The "Mining Information from Multimedia Sources - Holocaust History Detectives" (MIMS-H2D) project applies a crowdsourcing strategy to engage students and adults in helping to recover the names of Holocaust victims. The project utilizes a variety of primary sources of witness testimony and databases to engage participants in contributing to the historical record and honoring the memory of those who were killed. This learning module is designed to engage students in understanding the processes and challenges associated with recovering the names of Holocaust victims.
Registration is required for complete access to additional resource materials and to participate in the project. Visit www.theYIZKORproject.org/home.htm to register
Place-based education focuses on using the local environment and community as a starting point for learning. It emphasizes making connections between students, their community, and the curriculum. Place-based education originated in rural US contexts but has since expanded. Key aspects include relating curriculum to students' lived experiences, promoting connections to their community, and building environmental stewardship and citizenship. Approaches include hands-on, project-based, and problem-based learning focused on the local area. A case study examined place-based learning across three Indigenous early childhood centers in different areas, finding local communities and Indigenous histories were central to the curriculum in culturally distinct but overlapping ways.
Psychological processes underlying Wikipedia representations of natural and m...Bruno Kessler Foundation
Paper presented at Wikisym 2012: Collective memories are precious resources for the society, because they help strengthening emotional bonding between community members, maintaining groups cohesion, and directing future behavior. Studying how people form their collective memories of emotional upheavals is important in order to better understand people's reactions and the consequences on their psychological health. Previous research investigated the effects of single traumatizing events, but few of them tried to compare different types of traumatic events like natural and man-made disasters. In this paper, interpreting Wikipedia as a collective memory place, we compare articles about natural and human-made disasters employing automated natural language techniques, in order to highlight the different psychological processes underlying users' sensemaking activities.
The document discusses analyzing collective memories and commemoration of traumatic events on Wikipedia using linguistic analysis. It describes using Linguistic Inquiry and Word Count (LIWC) software to analyze differences in linguistic categories and psychological processes in Wikipedia articles about traumatic versus non-traumatic events, and about human-made versus natural traumatic events. The analysis found that articles about traumatic events used more negative emotions, cognitive processes, and social processes language compared to non-traumatic events. Articles about human-made traumatic events may express more negative psychological effects than those about natural disasters.
This document provides acknowledgements for the author's dissertation. It thanks various colleagues, supervisors, research groups, and funders who supported the author's work. Specifically, it thanks the author's supervisor Sisse Siggaard Jensen for mentorship and for accompanying the author on research trips. It also thanks colleagues in the Sense-making Strategies and User-driven Innovation in Virtual Worlds research project for their ideas and feedback. The author expresses gratitude to family as well, including parents for their support and wife for extensive involvement in writing and editing the dissertation.
The document discusses the concept of heritage literacy. It provides definitions of literacy and heritage from various sources. Heritage literacy involves developing an understanding of heritage through education and is important for community development and sustainable development. The document outlines three levels of heritage literacy: 1) ability to experience or recognize heritage, 2) ability to interpret and reflect on heritage, and 3) ability to analyze and critically examine heritage including its societal, economic, and political aspects. It provides two examples of heritage-focused community projects in Croatia aimed at reconciliation, repopulation, and development through heritage education.
This document discusses theories of collective memory and the role of archives in preserving memory. It examines how archives shape collective memory by selecting what materials to preserve from the past. The document calls for archives to make efforts to include underrepresented groups and topics to provide a more complete record of history. It also highlights challenges such as appraising materials related to tragic events and initiatives by organizations to locate endangered documentation from periods like the Holocaust.
Place-based education focuses on using the local environment and community as a starting point for learning. It emphasizes making connections between students, their community, and the curriculum. Place-based education originated in rural US contexts but has since expanded. Key aspects include relating curriculum to students' lived experiences, promoting connections to their community, and building environmental stewardship and citizenship. Approaches include hands-on, project-based, and problem-based learning focused on the local area. A case study examined place-based learning across three Indigenous early childhood centers in different areas, finding local communities and Indigenous histories were central to the curriculum in culturally distinct but overlapping ways.
Psychological processes underlying Wikipedia representations of natural and m...Bruno Kessler Foundation
Paper presented at Wikisym 2012: Collective memories are precious resources for the society, because they help strengthening emotional bonding between community members, maintaining groups cohesion, and directing future behavior. Studying how people form their collective memories of emotional upheavals is important in order to better understand people's reactions and the consequences on their psychological health. Previous research investigated the effects of single traumatizing events, but few of them tried to compare different types of traumatic events like natural and man-made disasters. In this paper, interpreting Wikipedia as a collective memory place, we compare articles about natural and human-made disasters employing automated natural language techniques, in order to highlight the different psychological processes underlying users' sensemaking activities.
The document discusses analyzing collective memories and commemoration of traumatic events on Wikipedia using linguistic analysis. It describes using Linguistic Inquiry and Word Count (LIWC) software to analyze differences in linguistic categories and psychological processes in Wikipedia articles about traumatic versus non-traumatic events, and about human-made versus natural traumatic events. The analysis found that articles about traumatic events used more negative emotions, cognitive processes, and social processes language compared to non-traumatic events. Articles about human-made traumatic events may express more negative psychological effects than those about natural disasters.
This document provides acknowledgements for the author's dissertation. It thanks various colleagues, supervisors, research groups, and funders who supported the author's work. Specifically, it thanks the author's supervisor Sisse Siggaard Jensen for mentorship and for accompanying the author on research trips. It also thanks colleagues in the Sense-making Strategies and User-driven Innovation in Virtual Worlds research project for their ideas and feedback. The author expresses gratitude to family as well, including parents for their support and wife for extensive involvement in writing and editing the dissertation.
The document discusses the concept of heritage literacy. It provides definitions of literacy and heritage from various sources. Heritage literacy involves developing an understanding of heritage through education and is important for community development and sustainable development. The document outlines three levels of heritage literacy: 1) ability to experience or recognize heritage, 2) ability to interpret and reflect on heritage, and 3) ability to analyze and critically examine heritage including its societal, economic, and political aspects. It provides two examples of heritage-focused community projects in Croatia aimed at reconciliation, repopulation, and development through heritage education.
This document discusses theories of collective memory and the role of archives in preserving memory. It examines how archives shape collective memory by selecting what materials to preserve from the past. The document calls for archives to make efforts to include underrepresented groups and topics to provide a more complete record of history. It also highlights challenges such as appraising materials related to tragic events and initiatives by organizations to locate endangered documentation from periods like the Holocaust.
Some critics may have you believe that computer game studies lack theoretical rigor, that games cannot afford meaningful experiences. I agree with them, sometimes, but I also believe that a richer understanding of computer games is possible, and that this understanding can shed some light on related issues in the wider field of Digital Humanities.
My main area of research has been designing and evaluating how contextually appropriate interaction can aid the understanding of cultures distant in time, space, and in understanding to our own. This field is sometimes called Virtual Heritage. In Virtual Heritage, tools of choice are typically virtual reality environments, and the projects are very large in scale, complexity, and cost, while my projects are often prototypes and experimental designs. I have many challenges, for example, morphing technological constraints into cultural affordances, and avoiding possible confusion between artistic artifice and historical accuracy, all the while evaluating intangible concepts in a systematic way without disturbing the participants’ sense of immersion. To help me judge the success or failure of these projects I have shaped some working definitions of games, culture, cultural understanding, cultural inhabitation, and place. However, these concepts and definitions are not enough. I also have to now tackle the issues of simulated violence, artificial “other” people, the temptation of entertainment masquerading as education, and the difficulties inherent in virtually evoking a sense of ritual.
My lecture, then, is a discussion into how game-based learning, and the study of culture, heritage and history, might meaningfully intersect.
The document provides guidance on conducting oral history projects. It discusses what oral history is, including that it documents personal experiences rather than factual data. It also outlines different types of oral history projects and provides tips for selecting interview subjects and interviewers. The document stresses the importance of oral history in preserving little-known histories and personal experiences that would otherwise go undocumented.
1) The presentation discusses cultural ecology and mobile learning, focusing on cultural resources and how they afford education.
2) Key concepts examined include ecologies as holistic systems, cultural resources, and affordances in an ecology of culture and education.
3) Contexts are shifting from stable cultural products for appropriation to cultural products created through appropriation, such as user-generated content on social media.
About Memory A Study In The Work Of Clive RundleDaniel Wachtel
This document provides an overview and introduction to a research study on fashion and memory. It discusses frameworks for studying notions of memory in creative works, including art that references past events. It focuses on an analysis of the fashion design work of South African designer Clive Rundle to explore evidence of history and memory. The study aims to contribute to the academic discourse on South African fashion by providing an in-depth case study of Rundle's work and investigating conceptual and material traces of memory within his designs. It discusses theories of memory in objects and how fashion can negotiate the present while referencing the past.
Lecture slides for MA Contemporary Art Theory and for MFA Visual Culture students at Edinburgh College of Art.
http://www.eca.ac.uk/pdf/getCourse.php?id=88
This document summarizes an international arts project called the Interdependence Hexagon Project. The project uses hexagon shapes as a metaphor for interconnectedness and engages youth in exploring real-world issues through art. It is presented by teachers from Illinois, Pennsylvania, and elsewhere who discuss teaching strategies for the project, which aims to promote global understanding and civic engagement among students. Videos and websites are provided with additional resources for the project.
This document summarizes and discusses the concept of "networked reenactments" which are experiments in communication across different fields of knowledge. It describes how various media like television documentaries, websites, museum exhibits, and academic works have used reenactments to help explain concepts to diverse audiences simultaneously. These reenactments became "epistemological melodramas" that tried to map connections between different knowledge domains and address many groups at once with limited control over how knowledge was presented. The document analyzes a TV program on Leonardo da Vinci as an example of using layered reenactments through simulation, narrative, and interactive elements to connect past and present understandings.
Class 1 - Introduction to the Semiotics of Digital Interactions.
Originally run at University of Tartu for Undergraduates and up.
Audience: anyone with an interest in the meaning and philosophy behind our interaction with the technological world around us.
This document summarizes an ethnographic study conducted at the Giv'at Hatachmoshet (AHNMS), a memorial site and museum in Jerusalem, Israel. The study examines how spaces of commemoration at the site and in the visitor book are constructed. It explores how the ethnographer's presence is traced through their recording devices and embodied interactions with visitors. The document argues for a performative approach to social science research that acknowledges the researcher's situatedness and promotes experimentation over interpretation.
The document describes The Interdependence Hexagon Project, an international arts project that engages youth in real-world issues. The project uses hexagons as a metaphor for interconnectedness. Students create artworks in hexagon shapes to explore themes related to human rights, diversity, the environment, and other topics. The goals are to promote global awareness and understanding among students. Teachers leading the project discuss strategies for implementing hexagon art lessons and collaborating with other schools.
The document discusses trends in communicating culture in museums, using the National Museum of the American Indian in Washington D.C. as a case study. When designing the museum, native leaders wanted it to tell the truth. The architects incorporated native sensibilities and traditions throughout the building. The museum's architecture corresponds to the elders' ideals of representing culture internally and externally. The website and exhibitions mirror the architectural ambitions of representing culture.
This lesson plan introduces students to the topic of monuments and their role in remembrance and memory. Students will explore what monuments are, how and why they are established, and what their messages, locations, and designs convey about their significance. The goal is for students to develop a critical understanding of monuments and memorialization as a complex process that says as much about the present as the past. Students will reflect on memorialization in different countries and contexts to gain a more multiperspective view of this sensitive topic.
These PowerPoint slides were designed to accompany a textbook on anthropology. They provide outlines of textbook chapters along with photos, maps, and tables for students to use as study guides. Both students and instructors are encouraged to edit the slides to meet their needs. The accompanying student CD-ROM and online learning center contain additional interactive study tools for each chapter like videos, quizzes, and web links.
This document discusses various aspects of memory and its role in rhetoric. It covers ancient understandings of memory, how memory was an important canon that has been lost, different senses of memory, collective vs. individual memory, strategies for remembering and forgetting, memorializing as a rhetorical act, and issues of presentism, images, visual rhetoric, and spectacles.
This chapter discusses the relationships between culture, place, and identity. It explores how globalization simultaneously places and displaces cultures, leading to segregated, contested, and hybrid cultural spaces. Cultural spaces are constructed through communicative practices that develop in particular places. The chapter also examines how power is signified and regulated through the size, shape, access, and containment of space, and provides examples of segregated, contested, and hybrid cultural spaces.
At locations across the globe, people are creating impromptu spaces to memorialize and celebrate events. From the peace walls of Belfast to the memorials left after 9/11 in New York City, participants are writing on walls, leaving notes, and placing mementos on chain-link fences. While these spaces are outside of any officially sanctioned monument, they serve as a way for people to participate in memory-making activities.
Paris is a city where memory-making takes places in public cemeteries (in particular, at the grave sites of Jim Morrison and Oscar Wilde, which are literally covered in mementos) and on bridges (where lovers cover the chain-link fences with locks engraved with their names), the location where Princess Diana's fatal car crash occurred is of particular interest because of its international participation and resilience. While the immediate, overwhelming sense of mourning in 1997 was enormous, there are still participants who make pilgrimages to the site and participate in the space today, inscribing the space with writings in various languages, colors, and textures. Composing on the concrete slabs that surround the bridge above the tunnel where the crash occurred, these participants write of her loss, their shared grief, and their recovery. Examining this space in particular, we can discuss the writings of these participants, the spaces they inhabit, and the need for preserving and curating their participation.
Defining the Realities of Overseas Filipino Workers in the Filipino Film ‘Hel...AJHSSR Journal
ABSTRACT: This analysis is zeroed in on defining and dissecting the experiences of Overseas Filipino
Workers (OFWs), represented by Joy and Ethan, characters in the Filipino film ‗Hello, Love, Goodbye‘, starred
by Kathryn Bernardo and Alden Richards, respectively. Furthermore, this paper encompassed a comprehensive
interpretation of Joy and Ethan through an analysis of different elements in the film and where they were parts
of: characters, dialogues, colors, shot and editing techniques, and sound quality. Recommendations for further
analysis were also included to further elaborate how a certain phenomenon can be dissected and represented in a
narrative.
Keywords : ‘Hello, Love, Goodbye’, Overseas Filipino Workers, Semiotic Analysis, Signs.
This workshop aims to provide EFL teachers with pedagogical tools to help students understand and engage with historical memory in the classroom. The workshop structure includes defining key concepts like memory, understanding the causes and consequences of conflict, developing empathy, analyzing multiple sources of information, and sharing ideas. Digital tools are suggested to create timelines, videos, stories, and infographics. The goal is for students to reflect on how to apply these resources to construct historical memory in their own contexts. Challenges include adapting materials for different ages and languages.
Some critics may have you believe that computer game studies lack theoretical rigor, that games cannot afford meaningful experiences. I agree with them, sometimes, but I also believe that a richer understanding of computer games is possible, and that this understanding can shed some light on related issues in the wider field of Digital Humanities.
My main area of research has been designing and evaluating how contextually appropriate interaction can aid the understanding of cultures distant in time, space, and in understanding to our own. This field is sometimes called Virtual Heritage. In Virtual Heritage, tools of choice are typically virtual reality environments, and the projects are very large in scale, complexity, and cost, while my projects are often prototypes and experimental designs. I have many challenges, for example, morphing technological constraints into cultural affordances, and avoiding possible confusion between artistic artifice and historical accuracy, all the while evaluating intangible concepts in a systematic way without disturbing the participants’ sense of immersion. To help me judge the success or failure of these projects I have shaped some working definitions of games, culture, cultural understanding, cultural inhabitation, and place. However, these concepts and definitions are not enough. I also have to now tackle the issues of simulated violence, artificial “other” people, the temptation of entertainment masquerading as education, and the difficulties inherent in virtually evoking a sense of ritual.
My lecture, then, is a discussion into how game-based learning, and the study of culture, heritage and history, might meaningfully intersect.
The document provides guidance on conducting oral history projects. It discusses what oral history is, including that it documents personal experiences rather than factual data. It also outlines different types of oral history projects and provides tips for selecting interview subjects and interviewers. The document stresses the importance of oral history in preserving little-known histories and personal experiences that would otherwise go undocumented.
1) The presentation discusses cultural ecology and mobile learning, focusing on cultural resources and how they afford education.
2) Key concepts examined include ecologies as holistic systems, cultural resources, and affordances in an ecology of culture and education.
3) Contexts are shifting from stable cultural products for appropriation to cultural products created through appropriation, such as user-generated content on social media.
About Memory A Study In The Work Of Clive RundleDaniel Wachtel
This document provides an overview and introduction to a research study on fashion and memory. It discusses frameworks for studying notions of memory in creative works, including art that references past events. It focuses on an analysis of the fashion design work of South African designer Clive Rundle to explore evidence of history and memory. The study aims to contribute to the academic discourse on South African fashion by providing an in-depth case study of Rundle's work and investigating conceptual and material traces of memory within his designs. It discusses theories of memory in objects and how fashion can negotiate the present while referencing the past.
Lecture slides for MA Contemporary Art Theory and for MFA Visual Culture students at Edinburgh College of Art.
http://www.eca.ac.uk/pdf/getCourse.php?id=88
This document summarizes an international arts project called the Interdependence Hexagon Project. The project uses hexagon shapes as a metaphor for interconnectedness and engages youth in exploring real-world issues through art. It is presented by teachers from Illinois, Pennsylvania, and elsewhere who discuss teaching strategies for the project, which aims to promote global understanding and civic engagement among students. Videos and websites are provided with additional resources for the project.
This document summarizes and discusses the concept of "networked reenactments" which are experiments in communication across different fields of knowledge. It describes how various media like television documentaries, websites, museum exhibits, and academic works have used reenactments to help explain concepts to diverse audiences simultaneously. These reenactments became "epistemological melodramas" that tried to map connections between different knowledge domains and address many groups at once with limited control over how knowledge was presented. The document analyzes a TV program on Leonardo da Vinci as an example of using layered reenactments through simulation, narrative, and interactive elements to connect past and present understandings.
Class 1 - Introduction to the Semiotics of Digital Interactions.
Originally run at University of Tartu for Undergraduates and up.
Audience: anyone with an interest in the meaning and philosophy behind our interaction with the technological world around us.
This document summarizes an ethnographic study conducted at the Giv'at Hatachmoshet (AHNMS), a memorial site and museum in Jerusalem, Israel. The study examines how spaces of commemoration at the site and in the visitor book are constructed. It explores how the ethnographer's presence is traced through their recording devices and embodied interactions with visitors. The document argues for a performative approach to social science research that acknowledges the researcher's situatedness and promotes experimentation over interpretation.
The document describes The Interdependence Hexagon Project, an international arts project that engages youth in real-world issues. The project uses hexagons as a metaphor for interconnectedness. Students create artworks in hexagon shapes to explore themes related to human rights, diversity, the environment, and other topics. The goals are to promote global awareness and understanding among students. Teachers leading the project discuss strategies for implementing hexagon art lessons and collaborating with other schools.
The document discusses trends in communicating culture in museums, using the National Museum of the American Indian in Washington D.C. as a case study. When designing the museum, native leaders wanted it to tell the truth. The architects incorporated native sensibilities and traditions throughout the building. The museum's architecture corresponds to the elders' ideals of representing culture internally and externally. The website and exhibitions mirror the architectural ambitions of representing culture.
This lesson plan introduces students to the topic of monuments and their role in remembrance and memory. Students will explore what monuments are, how and why they are established, and what their messages, locations, and designs convey about their significance. The goal is for students to develop a critical understanding of monuments and memorialization as a complex process that says as much about the present as the past. Students will reflect on memorialization in different countries and contexts to gain a more multiperspective view of this sensitive topic.
These PowerPoint slides were designed to accompany a textbook on anthropology. They provide outlines of textbook chapters along with photos, maps, and tables for students to use as study guides. Both students and instructors are encouraged to edit the slides to meet their needs. The accompanying student CD-ROM and online learning center contain additional interactive study tools for each chapter like videos, quizzes, and web links.
This document discusses various aspects of memory and its role in rhetoric. It covers ancient understandings of memory, how memory was an important canon that has been lost, different senses of memory, collective vs. individual memory, strategies for remembering and forgetting, memorializing as a rhetorical act, and issues of presentism, images, visual rhetoric, and spectacles.
This chapter discusses the relationships between culture, place, and identity. It explores how globalization simultaneously places and displaces cultures, leading to segregated, contested, and hybrid cultural spaces. Cultural spaces are constructed through communicative practices that develop in particular places. The chapter also examines how power is signified and regulated through the size, shape, access, and containment of space, and provides examples of segregated, contested, and hybrid cultural spaces.
At locations across the globe, people are creating impromptu spaces to memorialize and celebrate events. From the peace walls of Belfast to the memorials left after 9/11 in New York City, participants are writing on walls, leaving notes, and placing mementos on chain-link fences. While these spaces are outside of any officially sanctioned monument, they serve as a way for people to participate in memory-making activities.
Paris is a city where memory-making takes places in public cemeteries (in particular, at the grave sites of Jim Morrison and Oscar Wilde, which are literally covered in mementos) and on bridges (where lovers cover the chain-link fences with locks engraved with their names), the location where Princess Diana's fatal car crash occurred is of particular interest because of its international participation and resilience. While the immediate, overwhelming sense of mourning in 1997 was enormous, there are still participants who make pilgrimages to the site and participate in the space today, inscribing the space with writings in various languages, colors, and textures. Composing on the concrete slabs that surround the bridge above the tunnel where the crash occurred, these participants write of her loss, their shared grief, and their recovery. Examining this space in particular, we can discuss the writings of these participants, the spaces they inhabit, and the need for preserving and curating their participation.
Defining the Realities of Overseas Filipino Workers in the Filipino Film ‘Hel...AJHSSR Journal
ABSTRACT: This analysis is zeroed in on defining and dissecting the experiences of Overseas Filipino
Workers (OFWs), represented by Joy and Ethan, characters in the Filipino film ‗Hello, Love, Goodbye‘, starred
by Kathryn Bernardo and Alden Richards, respectively. Furthermore, this paper encompassed a comprehensive
interpretation of Joy and Ethan through an analysis of different elements in the film and where they were parts
of: characters, dialogues, colors, shot and editing techniques, and sound quality. Recommendations for further
analysis were also included to further elaborate how a certain phenomenon can be dissected and represented in a
narrative.
Keywords : ‘Hello, Love, Goodbye’, Overseas Filipino Workers, Semiotic Analysis, Signs.
This workshop aims to provide EFL teachers with pedagogical tools to help students understand and engage with historical memory in the classroom. The workshop structure includes defining key concepts like memory, understanding the causes and consequences of conflict, developing empathy, analyzing multiple sources of information, and sharing ideas. Digital tools are suggested to create timelines, videos, stories, and infographics. The goal is for students to reflect on how to apply these resources to construct historical memory in their own contexts. Challenges include adapting materials for different ages and languages.
A Free 200-Page eBook ~ Brain and Mind Exercise.pptxOH TEIK BIN
(A Free eBook comprising 3 Sets of Presentation of a selection of Puzzles, Brain Teasers and Thinking Problems to exercise both the mind and the Right and Left Brain. To help keep the mind and brain fit and healthy. Good for both the young and old alike.
Answers are given for all the puzzles and problems.)
With Metta,
Bro. Oh Teik Bin 🙏🤓🤔🥰
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
How to Manage Reception Report in Odoo 17Celine George
A business may deal with both sales and purchases occasionally. They buy things from vendors and then sell them to their customers. Such dealings can be confusing at times. Because multiple clients may inquire about the same product at the same time, after purchasing those products, customers must be assigned to them. Odoo has a tool called Reception Report that can be used to complete this assignment. By enabling this, a reception report comes automatically after confirming a receipt, from which we can assign products to orders.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) Curriculum
MIMS-H2D Names and Memorials
1. “Names and Memorials”
This research guide is based on
a real-world inquiry into the Part I “Names and Memorials” introduces students to the concept
fate of Dr. Mauritius Berner’s and practice of mining biographical information from multimedia
family and to identify his wife
sources. Through this unit of inquiry, students will:
and children, by name.
• Explore Holocaust memorialization as it relates to societal
The educational program was
and cultural influences on the creation of memorials and
developed for the MIMS-H2D
project by the YIZKOR project vice a versa;
and reflects the actual process • Gain a deeper understanding of the sensitivities involved
used to investigate and clarify in recovering the names of Holocaust victims through
the Yad Vashem database Historical research about people, families and individuals;
record. The record was updated and,
with the photo of the three
• Learn how-to apply research strategies and thinking skills
Berner girls, honoring both
their memory and that they to recovering the names of Holocaust victims using
lived. multiple sources of witness testimony.
Information about the Berner The MIMS-H2D project includes embedded formative and
family has been submitted to summative assessments integrated with the development of
Yad Vashem, the online memorialization projects about the victims and associated tributes
research exploration includes
to the survivors.
resources, images and
weblinks, which allow students
to explore the original records
using actual pages from the
Yad Vashem database in a
garden-browsing environment.
Teachers and
students have an
opportunity to earn
a Holocaust History
Detectives' award
ribbon, recognizing
their participation in
the project. Participants can
also earn a Meta+Thinker
Badge and work additional
primary source documents to
help recover the identities of
additional Holocaust victims.
2. Part I Names & Memorials PAGE |2
Use of Materials Section 1 – Memorialization Projects
In-classroom activities and
discussions can be conducted in 1. Write the word, memorialization on the board. Have students
both large and small group create a definition for the word.
settings.
2. Discuss the different approaches to memorialization and
Additional resource materials
types of memorials which have been dedicated to individuals,
are available online, including
digital images which can be victim communities-groups, and the Holocaust. Possible
accessed directly from the topics include:
MIMS-H2D project mini-site.
Commemorations – individual, communal and societal
Preservation of death/concentration camps sites and off-site
memorials
Survivor oral/visual histories and interviews, and trial
testimony
Historical research and documentation (Yizkor books)
Expressive/Creative Arts – books, art, theatre, music, poetry
3. Explain that memorials and memorialization projects take on
many forms and serve many purposes. There are memorials
to events and tragedies; and, memorials to communities,
people, and individuals, which are created for and by
communities, people and individuals.
Can you relate? In the “The Art of Memory” James E. Young writes,
“…For the most part, artists transform remembrance into
monuments and memorials using the materials and
following the aesthetic judgments of their times. The
intention may ultimately be for art to achieve a timeless
status, but it is created within the context of a specific
time and place that deeply influences that creation.” If
monuments and memorials reflect their times, does the
interpretation, meaning, or impact on viewers/audiences
also change over time? If so, how?
Consider how memorials and monuments purposefully
integrate color, size, shapes, materials, texture, sound and
lighting in their design. What other elements are used to
create or heighten the emotional experience and/or
impact on visitors? (consider space, movement, digital
technologies)
4. Part I Names & Memorials PAGE |4
Handout 1. Introduce the anonymous child’s shoe (Imperial War
Museum) and have students make observations about the
shoe and the child to whom it may have belonged.
2. Follow Read aloud Hinda Cohen’s story.
3. Compare the physical appearance of the two individual
children’s shoes.
4. Introduce the third image: mounds of shoes. Discuss which
of the images students think best symbolizes the Holocaust as
a whole or the 1.5 million children? Can any one of these
images alone represent the Holocaust? How does knowing
and not knowing the name of the child whose shoe it was
affect them?
How can memorialization projects simultaneously
represent the individual while not losing sight of the
scope of the tragedy…of six million men, women and
children?
Resources: Computer and
Internet access
Handout
Transition Exercise: Who Am I?
There are two approaches to conducting this exercise. Both
Preparation
culminate with the presentation of the photo of Dr. Mauritius
Separate the photos from the
Berner’s three daughters whose names are not provided, as
biographies on the handout and
distribute these to students. was the case when the photo was “discovered” in the
(Alternatively, you can print out documentary “Verdict on Auschwitz.”
the biography portion and
electronically distribute the 1. Present the class with the photo montage of the thirteen
photos of each child so that
details in the photographs are young people who were killed in the Holocaust. For these
not lost) young people, there is also a short biography available
but very little else is known about them.
Students can work in pairs if
there aren’t enough 2. Explain that for other Holocaust victims, young or old,
photo/biography sets for the class
there simply aren’t any photos, and for millions of other
victims – men, women and children – their names are
missing from official records and names’ repositories.
While some names can still be recovered from other
sources, others are already lost to Time i.e.
unrecoverable.
6. Part I Names & Memorials PAGE |6
Students with photos should be able describe what’s
happening in the photos, making reasonable
deductions based on their observations (clothing,
approximate age, activity, and even
attitude/disposition at that moment).
4. Display the photo montage in the background and begin
with any student with a biography, except for the one
who has Jean Lambert’s bio (#13), who should go last.
Students should begin by introducing the child by
name and then reviewing their biography notes.
Student with the corresponding photo will identify the
young person in the montage, before continuing with
their description of the photo and child.
Skip to Section 3 Wrap-Up
Requires Internet access Who Am I? Presentation Option 2
1. Referring to the montage, explain the objective of this
activity will be to explore the Central Database of Shoah
Victims’ Names at Yad Vashem and the companion
Pages of Testimony for each of these young people.
2. Divide students into working groups. Each group is
given a young person’s name and one other piece of
information to aid in their research.
3. Utilizing the Central Database at Yad Vashem, students
will search for information about the young person with
the information they have available. The information
will be added sequentially to refine the search and pare
down the number of results.
a. Click on the link on the Database Entry Portal page.
This opens a dialog box for conducting a “Basic
Search” option.
b. Input only the young person’s last name (surname)
into the field labeled, “Family/Maiden Name”. Note
the number of results and scan the names on the first
page of results. (The number of potential matches can
range between a few to well over a thousand).
8. Part I Names & Memorials PAGE |8
3. Explain there are numerous databases, names repositories
and memorialization projects around the world, which have
recorded the names and some biographical information about
victims as well as the survivors.
4. Read the following statement: “There is no single list of
victims and survivors of Holocaust-era persecution. Instead,
researching family history around the Holocaust is a process
of following trails and piecing together bits of information.”
(United States Holocaust Memorial Museum (USHMM)
5. Introduce the Mining Information from Multimedia Sources
Holocaust History Detectives project as a crowdsourcing
strategy which enlists the help of students and adults in
recovering the names, identities and histories of Holocaust
victims. How? By mining information about victims
embedded in various sources of survivor testimony.
What kinds of primary sources are available? (Global
as well as regional databases, document archives, oral
and visual histories, websites, interviews and articles)
If information about a Holocaust victim is already
found in a survivor’s testimony, isn’t that enough to
memorialize the person or persons? Discuss, why or
why not.
6. Present the class with a photo of Dr. Mauritius Berner’s three
daughters, introducing them as such. Explain that the photo
was recovered from a documentary entitled, “Verdict on
Auschwitz.” Dr. Berner was one of 211 Auschwitz camp
survivors who testified at the 1963-1965 Frankfurt
Auschwitz Trial. While the photo was included in the
documentary film, the names of the girls were not provided.
Continue the inquiry, reviewing other MIMS-H2D
research primers or: Announce to the class that it will
be their task to try to identify the girls by name and to
perform additional tasks. This exercise will earn students
a KAASE Meta+Thinker badge and also serves as a
model for any future inquiries and research projects to
recover Holocaust victims' names.
10. Part I Names & Memorials PAGE |10
Part I - Section 1.4: Memorialization Projects
Shoes on the Danube Promenade (Budapest, Hungary)
The Shoes on the Danube Promenade memorial stands on the bank of Danube River in
Budapest, Hungary (on what was formerly the Pest side before the country’s capital was
united). Hungarian sculptor Gyula Pauer and his friend Can Togay introduced the idea to
place the monument on the river’s banks. The 60 pairs of iron shoes commemorate the
victims who were murdered by Arrow Cross between 1944 and 1945. Shoes were
considered a valuable commodity and victims removed their shoes before being murdered.
The killings took place all along the river’s edge and saved the Arrow Cross the trouble of
having to bury their victims who were thrown or fell into the river after being shot.
Holocaust Encyclopedia – Hungary After the German Occupation
(http://www.ushmm.org/wlc/en/article.php?ModuleId=10005458)
12. Part I Names & Memorials PAGE |12
Part I - Section 1.4: Memorialization Projects
The Tower of Faces (the Yaffa Eliach Shtetl Collection)
The “Tower of Faces” is a three-floor-high
segment of the permanent exhibition at the US
Holocaust Memorial Museum devoted to the
Jewish community of the Lithuanian town of
Eisiskes, whose inhabitants were massacred by
units of the German Einsatzgruppe and their
Lithuanian auxiliaries in two days of mass
shootings on September 25 and 26, 1941.
The exhibit consists of approximately 1,000
reproductions of pre-War photographs of
Jewish life in the town gathered from more
than 100 families by Dr. Yaffa Eliach, who
spent her early childhood in Eisiskes. Eliach is
the granddaughter of Eisiskes photographer
Yitzhak Uri Katz, who, together with his wife,
Alte Katz, their assistant Ben-Zion Szrejder
and Rephael Lejbowicz, took most of the
photographs in the exhibit. Jews had lived in
Eisiskes for almost 900 years; in 1939, the
3,000-3,500 members of the Jewish
community constituted a majority of the
town’s population. The photographs in this Permanent Exhibition at the U.S. Holocaust
exhibit document the rich religious, cultural, Memorial Museum [Photograph #N03043]
economic and familial life of the Jewish
community that existed prior to the occupation of Eisiskes by the German Army in the last
week of June 1941.
Shortly after German troops entered the town, a Jewish council was formed, and men were
conscripted for forced labor. On the eve of the Jewish New Year in September 1941, the
community was ordered to surrender all its valuables. The following morning all Jews were
ordered to assemble in the main synagogue and its two houses of study. Another 1,000 Jews
from the neighboring towns of Valkininkas and Salcininkai were brought to Eisikes and
crowded into the three buildings. For the next two days the 4,000-4,500 Jews were held
without food or water. On the third day the killing action began with the mass shooting of all
the men at the old Jewish cemetery. The next day the women and children were taken out and
shot near the Christian cemetery. Only 29 Jews escaped the slaughter.
Reprinted with permission of the United States Holocaust Memorial Museum
14. Part I Names & Memorials PAGE |14
Part I - Section 2.1 Content and Context
Unknown Child’s Shoe
Imperial War Museum, University of London’s Holocaust Education Development
Programme “Ordinary Things” activity and lesson developed by Paul Salmons. The name of
the owner of the shoe is unknown.
Have students make observations about the shoe, deducing from their observations what they
can say about the young child and his/her shoe.
Observations
Is the shoe new or old? (confirm that it is old)
Probably belongs to child about 4 or 5 years old.
It could be a boy or a girl’s shoe.
The shoe is not new; the stitching on the seam has been through many repairs.
Who do you think repaired the shoe?
How was the shoe made?
What is it made from, the material?
The shoe was probably a hand-me-down, maybe from an older brother or sister.
The heel and sole also needed repair.
While the identity of the young child to whom the shoe belonged is not known, in all
likelihood it belonged to a Jewish child. Over 90% of the 1 million people killed in
Auschwitz were Jewish.
16. Part I Names & Memorials PAGE |16
Part I - Section 2.1 Content and Context
Hinda Cohen 1942 - 1944 | Children in the Holocaust
Tzipporah and Dov Cohen were married in 1938
had already experienced the loss of one child
during childbirth. With the German invasion of
Lithuania, they unsuccessfully tried to flee to the
Soviet Union. They were forced to return to their
home in Kovno (Kaunas) and were later interned
in the Kovno Ghetto.
Approximately half a year later, on January 18,
1942, Tzipporah gave birth to a daughter who
she named Hinda after her mother. At the end of
November 1943, the couple was transferred to
the Aleksotas Work Camp, whose inmates
worked in the airport. They lived under very
difficult conditions, performing backbreaking
forced labor.
During the day the men and women would go to
work and only the children would remain in the
camp with a small group of adults and the
elderly. On March 27, 1944 the adults were taken
out a different gate than the usual one, so that
they would not see the trucks which had arrived Hinda Cohen’s shoes, with the year (and date) of her
and attempt to disrupt the deportation. deportation 3/27/1944, etched in the bottom. Artifact
Collection, Yad Vashem. Donated by Dov and Tzipporah
Cohen, z’l, through Pnina Eliyahi, Givat Shmuel, Israel
When the adults returned at the end of the day
they discovered the extent of the tragedy: no
children remained in the camp. Dov and Tzipporah rushed to their daughter’s bed, where
they found one of her shoes and the gloves Tzipporah had sewn for her. Dov etched the date
upon his daughter’s shoe and swore to save the shoe forever.
Dov and Tzipporah later returned to the Kovno Ghetto from where they fled to the forest and
were eventually liberated by the Russian Army. In 1947 Tzipporah gave birth to another
daughter and in 1960 they immigrated to Israel. Dov and Tzipporah requested that their
family give the objects from their daughter Hinda to Yad Vashem, and with their passing
their granddaughter donated the objects belonging to Hinda Cohen who was murdered at
Auschwitz.
Source: Bearing Witness: Stories Behind the Artifacts in the Museum’s Collection
(www1.yadvashem.org/yv/en/exhibitions/bearing_witness/children_holocaust_cohen.asp)
Reprinted with permission by Yad Vashem The Holocaust Martyrs’ and Heroes’ Remembrance Authority
18. Part I Names & Memorials PAGE |18
Part I - Section 2.1 Content and Context
Auschwitz Birkenau Memorial and Museum Shoes
The Auschwitz Birkenau Memorial and Museum has in its artifact collection 80,000
shoes, along with approximately 3,800 suitcases (2,100 of which bear the names of their
owners); over 12,000 kitchen utensils (forks, spoons and knives); 470 prostheses and
orthoses; 40 kilograms of eyeglasses, 350 striped prisoner uniforms; 250 tallisim (prayer
shawls); and, over 6,000 works of art (including about 2,000 which were made by prisoners).
Photo credit: Paweł Sawicki
20. Part I Names & Memorials PAGE |20
Part I - Section 2: Transition Exercise - Who Am I?
3
(1) Hana Borensztejn was born in Warszawa in 1923 to Moshe and Lea. She was a
pupil and single. Prior to WWII she lived in Warszawa, Poland. During the war she 1 2 4
was in Warszawa, Ghetto. Hana was murdered in 1942 in Treblinka, Poland at the
age of 19. This information is based on a Page of Testimony submitted by her sister 13
5
Sima Grinberg
(2) Haia Faer was born in Beltz in October 1935 to Haim and Ruhlea. Prior to 6 7
WWII she lived in Falesti, Romania. During the war she was in Litvinov (Kolkhoz),
Russia (USSR). Haia was murdered in November 1943 in the Shoah. This 9
information is based on a Page of Testimony submitted by her aunt Sura Faer 8
Goldenberg
(3) Nathan Lustman was born in Lodz in 1934 to Simha and Hana. Prior to WWII 10 11
he lived in Lodz, Poland. During the war he was in Lodz, Poland. Nathan was
murdered in 1944 in Auschwitz, Camp. This information is based on a Page of 12
Testimony submitted by his uncle Simcha Pszenica
(4) Eva Weksberg was born in Moravska Ostrava in 1934 to Bubi and Iuli. Prior to
WWII she lived in Moravska Ostrava, Czechoslovakia. During the war she was in
Moravska Ostrava, Czechoslovakia. Eva was murdered in the Shoah. This information is based on a Page of Testimony
submitted by her uncle Moshe Trost
(5) Frania (Felicie) Rajter was born in Villerupt on December 31, 1931 to Majlech (Simon) and Mania. Prior to WWII she
lived in Villerupt, France. During the war she was in Drancy, Camp. Frania was murdered on September 16, 1942 in
Germany. This information is based on a Page of Testimony submitted by her cousin Jacques Tolub
(6) Touwia Polinowski was born in Paris in 1928 to Soil and Vera (Perele nee Nudel). Prior to WWII he lived in Livry
Gargan, France. During the war he was in Livry Gargan, France. Touwia was murdered 11/11/1942 in Auschwitz, Poland.
This information is based on a Page of Testimony submitted by his brother Mendel Polinowski. Another Page of Testimony
was submitted for Tuvia Polinovski by Shaul (Soil) his father.
(7) Severin Regenweter was born in Lodz on January 16, 1934 to Heniek and Zelda. He was a child. Prior to WWII he
lived in Lodz, Poland. During the war he was in Lodz, Poland. Severin was murdered in the Shoah. This information is
based on a Page of Testimony submitted by his uncle J. Davis
(8) Moshe Drajer was born in Warsaw in January 1926 to Avraham and Pesa. Prior to WWII he lived in Warsaw, Poland.
During the war he was in Warsaw, Ghetto. Moshe was murdered in 1943 in Warsaw, Ghetto. This information is based on a
Page of Testimony submitted by his cousin Morris Wyszogrod.
(9) Josef Weissler was born in Nikolai in 1937 to Alfred and Alice. Prior to WWII he lived in Nikolai, Poland. During the
war he was in Auschwitz, Camp. Josef was murdered in the Shoah. This information is based on a Page of Testimony
submitted by his aunt Thea Weissler
(10) Fruma Katz was born to Barukh Khana in 1935 in Kazan Tatarskaya Assr, Russia. During the war she was in
Telenesti, Romania. The Page of Testimony was submitted by her uncle, Shabbtai Finkelman.
(11) Antoinette Denneboom was born in Harbrinkhoek on January 10, 1937 to Elie and Frederika. Prior to WWII she lived
in Harbrinkhoek, Netherlands. During the war she was in Amsterdam, Netherlands. Antoinette was murdered in Auschwitz,
Poland. This information is based on a Page of Testimony submitted by her sister Rivka Zonenfeld
(12) Irma Grin was born in Poland in 1936 to Hersh and Sara. Prior to WWII she lived in Sosnowic, Poland. During the
war she was in Sosnowic, Poland. Irma was murdered in Sosnowic, Poland. This information is based on a Page of
Testimony submitted by her uncle, a Shoah survivor Yosef Manela
(13) Jean Pierre Lambert was born in Paris on December 19, 1935 to Joseph (Claude) and Marianne. Prior to WWII he
lived in Paris, France. During the war he was in Paris, France. Jean was deported on November 20, 1943 and murdered on
25/11/1943 in Auschwitz, Camp. This information is based on a Page of Testimony submitted by his cousin Eric Maus, and
another Page of Testimony submitted by a cousin Serge Maus. Jean had a brother named Gerard and a sister Francine who
were also killed. Their parents Claude and Marianne were also killed.
22. Part I Names & Memorials PAGE |22
Part I - Section 2: Transition Exercise - Who Am I? (page 2 of 8)
Nathan Lustman was born in Lodz
in 1934 to Simha and Hana. Prior to
WWII he lived in Lodz, Poland.
During the war he was in Lodz,
Poland. Nathan was murdered in
1944 in Auschwitz, Camp. This
information is based on a Page of
Testimony submitted by his uncle
Simcha Pszenica
Eva Weksberg was born in
Moravska Ostrava in 1934 to Bubi
and Iuli. Prior to WWII she lived in
Moravska Ostrava, Czechoslovakia.
During the war she was in
Moravska Ostrava, Czechoslovakia.
Eva was murdered in the Shoah.
This information is based on a Page
of Testimony submitted by her
uncle Moshe Trost
24. Part I Names & Memorials PAGE |24
Part I - Section 2: Transition Exercise - Who Am I? (page 4 of 8)
Severin Regenweter was born in
Lodz on January 16, 1934 to Heniek
and Zelda. He was a child. Prior to
WWII he lived in Lodz, Poland.
During the war he was in Lodz,
Poland. Severin was murdered in
the Shoah. This information is based
on a Page of Testimony submitted
by his uncle J. Davis
Moshe Drajer was born in Warsaw
in January 1926 to Avraham and
Pesa. Prior to WWII he lived in
Warsaw, Poland. During the war he
was in Warsaw, Ghetto. Moshe was
murdered in 1943 in Warsaw,
Ghetto. This information is based on
a Page of Testimony submitted by
his cousin Morris Wyszogrod.
26. Part I Names & Memorials PAGE |26
Part I - Section 2: Transition Exercise - Who Am I? (page 6 of 8)
Antoinette Denneboom was born in
Harbrinkhoek on January 10, 1937
to Elie and Frederika. Prior to
WWII she lived in Harbrinkhoek,
Netherlands. During the war she
was in Amsterdam, Netherlands.
Antoinette was murdered in
Auschwitz, Poland. This
information is based on a Page of
Testimony submitted by her sister
Rivka Zonenfeld
Irma Grin was born in Poland in
1936 to Hersh and Sara. Prior to
WWII she lived in Sosnowic,
Poland. During the war she was in
Sosnowic, Poland. Irma was
murdered in Sosnowic, Poland. This
information is based on a Page of
Testimony submitted by her uncle,
a Shoah survivor Yosef Manela