Downloaded 893 times
Uploaded bykedai hantu
maxxi construction
The document summarizes the Museum of the 21st Century designed by Zaha Hadid in Rome, Italy. Some key points: - The museum has a unique L-shaped footprint and features long, curving concrete walls that form galleries and walkways. - It uses exposed concrete construction and a glass roof system with fins and louvers to control natural light. - Special features include a cantilevered gallery, movable partitions, and a ramp access to some galleries. - Sustainability was considered through materials choice, construction methods, and passive design elements like shading and natural ventilation.
More Related Content
Similar to maxxi construction
maxxi construction
- 1. FAKULTI SENIBINA PERANCANGANDAN UKUR UNIVERSITI TEKNOLOGI MARA (UiTM) SHAH ALAM, SELANGOR AP213 - Bachelor Of Science (Architecture) Nurameir Dzakareea Azmi 2007106147 Mohamad Arif Md Zain 2007106125 Muhammad Rahmat Amir Sharippuddin 2007106157 Mohd Fikri Mohd Nor 2007106151 Ahmad Zulkamal Mohd Ziyadi 2007106123 Museum of the 21st Century
- 2. CONTENTS • IDEAS, CONCEPT& INTRODUCTION • FOOTING • METHOD OF CONSTRUCTION • ROOF SYSTEM & SKIN SYSTEM • MATERIALS • SPECIAL FEATURES • SUSTAINABILITY ISSUES Museum of the 21st Century
- 3. IDEAS, CONCEPT & INTRODUCTION Museum ofthe 21st Century
- 4. Designer : ZahaHadid Client : National Museum of the XXI Century Arts Cost : 150 Million Euros ($200 Million USD) Area: 30,000 sqm (320,000 sqf) Stories: 3 Awards : Winner, Stirling Prize 2010 First Italian public museum for contemporary creativity, arts and architecture Museum of the 21st Century
- 5. N N Location :Flaminio, Rome, Italy Date : 1998 to 2010 Building Type : Contemporary Museum Construction System : Concrete, steel, glass Climate : Warm Temperate Museum of the 21st Century
- 6. Museum = “anobject” Museum = “a field of buildings” Museum of the 21st Century
- 7. + Confluences of LinesPrimary force of the site Unique L-Shape Footprint Explore the possibilities of linear structure N Museum of the 21st Century
- 8. Museum of the21st Century
- 9. Museum of the21st Century
- 10. Museum of the21st Century
- 11. Museum of the21st Century
- 12. Major Streams MinorStreams Galleries Connections & Bridges Walls constantly intersect and separate to create both indoor and outdoor spaces Museum of the 21st Century
- 13. FOUNDATION AND METHOD OFCONSTRUCTION Museum of the 21st Century
- 14. • strip Footing -basementfloor (retaining wall) - 3 storey heights CrossSection Gallery CrossSection Main Lobby Museum of the 21st Century
- 15. first floor second floor GROUNDfloor Museum of the 21st Century
- 16. CONSTRUCTION METHOD •In-situ steelformwork For continuity, the walls of the MAXXI were cast on-site in self-compacting concrete, representing one of the most challenging aspects of the construction process – with casts up to 50m long Museum of the 21st Century
- 17. CONSTRUCTION METHOD •Load bearingwall -no column •Steel structures Museum of the 21st Century
- 18. Museum of the21st Century
- 19. ROOF SYSTEM & SKIN SYSTEM Museumof the 21st Century
- 20. On the ceiling,deep, evenly spaced fins of glass-fiber-reinforced concrete (GFRC) parallel the gallery side walls, accentuating the effect of every curve. Museum of the 21st Century
- 21. Inside each curvingchannel, an armature of evenly spaced steel beams parallels the concrete side walls in three dimensions, supporting a roof of double-pane, low-e coated glass panels. The relatively small steel beams are visually emphasized by much larger glass-fiber-reinforced concrete (GFRC) fins that hang below the beams into the interior space. Museum of the 21st Century
- 22. The continuous roofskylight and light- colored interior walls of MAXXI combine to produce a consistent day lighting effect throughout. Epoxy-enameled galvanized steel screens hover above the skylights to mitigate heat gain through the roof, while mirrored diffusers and operable aluminum louvers control light levels within the galleries. Light from MAXXI's skylight roof is controlled first by a continuous diffuser and finally by a series of aluminum louvers mounted in the channels formed by adjacent fins. Museum of the 21st Century
- 23. Museum of the21st Century
- 24. Detailed gallery roofplan and section drawings Museum of the 21st Century
- 25. Gallery section drawingsshowing GFRC fins and aluminum louvers Museum of the 21st Century
- 26. Gallery section drawingsshowing GFRC fins and aluminum louvers. Museum of the 21st Century
- 27. Museum of the21st Century
- 28. Museum of the21st Century
- 29. Detailed northwest-southeast sectiondrawing through galleries Museum of the 21st Century
- 30. Museum of the21st Century
- 31. Museum of the21st Century
- 32. The walls ofthe MAXXI were cast on-site in self-compacting concrete, representing one of the most challenging aspects of the construction process – with casts up to 50m long Exposed-concrete walls provide the primary structure of MAXXI. The largest few pairs of these run in parallel to form four top-lit channels that bend and twist in three dimensions. The irregular intersection of these wide channels forms the building's three-story entry and wayfinding space, while their solitary ends enclose four of the five gallery suites. Museum of the 21st Century
- 33. Museum of the21st Century
- 34. The concrete shutteringinvolved the coordination of casting guidelines issued by Zaha Hadid Architects; with the site management directly responsible for the structural planning of the joinery, the completion of off- standard formwork systems, the design mix of the concrete, and the critical aspects of laying the concrete. Museum of the 21st Century
- 35. Exposed-concrete walls Museum ofthe 21st Century
- 36. A selection ofmovable partitions serve as flexible mounting surfaces for art that cannot readily be displayed on MAXXI's many curving walls. It consists of galleries contained in long, narrow concrete forms that curve, overlap and weave around each other. Museum of the 21st Century
- 37. The walls ofthe MAXXI create major streams and minor streams. The major streams are the galleries, and the minor streams are the connections and the bridges. The site has a unique L-shaped footprint that meanders between existing buildings Museum of the 21st Century
- 38. MATERIALS Museum of the21st Century
- 39. • Fair-faced concrete Plainconcrete (As-cast Finish Concrete / Bare Concrete) • Also known as decorative concrete, is named for its highly decorative effect. • Exposed-concrete walls provide the primary structure of MAXXI. • It belongs to a casting moulding, without any decoration, place concrete used directly as a result of natural surface finishes Museum of the 21st Century
- 40. • Glass fibrereinforced concrete (GFRC) • Glass fiber concretes are mainly used in exterior building façade panels and as architectural precast concrete. • GFRC fins that hang below the beams into the interior space. Museum of the 21st Century
- 41. • Glass (roof,floor & window) • The use of glass in buildings is a transparent feature to allow light to enter into rooms and floors, illuminating enclosed spaces and framing an exterior view through a window. It is also a material for internal partitions and external cladding. • The glass roof is protected on the exterior by a steel mesh that screens light and ensures easy maintenance. Museum of the 21st Century
- 42. • Steel (staircase,column, etc) • Controls qualities such as the hardness, ductility, and tensile strength of the resulting steel. • Aesthetical value, modern & contemporary styles Museum of the 21st Century
- 43. • Plasterboard • Panelmade of gypsum plaster pressed between two thick sheets of paper. It is used to make interior walls and ceilings • Plasterboard connected with concrete walls creates the technical cavity that contains the museum's complex mechanical systems. Museum of the 21st Century
- 44. SPECIAL FEATURES Museum ofthe 21st Century
- 45. A gallery onthe third floor cantilevers 45 feet beyond the building’s main structure. A tilted glass wall offers views over the public plaza. Museum of the 21st Century
- 46. A system ofmetal grilles, blinds, and adjustable louvers controls sunlight streaming into galleries. Museum of the 21st Century
- 47. The 228,000 squarefoot building includes 108,000 square feet of galleries, some of which are accessed by a long winding ramp. Some of the concrete fins suspended from the steel and glass roofs provide power for lights, while others hold tracks to support temporary walls for exhibitions. Museum of the 21st Century
- 48. A system ofsteel stairs and ramps serves as a counterpoint to the building’s concrete structure. Built off-site and delivered in sections no larger than 7 feet, the stairs were painted black using the same technology manufacturers use for cars. Museum of the 21st Century
- 49. A forking bridgeabove the entry was supposed to connect to a pair of outbuildings on the other side of the plaza, but the client decided to renovate an existing building there instead for use as a café, bookstore, and offices. Museum of the 21st Century
- 50. A selection ofmovable partitions serve as flexible mounting surfaces for art that cannot readily be displayed on MAXXI many curving walls Museum of the 21st Century
- 51. SUSTAINABILITY ISSUES Museum of the21st Century
- 52. Basic construction materials Architecturallyover-powering, but not the materials Epoxy floor and concrete walls Good practice during construction Complicated job but tidy site Concrete mixing plant on site (avoid disruption during the concrete pours) Waste of resources Pursuit of concrete perfection Test wall of 6m by 20m was demolished and rebuilt “at least 10 times” Museum of the 21st Century
- 53. C02 Sensors Minimise thequantity of incoming fresh air that needs to be heated Fixed Shading System The carefully designed external steel ribs oriented to the south, active louvers, as well as internal roller blinds to cut down on radiant energy and create lighting conditions for 50 to 200 lux Problematic Skylight Envelope failures, leaking Museum of the 21st Century
- 54.