Melodrama kleinhans
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This document appears to be notes from a class on melodrama, politics, and culture. It discusses how some melodramas represent and are aimed at a specific class opposed to another class. It also questions whether the works of Upton Sinclair took melodrama in a different direction and how the film US! exposed the social psychological situation through melodrama. Finally, it examines if melodrama's audience is active and analyzes The Godfather as a family melodrama that represses class struggle through ambiguous melodrama, noting the family cannot solve issues of capitalism.
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- 1. FILM & MEDIA 392: MELODRAMA, POLITICS AND CULTURE MARC BOUSQUET, EMORY UNIVERSITY Chuck Kleinhans, “Notes on Melodrama and the Family Under Capitalism”
- 2. How are some melodramas “of and for a specific class, poised against another class?” Does Upton Sinclair take melodrama in a different direction? FAMILY, CLASS, MELODRAMA
- 6. How does US! Expose the “social psychological situation?”MELODRAMA, EXPERIENCE AND EXPOSURE OF THE “SOCIAL PSYCHOLOGICAL SITUATION.”
- 7. If so, how so?IS MELODRAMA’S AUDIENCE ACTIVE?
- 8. THE GODFATHER AS FAMILY MELODRAMA
- 9. REPRESSION OF CLASS STRUGGLE AND MELODRAMATIC AMBIGUITY
- 10. THE FAMILY CAN’T SOLVE CAPITALISM