Music videos serve several purposes for artists and the music industry. They are primarily a marketing tool used to promote songs and albums and generate buzz among audiences. This helps drive music sales and keeps artists relevant for longer periods of time. Music videos also allow artists to creatively express themselves and provide insight into the meaning of their songs. Certain artists, like Michael Jackson, have used music videos as a way to showcase other talents like dancing. The development of MTV in 1981 greatly increased exposure for music videos and their role in music promotion and fandom.

1. Media Research
Music videos

2. Purpose of music videos
A music video is a short film integrating a song and imagery. They are predominantly used as a
marketing device to advertise the song and the artist, aiming to promote the sale of music
recordings. It also evokes a reaction from the audience, which can in turn create a ‘word of
mouth’ buzz which is one of the most effective means of marketing.
They are also used for extension of income, as music videos are shown for a long period of time,
thus keep the artist in the public eye for a longer period of time. Once their album has been
released they would tend to lose attention from the public, however the use of music videos
enables them to rank up their album sales months after the release. This also ensures they are
able to recoup the initial cost of creating and recording the music originally.
Music videos also allow the artist to be creative and express themselves. Videos can amplify the
lyrics and create a further meaning and depth to the song. This appeals to fans as they feel they
are being given an insight to the meaning and further understanding of the song.
A further purpose of music videos is to display any further talents the artist might have, for
example Michael Jackson’s video for Thriller, he was able to showcase his dancing and acting.
http://www.youtube.com/watch?v=sOnqjkJTMaA

3. Development of music
videos
It is commonly thought that the first music video was Queen’s ‘Bohemian Rhapsody’ and whilst it is almost
certainly the case that the video for the track made the difference between it being a minor hit and one of
the biggest selling singles of all time in the UK (2.1m copies sold), it can neither be said to be the first music
promo nor to have precipitated the arrival of MTV. Others argue music videos have existed since films could
have sound, as some performers would project images that related and reflected the song and lyrics onto a
screen as they played live.
Music video isn’t that new, in fact they’ve been around since before films could have sound. Some
performers would project images onto a screen as they played live, these images would then reflect the
themes and emotions of the music played. The earliest versions of what we think of as the music video were
to come in the 1920s with the Vitaphone shorts and Spooney Melodies. From the 1930s to the early 1960s
Musicals were one of the dominant genres in film and many set pieces were extracted to promote the films.
The growth of MTV since 1981 was rapid, with American artists realising its potential and becoming
involved. MTV was owned by Viacom by the mid 80’s, a major media conglomerate., and its success had a
hugely positive effect on the rise of music videos as a whole.
Music videos are much less simplistic than they were previously, as ideas have already previously been
used, the proliferation of music videos has led to a loss of potential original ideas. Therefore to compete
with the other successful, exciting videos artists and producers have had to focus more on coming up with
new unique ideas that are becoming gradually more and more controversial, to stand out and make an
impact in this thriving industry, all in order to attract listeners attention.

4. New Technologies/Directions
Music video is no longer a major production paid in full by record companies and
corporations. With the rise of the internet, which is very much the ‘zeitgeist’ or our
decade, and the rise of YouTube, Facebook and Twitter and other social networking
sites, music videos are accessible almost on demand and more innovative. As MTV is no
longer totally dedicated to music videos but also reality TV shows such as Jersey Shore, the
internet has become the main tool in distributing music video. As a result audiences have
become more involved in music videos, as they have a wider variety of way in which to view
videos. They can also comment and interact online, using Web Version 2, which involves
user generated content(UGC). An example of UGC in music video is Avenged Sevenfold’s
music video ‘Unholy Confessions’ where the band invited fans to send in their memories
and experiences as well as performances of Avenged’s music and created a montage of it
for their video. This can be seen to relate to Jenkin’s definition of the participatory
culture, where “fans and other consumers are invited to actively participate in the creation
and circulation of new content.” The internet as a free platform that allows for bands to
create more music videos then any record label and viral videos are one of the most
effective ways in marketing and raising awareness towards a new video. A good example if
this is Rebecca Black’s ‘Friday’ which cause uproar on you tube and social networking sites.

5. Conventions of music
videos
Camera – there are usually a variety of shots to keep the video interesting and the reader
engrossed in it, however this can depend on the genre. Long shots, mid shots and close ups
are particularly common in music videos. These help to create emphasis on the artist/band,
location and emotions linked to the song, they will typically draw attention to the meaning
behind the song. Close ups in particular will to be used to show the artist lip syncing to the
music. The movement will be used in a similar way to draw attention to the most important
aspects of the video.
Editing – jump cuts are the predominant Jump cuts is the predominant editing technique
used in music videos, as it allows a sudden change in scenes, which is vital as music videos
are very short. Effects such as dissolves and fades are also commonly used.
Music videos will also often use mise-en-scene such as the lighting, clothing and props to
reflect and amplify the lyrics or meaning behind the song. These will often differ between
genres, pop videos having very bright costumes to represent positivity and happiness whilst
rock videos may have darker costumes and dramatic make up to symbolise the idea of
being edgy and rebellious.

6. Conventions of music
videos
Indie/Rock : They often are in black and white whilst the artist/band is shown throughout the video, as
they are particularly important in this type of genre. Extreme close ups and long shots are popular, as
are dark and original locations, such as gig venues. They are usually somewhat face paced, and have
some use of special effects, though less than other genres. They also tend to be more controversial and
abstract, even strange than more mainstream videos for example
http://www.youtube.com/watch?v=LQ0AFriC7ZM (White Lies – Farewell to the Fairground) and
http://www.youtube.com/watch?v=klvBqiNtaeY (The Strokes – Under the Cover of Darkness)
Hip Hop - Locations tends to be a party or club in a rich, luxury location. There will usually be the use of
alcohol, and characters will wear recognised brands and clothing. The whole video will appear
luxurious, with expensive cars and houses. Camera shots tend to be long and establishing to show the
money involved, which is often an important value of said genre. There will also be many close ups to
show the jewellery and assets of the artists, to establish their high status. They often feature attractive
women which have been argued to be objectified in such music videos. Often, a hip hop video does not
follow a storyline, but only really follows the genre, however the artist tends to be very involved and
the video is centred around them.
Pop videos - These tend to be very bright and colourful, which cheerful, positive atmospheres. The use
of close ups show the cheerful and upbeat emotions are common, as are extreme close ups to show
the purity and innocence in the personality of the artists they are usually aimed at a younger audience,
and are very upbeat, for example http://www.youtube.com/watch?v=C-u5WLJ9Yk4 (Britney Spears –
Hit Me Baby One More Time)

7. Generic Elements of
Music Videos
Genre’ is a critical tool that helps us study texts and audience responses to texts by
dividing them into categories based on common elements.
Daniel Chandler (2001) argues that the word genre comes from the French (and originally
Latin) word for 'kind' or 'class'. The term is widely used in rhetoric, literary theory, media
theory to refer to a distinctive type of ‘text’ However Steve Neale (1995) stresses that
“genres are not ‘systems’ they are processes of systematization” – i.e. They
are dynamic and evolve over time Music video is a medium intended to appeal
directly to youth subcultures by reinforcing generic elements of musical genres.
In terms of genre, there are narrative and performance and some that combine both.
Both performance and narrative based videos are very often purely intertextual e.g.
Blink 182 ‘All The Small Things’. The generic conventions stay the same but the style(the
look of something) changes between music genres. The conventions of difference genres
vary in many ways as we have previously seen. Representation is a key difference, as hip
hop videos tend to objectify women whilst rock videos portray them as
somewhat more equal and powerful, this is evident
from the still shots on this page and the differences
in the way women are dressed, their body language
and represented as a whole.

8. Issues surrounding
representation
Reports suggest that gender, ethnic, and age portrayals within music videos have not
significantly changed over time. Dominant figures within rock, country, and hip hop videos
used to usually be more likely to be white males, which is supported by much researchinto
gender and minority representation. However, male primary and supporting figures shown
varied in age, whereas female primary and supporting figures did not. These results suggest
that there may be more age flexibility for male video figures. The majority of primary
figures (78.9%) was between the ages of 18 and 34, which may indicate that there is appeal
and commercial value for this age group, perhaps because the majority of audiences of
music videos, particularly on TV channels such as MTV are younger.
Music videos have been criticised in two main ways for their representation of gender. One
being the objectifying of women, it has been argued that this portrayal is demeaning and
simply shows women in a sexual way with no other. This appears to be particularly the case
in videos of the hip hop genre, whilst indie and rock genres tend to present women in a
more equal light to men, they tend to be more independent and even more masculine.
Sideman found portrayal of women in music videos to be ‘underrepresented’, having
‘stereotypical occupational roles’ and ‘revealing attire’. However it has also been argued
that in videos men are portrayed as objects, relating to the idea of the ‘female gaze’.

9. Theoretical Approaches
Andrew Goodwin
He identified 5 key aspects which the audience should try to identify in music videos
.Thought beats –seeing the sound
1.) Look at the music itself, taking into account its structure e.g. verses/chorus
2.) The voice of the song, the artists voice is unique and thus can form identification or
trademarks that assist the star image
3.) Mode of address – if a song is seen as a narrative or story then the artist is the
storyteller. Consequently the music video can be viewed as a two communication device,
they are telling and story and we are listening.
.Narrative and performance
Songs do not give us as the audience the complete narrative, we instead interpret what we
do know about the song, the music video allows Goodwin explains that music videos should
ignore common narrative. It is important in their role of advertising . Music videos should
coherent repeatability . Narrative and performance work hand in hand it makes it easier for
the audience to watch over and over without loosing interest. The artist acting as both
narrator & participant helps to increase the authenticity however the lip sync and other
mimed actions remains the heart of music videos. The audience need to believe this is real.

10. Theoretical Approaches
Andrew Goodwin
.The Star Image – This is a vital aspect of the music video, the meta narrative which
describes the artists progress over time plays a vital part in the music video production
process.
.Relation of visuals to song – According to Goodwin, there are three ways in which music
videos work to promote a song.
1.) Illustrate – this is the most common way. Music videos use a set of images to illustrate
the meaning of lyrics and genre
2.) Amplify – this is similar to repeatability, it is where meanings and effects are
manipulated and constantly shown through the video and drummed into our vision.
3.) Disjuncture – where the meaning of the song is completely ignored.
.Technical aspects of music video
http://www.slideshare.net/guestc6d43a4a/andrew-goodwins-theory
Roland Barthes
His theory of the ‘Grain of voice’ suggests that the singing voice should be viewed as a musical
instrument and therefore be able to make associations of its own. This can link with the idea of
thought beats from Goodwin’s theory

11. Contempory Issues
surrounding music videos
http://news.bbc.co.uk/1/hi/technology/8234125.stm
YouTube previously banned official music videos owned by record labels in the UK from being
uploaded to the site in March 2009, due to copyright reasons. This ban was eventually lifted
following an agreement being reached between the PRS and YouTube. However, YouTube can
still be seen as a problem for music companies as it can result in much piracy of the videos and
music they make available to the public. On the other hand, by making these music videos easily
available they will raise much awareness and be able to have more effective viral advertising.
Music videos have been argued to be inappropriate for young viewers, they have be accused of
sexualising children at a very young age due to the nature of their images and lyrics. Thus the
government are proposing to give music videos ratings, some will only be shown after the
watershed. These apply especially to the videos by the likes of artists such as Lady Gaga and
Rihanna, who are more controversial. Music videos have also been deemed to have other
inappropriate content, being too controversial and even disturbing for younger viewers, such as
30 Seconds to Mars’s ‘Hurricane’, where usually only the censored version will be shown on
television http://www.youtube.com/watch?v=3RLwuDQSkDI
.
http://www.bbc.co.uk/news/education-13639487
http://www.bbc.co.uk/news/uk-13664591