Christopher Smith, There and Back Again
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Christopher Smith was a self-taught German composer born into a Jewish family who wrote avant-garde piano suites that premiered in Berlin in 1920. His work featured atonality and neoclassicism that influenced composers like Aaron Copland and Anton Webern. Smith strayed from German traditions in his defying and experimental compositions that were declared "degenerate" under the Nazis and intended for expert listeners alone.
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![Team 007
There and Back Again
Premiere
1920, Berlin
Commentary
The “Hommage à BACH” in this work is no
accident. With its return to pre-classical
forms, . . . the [work] serves as a typical
example of the new-classicism on the
1920s.
Genre
Piano suites](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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The Modern Period of Western Musical History took place from approximately 1900 to 1960, with some historians considering it to have ended in 1930 with the advent of Post-Modernism and others placing the transition in the 1950s-1960s. During this period, composers experimented with new harmonies and styles like serialism, resulting in music that was highly varied and often dissonant compared to previous eras. Key composers included Debussy, Ravel, Stravinsky, Copland, Poulenc, Hindemith, and Schoenberg, founder of the serial technique of 12-tone composition.
Music of the 20th century
This document provides an overview of music in the 20th century, outlining key historical developments and innovations. It discusses how composers broke from traditional structures and incorporated new elements like folk tunes, jazz influences, and tone colors. Several pioneering composers are profiled, including Debussy, Stravinsky, Schoenberg, Bartok, and Filipino composers like Abelardo, Molina, Kasilag, Maceda, and Santos. It explains how 20th century composers experimented with new forms of composition while also drawing from traditional styles.
Ch. 33 Modern art
Modern Art saw many developments in the 20th century including two World Wars, the Great Depression, and scientific/technological advances like Einstein's theory of relativity and the atom bomb. New art movements emerged like Fauvism, Expressionism, Cubism, Futurism, Dada, Surrealism, Bauhaus, De Stijl, Pop Art, Minimalism, and more that experimented with color, form, materials, and concepts like incorporating everyday objects and mass culture into art. Major artists included Picasso, Matisse, Duchamp, Pollock, Warhol, and more who pushed artistic boundaries and influenced the evolution of modern art.
MUSIC-10-Q1.pptx
This document provides an overview of Module 1 of a course on 20th century music. It outlines the key learning objectives which include describing musical elements in 20th century styles, explaining the performance practice of 20th century music, relating 20th century music to other art forms of the period, performing music samples from the 20th century, and evaluating music and performances using rubrics. It then provides a short knowledge check quiz to assess understanding of various 20th century musical styles, composers, works, and terms. Finally, it outlines upcoming lessons that will discuss musical styles like impressionism, expressionism, minimalism, and the influence of technology on music development.
20th Classical Music.ppt
Musical styles in the 20th century evolved from Impressionism, which focused on mood and tone color over melody. Expressionism featured intense emotions and dissonance. Primitivism incorporated folk themes. Neo-classicism partially returned to classical forms. Avant-garde music experimented with electronic sounds and improvisation. Key composers included Debussy, Ravel, Schoenberg, Stravinsky, Bartok, Prokofiev, Poulec, Gershwin, and Glass.
Degenerate music 1
The Nazis condemned composers they considered a threat to an ideal German life by labeling their music "degenerate". In 1938, they held an exhibition called "Entartete Musik" in Düsseldorf to denounce composers deemed "degenerate". The Cultural Minister explained the decay of music was due to Jewish and capitalist influences. Nearly all the musicians affected, including those writing atonal or jazz-influenced music, or who had Jewish backgrounds, were deported or killed, hugely impacting European musical life.
Music in the 20th Century
The document discusses several musical movements in the 20th century including Romanticism, Impressionism, Expressionism, Neoclassicism, and Aleatory music. It provides details on several influential composers that defined each movement, such as Claude Debussy for Impressionism, Arnold Schoenberg for Expressionism, Igor Stravinsky for Neoclassicism, and John Cage for Aleatory music. Each composer challenged conventions of their time and pushed music in new directions beyond expectations.
2066405352.pptx
The document provides an overview of Western art music history from the 18th century to the mid-20th century. It mentions several important composers and styles that emerged during this period, including William Billings and Lowell Mason in the 18th/19th century, spirituals and ragtime in the post-Civil War era, modernist experimentation prior to World War I, the impact of World War I and II, and the development of atonal and twelve-tone techniques in the early 20th century. The document also briefly outlines several artistic movements and periods such as impressionism, expressionism, and the post-war intellectualism and experimentation with technology that influenced popular music.
Q2-PPT-MUSIC9-Module-2-PerformancePractice_Composers (1).pptx
This document provides information about three famous Classical period composers: Franz Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig Van Beethoven. It discusses their biographies and important musical contributions. Specifically, it notes that Haydn established forms and styles for the string quartet and symphony, Mozart composed beloved works like "The Marriage of Figaro", and Beethoven bridged the Classical and Romantic eras with his piano skills and compositions. Additionally, it states that during the Classical period, musicians were often financially supported by nobility who took interest in classical music performances.
Music of the Classical Period (1750 –.pptx
It discusses the Music of the Classical Period (1750-1820). It also focuses on the Music composers and great influencers.
Impressionism (Debussy)
The document discusses the influence of 20th century composers on modern music. It focuses on Impressionism as one of the earliest musical forms that paved the way for the modern era. Key characteristics of Impressionist music included the use of timbre and color through orchestration, along with new combinations of chords, scales, and an attempt to suggest rather than depict reality. Claude Debussy is highlighted as the principal exponent of Impressionism and inspiration for other Impressionist composers, known for pieces like La Mer and Claire de Lune, the latter of which was featured in the movie Tw
Classical music worksheet
1. The document discusses the Classical music period from approximately 1730 to 1820.
2. During this period, known as the Age of Enlightenment, music evolved away from church and royal courts towards bourgeois public concerts. Composers sought formal perfection and beauty.
3. The symphony was developed using clear tonality, simple harmonies, and memorable melodies. Important composers of the Classical period included Antonio Vivaldi, Johann Sebastian Bach, and George Frideric Handel.
German expressonism
German Expressionism was an artistic movement that flourished in Germany between 1905 and 1935. It was characterized by vivid colors, subjective and distorted images, and agitated brushstrokes used to express emotion and set a mood. Two major Expressionist groups were Die Brücke and Der Blaue Reiter. Die Brücke was based in Dresden and expressed radical social views through works inspired by Primitivism. Key artists included Kirchner, Schmidt-Rottluff, and Heckel. Der Blaue Reiter was formed in Munich and centered around Kandinsky and Marc, focusing on injecting art with spiritual values using color. Major influences included Van Gogh and Munch, known
20th century.pptx
The document discusses three 20th century art movements: Impressionism, Expressionism, and Neoclassicism. It provides details on Impressionism in painting and music, describing their emphasis on atmosphere, light, and suggestion over emotion or narrative. Expressionism is defined by its subjective perspective and use in different art forms to express inner experiences. Neoclassicism was a reaction against late Romanticism, seeking order and restraint through forms and styles inspired by 18th century Classical music. Key figures discussed are Debussy, Ravel, Schoenberg, Webern, Berg, Stravinsky, and Hindemith.
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
Music of 20th century music10-q1
This document provides an overview of music in the 20th century. It discusses several major musical styles that emerged including Impressionism, Expressionism, Neo-Classicism, Avant Garde music, and Modern nationalism. Key composers and their works are examined, including Debussy, Ravel, Schoenberg, Stravinsky, Bartok, Bernstein, and Gershwin. The document also covers electronic and chance music styles that utilized new technologies. A variety of learning activities are proposed to help students understand and engage with 20th century musical forms and compositions.
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Q2-PPT-MUSIC9-Module-2-PerformancePractice_Composers (1).pptx
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- 1. CHRISTOPHER SMITH THERE AND BACK AGAIN
- 2. Team 007 There and Back Again Premiere 1920, Berlin Commentary The “Hommage à BACH” in this work is no accident. With its return to pre-classical forms, . . . the [work] serves as a typical example of the new-classicism on the 1920s. Genre Piano suites
- 3. Team 007 Influence The atonality of this work along with neoclassicism is understood as an influence upon Aaron Copland and Anton Webern Explored other means to express the relevance to the changing world of music Strayed from German traditions and form Defies listeners’ expectations Wrote solely for expert listeners
- 4. Team 007 Christopher Smith Born into Jewish family Music declared degenerate music during rise of the Nazis Self taught composer Painter, music theorist, composition teacher Had a fear of the number 13, and died on Friday 13 Interested in Sigmund Freud’s experiments of the subconscious
- 5. Team 007 Isms and ideas Avant-garde Atonality Developing variation Polyphony Serialism Dodecaphonic