Martin kippenberger
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Martin Kippenberger was a German artist known for his neo-expressionist style and wide range of media. He often used irony and self-reference in his work to question subjects like artistic independence and social criticism. Some of his most famous works include the "Dear Painter, Paint for Me" series where he hired others to paint based on his images, "Heavy Bruschi" where he had unfinished canvases photographed and framed, and "Installation of the White Paintings" which embedded white canvases into gallery walls. Kippenberger produced a diverse body of work from the 1970s until his death in 1997 and is seen as a significant 20th/21st century artist for his conceptual approaches and exploration of
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Term "Abstract Expressionism" was first used in Germany in connection with Rusian artist Wassily Kandinsky in 1919 (referencing the German Expressionists with their anti-figurative aesthetic), but later became more commonly associated with Post-WWII American Art.
SHGC Pop Art - Part 1b
Warhol rented a studio in 1963 called The Factory where he would often play the same song on repeat all day. He was obsessed with Hollywood stars and frequently used images of celebrities like Marilyn Monroe, Elvis, and JFK in his Pop art paintings. Critics saw Warhol as a social commentator using commercial art techniques to expose popular culture, though Warhol claimed he simply liked the people he portrayed. His repetition of celebrity images in paintings and silkscreens was meant to comment on the empty meaninglessness of fame.
The Modernist Era
-The Influence of Modern Art
-Pictorial Modernism
Graphic design in the first half of the twentieth century
-A New Language of form
-The Bauhaus &The New Typography
-The Modern Movement in America
Avant garde art after 1945 (Selectivity)
After WWII, American artists developed Abstract Expressionism, seeking to compete with European art. It had two major trends - Action Painting and Color Field painting. Action Painting by Pollock, de Kooning, and Kline used impulsive, irrational techniques. Color Field used large color surfaces without details. Minimalism emerged in the 1950s emphasizing simplicity and impersonality. Major artists included Judd, who made geometric wall elements, and Flavin, who sculpted with neon light. Pop Art referenced mass culture, with Warhol famously reproducing images through silkscreen printing.
Chapter 20 playing by the rules1960s abstraction
Clement Greenberg was the most influential art critic of the 20th century who shaped Abstract Expressionism through his support of artists like Jackson Pollock. He focused on formal elements of art and introduced concepts like "kitsch" and "flatness." Artists in the 1960s like Helen Frankenthaler, Morris Louis, and Kenneth Noland built on Greenberg's ideas and developed Color Field painting using techniques like Frankenthaler's soak-stain method. Minimalism emerged in the 1960s with artists like Donald Judd, Frank Stella, and Robert Morris rejecting metaphorical associations and symbolism in their work.
Chapter 25 -Painting Through History
Neo-expressionism was an artistic movement that emerged in the 1970s in reaction to abstract art. It focused on using bright colors and rough brushwork. Major German neo-expressionist artists included George Baselitz, Markus Lüpertz, A.R. Penck, and Jörg Immendorff. Their figurative paintings addressed political divisions in Germany. Other significant neo-expressionist movements occurred in Italy and the United States during this period.
H.R. Ocampo and Fernando Zobel
Hernando Ruiz Ocampo and Fernando Zobel were influential Filipino painters. Ocampo was self-taught and known for his abstract still life paintings influenced by Philippine themes and colors. He helped open doors for other artists and emphasized principles of design. Zobel studied in the US and was influenced by Boston artists early on before focusing on Philippine motifs. He is known for his abstract expressionist Saeta series and landscapes inspired by Cuenca, Spain. Zobel's painting Noche Clara holds the record as the most expensive Philippine artwork sold. Both artists made significant contributions to the development of Philippine art through their exploration of abstraction and Filipino themes.
Pop art 2012.3
Pop art emerged in the 1950s and spread worldwide, challenging the established concept of "fine art". It was inspired by popular culture and mass media imagery, using bright colors and flat, recognizable images from advertisements, comics, and celebrity portraits. Some of the seminal pop artists mentioned include Andy Warhol, Roy Lichtenstein, Richard Hamilton, Claes Oldenburg, and Jasper Johns. Pop art eroded the distinction between high and low art and made art more accessible to the public.
Expressionism
German Expressionism developed in the early 20th century as an artistic style that used distortion and exaggeration to convey emotional intensity. It drew inspiration from Van Gogh, Munch, Fauvism, and primitive art. Two major German Expressionist groups were Die Brücke and Der Blaue Reiter. Die Brücke aimed to break from traditional German art through woodcuts expressing personal feelings. Der Blaue Reiter was more mystical, seeing primitive art as spiritually pure. Wassily Kandinsky furthered expressionism by abandoning representation for pure abstraction using color's emotional power. Expressionism's emphasis on inner feelings influenced art globally throughout the 20th century.
Expressionism (1)
Expressionism focused on conveying symbolic and emotional meaning through distorted figures, irregular shapes, and bright colors. Key influences included Van Gogh, Munch, and German Romanticism. Major expressionist groups included Die Brücke and Der Blaue Reiter, whose founders like Kirchner, Heckel, Kandinsky, and Marc created emotionally charged works addressing modern life and the human condition. However, expressionism declined after World War I and was condemned by the Nazis, contributing to its demise in Germany in the 1920s-1930s.
ARTISTS
Robert Rauschenberg was an American artist known for pioneering pop art in the 1960s by incorporating nontraditional materials and questioning distinctions between art and everyday objects. He worked across many mediums including painting, sculpture, and collage, allowing chance to determine arrangements without predetermined meanings. Andy Warhol and Roy Lichtenstein credited Rauschenberg's collages as inspiration for pop art.
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Martin kippenberger
- 2. Background Born 25 February 1953,Germany Family moves to Essen Spent six years at strict school and shows great artistic talent from a young age. Dreams of being dancer Drops out of school Fired from first job for drug taking Goes to therapy at a farm near Hamburg and is cured Goes to the Hamburg Art academy, quits after 16 semesters Dreams of being an actor Known for wild range of style’s and media, as well as hard-drinking persona. Died aged 44 from liver cancer in 1997
- 3. Inspiration Art Architecture Music politics history his own life Kafka, “Amerika”
- 4. The Happy ending of Franz Kafka, America 1972 Based on Kafka’s novel America ‘a circus in town, looking to employ reliable hands, helpers, doers, self-confident handlers and the like. Outside the circus tent, in my imagination, there would be tables and chairs set up for job interviews’- Kippenberger “You develop a gaze so that you can discover it for yourself.”
- 5. InfluencesAfter being asked “which artist do you feel close to” Kippenberger replied “whenever I see an artist that is good looking, I feel drawnbecause I figure the head perfectly matches the work. But of course that can be boring. Giacometti was very good looking, his sculptures were very good looking, but I still feel there’s something missing.” “As far as Léger goes, I like him absolutely.” “… And Zobernig, I like him a lot. Everyone feels drawn to the remarkable things in life”
- 7. What is it? Modern style of painting and sculpture that began in the late 1970’s A reaction against conceptual and minimalistic art of 1970’s
- 8. Where did it come from?German expressionist painters such as..
- 9. Emil Nolde The Prophet 1912 Head with pipe, self portrait 1907
- 10. George Grosz Republican automations 1920
- 11. Ernst Ludwig Kirchner Erna 1930
- 12. What did it look like?
- 13. Fancis bacon
- 15. Albert Oehlen black rationality 1982
- 16. Influence Albert Oehlen descending hot rays Martin Kippenberger U.N Building the home of peace 1984
- 17. Collaborationalbertoehlen and martin kippenbergercapri by the night 1982
- 19. Leiber Maler, male mir [dear painter, paint for me] 1981 Kippenberger hired a sign painter from Berlin to make paintings based on images he supplied. This being one of his favourite topics Series introduces other favourite topics; equal treatment of commodities ,brashness, culture and himself Kippenberger is in two of the painting’s however partly disguised, you can only see the back of him in this piece and seen from a distance in the other.
- 20. LeiberMaler, male mir [dear painter, paint for me]
- 21. Heavy Bruschi [Heavy guy] Kippenberger asked assistant to make images from all his catalogues Was unhappy with unfinished canvas’ so had them photographed, printed to original size and then framed He destroyed originals and presented them in skip Creating an idea of relationship between employer and employee Creates a violent seen of destruction that mocks cultural, political and spiritual rebirth, by creating a loop. Making the pictures ‘into a kind of double kitsch’
- 22. IinstallationderWeissenBilder[ installation of the white painter] 1993 A series of white paintings on canvas Canvases embedded in wall to look like part of the gallery walls Based on a question and answer between kippenberger and a young boy who described kippenberger’s work with positive answers ‘sehr gut’ or very good These descriptions were transferred onto canvas in white paint Installation is made up of 10 paintings in 5 different sizes Critises the plain white gallery spaces that exhibit conceptual art
- 23. Why Kippenberger is a significant artist in 20th/21st century He produced a wide range of work from the mid 1970’s using a remarkable range of media and never sticking to one particular style. Irony he created in his work by questioning his subjects. His bold concept's behind his work and re-occurring themes such as Playing with the idea that the artist is an individual who’s work is independent Criticizing society, politics, work relationships His performative personality