This document provides an overview of the G325: Critical Perspectives in Media course specification focusing on the study of media and collective identity. Some key points:
- Students choose a topic area like gender, ethnicity, age, etc. to study representations across at least two media through case studies and research.
- Exam questions may address how media represents groups, historical comparisons, and social implications of representations.
- Definitions of collective identity center around a shared sense of belonging and connection in relation to others.
- Theories discussed include Habermas' public sphere concept and how mass media has transformed public participation and civic engagement.
- Suggestions are provided for exploring representations of Britishness
Video streaming on the web as empowerment for video activistJoana Andrade
This essay will reflect upon the impact of new technologies on the communication process and how that process is a reflection of the technologies used in its creation, transmission, exchange and absorption (participation). In particular, we will address the videos distributed via Internet by video activists and NGOs.
Building Your Employer Brand with Social MediaLuanWise
Presented at The Global HR Summit, 6th June 2024
In this keynote, Luan Wise will provide invaluable insights to elevate your employer brand on social media platforms including LinkedIn, Facebook, Instagram, X (formerly Twitter) and TikTok. You'll learn how compelling content can authentically showcase your company culture, values, and employee experiences to support your talent acquisition and retention objectives. Additionally, you'll understand the power of employee advocacy to amplify reach and engagement – helping to position your organization as an employer of choice in today's competitive talent landscape.
VAT Registration Outlined In UAE: Benefits and Requirementsuae taxgpt
Vat Registration is a legal obligation for businesses meeting the threshold requirement, helping companies avoid fines and ramifications. Contact now!
https://viralsocialtrends.com/vat-registration-outlined-in-uae/
The world of search engine optimization (SEO) is buzzing with discussions after Google confirmed that around 2,500 leaked internal documents related to its Search feature are indeed authentic. The revelation has sparked significant concerns within the SEO community. The leaked documents were initially reported by SEO experts Rand Fishkin and Mike King, igniting widespread analysis and discourse. For More Info:- https://news.arihantwebtech.com/search-disrupted-googles-leaked-documents-rock-the-seo-world/
In the Adani-Hindenburg case, what is SEBI investigating.pptxAdani case
Adani SEBI investigation revealed that the latter had sought information from five foreign jurisdictions concerning the holdings of the firm’s foreign portfolio investors (FPIs) in relation to the alleged violations of the MPS Regulations. Nevertheless, the economic interest of the twelve FPIs based in tax haven jurisdictions still needs to be determined. The Adani Group firms classed these FPIs as public shareholders. According to Hindenburg, FPIs were used to get around regulatory standards.
Understanding User Needs and Satisfying ThemAggregage
https://www.productmanagementtoday.com/frs/26903918/understanding-user-needs-and-satisfying-them
We know we want to create products which our customers find to be valuable. Whether we label it as customer-centric or product-led depends on how long we've been doing product management. There are three challenges we face when doing this. The obvious challenge is figuring out what our users need; the non-obvious challenges are in creating a shared understanding of those needs and in sensing if what we're doing is meeting those needs.
In this webinar, we won't focus on the research methods for discovering user-needs. We will focus on synthesis of the needs we discover, communication and alignment tools, and how we operationalize addressing those needs.
Industry expert Scott Sehlhorst will:
• Introduce a taxonomy for user goals with real world examples
• Present the Onion Diagram, a tool for contextualizing task-level goals
• Illustrate how customer journey maps capture activity-level and task-level goals
• Demonstrate the best approach to selection and prioritization of user-goals to address
• Highlight the crucial benchmarks, observable changes, in ensuring fulfillment of customer needs
Putting the SPARK into Virtual Training.pptxCynthia Clay
This 60-minute webinar, sponsored by Adobe, was delivered for the Training Mag Network. It explored the five elements of SPARK: Storytelling, Purpose, Action, Relationships, and Kudos. Knowing how to tell a well-structured story is key to building long-term memory. Stating a clear purpose that doesn't take away from the discovery learning process is critical. Ensuring that people move from theory to practical application is imperative. Creating strong social learning is the key to commitment and engagement. Validating and affirming participants' comments is the way to create a positive learning environment.
Kseniya Leshchenko: Shared development support service model as the way to ma...Lviv Startup Club
Kseniya Leshchenko: Shared development support service model as the way to make small projects with small budgets profitable for the company (UA)
Kyiv PMDay 2024 Summer
Website – www.pmday.org
Youtube – https://www.youtube.com/startuplviv
FB – https://www.facebook.com/pmdayconference
Digital Transformation and IT Strategy Toolkit and TemplatesAurelien Domont, MBA
This Digital Transformation and IT Strategy Toolkit was created by ex-McKinsey, Deloitte and BCG Management Consultants, after more than 5,000 hours of work. It is considered the world's best & most comprehensive Digital Transformation and IT Strategy Toolkit. It includes all the Frameworks, Best Practices & Templates required to successfully undertake the Digital Transformation of your organization and define a robust IT Strategy.
Editable Toolkit to help you reuse our content: 700 Powerpoint slides | 35 Excel sheets | 84 minutes of Video training
This PowerPoint presentation is only a small preview of our Toolkits. For more details, visit www.domontconsulting.com
Digital Transformation and IT Strategy Toolkit and Templates
Media And Collective Identity Notes (OCR Media Conference 2009)
1. G325: CRITICAL
PERSPECTIVES IN
MEDIA
MEDIA AND COLLECTIVE IDENTITY
- ‘BRITISHNESS’
James Baker
Hurtwood House School
2. MEDIA AND COLLECTIVE
IDENTITY
• The specification asks for students to choose a specific topic area to be studied
through specific case studies, texts, debates, and research.
• To cover at least two media and a range of texts, industries, audiences and debates
• Candidates must be prepared to answer an exam question related to one or more of
the following prompts:
o How do the contemporary media represent nations, regions and ethnic/ social/
collective groups of people in different ways?
o How does contemporary representation compare to previous time periods?
o What are the social implications of different media representations of groups
of people?
o To what extent is human identity increasingly ‘mediated’?
• An emphasis on the historical, the contemporary and the future – study materials
should be up to date and relevant
• Candidates might explore combinations of any media representation across two
media, or two different representations across two media.
3. Definitions of Collective Identity
“Although there is no consensual definition of collective identity, discussions of the concept invari-
ably suggest that its essence resides in a shared sense of ‘one-ness’ or ‘we-ness’ anchored in real
or imagined shared attributes and experiences among those who comprise the collectivity and in
relation or contrast to one or more actual or imagined sets of ‘others’.”
Collective Identity and Expressive Forms – David Snow
http://repositories.cdlib.org/cgi/viewcontent.cgi?article=1016&context=csd
“…collective identity [is] an individual’s cognitive, moral, and emotional connection with a
broader community, category, practice, or institution. It is a perception of a shared status or rela-
tion, which may be imagined rather than experienced directly, and it is distinct from personal
identities, although it may form part of a personal identity. A collective identity may have been
first constructed by outsiders (for example, as in the case of “Hispanics” in this country), who
may still enforce it, but it depends on some acceptance by those to whom it is applied. Collective
identities are expressed in cultural materials –names, narratives, symbols, verbal styles, rituals,
clothing, and so on – but not all cultural materials express collective identities. Collective identity
does not imply the rational calculus for evaluating choices that “interest” does. And unlike ideol-
ogy, collective identity carries with it positive feelings for other members of the group”
Collective identity and Social Movements – Francesca Poletta and James M Jasper
http://www.unc.edu/courses/2005fall/geog/160/001/GEC’05/Polletta_Jasper.pdf
Some Examples:
Area of Collective Identity Specific focus of study Possible media/examples
Gender:
Ethnicity or
regional identity:
Age:
Class:
Sexuality:
Ability/Disability:
6. British Cinema –
some suggestions:
Historical Perspectives – key eras and Relationship with Hollywood and Euro-
movements in British Cinema pean Cinemas
Versions of Britishness –
Definitions of British film:
variety and instability
• Institutional
• Content or style
• Themes and values
Genre, Narrative, Audience,
Media Language
Other suggestions:
“Defining a British film, then, may be achieved more usefully through its content and its values
rather than its institutional background. This kind of definition allows us to group together films
as diverse as A Room With A View (James Ivory, UK, 1985) and Trainspotting (Danny Boyle,
UK, 1996), or Bend It Like Beckham (Gurinda Chadha, UK, 2002), and Shaun of the Dead (Edgar
Wright, UK, 2004). Each of these films presents us with a recognisably British environment and
characters, while at some level defining or questioning those qualities which we understand as
‘Britishness’. Indeed, in an era in which the boundaries of British nationality are constantly being
challenged by regionalism and multi-culturalism it seems only appropriate that British film should
reflect this variety and uncertainty.”
Teaching Film at GCSE – James Baker and Patrick Toland (BFI, 2007)
7. British TV News -
some suggestions:
PBS and Commercial News
Historical Perspectives – development
programming in the UK
of television news
Developments in news delivery –
News gathering, selection and
technology, citizen journalism,
treatment for British audiences
infotainment
Genre, Narrative, Audience,
Other suggestions:
Media Language
“News is to freedom as breath is to life. It is, in Ian Hargreaves’ words, “the
hard-wiring of our democracy”. But access to trustworthy, informative news can
no more be taken for granted than clean air. It requires conscious acts of public
policy to guarantee it.
This research identifies television as ‘the supreme news medium’, used and
respected by almost everyone; one of the few shared experiences across the
whole of British society. Yet news is expensive and audiences, with access to
more channels and entertainment, have declined. There is increasing evidence
that many, especially the young, are not engaged in the news agendas offered.”
Broadcasters are tempted to push news to the margins or reduce it to headlines.
Patricia Hodgson’s introduction to Ian Hargreaves and James Thomas’s report – New News, Old
News (ITC/BSC, 2002)
http://www.cardiff.ac.uk/jomec/research/researchgroups/journalismstudies/fundedprojects/
8. The Theory Test:
Is this going to be useful for my students?
Jurgen Habermas - The Public Sphere
“…a space…formed and realised between the economy and polity
where people could be informed and discuss, so as to form decisions
and act upon them. The instruments of this sphere were newspapers,
books, salons and debating societies that allowed an arena relatively
separate of the Church and the State, characterised by openness to all
citizens”
Intellectual Scaffolding: On Peter Dahlgren’s Theorization of Televi-
sion and the Public Sphere - Minna Aslama
“Mass culture has earned its rather dubious name precisely by achieving
increased sales by adapting to the need for relaxation and entertainment
on the part of consumer strata with relatively little education, rather
than through the guidance of an enlarged public toward the appreciation
of a culture undamaged in its substance…The world fashioned by the
mass media is a public sphere in appearance only. By the same token the
integrity of the private sphere which they promise to their consumers is
also an illusion.”
The Structural Transformation of the Public Sphere – Jurgen Habermas
“Habermas’ position reflects the ambivalence felt by many towards the mass media
– that there is a great power, but can it be harnessed for the public good? We suggest
that pessimistic answers tend to underestimate the complex and contradictory or frag-
mented nature of the contemporary mass media which opens the way for some escape
from institutional control, while more optimistic positions often set too high ideals for
the public sphere. Those alternative formulations of the public sphere which recognize
and build on the complex and fragmentary nature of the media suggest more positively
that the media could facilitate and legitimize the public negotiation – through com-
promise rather than consensus – of meanings among oppositional and marginalized
groups.”
Talk on Television. Audience Participation and the Public Debate – Sonia Livingstone
and Peter Lunt
“Television and other media have generated a new type of public realm
which has no spatial limits, which is not necessarily tied to dialogical
conversation and which is accessible to an indefinite number of individuals
who may be situated within privatized domestic settins. Rather than sound-
ing the death knell of public life, the development of mass communication
has created a new kind of publicness and has transformedfundamentally the
conditions under which most people are able to experience what is public
and participate today in what could be called a public realm.”
The Media and Modernity: A Social Theory of the Media – John B. Thomp-
son