines follows typical conventions of the indie pop/rock genre through its low-budget production, familiar setting of a house, and focus on live musical performance over commercial success. It amplifies the song's lyrics of regret after a breakup through a narrative of a woman experiencing this and imagery like her crying. Frequent close-ups on faces convey emotion, while the overall tone matches the dingy color palette and melancholy lyrics. The video relies on a linear narrative structure to illustrate the song's meaning without additional intertextual references.
FINAL TWO IDEAS
The document discusses two songs, "Skinny Love" by Bon Iver and "Sweet Disposition" by Temper Trap. For "Skinny Love", the message is about a man and woman in love but with nothing in common, so love is not enough. The treatment for the music video would start dark and get lighter to show a change from negative to positive thoughts. It would show a boy watching a girl through a screen in the woods. For "Sweet Disposition", the message is about living in the moment. The treatment for the music video would begin with silhouetted faces and shots of a horse and fields, with lights in the trees as the characters run through the woods, switching between narrative and
Music video[1]
The document proposes two video concepts. The first follows a boy and girl who take pills at Brighton beach and experience trippy, psychedelic effects as the drugs take hold. Shots would zoom and use fisheye lenses to convey the drug experience. Scenes would cut between the beach and a band in the studio. The second concept takes place at a messy, hedonistic house party where the boy and girl meet and spend the night together amid chaotic scenes on the walls and floors. Songs by Klaxons, Justice and Passion Pit are suggested for either concept. The target audience is described as teenagers aged 16 to early 20s.
House music video lucas sneddon
The document summarizes and compares three house music videos:
1) ZHU - Faded features black and white shots of a person walking up stairs and scenes of a nightclub with DJs and silhouettes.
2) Calvin Harris & Disciples – How Deep Is Your Love follows a girl as she enters unfamiliar locations like a club, boat, and car park looking confused.
3) Duke Dumont – The Giver shows a man leaving the sea and giving people what they want, like making an ATM dispense money and causing chaos, before ending by pushing the camera away.
Lucy rose analysis
Lucy Rose is a British folk/singer-songwriter active since 2009. She plays guitar, piano, keyboard, and percussion and is signed to Columbia Records. This music video portrays Lucy Rose in an intimate, natural style to appeal to her core audience of 16-25 year old females. It uses close-up shots of her emotions, low angles to portray her as a role model, and mid shots of her everyday life to allow audiences to connect with her down-to-earth persona. The video's minimalistic mise-en-scene in everyday locations with relaxed costumes aims to portray Lucy Rose as a real, innocent artist rather than an untouchable star.
Lyric Breakdown
The document provides notes for creating a music video for the song "Home" by Edward Sharpe and the Magnetic Zeros. It outlines showing a couple singing to each other in bed to illustrate the lyrics expressing their love. Scenes of teenagers running around and laughing together would also be included to amplify themes of friendship and communal love. Throughout the video, a variety of shots like close-ups, medium shots, and wide shots would capture the performances and convey the emotions and meanings of the lyrics.
The city and horses 17
This music video tells a narrative about an outsider artist who tries to fit in at a party but is rejected. It uses various cinematic and musical techniques to convey this story. During the party scenes, the artist is ignored and faces gestures that show he is unwelcome. When performing music, he finds confidence and belonging. In the final shot, alone with a woman, he accepts his inability to conform and difference from others. The video references classic American teen films but subverts expectations of acceptance, instead portraying the reality of remaining an outsider.
You belong to me
This video tells the story of an artist singing to the boy next door that she desires. The analysis summarizes key shots in the video. Shots at the beginning establish the two houses as being separate and the artist as modest. Subsequent shots show the artist dancing and singing in her room to express herself and show her fun personality. Later shots depict barriers like windows separating the artist and boy, showing their distance. The final shot features the artist in a white dress, now being presented as an image in addition to her music, bringing the story to a close.
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Similar to Music vid ideas
Music video analysis ffaf roses for the dead
The music video follows a young school boy through his journey and depicts his loneliness and isolation. It shows him being bullied along the way. The video also shows the boy's mother mourning and watching home videos to escape reality. At the end of the video, the mother gets increasingly upset while pulling down the boy's posters, mirroring the increasing pace of the song. The video focuses on the emotions of both the character and song but does not include typical performance shots of the band.
Music video analysis ffaf roses for the dead
The music video for "Roses For the Dead" by Funeral For A Friend follows a young school boy through a non-linear narrative. Scenes show him being bullied as he walks alone, emphasizing his loneliness. His mother is shown mourning and watching home videos to escape reality. In the climax, the mother gets increasingly upset while pulling down the boy's posters as the song's pace increases, building tension. The video focuses on depicting depression and emotion through the characters and song.
Narrative structure
The music video for "The One That Got Away" by Katy Perry tells the narrative of an elderly woman remembering her lost love from her youth through a series of flashbacks. She is seen alone and upset in the present, contrasted with happy memories from her past with her boyfriend through photos and moments they shared. The flashbacks imply they had a falling out that led to his death, making her feel guilt and loneliness in the present. In comparison, "I Need Your Love" by Calvin Harris features a montage of footage capturing him and his girlfriend's romance along with others' activities to portray a fun, upbeat relationship through synchronized visuals and close-ups.
Media mvideo pitch
The document proposes three music video ideas:
1) For the song "Beach Bummer" by No Vacation, it would feature a boy and girl in a white studio as nature-themed projections play. They would pretend to be at the beach/flowers to fit the song's lyrics.
2) For Russ' "Psycho P2", it would show an empty birthday party and dancing scenes in blue lighting to depict loneliness and rejection.
3) For BROCKHAMPTON's "COTTON HOLLOW", it includes a cage with a dancer and a room with emotion-themed walls to represent the song's exploration of different feelings towards a person.
Media pitch
This document outlines the plans for a music video for the song "Angelica" by Slaves. It will tell the story of a girl who is overly engaged with social media and how it isolates her. When her friend tries to get her attention away from her phone, she transforms into a supernatural being and spreads this contagious social media addiction to her friend. The storyboard details shots showing the girl constantly on her phone and ignoring her friend/date, who then also becomes addicted after their confrontation causes him to storm out. Both characters will transform into monsters representing their addiction as the story unfolds through the music. Locations and casting for the video are still being determined.
Music Video Pre-Production.pptx
This document outlines the pre-production planning for a music video for the song "Youngblood" by 5 Seconds of Summer. It lists possible artists and songs that could be featured, then focuses on "Youngblood" as the song of choice. Ideas for the video are presented, focusing on themes of loneliness, mourning, anger, and relationships ending badly. Specific shot types and story elements are suggested to convey these themes through color, movement, and symbolism. Reference is made to the band's comments on wanting to mature their sound on this album compared to previous work. Mood boards and influences like BTS's "Young Forever" are presented to inspire capturing the essence of youth explored in the song.
Pop music video analysis
The document analyzes several music videos including Freya Riding's "You Mean the World to Me", Maroon 5's "Girls Like You" featuring Cardi B, and Dua Lipa's "IDGAF". It discusses the conventions used in each video such as introducing characters, telling a story, use of flashbacks and flashforwards, and depicting abstract ideas. Elements like camerawork, lighting, staging, and choreography are examined. Key themes of family, female empowerment, and moving on from heartbreak through self-love are explored.
Treatment Sheet
1. The concept of the video focuses on two men who have both fallen in love with and been hurt by the same girl. They will be shown separately dealing with their depression and sadness through actions and flashbacks to good times with their former lover.
2. The narrative and performance will show how the men relate to the lyrics of the song through lip syncing and portraying their heartbreak. It will be an emotional story left somewhat open-ended for the audience.
3. Contrasting lighting will portray the men's present sadness through dark tones versus happier flashbacks with high key lighting to represent love and past happiness with their shared ex-girlfriend.
Analysation of 3 music videos
The document summarizes several music videos:
1) Girls Aloud's "Call the Shots" portrays females as independent and mentally strong compared to stereotypical views, with symbols like purple and white representing romance and purity.
2) Radiohead's "Knives Out" features a nonlinear narrative in a hospital setting, with a heart used to symbolize love.
3) Maddi Jane's "Too Close" tells the story of young lovers reuniting after years apart, using a wristband as a symbol of their enduring feelings.
4) Demi Lovato's "Give Your Heart a Break" shows her efforts to win back an ex-boyfriend by posting
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The document discusses different styles of music videos, including impressionist, surrealist, voyeuristic, allusion, inter-textual, and interpretive styles.
For impressionist style, Katy Perry's "Firework" and "Wide Awake" videos are cited as examples that create a fantasy world through soft lighting and colors. Surrealist videos like LSD's "No New Friends" depict dream-like worlds. Voyeuristic videos like Katy Perry's "Bon Appetite" and Badshah's "Tareefan" feature the objectification of women. Videos with allusion styles like Train's "50 Ways to Say Goodbye" include unexpected twists. Ariana
Digital Rhetoric and Writing, October 14th
This document provides an agenda for an upcoming class on video rhetorical analysis. It includes:
1) A discussion of students' interpretations of videos from the previous class with an example from the instructor.
2) Checking in with students.
3) Previewing upcoming topics.
4) If time permits, students will reverse engineer a storyboard for the Imagine Dragons "Radioactive" music video analyzed in a previous class.
The document also lists assignments related to rhetorical analysis of videos and topics to be covered, including analyzing the rhetoric of race in music videos and examples of analyzing specific music videos through rhetorical lenses.
I don’t love you anymore
The music video for the song "I Don't Love You Anymore" by the pop-punk band Real Friends combines elements of narrative and performance. It follows a character wearing a fox mask as he walks through memories of his ex-girlfriend, seeing her happy with a new partner. Interspersed are scenes of the band performing the song in a small room. The video amplifies and illustrates the lyrics of lost love through its storytelling with the character and visuals.
Pitch task 3
Eloise wants to create a music video for her song "ALL CRIED OUT" about getting over a breakup. She analyzes other similar music videos that incorporate friends, performances directly to the camera, dancing, fashion, narratives and singing. Her idea is to tell the story of a girl getting through a breakup with help from her friends. The video will include performances in different locations with fast edits and use of projections to represent her changing emotions. It will show her sadness looking at photos of her ex initially, then her friends cheering her up as she realizes she's "all cried out" over the boy.
Pitch task 3 group 12
Eloise wants to create a music video for her song "ALL CRIED OUT" about getting over a breakup. She analyzed other similar music videos and noticed conventions like using friends, performances directly to the camera, dancing, fashion, narratives and singing. Her idea is to tell the story of a girl getting through a breakup with help from her friends. The video will include performances in different locations with fast edits and projections to represent her emotions. It will show her sad in her bedroom looking at old photos online but her friends cheer her up. Later she feels confident singing to the camera while destroying photos, showing she's over him.
A2 Media Main Pitch
This song written by Tyler Noel is dedicated to the reality show "Love and Hip Hop Atlanta" and references the tumultuous relationship between Lil Scrappy and his former fiancé Ericka. The song is about a woman who has had enough of the self-centered behavior of her boyfriend and is beginning to realize the unhealthy situation. She maintains a strong exterior while feeling hurt by his actions, such as being out late without telling her where he is going. By the end of the song, she is looking back at all they have been through and telling him that if he wants to leave, he can leave because he has hurt her enough.
Indie Rock/pop Music video analysis
The document provides information about the British indie/alternative music duo Seafret and their song "Oceans". It describes Seafret as a two-person band that has grown a large fan base. It notes that the music video for "Oceans" features a young girl dealing with loneliness and bullying while her mother works late. The relationship between the song's lyrics and the visuals in the video are analyzed in detail. Close-ups of the main girl are used to highlight her role and connect with the audience.
Music video analysis
The music video for Father John Misty's "Chateau Lobby #4" was filmed by his wife Emma on their wedding anniversary. It features clips of them spending time in a hotel where they had one of their first dates. The lyrics and video illustrate their love through showing them enjoying simple time together, amplifying the meaning of the lyrics. The amateur camerawork and effects contribute to the intimate, soothing feel that reflects the song's themes of love and memories.
Music Vid Analysis - Arctic Monkeys
This music video by Arctic Monkeys features a narrative story rather than a typical performance-based indie rock video. It focuses on the relationship between two actors rather than the band. While the lyrics seem to describe a one-night stand, the video shows a woman who falls for a married man. Their relationship is cyclical, as after he rejects her, she returns to the ledge where they met another man. The music and visuals have a contradictory yet close relationship, with cuts matching the beat. This adds tension and explores the woman's emotional state through scenes of her looking at the man as he leaves her.
A2 media eval question 1
1. In what ways does your media product use, develop or challenge forms and conventions of real media products ?
illicit affairs music video planning.pptx
The music video will tell the story of a woman reminiscing on a past illicit relationship. She finds a box of memories that transports her between present and past. Shots will alternate between her older self rediscovering the memories and flashbacks to her younger self's relationship, focusing on the lead up to and aftermath of their break up. Key moments will include finding perfume labeled "for him" and receiving a romantic message on her phone. The video aims to portray the pain of love through the lens of Taylor Swift's song and remain original by having no existing music video for the song.
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Music vid ideas
- 2. IDEA 1: WE DON’T TALK ANYMORE BY CAHRLIE PUFF AND SELENA GOMEZ • This music video would follow the lives of a boy and a girl after their break up. It would show them trying to get over it by getting rid of their memories together, however it is very clear that they still have feelings for each other as they constantly go to text each other. The video would be filled with happy flashbacks from their relationships, to act as a juxtoposition to the sadness they feel after it.
- 3. Flash back Flash back Sad – present tense Sad – present tense Sad – present tense Sad – present tense
- 4. IDEA 2: PHOTOGRAPH BY ED SHEERAN • This music video would show an older lady (maybe in her 50/60s) opening up a photo album, which would show pictures from her teen years. The camera would zoom into a photo and a flashback to that moment would happen. It would show her in her happiest moments with her friends and her love interest.
- 5. Present Tense – showing photos Flash backs
- 6. IDEA 3: MAPS BY MAROON 5 • This music video would show a boy walking down the street when he notices a girl. He would automatically be drawn to her and go after her, however everytime he’d try to get to her she’d disaprear, leaving only a clue to her next destination. The video would show the boy walking round the streets of London trying to find her.
- 7. Boy walking down street Sees girl Shows london Spots girl again Girl leaves clues