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Hannah Kenyon
 Mixed Documentary.
 The power of the media, music business, how celebrities
get fame, and the way Meatloaf’s album was marketed.
 Open narrative, single stranded.
 Non-Linear documentary.
 Handheld P.O.V when walking to the press
room. (actuality footage)
 Medium shots at the Brit Awards.
 Two-shot when filming video.
 Panning shot when reading the article.
 Big close up, follows the interview conventions.
The interviewee is also placed to the right or left
hand side of the screen.
 Old fashioned style.
 Make-up for the music video.
 There are images of Meatloaf enlarged in the background
of the interviews. A green screen (chromakey) was used to
create this effect.
 Magazine and Newspaper cut-outs in background of
media coverage of Meatloaf- Green screen used
(chromakey)
 Behind interviews- recording studio (mixing desk)
which anchors the interviewee to the topic.
 Crowds
 Heart beat...
 Meatloaf songs playing in the background.
 Voiceover throughout is male, calm, clear, quite
sarcastic and the use of standard English- used to link
everything and puts the narration together.
 Zoom, tilting and panning- reading magazine headlines.
 Dissolve- interviewee dissolves into picture.
 Montage- Related by theme, mainly of Meatloaf at different
interviews.
 Simple cut edits.
 A lot of magazine articles that are based around media
stories about Meatloaf, have been used as backgrounds.
 Meatloaf concert.
 BRIT Awards.
 Meatloaf music video (I would do anything for love)
 The name of the person and relevance to the topic is always
written inside a banner below with the interviewee. The
name is often larger and capitalised and is placed either to
the left or right of the screen during interviews and is
written in a simple white font.
 There is the “Music Biz” logo that is shown in the
beginning and end of the documentary- showing that
this is the series of the programme and anchors the
theme of the documentary.

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Marketing meat loaf powerpoint

  • 3.  The power of the media, music business, how celebrities get fame, and the way Meatloaf’s album was marketed.
  • 4.  Open narrative, single stranded.  Non-Linear documentary.
  • 5.  Handheld P.O.V when walking to the press room. (actuality footage)  Medium shots at the Brit Awards.  Two-shot when filming video.  Panning shot when reading the article.  Big close up, follows the interview conventions. The interviewee is also placed to the right or left hand side of the screen.
  • 6.  Old fashioned style.  Make-up for the music video.  There are images of Meatloaf enlarged in the background of the interviews. A green screen (chromakey) was used to create this effect.
  • 7.  Magazine and Newspaper cut-outs in background of media coverage of Meatloaf- Green screen used (chromakey)  Behind interviews- recording studio (mixing desk) which anchors the interviewee to the topic.
  • 8.  Crowds  Heart beat...  Meatloaf songs playing in the background.  Voiceover throughout is male, calm, clear, quite sarcastic and the use of standard English- used to link everything and puts the narration together.
  • 9.  Zoom, tilting and panning- reading magazine headlines.  Dissolve- interviewee dissolves into picture.  Montage- Related by theme, mainly of Meatloaf at different interviews.  Simple cut edits.
  • 10.  A lot of magazine articles that are based around media stories about Meatloaf, have been used as backgrounds.  Meatloaf concert.  BRIT Awards.  Meatloaf music video (I would do anything for love)
  • 11.  The name of the person and relevance to the topic is always written inside a banner below with the interviewee. The name is often larger and capitalised and is placed either to the left or right of the screen during interviews and is written in a simple white font.
  • 12.  There is the “Music Biz” logo that is shown in the beginning and end of the documentary- showing that this is the series of the programme and anchors the theme of the documentary.