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Media
theories
• Effects theory
(Hypodermic Syringe,
Innoculation) – what
the media does to
audiences
• Uses and
Gratifications –
what audiences
do with the
media
Effects Theories
• Mass media/mass communications make
people powerless to resist messages the
media carries
• Consumers are ‘drugged’, ‘addicted’ or
‘hypnotised’
• Effects theories taken up with protection of
young, link between violence and the
media
Effects Theories
Historical stuff
• Frankfurt School: Marxist German
intellectuals reacting against Nazi
propaganda and US advertising –
suggested the power of big corporations
and the state to control how we think
• Rise of TV in the 50’s and 60’s – fear of
danger to children
Effects Theories
Historical Stuff
• Influence of behavioural scientists (think of
Pavlov’s dogs) – media may reinforce
attitudes through repetition
• Bobo doll experiment (1963) – Bandura
and Walters – children imitate adult
treatment of doll seen on film
Effects Theories
• Moral panics: Concern, hostility,
consensus, disproportionality, volatility
• Two step flow:
Media
Text
Effects Theories
• Moral panics: Concern, hostility,
consensus, disproportionality, volatility
• Two step flow:
Media
Text
Opinion
Leaders
Effects Theories
• Moral panics: Concern, hostility,
consensus, disproportionality, volatility
• Two step flow:
Media
Text
Opinion
Leaders
Media
Consumers
Effects Theories
• Moral panics: Concern, hostility,
consensus, disproportionality, volatility
• Two step flow:
Media
Text
Opinion
Leaders
Media
Consumers
1
Effects Theories
• Moral panics: Concern, hostility,
consensus, disproportionality, volatility
• Two step flow:
Media
Text
Opinion
Leaders
Media
Consumers
1 2
Effects Theories
What’s wrong with effects theories?
• The problems with violence are often
social/psychological not to do with the media
• The media can often be positive rather than
harmful
• Criticism of the media using the effects model is
often politically motivated
• There is not real grounding of research and
theory for this model.
U&G
• Users of the media use media texts to
satisfy certain needs
• Based on Maslow’s Hierarchy of needs
U&G: Denis McQuail (1987)
•
•
•
•
Information: finding out about the world; seeking advice;
satisfying curiosity; education; gaining security though
knowledge
Personal Identity: reinforcement of personal values;
models of behaviour; identifying with valued other;
gaining insight into oneself
Integration and Social Interaction: gaining insight into
circumstances of others; identifying with others; basis for
conversation with others; substitute for real life
companionship; helping to carry out social roles;
enabling connection with family friends and society
Entertainment: escapism; diversion; relaxation; cultural
or aesthetic enjoyment; filling time; emotional release;
sexual arousal
U&G: James Lull (1990)
Structural
•
•
Environmental: background noise; companionship; entertainment
Regulative: keeping time; part of pattern of daily life
Relational
•
•
•
• Communication Facilitation: experience illustration; common ground;
conversation starter; anxiety reduction; agenda for talk; value
clarification
Affiliation/Avoidance: physical/verbal contact/neglect; family
solidarity; family relaxant/conflict reducer; relationship maintenance
Social Learning: decision making; behaviour modelling; problem
solving; value transmission; legitimization; information dissemination;
education
Competence/Dominance: role enactment; role reinforcement;
substitute role portrayal; intellectual validation; authority exercise;
gatekeeping; argument facilitation
U&G: Richard Kilborn (1992)
• Part of routine and entertaining reward for work
• Launchpad of social and personal interaction
• Fulfilling individual needs – a way of choosing to
be alone or of enduring enforced loneliness
• Identification or involvement with characters
• Escapist fantasy
• Focus of debate on topical issues
• Kind of critical game involving knowledge of
rules or conventions of the genre
U&G: Problems
• We may not have choice about what we
watch
• Neglects any aspects of effects theories
• Neglects socio-economic factors
Reception Theory
Often as opposite to Effects theories
Sees media consumption as active not
passive
Suggests media texts are polysemic
Research examines social, cultural,
economic, gender, sexuality as influence
on the reading of media texts
Reception Theory
Active
versus
Passive
Reception Theory
Reception Theory
versus
Effects Theory
Reception Theory
Nationwide Audience
David Morley 1980
Different social/economic groups watched
same TV programme
Interviews reveal different readings of
same text
Nationwide Audience
Dominant (Hegemonic) reading: reader
shares the encoded meanings of the text
Negotiated reading: reader shares some
of the embedded ideologies but not all
Oppositional (counter-hegemonic)
reading: where the reader does not share
the programme’s code and rejects the
preferred reading
Nationwide Audience
Members of the same subculture will tend
to decode texts in similar ways.
Individual readings of texts will be
framed by shared cultural formations
and practices.
Reception Theory
Watching Dallas
Ien Ang 1985
Different social/cultural groups watched
same TV programme
Interviews reveal different readings of
same text
Watching Dallas
Importance is the pleasure derived from
‘Dallas’ as entertainment
Independent of ideas about mass culture
Watching Dallas
Readers saw characters as either realistic
or unrealistic
All saw characters as ‘genuine’
‘Emotional Realism’
May see the programme as lowbrow but
accept that it is entertaining.
Reception Theory
Leibes and Katz on Dallas
(1984)
International cross cultural groups
watched Dallas
Retell the story
The retelling was shaped by cultural
background although there were similar
patterns amonst all groups
Reception Theory
Watching Seinfeld
Lori Yanish 1995
Canadian and Dutch viewers’ reactions to
Seinfeld
Dutch viewers associated American
comedy with low class television
Media as cultural imperialism
Reception Theory
Madonna
John Fiske 1989
Does Madonna exploit the music industry
or does the music industry exploit
Madonna?
Modes of Address
How a text is constructed to make us feel
that it is specifically aimed at us
The ways in which texts built to appeal to
particular audiences (Skins, any
children’s programme, The Sun)

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MIL PART5mnbkn.,mn,nkjn,mbvjvkjkjblklk.pptx

  • 2. • Effects theory (Hypodermic Syringe, Innoculation) – what the media does to audiences
  • 3. • Uses and Gratifications – what audiences do with the media
  • 4. Effects Theories • Mass media/mass communications make people powerless to resist messages the media carries • Consumers are ‘drugged’, ‘addicted’ or ‘hypnotised’ • Effects theories taken up with protection of young, link between violence and the media
  • 5. Effects Theories Historical stuff • Frankfurt School: Marxist German intellectuals reacting against Nazi propaganda and US advertising – suggested the power of big corporations and the state to control how we think • Rise of TV in the 50’s and 60’s – fear of danger to children
  • 6. Effects Theories Historical Stuff • Influence of behavioural scientists (think of Pavlov’s dogs) – media may reinforce attitudes through repetition • Bobo doll experiment (1963) – Bandura and Walters – children imitate adult treatment of doll seen on film
  • 7. Effects Theories • Moral panics: Concern, hostility, consensus, disproportionality, volatility • Two step flow: Media Text
  • 8. Effects Theories • Moral panics: Concern, hostility, consensus, disproportionality, volatility • Two step flow: Media Text Opinion Leaders
  • 9. Effects Theories • Moral panics: Concern, hostility, consensus, disproportionality, volatility • Two step flow: Media Text Opinion Leaders Media Consumers
  • 10. Effects Theories • Moral panics: Concern, hostility, consensus, disproportionality, volatility • Two step flow: Media Text Opinion Leaders Media Consumers 1
  • 11. Effects Theories • Moral panics: Concern, hostility, consensus, disproportionality, volatility • Two step flow: Media Text Opinion Leaders Media Consumers 1 2
  • 12. Effects Theories What’s wrong with effects theories? • The problems with violence are often social/psychological not to do with the media • The media can often be positive rather than harmful • Criticism of the media using the effects model is often politically motivated • There is not real grounding of research and theory for this model.
  • 13. U&G • Users of the media use media texts to satisfy certain needs • Based on Maslow’s Hierarchy of needs
  • 14. U&G: Denis McQuail (1987) • • • • Information: finding out about the world; seeking advice; satisfying curiosity; education; gaining security though knowledge Personal Identity: reinforcement of personal values; models of behaviour; identifying with valued other; gaining insight into oneself Integration and Social Interaction: gaining insight into circumstances of others; identifying with others; basis for conversation with others; substitute for real life companionship; helping to carry out social roles; enabling connection with family friends and society Entertainment: escapism; diversion; relaxation; cultural or aesthetic enjoyment; filling time; emotional release; sexual arousal
  • 15. U&G: James Lull (1990) Structural • • Environmental: background noise; companionship; entertainment Regulative: keeping time; part of pattern of daily life Relational • • • • Communication Facilitation: experience illustration; common ground; conversation starter; anxiety reduction; agenda for talk; value clarification Affiliation/Avoidance: physical/verbal contact/neglect; family solidarity; family relaxant/conflict reducer; relationship maintenance Social Learning: decision making; behaviour modelling; problem solving; value transmission; legitimization; information dissemination; education Competence/Dominance: role enactment; role reinforcement; substitute role portrayal; intellectual validation; authority exercise; gatekeeping; argument facilitation
  • 16. U&G: Richard Kilborn (1992) • Part of routine and entertaining reward for work • Launchpad of social and personal interaction • Fulfilling individual needs – a way of choosing to be alone or of enduring enforced loneliness • Identification or involvement with characters • Escapist fantasy • Focus of debate on topical issues • Kind of critical game involving knowledge of rules or conventions of the genre
  • 17. U&G: Problems • We may not have choice about what we watch • Neglects any aspects of effects theories • Neglects socio-economic factors
  • 18. Reception Theory Often as opposite to Effects theories Sees media consumption as active not passive Suggests media texts are polysemic Research examines social, cultural, economic, gender, sexuality as influence on the reading of media texts
  • 22. Nationwide Audience David Morley 1980 Different social/economic groups watched same TV programme Interviews reveal different readings of same text
  • 23. Nationwide Audience Dominant (Hegemonic) reading: reader shares the encoded meanings of the text Negotiated reading: reader shares some of the embedded ideologies but not all Oppositional (counter-hegemonic) reading: where the reader does not share the programme’s code and rejects the preferred reading
  • 24. Nationwide Audience Members of the same subculture will tend to decode texts in similar ways. Individual readings of texts will be framed by shared cultural formations and practices.
  • 26. Watching Dallas Ien Ang 1985 Different social/cultural groups watched same TV programme Interviews reveal different readings of same text
  • 27. Watching Dallas Importance is the pleasure derived from ‘Dallas’ as entertainment Independent of ideas about mass culture
  • 28. Watching Dallas Readers saw characters as either realistic or unrealistic All saw characters as ‘genuine’ ‘Emotional Realism’ May see the programme as lowbrow but accept that it is entertaining.
  • 30. Leibes and Katz on Dallas (1984) International cross cultural groups watched Dallas Retell the story The retelling was shaped by cultural background although there were similar patterns amonst all groups
  • 32. Watching Seinfeld Lori Yanish 1995 Canadian and Dutch viewers’ reactions to Seinfeld Dutch viewers associated American comedy with low class television Media as cultural imperialism
  • 34. Madonna John Fiske 1989 Does Madonna exploit the music industry or does the music industry exploit Madonna?
  • 35. Modes of Address How a text is constructed to make us feel that it is specifically aimed at us The ways in which texts built to appeal to particular audiences (Skins, any children’s programme, The Sun)