British Film: Cultural & Economic Factors
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The document discusses factors that define a British film, including whether the story/setting, director, cast, financing, and intended audience are British. It notes that recent UK government definitions focus on a film's "cultural hubs" (location of production), "cultural practitioners" (nationality of cast/crew), and "cultural content" (British setting and characters). It provides examples of films that would qualify as British under these criteria and instructs groups to analyze a film using these standards.
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What defines a "British Film"?
This document discusses the cultural and economic factors that define a "British" film. It notes that recent developments focus on cultural hubs, cultural practitioners, and cultural content. Cultural hubs refer to whether a film's production and filming take place in the UK. Cultural practitioners examine if the cast, crew, and producers come from the European Economic Area. Cultural content considers if a film is set in the UK and features British characters. Two examples are provided that satisfy different combinations of these criteria to be considered British films.
Defining British Film
The document discusses factors that define a British film, including whether the story/setting, director, cast, financing, and intended audience are British. It provides examples of films like "Control" and "This is England" that would qualify as British films according to recent UK government criteria focusing on cultural hubs (UK production), cultural practitioners (UK cast and crew), and cultural content (British setting and characters). Readers are asked to discuss films that meet these criteria in small groups.
What defines a British film?
The Department for Culture, Media and Sport (DCMS) is responsible for setting policy to support the British film industry through funding, tax incentives, and the Cultural Test, which determines if a film qualifies as British; the DCMS works with organizations like the British Film Institute (BFI) and provides lottery funding and financial support for production. The DCMS also negotiates co-production agreements and issues film certificates to allow companies to claim tax relief.
Horror
The document discusses several aspects of British film including:
1) Defining what constitutes a "British film" is challenging due to the diversity of British culture but it generally includes films shot in the UK with a British crew/cast, financed in the UK, or addressing British identity.
2) The British Film Institute funds various aspects of the film industry like script development, production, distribution and exports, as well as education and cultural programs, with £15 million annually though most applicants are rejected.
3) A film can be considered British if it meets 3 criteria such as having a British producer, production team, director, or predominantly British cast and subject matter relevant to British experience.
Presentation1
British independent film company Warp Films was founded in 2001 by Rob Mitchell and Steve Beckett, though Mitchell passed away before their first film was produced in 2002. Notable films by Warp Films include Dead Man's Shoes, This is England, and Four Lions, their first box office success. Warp Films explores controversial and comedic genres with films often set in England and featuring British casts.
Warp film
Warp Film is an independent British film company based in London and Sheffield. As an independent studio, it has more limited funding than major studios but seeks financing from various UK film councils and organizations. It stresses the importance of using short films to impress potential funders and get noticed. Some of Warp Film's biggest successes include This Is England, which won several awards, and Submarine, which had a small £1.2 million budget but made over £2 million in profits. However, some of its films like Bunny and the Bull and Grow Your Own were financial flops. Warp Film's success is attributed to securing funding from multiple UK sources and producing low-budget films that are acclaimed and commercially successful.
British film industry
This document discusses the British film industry, including the main organizations involved such as the British Board of Film Classification (BBFC), British Film Institute (BFI), and UK Film Council. It also lists some of the major British film production companies like Film4, Entertainment One, and Working Title. Finally, it notes that British films typically have lower budgets than Hollywood blockbusters, target specific audiences rather than being mainstream, and may have lower production quality as a result of their smaller budgets.
Evaluation Question 3- What kind of media instituion might distribute your me...
Vertigo Films would be the most suitable media institution to distribute a low-budget British film because:
1) Vertigo Films is a UK media company that specializes in creating and distributing commercially viable independent cinema projects.
2) They focus on addressing audiences in a careful way and producing films within tight budgets.
3) Their approach to budgets and technology allows them to effectively distribute low-budget British films to targeted audiences.
Recommended
What defines a "British Film"?
This document discusses the cultural and economic factors that define a "British" film. It notes that recent developments focus on cultural hubs, cultural practitioners, and cultural content. Cultural hubs refer to whether a film's production and filming take place in the UK. Cultural practitioners examine if the cast, crew, and producers come from the European Economic Area. Cultural content considers if a film is set in the UK and features British characters. Two examples are provided that satisfy different combinations of these criteria to be considered British films.
Defining British Film
The document discusses factors that define a British film, including whether the story/setting, director, cast, financing, and intended audience are British. It provides examples of films like "Control" and "This is England" that would qualify as British films according to recent UK government criteria focusing on cultural hubs (UK production), cultural practitioners (UK cast and crew), and cultural content (British setting and characters). Readers are asked to discuss films that meet these criteria in small groups.
What defines a British film?
The Department for Culture, Media and Sport (DCMS) is responsible for setting policy to support the British film industry through funding, tax incentives, and the Cultural Test, which determines if a film qualifies as British; the DCMS works with organizations like the British Film Institute (BFI) and provides lottery funding and financial support for production. The DCMS also negotiates co-production agreements and issues film certificates to allow companies to claim tax relief.
Horror
The document discusses several aspects of British film including:
1) Defining what constitutes a "British film" is challenging due to the diversity of British culture but it generally includes films shot in the UK with a British crew/cast, financed in the UK, or addressing British identity.
2) The British Film Institute funds various aspects of the film industry like script development, production, distribution and exports, as well as education and cultural programs, with £15 million annually though most applicants are rejected.
3) A film can be considered British if it meets 3 criteria such as having a British producer, production team, director, or predominantly British cast and subject matter relevant to British experience.
Presentation1
British independent film company Warp Films was founded in 2001 by Rob Mitchell and Steve Beckett, though Mitchell passed away before their first film was produced in 2002. Notable films by Warp Films include Dead Man's Shoes, This is England, and Four Lions, their first box office success. Warp Films explores controversial and comedic genres with films often set in England and featuring British casts.
Warp film
Warp Film is an independent British film company based in London and Sheffield. As an independent studio, it has more limited funding than major studios but seeks financing from various UK film councils and organizations. It stresses the importance of using short films to impress potential funders and get noticed. Some of Warp Film's biggest successes include This Is England, which won several awards, and Submarine, which had a small £1.2 million budget but made over £2 million in profits. However, some of its films like Bunny and the Bull and Grow Your Own were financial flops. Warp Film's success is attributed to securing funding from multiple UK sources and producing low-budget films that are acclaimed and commercially successful.
British film industry
This document discusses the British film industry, including the main organizations involved such as the British Board of Film Classification (BBFC), British Film Institute (BFI), and UK Film Council. It also lists some of the major British film production companies like Film4, Entertainment One, and Working Title. Finally, it notes that British films typically have lower budgets than Hollywood blockbusters, target specific audiences rather than being mainstream, and may have lower production quality as a result of their smaller budgets.
Evaluation Question 3- What kind of media instituion might distribute your me...
Vertigo Films would be the most suitable media institution to distribute a low-budget British film because:
1) Vertigo Films is a UK media company that specializes in creating and distributing commercially viable independent cinema projects.
2) They focus on addressing audiences in a careful way and producing films within tight budgets.
3) Their approach to budgets and technology allows them to effectively distribute low-budget British films to targeted audiences.
The Uk Film Council
The UK Film Council funds and supports the British film industry in several key ways:
1) It distributes over £50 million per year from the National Lottery and government to support script development, film production, distribution, exports, education and training through various funds and programs.
2) It works with the government and film industry on policy issues and provides strategic guidance to help ensure the long-term success and competitiveness of the British film business.
3) Through organizations it partners with like the BFI, regional screen agencies and training bodies, the Film Council aims to develop new talent and audiences and preserve film heritage.
What kind of media institution might distribute your media product and why?
This document discusses different types of media institutions that could potentially distribute a film product. It explains that media institutions include companies that disseminate media products to audiences, such as distributing films to cinemas nationally or internationally, or later to stores to sell DVDs or soundtracks. It also notes that institutions can fund film projects by agreeing to back directors' or producers' pitches. The document then examines specific popular UK institutions like the BBC, UK Film Council, Vertigo Films, and Film4 that have distributed films like "Last Resort," "This is England," and "Half Nelson." It provides details on the goals and practices of each institution in identifying and supporting new filmmakers and projects.
Mashud q3
The UK Film Council backs over 900 films to support upcoming British directors and make the UK a global center for film. They partner with other organizations to fund low-budget films appealing to niche audiences. BBC Films, Vertigo Films, and Film Four similarly produce and distribute independent British films, with an emphasis on authenticity and developing new talent on limited budgets. These institutions would be suitable to distribute a new UK-based social realist film.
The DCMS Jan 2012 Film Policy Review
The document summarizes the key points from the 2012 UK Film Policy Review conducted by Lord Smith. The review recommended that 1) producers should recoup funding from financially successful films to reinvest in future productions, 2) broadcasters like Sky and ITV should increase investment in British films, and 3) film education should be brought into every British school to develop new audiences. Some concerns about the review included that it may sideline independent films and focus funding only on commercial successes, which are difficult to predict. The overall goal appeared to continue supporting a wide range of British films and improve audiences for local films.
Mashud q6
The UK Film Council, BBC Films, Vertigo Films, and Film Four are major film institutions in the UK that support the production and distribution of British films. The UK Film Council has backed over 900 films to make the UK a global center for film and supports new directors. BBC Films finds and develops new talent to produce independent British films. Vertigo Films creates commercially driven independent films using new technologies while paying attention to budgets. Film Four showcases British and international films and partners with Warp X Films to challenge films budgets and expand niche audiences. These institutions would likely distribute a UK-based social realist film.
Warp film
Warp Films is an independent film company based in London and Sheffield that produces low-budget films that often go on to critical and commercial success. They receive funding from various UK sources like the BFI and Film4. While their films have small budgets, many end up profitable at the box office and win numerous awards. Some of their most acclaimed films that found both success and acclaim include This is England and Submarine. Their ability to produce unique films on tight budgets that resonate with audiences is what makes Warp Films a successful independent studio.
Part 2 and 3
The UK Film Council (UKFC) was established in 2000 by the Labour government to develop and promote the UK film industry. It invested lottery funding into various programs that supported emerging filmmakers, ambitious projects, and over 100 short films per year. In 2011, the UKFC was dismantled by the Conservative government and its roles and funding were transferred to the BFI. The BFI had historically focused on film archives and education prior to taking over the UKFC's responsibilities of investing in film production and development. It now distributes lottery funds and supports filmmakers through programs like its short film fund.
Warp Films
Warp Films is an independent film production company established by Rob Mitchell and Steve Beckett. It receives funding from various UK sources like the BBC, Film4, and UK Film Council. Though Warp Films operates on small budgets, it has produced several box office hits in the UK and worldwide like Dead Man's Shoes, This Is England, and Four Lions that generated substantial profits. Warp Films has experienced success by making low-cost but acclaimed films that highlight unique stories and have won numerous awards.
AS Media Section B Exam Intro
The document discusses defining what constitutes a "British film" and outlines several perspectives on this. It notes that defining Britishness is complicated by the influx of other cultures. It also explains the UK Film Council and Department of Media, Culture and Sport's definition, which focuses on funding sources and number of British personnel. The British Film Institute further categorizes films based on factors like funding sources and production location/resources. Students will need to analyze a contemporary UK production or distribution company for a case study considering its production, distribution, and consumption aspects.
British film lesson SECTION A
The document discusses the British film industry and what makes a film British. It explains that the British Film Council and British Council work to promote and support the British film industry. The British Council defines six criteria for a film to be considered British, including having a British producer, director, cast, or subject matter related to the British experience. The document asks students to analyze film trailers and determine if they meet the criteria to be classified as British films.
Jordane
Time Entertainment would be a suitable distributor for the film "Face Your Fears" because it is categorized as a local film. Local films have small, independent production and distribution companies with limited budgets and target UK audiences using homegrown stars. As an independent production also using UK companies and talent, Time Entertainment would be a good fit as a local distributor for the film.
Institutions two
The UK Film Council, Film Four, and Vertigo Films are three institutions that could potentially distribute the filmmakers' opening sequence. The UK Film Council distributes around £54 million annually from the lottery and government to support short films and film production. Film Four invests around £500,000 per film for their 20 films produced per year, making their budget suitable. Vertigo Films is an independent film company that funds films of varying budgets and allows films to be downloaded, helping redistribute films and provide new experiences, making them the best institution to exhibit the filmmakers' opening sequence.
Warp films
Warp Films is an independent UK film production company based in Sheffield and London with an office in Melbourne. Submarine is written by Joe Dunthorne and directed by Richard Ayoade in his debut film. It premiered at the 2010 Toronto International Film Festival. The film depicts the story of 15 year old Oliver Tate and his objectives to lose his virginity and disrupt his mother's relationship with an ex-lover. It was filmed in locations in Wales and had a limited release in the US in 2011.
British film council
The British Film Council aims to promote and develop British film and television. It provides over £54 million in funding annually from the National Lottery and government for activities like script development, film production, short films, cinema, and film education. For a film to be considered British, it must meet criteria such as being directed and produced by British citizens and telling a distinctly British story. The Council works with industry partners to create a sustainable British film industry and provides direct financial support to culturally British film productions.
Part 2 fundin and suppor
The UK Film Council was established in 2000 to support the British film industry and was dissolved in 2011 with its responsibilities handed over to the British Film Institute (BFI). The UK Film Council distributed funding through regional screen agencies to support production, development, distribution and exhibition of films across the UK. As a short filmmaker, there are now several funds one could apply to outside of the BFI, including the London Borough Film Fund Challenge, The Shorts Support Scheme, and Virgin Media Shorts.
Part 2 fundin and suppor
The UK Film Council was established in 2000 to support the British film industry and was dissolved in 2011 with its responsibilities handed over to the British Film Institute (BFI). The UK Film Council distributed around £27 million annually from the national lottery to support film production, development, distribution and more. It also supported short filmmakers through three funds totaling nearly £17 million. Regional Screen Agencies received funding from the UK Film Council to support production, training, exhibitions and more in their regions. Since the UK Film Council closed, the BFI now handles film funding, including £18 million annually for feature film development and production and the BFI Shorts scheme managed by Lighthouse Productions. Short filmmakers now apply to different funds like
Funding and support
The UK Film Council was a charity that awarded National Lottery funding to support film production, distribution, education, and research in the UK. It also supported short filmmakers and independent distributors. Prior to the Film Council, the British Film Institute (BFI) was a private company that received some public funding. Since the government dismantled the Film Council, most of its functions have been transferred to the BFI, including distributing National Lottery funding for new British films. The Regional Screen Agencies also helped fund short films across the UK until changes to funding structures.
Part 2
The UK Film Council was a charity that awarded National Lottery funding to support film production, distribution, education, and research in the UK. It also supported short filmmakers and independent distributors. Prior to the Film Council, the British Film Institute (BFI) was a private company that received some public funding. Since the government dismantled the Film Council, most of its functions have been transferred to the BFI, including distributing National Lottery funding for new British films. The Regional Screen Agencies also helped fund short films across the UK until changes to funding structures.
film4 Films task This
The director of programmes at Film4 productions is Ian Katz. In 2019, they will commission popular and entertaining programmes that test conventions and say something significant about Britain. This ensures Channel 4 is always the most characteristic British presenter, taking creative risks and airing unheard voices.
Film4 develops and co-finances feature length films for theatrical release, looking for a range of subject matters and budgets. They focus on stories with modern relevance, created around British-led talent or content. Although films may eventually play on Channel 4 and Film4, they are not developed specifically for television.
Film4 has its own channel, which is more convenient than BBC Films being on the same channel. Film4 is featured in
What kind of media institution might distribute your media products and why?
The document discusses film distribution and which media institutions might distribute a horror media production. It analyzes the distributors of films like Psycho, Silence of the Lambs, and Insidious - mainly American companies like Paramount Pictures and Orion Pictures. It also looks at British distributors like Artificial Eye, Entertainment, and Lionsgate UK, concluding that Lionsgate UK would be the best choice as it specializes in horror films. Distributing the media production first in movie theaters would generate publicity and interest before releasing it on DVD, online, and television.
What determines a british film
The document discusses what determines whether a film can be considered British. It explores several categories of British films based on factors like financing, cultural content, and personnel. It also examines case studies of films like Trainspotting and Gravity and whether they passed the UK film council's cultural test to be recognized as British films. There is no clear consensus on what constitutes a British film and Britishness in films can be interpreted in different ways based on gritty homegrown productions versus big budget films shot in the UK.
British film ppt
Yet another updated ppt feature something stolen from someone else but which has been transformed so much it bears little or no resemblance to the original.
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The Uk Film Council
The UK Film Council funds and supports the British film industry in several key ways:
1) It distributes over £50 million per year from the National Lottery and government to support script development, film production, distribution, exports, education and training through various funds and programs.
2) It works with the government and film industry on policy issues and provides strategic guidance to help ensure the long-term success and competitiveness of the British film business.
3) Through organizations it partners with like the BFI, regional screen agencies and training bodies, the Film Council aims to develop new talent and audiences and preserve film heritage.
What kind of media institution might distribute your media product and why?
This document discusses different types of media institutions that could potentially distribute a film product. It explains that media institutions include companies that disseminate media products to audiences, such as distributing films to cinemas nationally or internationally, or later to stores to sell DVDs or soundtracks. It also notes that institutions can fund film projects by agreeing to back directors' or producers' pitches. The document then examines specific popular UK institutions like the BBC, UK Film Council, Vertigo Films, and Film4 that have distributed films like "Last Resort," "This is England," and "Half Nelson." It provides details on the goals and practices of each institution in identifying and supporting new filmmakers and projects.
Mashud q3
The UK Film Council backs over 900 films to support upcoming British directors and make the UK a global center for film. They partner with other organizations to fund low-budget films appealing to niche audiences. BBC Films, Vertigo Films, and Film Four similarly produce and distribute independent British films, with an emphasis on authenticity and developing new talent on limited budgets. These institutions would be suitable to distribute a new UK-based social realist film.
The DCMS Jan 2012 Film Policy Review
The document summarizes the key points from the 2012 UK Film Policy Review conducted by Lord Smith. The review recommended that 1) producers should recoup funding from financially successful films to reinvest in future productions, 2) broadcasters like Sky and ITV should increase investment in British films, and 3) film education should be brought into every British school to develop new audiences. Some concerns about the review included that it may sideline independent films and focus funding only on commercial successes, which are difficult to predict. The overall goal appeared to continue supporting a wide range of British films and improve audiences for local films.
Mashud q6
The UK Film Council, BBC Films, Vertigo Films, and Film Four are major film institutions in the UK that support the production and distribution of British films. The UK Film Council has backed over 900 films to make the UK a global center for film and supports new directors. BBC Films finds and develops new talent to produce independent British films. Vertigo Films creates commercially driven independent films using new technologies while paying attention to budgets. Film Four showcases British and international films and partners with Warp X Films to challenge films budgets and expand niche audiences. These institutions would likely distribute a UK-based social realist film.
Warp film
Warp Films is an independent film company based in London and Sheffield that produces low-budget films that often go on to critical and commercial success. They receive funding from various UK sources like the BFI and Film4. While their films have small budgets, many end up profitable at the box office and win numerous awards. Some of their most acclaimed films that found both success and acclaim include This is England and Submarine. Their ability to produce unique films on tight budgets that resonate with audiences is what makes Warp Films a successful independent studio.
Part 2 and 3
The UK Film Council (UKFC) was established in 2000 by the Labour government to develop and promote the UK film industry. It invested lottery funding into various programs that supported emerging filmmakers, ambitious projects, and over 100 short films per year. In 2011, the UKFC was dismantled by the Conservative government and its roles and funding were transferred to the BFI. The BFI had historically focused on film archives and education prior to taking over the UKFC's responsibilities of investing in film production and development. It now distributes lottery funds and supports filmmakers through programs like its short film fund.
Warp Films
Warp Films is an independent film production company established by Rob Mitchell and Steve Beckett. It receives funding from various UK sources like the BBC, Film4, and UK Film Council. Though Warp Films operates on small budgets, it has produced several box office hits in the UK and worldwide like Dead Man's Shoes, This Is England, and Four Lions that generated substantial profits. Warp Films has experienced success by making low-cost but acclaimed films that highlight unique stories and have won numerous awards.
AS Media Section B Exam Intro
The document discusses defining what constitutes a "British film" and outlines several perspectives on this. It notes that defining Britishness is complicated by the influx of other cultures. It also explains the UK Film Council and Department of Media, Culture and Sport's definition, which focuses on funding sources and number of British personnel. The British Film Institute further categorizes films based on factors like funding sources and production location/resources. Students will need to analyze a contemporary UK production or distribution company for a case study considering its production, distribution, and consumption aspects.
British film lesson SECTION A
The document discusses the British film industry and what makes a film British. It explains that the British Film Council and British Council work to promote and support the British film industry. The British Council defines six criteria for a film to be considered British, including having a British producer, director, cast, or subject matter related to the British experience. The document asks students to analyze film trailers and determine if they meet the criteria to be classified as British films.
Jordane
Time Entertainment would be a suitable distributor for the film "Face Your Fears" because it is categorized as a local film. Local films have small, independent production and distribution companies with limited budgets and target UK audiences using homegrown stars. As an independent production also using UK companies and talent, Time Entertainment would be a good fit as a local distributor for the film.
Institutions two
The UK Film Council, Film Four, and Vertigo Films are three institutions that could potentially distribute the filmmakers' opening sequence. The UK Film Council distributes around £54 million annually from the lottery and government to support short films and film production. Film Four invests around £500,000 per film for their 20 films produced per year, making their budget suitable. Vertigo Films is an independent film company that funds films of varying budgets and allows films to be downloaded, helping redistribute films and provide new experiences, making them the best institution to exhibit the filmmakers' opening sequence.
Warp films
Warp Films is an independent UK film production company based in Sheffield and London with an office in Melbourne. Submarine is written by Joe Dunthorne and directed by Richard Ayoade in his debut film. It premiered at the 2010 Toronto International Film Festival. The film depicts the story of 15 year old Oliver Tate and his objectives to lose his virginity and disrupt his mother's relationship with an ex-lover. It was filmed in locations in Wales and had a limited release in the US in 2011.
British film council
The British Film Council aims to promote and develop British film and television. It provides over £54 million in funding annually from the National Lottery and government for activities like script development, film production, short films, cinema, and film education. For a film to be considered British, it must meet criteria such as being directed and produced by British citizens and telling a distinctly British story. The Council works with industry partners to create a sustainable British film industry and provides direct financial support to culturally British film productions.
Part 2 fundin and suppor
The UK Film Council was established in 2000 to support the British film industry and was dissolved in 2011 with its responsibilities handed over to the British Film Institute (BFI). The UK Film Council distributed funding through regional screen agencies to support production, development, distribution and exhibition of films across the UK. As a short filmmaker, there are now several funds one could apply to outside of the BFI, including the London Borough Film Fund Challenge, The Shorts Support Scheme, and Virgin Media Shorts.
Part 2 fundin and suppor
The UK Film Council was established in 2000 to support the British film industry and was dissolved in 2011 with its responsibilities handed over to the British Film Institute (BFI). The UK Film Council distributed around £27 million annually from the national lottery to support film production, development, distribution and more. It also supported short filmmakers through three funds totaling nearly £17 million. Regional Screen Agencies received funding from the UK Film Council to support production, training, exhibitions and more in their regions. Since the UK Film Council closed, the BFI now handles film funding, including £18 million annually for feature film development and production and the BFI Shorts scheme managed by Lighthouse Productions. Short filmmakers now apply to different funds like
Funding and support
The UK Film Council was a charity that awarded National Lottery funding to support film production, distribution, education, and research in the UK. It also supported short filmmakers and independent distributors. Prior to the Film Council, the British Film Institute (BFI) was a private company that received some public funding. Since the government dismantled the Film Council, most of its functions have been transferred to the BFI, including distributing National Lottery funding for new British films. The Regional Screen Agencies also helped fund short films across the UK until changes to funding structures.
Part 2
The UK Film Council was a charity that awarded National Lottery funding to support film production, distribution, education, and research in the UK. It also supported short filmmakers and independent distributors. Prior to the Film Council, the British Film Institute (BFI) was a private company that received some public funding. Since the government dismantled the Film Council, most of its functions have been transferred to the BFI, including distributing National Lottery funding for new British films. The Regional Screen Agencies also helped fund short films across the UK until changes to funding structures.
film4 Films task This
The director of programmes at Film4 productions is Ian Katz. In 2019, they will commission popular and entertaining programmes that test conventions and say something significant about Britain. This ensures Channel 4 is always the most characteristic British presenter, taking creative risks and airing unheard voices.
Film4 develops and co-finances feature length films for theatrical release, looking for a range of subject matters and budgets. They focus on stories with modern relevance, created around British-led talent or content. Although films may eventually play on Channel 4 and Film4, they are not developed specifically for television.
Film4 has its own channel, which is more convenient than BBC Films being on the same channel. Film4 is featured in
What kind of media institution might distribute your media products and why?
The document discusses film distribution and which media institutions might distribute a horror media production. It analyzes the distributors of films like Psycho, Silence of the Lambs, and Insidious - mainly American companies like Paramount Pictures and Orion Pictures. It also looks at British distributors like Artificial Eye, Entertainment, and Lionsgate UK, concluding that Lionsgate UK would be the best choice as it specializes in horror films. Distributing the media production first in movie theaters would generate publicity and interest before releasing it on DVD, online, and television.
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Similar to British Film: Cultural & Economic Factors
What determines a british film
The document discusses what determines whether a film can be considered British. It explores several categories of British films based on factors like financing, cultural content, and personnel. It also examines case studies of films like Trainspotting and Gravity and whether they passed the UK film council's cultural test to be recognized as British films. There is no clear consensus on what constitutes a British film and Britishness in films can be interpreted in different ways based on gritty homegrown productions versus big budget films shot in the UK.
British film ppt
Yet another updated ppt feature something stolen from someone else but which has been transformed so much it bears little or no resemblance to the original.
The British Film Industry, CGS
The document discusses several key aspects of the British film industry:
- It identifies the main organizations that support and promote British film, including the BFI and UK Film Council.
- It outlines the criteria for a film to be considered British, such as having a British director or being based on a British story.
- It examines box office data from a sample weekend which shows that while US films dominated the top spots, several British films also performed well, indicating the British industry can attract audiences.
British cinema since 1990 (2)
The document discusses several key aspects of British cinema:
1) There are debates around whether British films should represent British culture to domestic audiences through public funding, or compete internationally by attracting wide audiences.
2) The UK Film Council was set up in 2000 to centralize public support for film through various funding programs.
3) There are discussions around whether British cinema should receive any public money given some films' financial performances. British films must balance representing national culture with finding international distribution.
The British Film Industry 2, CGS
The document discusses several key aspects of the British film industry:
- It identifies the main organizations that support and promote British film, including the BFI and UK Film Council.
- It notes that a film needs to meet three of six criteria to qualify as a British film, such as having a British director or production company.
- It examines box office figures from a sample weekend, finding that while some British films made the top 10, Hollywood blockbusters dominated earnings.
The British Film Industry
The document discusses the British film industry, including its objectives to identify key issues and evaluate popularity with audiences. It then provides information on organizations within the British film industry and their roles. These include the BFI which supports and promotes film, the BBFC which classifies and censors films, the British Council which promotes British films internationally, and the UK Film Council which previously promoted the economic, cultural and educational aspects of film. It also lists some major British production companies and their recent films. Finally, it discusses reasons for having a British film industry, how British films attract audiences, and compares British films to Hollywood blockbusters.
An introduction to British Cinema
Brief outline of how the British Film industry works including funding. Used as part of a WJEC Film Studies course
An introduction to British Cinema
This document discusses what defines a "British film" and examines some examples. It provides several potential definitions from the UK Film Council, including films that are principally shot in the UK with a British crew/cast, financed from within the UK, set in the UK, or address British identity and society. To qualify as British, a film need only meet 16 out of 32 possible criteria, such as representing British culture, heritage, or creativity. The document then analyzes whether the films "The Bourne Ultimatum" and "Harry Potter and the Deathly Hallows" meet the definitions to be considered British films. It concludes by outlining the ongoing debate around whether British cinema should aim to represent British culture for a domestic audience
Part 2 fundin and support
The UK Film Council was established in 2000 by the UK government to support and promote the British film industry. It distributed around £27 million annually from the national lottery to support film production, development, distribution, and more. It also helped support short filmmakers through several funds totaling nearly £17 million. In 2011, the UK Film Council was dismantled under the new Conservative-led government and its roles and responsibilities were transferred to the British Film Institute (BFI). The BFI now handles film funding in the UK, including £18 million annually for the film fund to support development, production and completion of feature films and shorts. It also oversees the BFI Shorts scheme for short films.
Part 2 fundin and support
The UK Film Council was established in 2000 by the UK government to support and promote the British film industry. It distributed around £27 million per year from the national lottery to support film production, development, distribution, and exhibition. It worked with regional screen agencies and the BFI. In 2010, the UK Film Council was dismantled and its responsibilities were transferred to the BFI. The BFI now handles film funding in the UK, including distributing lottery money to short filmmakers. Several regional and national funds still exist to support short filmmakers, festivals are also important for promotion.
British film
This document provides an overview of contemporary British film production, distribution, and consumption. It discusses what constitutes a British film and provides categories based on creative and financial contributions. It also examines two recent successful British films as case studies - The Last King of Scotland and This is England. The document outlines the current boom in British film due to television company co-funding and investment. It analyzes genres like social realism and the works of prominent British directors like Ken Loach and Mike Leigh.
Brit Cinema Lesson 1
This document provides information and guidance for developing a case study on a British film studio or production company. It discusses the key aspects of film production, distribution, and consumption that should be covered. It also prompts the reader to consider what defines British cinema and films. Examples are given of different decades of British cinema, including major films from each era, to help understand the ups and downs of the British film industry over time. Readers are assigned a decade to research and develop a short presentation about British cinema in that time period.
British Film Industry
The document discusses the rules and regulations for classifying a film as a "British film". Films must pass the cultural test by scoring 16 or more points out of 31 across four categories: cultural content, cultural contribution, cultural hubs, and cultural practitioners. Passing the test makes the film eligible for tax reductions and incentives. The benefits of creating a British film are that profits are not taxed, which promotes Britain as a filming location and supports jobs and the economy.
Institutions and Audiences: British Film
This document provides information about studying British film for AS Media Studies, including key learning outcomes and focus areas. It discusses what makes a film British and provides examples of British films that have been nominated for awards. It also covers the requirements of the exam, finance and funding of British films, the roles of production companies and distributors, and targeting audiences. Case studies are used to illustrate concepts around the production and distribution of independent British films.
Part 2 - Funding and Support
The UK Film Council aimed to support short films and develop new filmmakers through various funding schemes for areas like script development, production, distribution, and education. After it was dismantled, most of its functions transferred to the British Film Institute (BFI), including lottery funding for British film development and production. Regional Screen Agencies also helped fund short filmmakers across the UK, though their role may change following structural changes.
Defining British film
This document discusses ways to classify British films and provides examples. British films can be categorized as A-E based on factors like funding sources and creative personnel. Category A films are made entirely with British money and resources, while Category E are American films with some British involvement. The document then analyzes two films, Notting Hill and This Is England, exploring what makes them distinctly British and what audiences they target, with Notting Hill appealing more to international audiences and This Is England focusing more on British themes and audiences.
What is a british film funding
The document discusses the British Film Institute and how it funds script development, film production, and distribution for British films through various funds and tax breaks. It also examines different production companies in the UK and case studies of successful British films like Harry Potter, The King's Speech, and Four Lions that received partial funding and tax incentives from British organizations. The challenges of producing and distributing British films that need to appeal to both domestic and international audiences are also addressed.
British Asian Cinema
This document provides an overview of British Asian cinema and related issues. It discusses how British Asian films often focus on the experiences of second generation British Asians growing up with both British and Asian cultures. It also notes that while British Asian cinema has grown in popularity, opportunities for Black (African-Caribbean) filmmakers have declined. The document explores debates around whether British Asian films are part of or outside national cinema. It examines how the opportunities for production, distribution and exhibition of these films affects their nature. Key themes in British Asian films are also summarized, such as generational conflict, gender expectations and racism.
British asian cinema
This document provides an overview of British Asian cinema and related issues. It discusses how British Asian films often focus on the experiences of second generation British Asians growing up with both British and Asian cultures. It also notes that while British Asian cinema has grown in popularity, opportunities for Black (African-Caribbean) filmmakers have declined. The document raises debates around how to define national cinema in light of regional and transnational influences. It examines the increased popularity of Bollywood films in the UK and discusses how older and younger generations in British Asian films relate to traditions from their parents' countries of origin.
Dredd and some stuff stolen from another teacher
The document discusses the British film industry. It identifies key organizations that support the industry, such as the British Film Institute which promotes British film culture and heritage. It also discusses major British production companies and how a film qualifies as a British film. The document examines audience types for films and how British films attract both domestic and global audiences. It provides box office figures for the industry and analyzes the 2012 film Dredd.
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- 1. + British Film: Cultural & Economic Factors Media Workshop July 2009 Villiers Park Educational Trust
- 2. + What defines a British Film? In your groups, put these in order of importance… Does the story or setting have to be British or represent aspects of ‘Britishness’? Does it have to be made by a British director? Should the cast be entirely made up of British actors and actresses? Does it have to be made in Britain? Does it have to be largely or wholly financed by a British company or organisation? Should it be made primarily for British audiences?
- 3. + What defines a ‘British’ film? Recent developments from The UK Government include: ‘Cultural hubs’ ‘Cultural practitioners’ ‘Cultural content’
- 4. + Cultural hubs… Is the production and filming based in the UK?
- 5. + Cultural practitioners… Do the cast, crew and/or producers come from the European Economic Area?
- 6. + Cultural content… Is the film set in the UK? Are the characters British? Is the subject matter ‘British’?
- 7. + Eg Control (Corbijn, 2007): Cultural hubs – UK based production company (Becker Films); Cultural practitioners – Dutch Director, UK cast & crew; Cultural content – UK setting, British characters
- 8. + Eg This is England (Meadows, 2007): Cultural hubs – UK based production company (Big Arty Productions); Cultural practitioners – British Director, UK cast & crew; Cultural content – UK setting, British characters
- 9. + In your groups… Brainstorm recent (since January 2007) UK films, until you agree on one title that you have all seen and enjoyed, for whatever reasons… Research the film’s production details on www.imdb.com Use the Government and UK Film Council’s point system to ascertain whether the film would have received tax relief and is therefore ‘officially’ deemed ‘British’ (you can also check on the UK Film Council’s ‘Awards Database’ @ www.ukfilmcouncil.org.uk) Feedback your findings to the rest of the group