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Virtual Reality: Playing Games Week 5: Media Cultures 1 NEWM1001 Tracey Meziane Benson
Walter Benjamin ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Some ideas for thinking about computer games ,[object Object],[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
Transcoding ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Transcoding ,[object Object],[object Object]
Immersion ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Virtual Reality: networked ,[object Object],Slide credit: Catherine Summerhayes
Virtual Reality - Immersive ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Older and New VRs ,[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
VR and Playing ,[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
Kinds of Games to Play  (Roger Callois) Schechner, R.  Performance Studies. An introduction , London: Routledge, 2002, 84. ,[object Object],[object Object],Slide credit: Catherine Summerhayes
[object Object],[object Object],Slide credit: Catherine Summerhayes
The business of building characters and stories ,[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
Narratology and Games ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Narratology and Games ,[object Object],[object Object]
Playing the software – challenging the rules (Lister et al. p 278) ,[object Object],[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
The Sims as community  ,[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
Body Training ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Sims as an antiterrorist tool … ,[object Object],Slide credit: Catherine Summerhayes
Kinds of Computer games ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
Everquest  ,[object Object],[object Object],[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
An interview with Sims maker: Will Wright ,[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
Gonzalo Frasca’s site and article ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Grand Theft Auto Frasca’s ode to its freedom from the constrains of narrative. http://www.gamestudies.org/0302/frasca/ ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Ibid. ,[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
Games as art? ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Game as Art ,[object Object],[object Object]
Game as Art ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Is this a game? …or is it art? Chris Chesher 2004 National Gallery of Australia, 24 April 2004 http://www.nga.gov.au/Home/Frameset.cfm?View=../Menus/events.htm ,[object Object],Slide credit: Catherine Summerhayes
On new media art ,[object Object],[object Object],Slide credit: Catherine Summerhayes
And the similarities ,[object Object],[object Object],Slide credit: Catherine Summerhayes
[object Object],[object Object],[object Object]
 
 
Games and art in common: ,[object Object],[object Object],Slide credit: Catherine Summerhayes
Games as Personal/Political ,[object Object],[object Object],[object Object]
What do you think? ,[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
 
Games References (1) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Games References (2) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes
Games References (3) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Slide credit: Catherine Summerhayes

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